In the historic baking world there’s a legend that springs from a yeast bread. Depending on the sources and the provenance of specific recipes, facts about this legend vary widely and wildly. In some tales she’s a 17th century girl, in others an 18th century woman. She was French. She was English. She was colonial American. She was an ordinary teenager, she was a famous baker, she was a lowly domestic servant. She had a name that was either Sally or Solange or Madame or Marie. She was a real human being but she then again she was a fake and then yet again someone else’s flight of fancy. For three centuries, this baking icon has tumbled through time on the flimsiest of resumes. This is the story of Sally Lunn and a cake (or it might have been a bread) that made her famous.
This weekend, after coming home from the market with a batch of blackberries that were so deliciously ripe they smelled like wine, I discovered a vintage recipe that is as difficult to describe as the lady it was named after. Called Fresh Blackberry Sally Lunn, it came from Meta Given’s 1957 Encyclopedia of Modern Cooking. Surprisingly, out of a stack of forty different vintage cookbooks spanning the early 1900’s to the early 1980’s, Meta’s book was one of just a few that contained any recipes for fresh blackberries at all. Homemade jam and blackberry pie unified the books that did include the fruit, but Meta’s was the only cookbook that combined blackberries with a cake in the name of Sally Lunn. I love any recipe that is unique and stands out. The name Sally Lunn sounded curious and since I’d never heard of her before I had a feeling this might be fun to share with you too.
Like the age old conundrum of who came first – the chicken or the egg – there are two different variations of a baked good that purportedly made Sally Lunn famous. One was a yeasted savory bread that looks like a cross between a bundt cake and a hamburger bun…
and the other is a sweetened tea cake that looks like something between a blueberry pancake and a cobbler…
You wouldn’t be wrong to call either variation a Sally Lunn, even though they are two completely different types of food. Because of that, her name has popped up in recipe titles in a myriad of ways. There’s the Sally Lunn Bun, Virginia Sally Lunn, Sally Lunn Bread, Sally Lunn Cake, Sweet Sally Lunn and just plain old Sally Lunn among others. Likewise, in indexes, you’ll find her popping up under L for Lunn, S for Sally or more specifically under category sections that include Cakes, Breads, Desserts, Baked Goods, Tea Cakes, Yeast Breads, Coffee Cakes, Coffee Breads, etc. So how could one possibly mythical person be identified with two types of very different yet specific baked goods over the course of hundreds of years?
As it turns out no one knows. And thus far it has been impossible to authentically identify any true source that leads to Sally and the bread and cake that share her name. Lots of ideas about her float around. She was a teenage maid servant named Sally Lunn who delivered a newly invented bread to her master of the house, who in turn delightfully named it for her. She was a talented French baker named Solange, who escaped to a bakery in England where she began to make a popular brioche-style confection that looked like the rising of the sun. She was a working class woman in 18th century England crying out her name in the streets as a sales tool for the bread that became her trademark. There’s even a historic eating house in England that speculates they might have been the site of Sally’s original bakery in the late 1600’s.
I like to believe the theory that Sally Lunn was an actual baker living in 1700’s England. The story details how she invented a sweet yeast bread that became very popular at first locally, then regionally, then across the sea. With this theory, it makes sense then that references to Sally Lunn would have shown up in early American cookbooks, a favored recipe brought over by the English as they colonized America. Possibly, at some point in history, when yeast either became too expensive, or there was a shortage, a non-yeast cake version was invented by some other creative and clever baker in the 1800’s who used all the same ingredients of Sally Lunn bread minus the yeast. Thereby keeping the name Sally Lunn in the recipe title. By the time, the 1950’s rolled around perhaps Meta made her own creative choice by marrying blackberries into the non-yeast version Sally Lunn cake. Whether this is an accurate assumption or not, no one will ever know for certain unless some of Sally’s baking notes happen to show up. But with all this mysteriousness that surrounds Sally and her two contributions to the baking industry, I think she’d be happy knowing that at least her name stayed attached even though the origin story didn’t. It is after all, the ultimate branding success story, 1700’s style!
