Connecticut history – In the Vintage Kitchen: Where History Comes To Eat

Found Underground: Artifacts Unearthed at 1750 House {Part Two}

Published on June 24, 2026June 24, 2026 by In The Vintage KitchenLeave a comment

When I pulled up a bone with teeth, the Pit project shut down for a few days.

Between the last post about finds in the Pit and this post, I’ve learned a lot more about trash pits vs. privy pits and the meaning of each in the local landscape as it relates to 1750 House. One surprising fact was that municipal city trash pick-up did not begin in my town until 1972, which means burying household trash in the backyard was still one of the most utilized ways to get rid of waste in the mid-to-late 20th century here in Connecticut. Learning as much, I’m fairly confident now that what I’ve unearthed in the lily bed is a trash pit, also known as a midden, that seems to date, based on objects found so far, to somewhere around the early 19th century, if not before.

The Pit – still easily hidden by so many lilies.

Picking up where I left off at the end of May, the Pit in June, continues to offer up interesting items in all shapes and forms, but pulling up a bone with teeth was one of the more startling finds. Discovered one day after finding three horseshoes, the moment the teeth slipped from a sidewall of dirt, I immediately connected the shoes and the bone. And then I began analyzing the situation. If I found a horseshoe over here, and a horseshoe over there, and a set of teeth across the way on this side, would that then potentially form the shape and size of a horse? It was an unnerving series of calculations. Had I unknowingly uncovered the burial site of someone’s beloved pet or stalwart farm animal?

Anything is plausible when it comes to life lived at an 18th-century house and the grounds that surround it. With a property of this age, one that has been mostly untouched by modern redevelopment, an assumption that love and death must surely have embraced each other across centuries prevails in more ways than one. When my husband and I first moved into 1750 House and were still getting used to the property, we discovered a large stone near a giant elm tree at the edge of the woods. The name Aslan was etched into one side, and the name Hilda was etched into the other side. Both were etched in the same primitive style writing and both were etched near similar spots in the rock, just on opposite sides. There were no dates or any other indication of who (or what) Aslan or Hilda might be, but it was our first introduction into the reality that lives long before us lived and breathed and were remembered here. And that tradition continues. In the four years since, we moved in, my husband and I have buried two poisoned wild crows who spiraled down from the sky one summer afternoon. We buried a wild baby rabbit that had perished after a fight with another animal. We buried an old squirrel that fell from a tree limb and an owl that fell into our chimney only to be discovered a year later. And most sentimentally, we buried our very dearly loved dog and cat in the garden a year apart over Labor Day weekend. How many other cherished creatures were laid to rest here in flower-lined pockets across two hundred and seventy-six years?

Out of respect for whatever the situation was, the Aslan and Hilda rock remains in the same place we found it, but I still always wonder about the story behind them. The bone with teeth was found far from where their rock lays, so it’s probably safe to assume it’s not associated with one of them. But then who else?

After carefully setting the bone aside in a temporary resting spot in the garden, and after consulting many animal anatomy diagrams and charts, I’ve come to the conclusion that these teeth most likely belonged to the jaw of a cow, not a horse, and were most likely the remnants of food waste tossed into the trash pit. For centuries, head cheese has been a delicacy throughout Europe and England. And traditional leather tanning involves utilizing certain parts of an animal to dress the fibers. So it’s relatively easy to understand how a jawbone and teeth could wind up in the Pit along with other evidence of food consumption – mainly oyster shells and other professionally clean-cut animal bones that have been found also. Having said that, this grisly side of farm and rural food life helps illustrate the vast variety of refuse added to the earth long before a city garbage truck rumbled down the lane. There in the Pit, among the cast-asides… the broken dishes, the flatware, the glass lamps, the iron farm equipment, the shoes, the car parts, the buttons, and the kids’ toys would naturally be leftovers from meals prepared and foods consumed. Today, if we had to record all the chicken bones, the fish skins, the beef ribs, the lobster claws, and the shellfish shells consumed over a month or a season or a year, we might be surprised to see what our modern-day garbage pit would look like, too.