Meta Given was a legend in the culinary world in her own right. A nutritionist at heart, she set out to write some of the most comprehensive cookbooks of the 1950’s that included recipes for people across the entire economic spectrum. Her books featured everything from thrifty staples like squirrel stew to elegant French dishes with layered sauces and nuanced flavors. Her mission was to make cooking fun, enjoyable and accessible for everyone while also making it nutritious and creative. I’m so pleased to present her lovely sweet treat of a dessert that highlights the juicy, sun ripened flavors of blackberries nearing summer’s end. What I love about this cake in particular is that it is pretty healthy – using small amounts of sugar, butter and flour. The blackberries really keep the cake moist and add a familiar sweet tart flavor similar to cobbler but with a velvety more dense consistency like a blueberry pancake. If you wanted to add an extra dash of sweetness you could drizzle the whole cake with honey or follow Meta’s suggestion of adding a lemon sugar glaze once the cake is out of the oven, but I loved it just as it was… simple and summer-y.
Meta Given’s Fresh Blackberry Sally Lunn Cake
1 pint box of freshly picked blackberries (enough for 2 1/2 cups)
1 tablespoon sugar
1 1/2 cups all-purpose flour
2 teaspoons baking powder
1/4 teaspoon salt
3 tablespoons salted butter, softened
2/3rds cup sugar ( I used raw cane sugar)
1 large egg
1 1/2 tablespoons lemon juice
1/2 cup sour cream*
1/2 cup whole milk*
(*Note – The milk measurement was left out of the original recipe, but was included in a revised edition in 1959. I used the sour cream/milk combination but you can also substitute those two ingredients for 1 cup of buttermilk).
Preheat oven to 375 degrees. Butter well an 8 1/2″ inch springform cake pan.
Drop berries into a bowl of cold water to rinse and remove any stems or leaf debris. Swish berries gently and then by by hand remove them to a colander to drain. Once the berries have drained in the colander transfer them to a medium size bowl and gently toss them with 1 tablespoon sugar. Set aside.
In a separate bowl, sift the flour, baking soda, and salt together. Set aside.
In another bowl, whip the butter, sugar and egg together until creamy. Stir in lemon juice using a wooden spoon and then add the flour, sour cream and milk, blending until smooth.
Gently fold in the blackberries until just well distributed. Turn batter into prepared pan.
Bake until golden brown (about 40-55 minutes) or until a toothpick inserted in the center comes out clean. Once ready to remove from oven, let cake cool slightly in pan on a cooling rack before serving either lukewarm or at room temperature.
In addition to enjoying the end-of-season fruit harvest this month, Fresh Blackberry Sally Lunn cake also freezes well. So if you choose that storage method you’ll still be able to taste the warm days of summer even on the coldest winter nights. And because it does have a pancake-esque quality to it, it wouldn’t be terrible to serve it for breakfast or even alongside a summer salad for brunch or lunch. This Fall, I’ll share the other version of Sally Lunn as we dive into bread baking season to see how these two, and if these two compare in any way other than by name.
In the meantime, cheers to Sally and to Meta for baking delicious food that withstands not only multiple decades but multiple centuries too! If you are interested in learning more about Meta and her cookbooks, find a few in the shop here. The Williamsburg Cookbook will also be heading to the shop shortly as well, in case you want to catch up on your colonial fare before heading into the holiday season. Find that one coming to the cookbook section shortly. And finally, this cake was styled using the lovely vintage 1960’s Italian cut glass cake stand which you can find in the shop here.
Happy August! As promised in the last post, here is the article written for Artisans List that highlights the beauty and joy of a vintage style picnic. We’ve got just six weeks left before Autumn officially starts, but rest assured that doesn’t mean that picnic season, as we most traditionally know it, is over. There are plenty of Fall foliage opportunities for all you Northerners intent on a day trip and a dine out in nature. If you happen to live in the Southern half of the hemisphere than lucky you – everyday is a good day for a picnic no matter what time of year. When we settle into the cooler months, I’ll also be featuring two outside of the box picnic ideas – the carpet picnic and the car picnic – both which promise to hold as much fun as their summertime counterpart. So stayed tuned on that front. In the meantime, six full weeks of summer still await. From somewhere I can hear a basket calling your name…
Twentieth century foodie, gourmand and all around good cook, James Beard declared that “picnicking is one of the supreme pleasures of outdoor life.” Indeed. No other dining experience seems quite so decadent. The fresh air, the natural setting, the creative food choices, the deliciously idle intentions. Picnics have a wonderful way of engaging all of our senses in such a fantastic way. It’s almost overwhelming.