Having decided that the teeth situation was one of sustenance or utility and not a burial site, recording of the dig resumed, and a new round of interesting objects came forth from the ground. This past week, I’m excited to share two of the oldest finds so far. Both are pastel-shaded glass jar tops and both were used for canning fruits and vegetables…

The amethyst glass lid might have been part of a pickle canning jar. It dates to the early 20th century. The lid was made by Karl Kiefer Machine Co. in Cincinnati, Ohio, sometime around 1913. It contains a unique design with an embossed circular center and four impressed notches. Included on the glass top are the words Karl Kiefer Patented with a letter P in the center. Karl Kiefer immigrated to Ohio from Worms, Germany, in the 1890s and set up his machine, glass, and equipment manufacturing company in Cincinnati in 1908.

A noted inventor, Karl held over 127 patents throughout his life, all revolving around industries and inventions related to food, mechanical equipment, and chemicals. The style of lid that I found in the Pit was made to fit a unique two-clasp style wire and bale closure system, which he patented in 1913. Below is his original patent drawings for the lid and clasp closure. Although I have yet to find the metal clasps in the dirt, in the second photo, you can see how the glass lid found in the Pit matches the drawing exactly.

The second glas lid I found is a really pretty shade of aqua. It was part of a Millville Atmospheric Fruit jar and is marked with the patent date June 1861. This is the oldest object in the Pit that I have found so far. It was made by Whitall, Tatum & Company in Millville, New Jersey, during the Civil War years. Attached with a thumbscrew metal clamp, once sealed, the jar had a very primitive aesthetic and closely resembles an antique ice hook.

Image Credit: Eric Polk, Orange County Fair, Costa Mesa, CA 2022

I haven’t found the clamp or the jar portion in the Pit yet, but maybe I’ll be lucky and find both. I did, however, find this fun midcentury newspaper article from the Journal Gazette and Times-Courier in Mattoon, Illinois, about a woman in 1951 who still had her mother’s Millville Atmospheric Fruit Jar full of cherries that was originally canned in 1880.

A testament to durability in more ways than one, vintage and antique glass holds up really well over time in the dirt, especially if left in whole pieces. Other finds this week included a clear glass lightning jar top from the 1920s, a whole, fully intact amber Squibb pharmaceutical bottle, and a small 3.25-inch unidentified turquoise bottle.

The Squibb bottle dates to the 1930s-1950s era, and tells the story of the birth of the modern pharmaceutical industry in America. What we now know as Bristol-Myers Squibb Pharmaceuticals was first E.R. Squibb & Sons, founded by Edward Robinson Squibb (1819-1900) in Brooklyn, New York.

After seeing 4/5ths of his immediate family pass away before he was 12 years old, Edward set his sights on a medical career. As a surgeon with the US Navy during the Mexican-American War, he was witness to the ineffective, low-quality, and not-quite-appropriate medications being used to treat patients. Following the war, he set up a lab in Brooklyn in the 1850s to experiment with making pure, highly effective medications for pain relief and anesthesia in order to improve the health of soldiers and citizens. Starting with ether and progressing from there, Edward’s medically sound, highly effective remedies turned out to be lifesavers for the Union Army during the Civil War and made Squibb a household name known around the world. By the 1920s, when the brown bottle that I found in the Pit was made, Squibb was a staple in household medicine cabinets around the country and was producing over 30 different types of remedies and wellness products for retail and medical industries.

Below are two advertisements from the 1930s that highlight Squibb’s vast catalogue of products. It’s interesting to note that Edward gave away his patents for free and was more interested in solving problems and healing the sick than making money from his medicines. The brown bottle I found in the Pit most likely held mineral oil or aspirin.