Those first few moments at picnic’s start – when you are dizzy with the view and the weather and the notion of doing nothing but relaxing and reveling in food and friends – is satisfaction enough. But then a truckload of simple delights follow one right after another. There is that liberating sensation of kicking off shoes and wiggling bare toes in soft grass. The crisp, snapping action of the picnic blanket as it unfurls from containment, joyfully sailing on the breeze before floating to the ground. There is the laying out of the carefully wrapped food parcels and the first sip of a celebratory toast. The giddy laughter, the bird songs, the sound of leafy trees dancing on the breeze… suddenly you are aware of the musical vitality of nature and yourself in it.
On a picnic, the world shines newly bright with details mostly overlooked in the hustle bustle routine of everyday life. It is an activity that encourages you to stop and to breathe and to melt – into your surroundings, into your friends, into the food that makes up your lunch or your dinner or your breakfast time snack. Yes, picnics are a triumphant and pleasurable experience. And there’s no better season for them then right now. In today’s post, we will be discussing the art of of the vintage picnic – how it came to be, how it shaped us, and why we still need to celebrate it now. Highlighting a handful of old, but still very relevant recipes, this post also offers suggestions on how to build your own vintage picnic experience so that you too can succumb to the relaxing style of outdoor eating that our ancestors favored so long ago. It’s history in a most delicious form, unveiled, just as we are about to round the corner towards the 4th of July, the most popular picnic holiday of the year.
This idea of eating outdoors from a basket on a blanket is no trend. It has been around for centuries and has taken eaters on a plethora of picturesque adventures. But it wasn’t always a simple act. At first, outdoor dining began in grand style. Lavish entertaining in lavish settings. In the 1700’s, there were the hunting after-parties which made glorious outdoor feasts of animals bagged from the day’s sport. Garden gatherings in the 1800’s involved fine china, silverware and fancy dress. Plein air luncheons in the early 1900’s focused on seasonal foods, artistic creativity and exquisite manners. Today, picnics involve technology fueled cooling mechanisms, compartmentalized backpacks and fitted amenities made for details and devices. Needless to say, the desire to picnic has never been lost, but the way we eat outdoors has evolved quite a bit over time.
Nowadays, anything goes when it comes to picnic style and presentation. An impromptu paper bag lunch for two in a city park can be just as engaging as a thoughtfully prepared country basket for six. But just like any activity worth doing, there is a certain art form to a well produced picnic that makes for a more pleasurable experience. The vintage-style picnic favors china plates and real glassware, classic cocktails and linen napkins, and most importantly, homemade food. It is the sort of affair that wraps you up in a long, restful lazy day adventure fueled with time-honored tradition and attention to detail. It discourages anything fast or obtuse- like technology and frenzied time schedules and plastic utensils. It champions a slower, simpler and more relaxing rhythm. The type of experience that not only feeds your appetite but also your senses, your spirit and your sanity. Basically, a vintage-style picnic is a big, long break in your day meant for resting, relaxing and restoring through small details… the time-worn touch of an old plate, the taste of an heirloom recipe, the time-out of technology, and the tune in to your natural surroundings.
Legend loosely states that the word picnic stemmed from the French pique-nique which derives from the action of picking and selecting small spots or things. Originally, pique-niques were more like potlucks, in that all invited guests were asked to contribute a little food or drink for the group to share together. But it was England, in the 19th century, not France who created the picnic in the modern sense that we know it as today. Both a mealtime and a leisure activity, the English made picnicking a deliciously long-term and lengthy event that could last all day and well into the night if done right. They played games, read books, plucked instruments, talked, sang, painted, swam, flew kites, played sports and generally just all around enjoyed themselves while snacking on small plates of assorted foods from wicker hampers and baskets.