Glass in all shapes, forms, and colors has a constant presence in the Pit, and along with all white ceramic pieces is the most common and prolific thing unearthed. Aside from the exciting finds of whole bottles and glass lids, about 90 percent of the glass found in the Pit is broken into small slivers and shards, so these pieces are not saved unless it is a fully intact glass bottle neck. I have an idea for these for a future project that involves filing down the jagged parts to a smooth edge in order to make a peg-style knob rack for hanging kitchen linens. I’ not sure if what I’m imagining is going to turn out well in reality, but it would be a fun and functional way to display this colorful collection. So far, fifteen have been found…

Also newly pulled from the Pit this week: more all-white ceramic pieces, including six big chunks of a Homer Laughlin salad plate, complete with a backstamp dating to 1936. Finding it in big segments made it easy to fit it back together again…

More ceramic pieces for the brown and white floral collection were found this past week too. These latest additions yielded the opportunity to start fitting some of the pieces together in order to form a whole object. This one will most likey turn out to be a sugar bowl, a creamer, or a teacup.

It was also a great week for finding more patterned ceramic shards and two more pieces of the porcelain doll head. Now I can start to reassemble her face…

A few big chunks of stoneware pulled from the dirt last Thursday proved to be exciting finds, too. Especially for the crock. In the last post, the stoneware crock (on the left) looked like this…

With the inclusion of the new pieces found this past week, today, it looks like this…

When it comes to ceramics, I never assume that I’ll be able to find all the shards in the Pit to create an entire piece again, but it is exciting and also gratifying to be able to fit these old items back together again in order to see how they originally appeared. This is sort of like piecing history back together, too. The past is so full of broken bits of information and sporadic experiences. Stories from history just don’t generally tend to unfold in complete detail and understanding as from start to finish. It takes a lot of effort and insight (and oodles of research) to get the full story right. I find it very interesting that things found here in the Pit contain manufacturing dates from the 1860s all the way to the 1940s. I also find it interesting that remnants of shoe leather can be found nestled next to cow teeth that can be found nestled next to a delicate porcelain doll head that can be found nestled next to a five pound utiltarian stoneware crock that can be nestled next to a rusty nail or a mattress spring or a horseshoe.

We don’t often tend to walk away from events of the past with a clean break or a universal understanding of what once occurred. But piecing back together these tossed-away fragments of items found in the Pit, in some way, does offer up a greater understanding of history experienced not via reading about it in a book or seeing a setting recreated in a movie, but learning about it in real life under real circumstances via real objects. It’s a tangible way to understand that, at one point in time, it was not unusual to see teeth in your trash.

As for the lilies, the original muses of the Pit project, they are still growing strong and still being transplanted. As of this writing, I’m about 2/3rds of the way through the bed, and am happy to say that all the ones that have been transplanted thus far have taken up residence in their new garden spots in the most enthusiastic of ways. Some are even forming flower buds.

Transplanted daylilies share a bed here with yarrow, coral bells, and calendula.

Although the sidewalls have been expanded, the deepest part of the Pit still stands at 27 inches. This would be a mere top-layer sliver if it were a traditional privy, which can reach depths of 20 feet below ground. It is also still a high-line layer for a more modest trash pit, which generally tends to be anywhere from 3-6 feet in depth, so there is lots of digging and discovering left to do. In the meantime, I’ve figured out our plans to turn the Pit into a water feature once the archeological dig is complete. This is the inspiration for the finished project…

More discoveries from the Pit are coming soon. In the meantime, thank you so much for all the enthusiastic comments and emails regarding this project. I think it’s pretty exciting to be learning all about the house, the property, and the previous occupants at 1750 House in this new way, and I’m so glad that you are enjoying it too.

Until next time, cheers to the Pit and to the past residents of 1750 House for showing us more about daily life (and culinary adventures) than they probably ever actually intended.

{Note: This is an ongoing series detailing all the items found so far in a recently discovered early 19th-century trash pit located at 1750 House. If you’re new to this story, find Part One here.}

H is for Witchcraft: Kitchen Signs, Symbols & Artifacts Found So Far in the 1750 House

Published on May 15, 2022 by In The Vintage Kitchen9 Comments

Little stories are popping up everywhere these days. Renovations on the kitchen are underway, but there is nothing flashy and exciting to show quite yet since it’s mostly been electrical work, beam support, plumbing upgrades, and insulation clean-up. Once the kitchen gets framed out and the walls go up, the tiles go on, and the appliances get installed then we’ll be ready for more exciting room photos.

In the meantime, during all this cleaning up, clearing out and repair work the kitchen is beginning to share some secrets. I haven’t had a chance to research the origin story of the house yet, but the following items and information we have discovered during the renovation of this room over the last couple of weeks definitely gives us some insight into the lives of previous owners.

Trapped in between layers of blown insulation in a west-facing kitchen wall we found these three objects on the same day in the same area…

a spoon, a bullet, and the shearing half of a pair of scissors. All from different eras of history, they each offer a glimpse into the domestic atmosphere of life lived centuries ago.

The Antique Teaspoon {exact age unknown}

This antique silverplate teaspoon has a really detailed pattern with wheat sprigs, a scroll (most likely where a monogram would have been placed) and a fleur-de-lis type embellishment. Well weathered, but in one whole piece, this spoon is really quite a work of art…

No easy teller of time and talent, it is, unfortunately, unmarked as to maker and manufacturer. After many hours pouring over antique silverplate patterns, I can’t seem to find any exact matches, but I suspect that it dates to somewhere around the late 1800s. It seems like quite a fancy spoon for a simple style house so it has piqued my interest as to who it belonged to and how it wound up stuffed inside the kitchen wall. I’ll keep researching it, but if any of you lovely readers recognize the pattern design please share your thoughts in the comment section.

The Bullet {pre-1936}

Never having researched guns or ammunition before, this was a real deep dive into the world of historic firearms. This bullet, officially referred to as an ammunition cartridge, was made by The United States Cartridge Company. Located in Lowell, MA from 1869-1927, USCC was one of the largest suppliers of ammunition during WWI, and produced ammunition for both the military and civilian use. This type of ammunition in particular is called a rimfire cartridge, with gunpowder located in the middle section and the bullet located at the tip. The design is known as a pineapple (vintage kitchen theme approved!) because it explodes in multiple directions once it hits its intended target.

Rimfire was used in rifles and pistols mostly for small game-hunting, and marksmanship. A very popular style of ammunition during the late 1800s and early 1900s, it was even used by the Boy Scouts to garner merit badges in shooting.

After The United States Cartridge Company was purchased by Winchester Repeating Arms in 1927, production moved to New Haven, CT which is just 30 minutes down the road from the house. Geographically, it is fitting that a locally produced bullet would be found here, but there is no way to tell if this particular bullet was made in Massachusetts pre-1927 or in Connecticut. Either way, Winchester stopped making USCC branded ammunition in Connecticut in 1936.

Poster image courtesy of Historic New England

Perhaps this was part of someone’s military memorabilia or maybe this one was part of a pack of similar cartridges that were used in hunting the land around here. So far in the yard, we have spotted one deer, five turkeys, several doves and a family of rabbits so I can only imagine what a diverse food source this area would have offered for hunters and gatherers.

The Scissors {exact age unknown}

Although quite rusty, these primitive scissors look to be hand-forged and pretty old. Like the spoon, there are no marks or labels to help identify a maker or a year of manufacture but they are intact enough to see that they are short scissors, measuring just 4.5″ inches from the tip to the first turn of the handle. Here you can see them next to a pair of standard fabric sewing scissors to get an idea of size and shape.

Long considered a domestic industry, scissor-making encapsulates the design of over 150 different styles of scissors that run the gamut from small and delicate to large and mighty depending on the task at hand. Given the smaller, more fragile shape of these, I suspect they were made for more delicate tasks like sewing, bookbinding or papercrafts.

The Handforged Nails {circa 1800s} and The Wooden Pegs {circa 1750s}

Before nails held houses together there were wooden pegs that did the job. In the kitchen, we uncovered several areas in the rafters where you can see these wooden pegs. They date to 1750, the year the house was built.