In America, prior to the Civil War, there were no lackadaisical, carefree picnic outings. If any outdoor eating occurred before that time period, it was eating en masse – generally a large sociable event where whole communities of people turned out to enjoy a barbecue or a church social or a political rally. The Victorians ushered in more intimate, family-style picnic parties, rambling in close proximity to home, as their appreciation of nature and outdoor enthusiasm bloomed in the late 1800’s. But the rise of the automobile, the building of the U.S. highway system, and the introduction of drive-up motor lodges and nationals parks all encouraged a whole new independence when it came to on-the-go eating as the 20th century began. Suddenly, the English style picnic took hold as Americans began exploring their more easy-to-navigate country. Economical, spontaneous and available to everyone, picnics naturally turned destinations into dining opportunities. All you needed was a basket, a blanket, a small collection of foodstuffs and an adventurous spirit. Outdoor eating euphoria had arrived!
Back in earlier centuries, outdoor eating meant bountiful quantities and dramatic fare. Whole animals roasted over fire pits, multiple courses served by domestic staff, exotic ingredients, rich foods, elaborate presentation. But as outdoor dining began to evolve over time into smaller parties and simpler affairs, the food that accompanied it changed also. As serving staffs diminished and people became more independent, picnics and the baskets they represented, became simpler – filled with foods that could be easily made, easily transported and easily unpacked. By the time the mid-20th century rolled around, there was a definite type of picnic fare anticipated and defined by the activity. Fried chicken, salads and deviled eggs topped the favorites list, along with hot dogs, sandwiches, pies, cakes, bread and fruit.
The picnic basket spread out before you in this post highlights vintage recipes that capture that same essence of familiarity and practicality, while also providing a well-rounded balance of flavors and tastes. Vintage recipes include Sicilian-Style Marinated Olives, Oven-Fried Chicken, Deviled Eggs, Cheese Straws and Blueberry Tart. Americanos join the party as a refreshing aperitif to toast the season and the stars.
Ranging from the 1960’s to the 1980’s, these recipes came from a handful of treasured vintage cookbooks. They pair gourmet creations from famous chefs like James Beard with regional favorites from lesser-known sources, like the ladies of the Junior League of Huntsville, Alabama. Covering all matters of taste from sweet to salty, savory to sour, they are considered traditional picnic foods, but each contains an unusual twist in the form of a cooking method or an ingredient pairing that makes them both interesting and innovative. Whether you make all of these recipes at once for your next outing or just focus on a dish or two to sample and try, you’ll discover that all of these options listed here are steeped in simplicity. Almost all of them can be made a day or two ahead of time, so that your restful day of picnicking doesn’t include you running around the kitchen like a crazed cook.
And, just one more note before we get to the recipes. While food is obviously the main attraction in a picnic, the vintage-style picnic places just as much importance on the accessories that go along with it as well – a.k.a. the servingware. While it is true that we may no longer entertain as formally as we did in centuries past, there is something lovely about incorporating some little niceties into your basket in the form of linen napkins, china plates and glass drinkware. These details add an elevated aesthetic to your picnic that reflects the elegant English versions of yesteryear, and really just makes for a nicer overall dining experience. A cocktail enjoyed from a plastic cup or a homemade dessert pierced with a plastic fork is never quite the same experience as using real glass and real flatware. Even James Beard agreed about that point. “Skimp on all the other dishware if you have too – but never on the glassware for your cocktail,” he advised.
A few vintage items featured in this post are a handwoven picnic basket from the 1930’s, a matching set of W.H. Grindley hotelware salad plates made in England (also in the 1930’s) and a handful of embroidered vintage linens in various shapes and sizes. Vintage restaurantware dishes in general are a great choice for picnics because they are heavy duty and aren’t quite as fragile as delicate ceramic or porcelain dishes. Salad plates or bread and butter plates are also the perfect size for your small snack needs and aren’t as bulky to pack as dinner sized equivalents. Likewise, vintage tablecloths make ideal picnic blankets thanks to their soft fabrics (decades of washing and drying!), variety of sizes and nostalgic designs. As you build your vintage accessories collection, you’ll also notice that these elements have a fun way of engaging people in conversation too. Each item in your basket expresses its own unique story. When packing all these elements up I like to designate the sturdy picnic basket for fragile foods, a separate tote bag for the servingware and linens and an additional tote for drinks and ice. That way everything remains intact from the moment you leave your kitchen to the moment you arrive at your destination.