If you recall from the previous post, we think the kitchen was added onto the back of the house sometime in the 1800s. That would explain the presence of antique nails in place of pegs found in the rest of the room. These three antique nails are square-cut box nails in 3″ inch and 1.25″ inch lengths. Known as a general, multi-purpose nail, square cuts were used for a variety of projects including flooring, framing and even box making.

We see them mostly in wall supports in the kitchen and plan on saving all of them for some future project. While doing all this cleaning and clearing it’s been fun thinking about who built this house and this kitchen addition. Was it a master carpenter? The original owner? A team of people or one family over many generations? I can’t wait to find out!

The H-Hinges {circa 1750}

All over the house, including the kitchen, original wrought iron hardware is fastened to original doors and cupboards. The type of hardware that holds it all together is called an H-Hinge. An incredibly popular style of hinged bracket used during colonial times, there is a bit of superstition wrapped up in its form and function that suggests why it was a favored domestic carpentry detail. According to legend, the H stood for holy and acted as a symbol of protection. Against witchcraft.

Don’t be nervous about all those paint splatters on the hinges – they haven’t been cleaned up in decades but we are up for the task!

Oh my. Once learning this info, I immediately refamiliarized myself with the Salem Witch Trials. They occurred in Salem, MA sixty years before our house was built but Connecticut also had their own similar witch trials that were held in Hartford from 1647 to 1663 and in Fairfield in 1692. The last recorded witch trial in Connecticut was conducted in 1697 – fifty-three years before the wooden pegs were hammered into place in our place. Hopefully, by now, any and all nefarious spirits have long been put to rest, but I’m glad to know the kitchen (and all the other rooms of the house!) will be safeguarded just in case the “possessed” happen to return:)

In addition to these items found inside, we have also found quite a few treasures out in the yard and garden too (more coming on that in a future post) that offer equally compelling glimpses into life once lived around here. It’s not enough to put a complete story together yet just based on what we have found so far, but it’s a start. With a little bit of luck and some dedicated research, more of a narrative will unfold. Cheers to history and to long-form storytelling!

A little preview at one of our outside discoveries – a rock named Hilda.

Further reading for Colonial home enthusiasts: Colonial Style by Treena Crochet

The Real History that Inspired Stars Hollow: An Interview and a Getaway, Gilmore Girls Style

Published on November 4, 2016November 4, 2016 by In The Vintage Kitchen4 Comments

View of Town Hall from Hickory HIll Washington, CT

If you are a serious fan of the show Gilmore Girls you already know that the fictional town of Stars Hollow was inspired by the real town of Washington, Connecticut. That’s the spot where show creator Amy Sherman-Palladino spent a magical weekend dreaming up the culture, characters and community of all things Gilmore.

At the time of her visit in the late 1990’s, Amy was in a little bit of a tricky spot. She had just pitched five television show concepts to a major tv network all during one meeting. The network passed on the first four – but in a last ditch effort to end the meeting on some sort of satisfactory and productive note, Amy threw out a vague concept about a show she was still muddling about in her mind. “There is this single mother and her daughter who act more like best friends than parent and child.”

“Okay great. That’s interesting. We’ll take that one, ” said the network (in a simplified nutshell). And then Amy panicked. She had no formal flushed out material for this snippet of a show idea. She didn’t know where it took place and at what time period. She didn’t know who the supporting characters were or the dynamics of these two feminine lifestyles. All she had was this mother and daughter jumping up and down in her head. The script was needed by the network ASAP. So she fled to Washington, CT – a place she had never been – for a quiet weekend of major thinking.

In a stunning stroke of serendipity, Amy saw Washington and then she saw her setting. Thanks to this 237 year old town with its historic villages, convivial atmosphere and captivating residents, this think-tank weekend laid the foundation for the show’s central cast of characters and the community in which they all circulated. Luke’s Diner, The Dragonfly Inn, Doosie’s Market, Chilton, the Town Square along with a host of other well-loved landmarks in and around Stars Hollow were all inspired in part on the equally charming real life landscape of rural Litchfield County, Connecticut.

washingtonct_collage2

Throughout all seven seasons of Gilmore Girls, town history has played an active role in the show with storylines that ran the gamut from quirky to sentimental. In today’s post we are chatting with Louise Van Tartwijk, museum director at the Gunn Historical Museum in Washington, Connecticut to learn more about the real history of her enchanting small town, the Gilmore Girls impact upon it and what it means to work as a modern day gatekeeper to the past.

Meet Louise - along with Gunn Historical Museum curator Stephen Bartkus (on her left) and Museum Council member Nicholas Solley (on her right) — Meet Louise , pictured here along with Gunn Historical Museum curator Stephen Bartkus (on her left) and Museum Council member Nicholas Solley (on her right)

Tell us a little bit about yourself. Are you from Washington, CT? If not, what brought you there? How long have you worked at the museum?

My husband and I moved to Washington, CT, in 2010, from the Netherlands in order to give our four daughters an American prep-school education. I am American-born, but married a Dutchman, and we lived together in the Netherlands for 25 years where our children were born and spent their earliest years. Subsequently, our girls have attended the Westover School in Middlebury, CT and The Gunnery School here in Washington.

gunnhistoricalmuseum — The Gunn Historical Museum, Washington CT

Tell us a little bit about the history of your town and the museum’s role in it.

Washington has a rich and multi-layered history. There is archaeological proof that Native Americans lived in the area along the banks of the Shepaug River, over 10,000 years ago. The first Europeans settled in the region in the early 1700’s and named the town Judea. Early Washington was largely a family-farming community, small mills developed along its streams and rivers, small businesses populated the center of town that was known at that time as “Factory Hollow.” The Congregational Church, the institution that founded the town, sat prominently up on the top of the hill, on the Green, together with The Gunnery, a school begun by Frederick Gunn in the mid 1850’s.

When the Shepaug Rail Road brought the train to Washington in the 1870’s, Factory Hollow became Washington Depot. The arrival of the train suddenly connected Washington with New York and other regions, and with this came the arrival of wealthy, artistic and community-minded summer residents from Brooklyn; and the rise of a local dairy farming industry.

The flood of 1955 devastated the town and as a result of the subsequent rebuilding, Washington Depot has the more modern yet quaint look that it has today.

While the train has not run in Washington since the 1940’s, New Yorkers are still drawn to Washington as a popular “hidden” weekend and summer retreat; and Frederick Gunn’s school still sits on the Washington Green together with the Congregational Church. Today, education is the main “industry” of Washington.

At the Gunn Historical Museum we see ourselves as the custodians of this rich history; keepers of the town’s past, responsible for the preservation of its archives, artifacts, photos and personal stories. This is a responsibility that we take very seriously because we know that understanding Washington’s past is the only way to truly understand what makes our town so unique today.

We know from the stories behind Gilmore Girls that Amy Sherman-Palladino modeled Stars Hollow after Washington and the experience she had there while writing the script. Do you feel the spirit of Washington translated to the TV show?

On the set with Gilmore Girls - the Stars Hollow town green — On the set with Gilmore Girls – the Stars Hollow town green

I don’t feel qualified to speak about how Washington was an inspiration for the Gilmore Girls, as I haven’t seen enough of the show. But, I do know, that this is a very unique town, as anyone will tell you who lives here. Washington is a very eclectic, talented and interesting community of friendly and very civic-minded people. The town has a very special subtle magic that draws people to it and makes them feel at home in a way rarely found anywhere else.

We all know each other in town, and to give you an example, there have been times when I am going into the Washington Food Market accompanied by my youngest daughter who in all seriousness instructs me outside the store to,”Not talk to anyone.” This is because she knows I will know nearly everyone in the store and suddenly a 4-minute grocery run will turn into an an-hour-long social event.

To give you another example of what it is like to live in Washington, my husband and I recently found a letter in our mailbox simply addressed to us as “Hans and Louise, Washington, CT 06793” (no last name and no street address). It made it easily to our mailbox!

There are some people who refer to Washington as “The secret center of the Universe” and others who refer to it as “Brigadoon.”

Are you, yourself a fan of the show? If so, who’s your favorite character?