Americano (serves 1)
1 1/2 oz. Campari
1 1/2 oz. Sweet Vermouth
3 oz. Club Soda
Twist or Slice of lemon or orange for garnish
Add the Campari and vermouth to an old-fashioned glass. Add ice cubes and club soda. Stir to combine. Garnish with a slice or twist of lemon or orange.
Marinated Olives, Sicilian Style (from the Silver Palate Good Times Cookbook, 1985)
1 pound Ligurian, Nicoise or Greek Olives or a combination, drained
8 cloves garlic, cut lengthwise in half
Zest of 1/2 orange
Zest of 1/2 lemon
2 tablespoons fennel seeds
1 tablespoon chopped fresh rosemary
1/2 cup fresh lemon juice (about 2 lemons)
3 tablespoons olive oil
Combine olives, garlic, citrus, fennel and rosemary in a large bowl. Drizzle with lemon juice and oil. Marinate, stirring occasionally at room temperature at least 24 hours.
Cut the hard-boiled eggs in half and remove the yolks to a small bowl. Mash yolks with sardines, onion and parsley. Blend with mayonnaise until you reach ideal consistency then fill each egg half. Chill in fridge until ready to pack into your picnic basket. These can be made up to 24 hours in advance. * If you don’t have a portable egg carrier, disposable muffin tins make a great alternative.
1/3 cup butter, melted but cooled to room temperature
6 cups corn flakes, crushed
Preheat oven to 375 degrees. Combine the garlic, salt, pepper, herbs, parsley and melted butter in a shallow dish and mix thoroughly. In a separate shallow dish add the crushed cornflakes. Dredge each piece of chicken on both sides in the butter mixture and then coat them on each side in the cornflakes. Place the prepared chicken on a lightly greased cookie sheet and bake for 20 minutes or until chicken is golden brown and crispy. *Note: This chicken recipe will loose its crunch factor the longer it sits. So if you are picnicking, this should be the last dish you make before packing the picnic basket and heading out the door. That being said, it’s still wonderful hours later or even the next day, but the corn flake coating will have a more breaded consistency rather than a crispy crunch.
1 lb. New York State sharp cheese (or any sharp cheddar), grated
3/4 cup butter
2 cups flour
1 teaspoon salt
1/2 teaspoon red pepper
smoked paprika for garnish
Leave both the cheese and the butter out overnight on the counter to soften. The next morning, preheat the oven to 350 degrees. Mix all the ingredients together (except the smoked paprika) in a medium bowl by hand. Knead the dough until it turns into a consistency like play-doh. Form into a ball shape. On a lightly floured pastry cloth, roll the dough out firmly to 1/4 inch thickness with a wooden rolling pin. By pressing it into the cloth with the rolling pin, you’ll be able to smooth out any crumbly or wrinkly areas as you work. Using a small star shaped cookie cutter, cut out the stars and place them on an ungreased cookie sheet. Bake for 12-14 minutes or until lightly golden in color. Let stars cool on a rack and dust with smoked paprika just before serving.
Homemade Blueberry Tart (recipes adapted from the Smitten Kitchen and Martha Stewart)
For the tart shell:
1 1/2 cups all-purpose flour
1/2 cup confectioner’s sugar
1/4 teaspoon salt
1/2 teaspoon cinnamon
9 tablespoons very cold (or frozen) butter, cut into small pieces
1 large egg
In a large bowl, mix the flour, sugar, salt and cinnamon together. Add the chopped butter pieces and blend with with a fork until the mixture resembles small bread crumbs in various sizes. Add the egg and mix until combined. Form the dough into a ball, wrap in plastic wrap and chill in the fridge for at least 2 hours.
Butter a 9-inch tart pan (the kind with a removable bottom). Place the chilled dough on a lightly floured pastry cloth and roll out to a size big enough to accommodate an extra 1/2 inch of dough in diameter when placed in the tart pan. Add dough to pan, trim any excess dough beyond the extra 1/2″inch that hangs over the sides. Fold the remaining 1/2″ inch of dough back into the tart pan, so that you are re-enforcing the side walls with an extra layer of dough. Pierce crust all over (bottom and sides) with a fork. Place tart pan in freezer for at least 45 minutes.
Preheat oven to 375 degrees. Remove tart pan from freezer and place directly in oven for 20-25 minutes or until the tart shell turns a soft golden brown. Remove from oven and let cool on a rack.
For the blueberry filling:
6 cups fresh blueberries
2/3 cup cane sugar
1/2 teaspoon cinnamon
1/2 teaspoon nutmeg
4 tablespoons all-purpose flour
3 tablespoons fresh lemon juice
pinch of salt
In a medium saucepan, bring 1/4 cup water and 1 1/2 cups blueberries to a boil over high heat. Reduce heat and let berries simmer, stirring occasionally for about 4 minutes.
In a small bowl mix the flour with 4 tablespoons of water until smooth and then add to the blueberries in the pan. Next, add the lemon juice, sugar, salt, cinnamon and nutmeg. Bring to a boil and then reduce heat. Let the mixture thicken for about 1 minute. Remove from heat and stir in 3 1/2 cups of blueberries. Immediately, add this hot blueberry mixture to the tart shell.
Sprinkle the remaining cup of fresh blueberries across the top of the hot mixture, gently pressing the berries down so that they stick into the hot mixture enough to bind them together. Place the tart in the fridge for at least 30 minutes or at most overnight.
Additional Picnic Companions
One of the joys of picnic fare is the ability to snack and nibble on little bits of food at whim throughout the day. Since the original pique-nique days, small has been the favored size and serving proportion. For that purpose, a wooden cutting board filled with fresh fruit, a sampling of cheeses, cured meats, fresh herbs and bread offer an infinite number of little edibles that can be combined in interesting ways with the food options listed above. From chicken baguette sandwiches to cheese and crackers to deviled egg wrapped prosciutto, variety runs the gamut. The picnic board here included rainier cherries, strawberries, blackberries, raspberries, goat’s milk Gouda, cave-aged cheddar, blueberry Stilton, herb stuffed salami, thinly sliced prosciutto, Genoa salami, a bouquet of fresh herbs and a French baguette.
Finally, when bellies are full and appetites satisfied, the vintage-style picnic experience celebrates and salutes the pursuit of leisurely activities. There’s no rushing to clean up or clear out once you finish eating. The whole, blissful idea behind a vintage-style picnic is to stay awhile and relax into yourself and your surroundings. One of my most favorite picnic activities is bird watching and tree scouting. I usually tote along a couple of species guides and a pair of binoculars, so that I can identify what’s flying over and growing up around me. Other fun activity suggestions (depending on your setting) include painting, sketching, walking, kite flying, playing cards, reading, talking, napping, swimming, collecting and just appreciating the people and places that share your afternoon.
The world is a beautiful place. Time is a priceless gift. Eating is a ceremonial act. The art of the vintage picnic reminds us of that. Just as it has in the past and will continue to do so in the future. Wherever your picnic adventures take you this summer, I hope they are magical and delicious. Cheers to dining out in nature. Hope it is your best meal yet!
In 1965, when James Beard published his new cookbook, Menus for Entertaining, he had one thing in mind… generosity. Unlike his 14 cookbooks published previously, all of which taught readers how to prepare good food, this one focused on the largehearted act of cooking for other people.
A subtle change from his more tutorial-style instruction favored in earlier cookbooks, this one captured an idealized, ethereal expression of how to combine the art of being a good cook with the art of being a thoughtful host. Two concepts that, surprisingly, don’t always meet up in the race to put a good meal on the table.
There are lots of elements that can inspire one to cook. Maybe it’s a particular ingredient or a time constraint, a season or a health reason, the weather or a garden, a particular holiday or a memory, a special piece of cooking equipment or a celebratory event. And there are lots of fundamental reasons to prepare a meal: to satiate, to learn, to nourish, to educate, to create, to boast. In James’ case, in this cookbook, his inspiration was people and his reason was gratitude.
“There is no greater reward than pleasing your audience,” James shares in the introduction. His cookbook was not only about preparing something delicious, it was also about spoiling his guests, about indulging the valuable time spent together, and about presenting a thoughtful, custom dining experience. Like a play or a live performance, this type of entertaining is a nuanced event. Something wrapped around food and friendship equally. To James it meant paying as much attention to what you were serving as to whom you were serving and why.