To be honest, I have maybe only seen one or two episodes. So I can’t claim a favorite character yet. But what I do like about the show is its quirky humor.

The complete cast of Gilmore Girls — The cast of Gilmore Girls

Have you ever met Amy Sherman-Palladino or any of the gang from Gilmore Girls?

No. But I would love to.

Has Gilmore Girls impacted tourism to your neck of the woods and, if so, how? Has the museum benefited from such attention?

The Gilmore Girl impact has not happened yet, although we are anticipating substantial impact on the town for that weekend. {Note: Louise is referring to the Gilmore Girls Fan Festival which was just held in Washington, CT Oct 21st-23rd, 2016} The Museum was not included in the main GG tour. However, we do resemble the Stars Hollow Museum in the episode “Live or Let Diorama.” We are just the kind of small New England museum that people associate with the show and idyllic concepts of the American small town.

starshollow1 — A screen capture from the Gilmore Girls episode Live or Let Diorama.

For the Gilmore Girls weekend, we will have a preview of our upcoming exhibit, “Washington Speaks,” a history of Washington. There will be guides and docents on hand to walk people through the exhibit on that weekend.

We received a $100,000 grant from the State of Connecticut last year to create this exhibit. We are very excited about this preview of the exhibit and will use the Gilmore Girls weekend to show off what we are doing.

History states that George Washington traveled through Washington on several trips. Do you have any artifacts or items in your museum collection from his journeys?

No we don’t. But he did actually pass through the town and stayed a night at the Cogswell Tavern here in New Preston, one of Washington’s five “villages.” The General recorded this visit in his diary.

N.C. Wyeth painting of George Washington from the February 1946 edition of the Saturday Evening Post

What is your most favorite piece in the museum today and why?

We have any number of very interesting artifacts that become even more interesting when you get to know the town and the stories of the people who have helped shaped Washington over the centuries. At the present, my favorite artifact is the Jonathan Farrand Revolutionary War musket that was donated last year by his descendants. Farrand was an early Washington resident, back when the town was named Judea. He was a farmer, soldier, businessman and town official. He had seven slaves. I find that interesting. People do not know that the North had slaves. One of Farrand’s slaves, Jeff Liberty, fought in the Revolutionary War and became a free man. The Farrand musket is a beautiful artifact, full of symbolic significance. It will feature in the “Washington Speaks” preview at the Museum on Gilmore Girls’ weekend, as will the stories of Jonathan Farrand and Jeff Liberty.

What is one part of Washington, CT’s history that has most surprised you?

Probably the slavery issue. No one ever thinks of New Englanders having slaves. Several families who were among the town’s first settlers in the 1700’s had slaves, as did people in other Connecticut towns. And even in the 1840’s, while slavery no longer existed in Connecticut, abolitionism was not popular.

Frederick Gunn, who founded The Gunnery school here in town, on the town Green, was an abolitionist and as a result was forced out of the Congregational Church and even had to flee town for a while because of his abolitionist opinions.

Bill of Sale of a man named Peter in 1762 in Woodbury, CT. Image courtesy of the Mattatuck Museum. For a detailed timeline of slavery in Connecticut from the 1600's - 1800's click here. — Bill of sale for a slave named Peter in 1762 from Woodbury, CT. Image courtesy of the Mattatuck Museum. For a detailed timeline of slavery in Connecticut from the 1600’s – 1800’s click here.

Tell us about a typical day in your life as the museum director.

For over 100 years The Gunn Historical Museum has been a part of the Gunn Memorial Library. In 2015, the board of the Gunn Memorial Library and Museum decided to transition the Museum into financial and managerial independence, so as to allow it to become an independent 501(c) 3.

Gunn Memorial Library in the early 1900's (left) and pictured today. — Impressive in its sameness. On the left, The Gunn Memorial Library pictured in the early 1900’s and on the right, as it stands today.

This past year has consequently been a very busy one for me as we are moving into unchartered territory. A typical day for me involves, working with our curator and volunteers to oversea the work on our collections inventory, and work on our new permanent history of Washington exhibit. At the same time, I find time to do things such as writing for our Museum publication, heading up our Friends of the Gunn Museum membership drive and working on fundraising initiatives, which have become rather important given our push for independence from the Library.