For example, if James wanted to throw a dinner party and wanted to include a certain guest whom he knew was on a diet, he would plan a light and low calorie menu for the night, making sure that it didn’t skimp on flavor but was fully satisfying for everyone, dieters or not, without being calorie heavy.
Or if he had a friend who longed to travel to Germany but couldn’t afford the plane ticket, James would plan a whole dinner party around German foods from start to finish complete with music and wine and Bavarian-style decorations. By putting focus on this German lover’s interests, it was his thoughtful way of acknowledging, satiating and celebrating his friend’s wanderlust.
This idea of unselfishly cooking for other people in an effort to please them and care for them is a notion that really hit home these past dozen weeks while I’ve been away from the blog. I spent the time in Florida, in and and out of the hospital with my sick dad as he fought hard through infections and medical procedures, rehab and rest. While I was there, I was overwhelmed by the love and support that people showed my family through gifts of food. From the vendor at the farmers market who tucked extra pastries into our packages, to neighbors who stocked the fridge with homemade meals, to family friends who stopped by with treats in their hands and empathy in their hearts, it was these thoughtful gestures of kindness that helped sustain and support our spirits during a daunting time. Like James suggests in his book, cooking is one of the kindest, most fundamental things that you can do for another person, so you might as well throw your heart into it and fill the effort with joy and passion.
On Friday over on Instagram, I posted a picture of this homemade pear tart which was made with the Rich Pastry Dough recipe from James’ 1965 cookbook.
This was a thank you food parcel too. A gift for my friend, Diane, who shared her vintage cookbook collection with me while she was packing up to move. Like James in 1965, and the wonderful people in Florida in 2019, I wanted to thank her for her kindness with a homemade dessert. One that could be easily kept and consumed over the weekend while she moved from one house to another. I wanted to make something for her that could be eaten on the run for breakfast or enjoyed by slice or sliver late in the afternoon when the moving boxes might seem endless and energy levels might be in need of a boost. Either way, tarts are very accommodating in that department. They travel well in the car, can sit on the counter all day, and can be eaten, provincial style without any need for plates and forks.
This pear tart in particular, is also a good transition dessert between Winter and Spring, and the wonky weather that always seems to be sorting itself out in March as the temps fluctuate between hot and cold. Comforting cinnamon and in-season pears are nods toward Winter, while the thin buttery crust with flecks of lemon rind adds a light, fresh note for Springtime. Diane’s husband is also a collector of vintage French cookbooks, so it seemed fitting to make a classically French dessert, but with a slight James Beard twist for them. This crust includes egg yolks, lemon rind and lots of butter and the filling is a combination of Julia Child’s pear tart, James Beard’s apple tart and my sister’s homemade apricot jam. (Note: If you don’t have a jam-maker in your family, don’t worry. Any good-quality, corn syrup-free store bought jam will work too.)
Whether you make this for yourself or as a gift for someone else in your life, I hope you enjoy every part of the process of making it and presenting it. That’s what James would have wanted and what he hoped for when creating his cookbook so many decades ago.
James Beard’s Rich Pastry Dough circa 1965
Makes 1 2 crust pie or 2 shells
2 cups unsifted flour
3 tablespoons sugar
1/2 cup butter
1/4 cup vegetable shortening ( I used butter)
1 1/2 teaspoons grated lemon rind
2 raw egg yolks
1/2 teaspoon sea salt
Make a well in the center of the flour. Add sugar; butter, not too hard, not too soft, cut in small pieces; vegetable shortening cut in small pieces; lemon rind; eggs and salt. Work quickly with finger tips to make a smooth, firm pastry. Dough should form a ball and leave tabletop or bowl fairly clean. Chill dough ball in the fridge for at least 30 minutes before rolling.
Remove dough ball from fridge. Cut in half. Roll out one half of the dough on a floured work surface. Transfer rolled dough to tart tin and remove excess dough from the sides. Using a fork prick the dough all over the bottom and sides. Chill unbaked tart shell in pan in the freezer for 2 hours.