A sampling of items in the museum's collection including a drum owned by revered local New England architect (and local Washington resident!) Ehrick Rossiter,, an old-fashioned seed spreader, antique photographs of local residents and buildings. Pop-up exhibits around town help keep history in the spotlight. — A sampling of items in the museum’s collection including a drum owned by revered local New England architect (and local Washington resident!) Ehrick Rossiter, an old-fashioned seed spreader, antique photographs of local residents, buildings and events. Pop-up exhibits around town help keep local history in the spotlight.

What are some of the challenges you face as a museum director in today’s world?

The expectations of sophistication and modernization. We want to move forward and yet, we want to keep our authenticity to the town and its inhabitants who’s world we preserve and reflect. The challenge is to find a good medium between keeping small-town charm, informality and coziness while accommodating the possibilities that keep unfolding before us in the fast-paced technological modern world.

If you could acquire one artifact from history (with expense not being a factor) what would you acquire for the museum and why?

Well, we can only acquire artifacts that have a tie to the town of Washington; so, I would follow-up on the rumor that the chair that George Washington sat in when he visited the Cogswell Tavern during the Revolutionary War, is still in the possession of a descendant of the Cogswell family. That would be great to acquire!

What museum events do you have coming up in the next year that will appeal to history lovers? Does Washington have any celebratory plans for the November release of Gilmore Girls: A Year in the Life?

At the Museum we are anticipating the opening of our permanent history of Washington exhibit. We have no opening date as of yet however. In the meantime we will continue to have smaller pop-up exhibits in town and museum programs dedicated to different aspects of the town’s history.

Gosh, I don’t know about the town’s plans for the November release.

If our readers visited Washington – what are the first three things they should do (other than visiting the museum of course!).

Hike in Steep Rock, our beautiful land trust. Have a coffee at Marty’s Cafe, a true town ritual. There are people in town who even have their “claimed” morning spots at Marty’s Café, and everyone knows this and will leave those spots open. Attend a Gunnery school ice hockey game at the Linen Rink on campus and share in the excitement at Mr. Gunn’s School.

gunn_collage3 — Clockwise from top right: Marty’s Cafe, the Gunn Historical Museum, Steep Rock and Gunnery School ice hockey.

One last question… if George Washington rode into town today do you think he’d recognize it?!

Yes, I do. Probably the biggest difference besides telephone poles, cars, paved roads, and a few more homes, is that we have more trees and less open farmland.

And there you have it, dear readers. A small town in rural Connecticut that has been inspiring both locals and out-of-towners for centuries from the Native Americans who first settled there, to U.S. Presidents who journeyed through, to Emmy Award-winning writers who captured its colorful spirit and to Louise who protects its significance and integrity every day.

Get caught up in the magic of this small town yourself by following Louise’s lead and visit: Steep Rock (a 2700 acre preserve made for hiking and camping in the bucolic Shepaug River Valley); Marty’s Cafe (where you can channel your inner Luke Danes) and the gorgeous Gunnery School campus where you can pretend you and Rory are heading off for a day at Chilton.

Pictured clockwise from top left: Hopkins Vineyard, Arethusa Al Tovolo; The Mayflower Grace; White Silo Winery and Haight-Brown Vineyards.

Additional area suggestions from two of our blog readers who just road-tripped to Washington in early October include: wine tours and tastings at these three local spots- Hopkins Vineyard, White Silo Winery and Haight-Brown Vineyards (raise a glass to Richard and Emily Gilmore while you are there!); dinner at Arthusa Al Tovolo farm-to-table restaurant (Sookie would totally recommend this place and Jackson would be happy that you supported local farmers) and indulge in an overnight stay at The Mayflower Grace (we know how a few nights there turned out for Amy Sherman-Palladino – just imagine what it could do for you!).

And of course please stop in at the Gunn Historical Museum and say hello to Louise!