After two hours, remove tart pan from freezer and place immediately in a hot 450 degree oven for 10 minutes to pre-bake. Remove from oven and let cool in pan on a wire rack while you assemble the filling.
Pear Tart Filling
4 ripe pears
1/4 lb butter
1 teaspoon vanilla
1/2-1 teaspoon cinnamon (depending on taste preference)
1 splash of white wine
2 tablespoons cane sugar + 2 more tablespoons for sprinkling
1/8 teaspoon salt
A dash of nutmeg
Juice of half a lemon
Leaving the skins on, dice two of the pears into quarter inch pieces. Add them to a small saucepan along with the butter, vanilla, cinnamon, white wine, salt, 2 tablespoons sugar and nutmeg and bring to a boil. Reduce heat and let simmer until most of the liquid is evaporated (forming a consistency close to thick and chunky applesauce). Remove from heat. Let cool.
While filling is cooling cut the remaining two pears in half. Then lay them cut side down on a cutting board and carefully slice them vertically into paper-thin slices.
Spread the filling evenly into the pre-baked tart dough. Arrange the pear slices in a circular fashion on top of the filling. Squeeze lemon juice over the pear slices and sprinkle with 2 tablespoons cane sugar. Bake in a 350 degree oven for 30 minutes or until pears and crust are lightly brown on top.
Remove from oven. Spread a thin layer of apricot jam over the entire tart and let cool to room temperature.
Last November, my husband and I traveled through Gearhart, OR where James Beard grew up, spent childhood summers and eventually after a long and hardy life, became the final resting place for his ashes. We were hoping to see a glimpse of his life in town. Perhaps a restaurant named after him or his childhood house now a monument to visit. But there were no obvious signs. There was just a big stretch of beautiful ocean and the sound of the sea. Maybe that summed up his impact on the 20th century food scene best… a massive presence that still ripples through our modern days making us feel inspired, and impressed, soothed and comforted.
Cheers to James Beard, to good friends and to thoughtful food! Interested in learning more about James Beard? Discover a few of his cookbooks, including Menus for Entertaining, in the shop here,here and here.
Although it was invented technically in 1927, television didn’t make a widespread appearance in homes until the 1950’s. And cooking shows didn’t reach their heyday until the 1990’s. That means there was no Food Channel, no Great British Baking Show, no Martha Stewart. If you wanted expert instruction in the 1920’s on how to bake a festive looking cake for the holidays you basically had four options as far as guidance… your mom, your grandmother, your favorite cookbook or your favorite radio show…
Very reliable sources for sure, those options would have definitely produced a delicious, time-tested cake that everyone enjoyed, and had been enjoying for years and years. But none of those options would have been able to show you how to make something new and innovative. For that you would have had to go to Chicago – to the Wilton School of Cake Decorating, where you’d get expert hands-on-training on how to make the most pretty and modern cake of the holiday season.
Started in 1929 by confectionery artist Dewey McKinley Wilton, the Wilton School first taught classes to area pastry chefs in the hotel industry. Dewey had a special relationship with these guys in particular. As a traveling pulled sugar expert, Dewey would show up in hotel kitchens around the Midwest when the pastry chefs needed an extra bit of magnificence to wow their hotel guests.
Most of these pastry chefs were wonders themselves in the cake baking department, having been trained in Europe, and were very proficient with a frosting knife and lofty buttery layers. But they weren’t quite as familiar with Dewey’s flair for pulling sugar into hardened shapes and intricate designs.
Quite curious, they wanted to know about techniques, about processes, about possibilities. And most importantly, all these pastry chefs wanted to know how exactly a pot of boiling melted sugar could eventually turn into a big, brilliant ribbon or a bird or a crunchy piece of abstract art. Dewey was more than happy to share what he knew, but after so many pastry chefs in so many hotels kept asking so many of the same questions over and over again, his entrepreneurial spirit kicked in.
Instead of telling each chef, one by one, how pulled sugar was done, he realized he needed to be teaching one class geared towards many minds. So that’s what he did. He started the Wilton School of Cake Decorating in the dining room of his house in 1929 and charged $25 a class for an expert lesson on how to pull sugar and make hard candies. The class filled up in a jiffy. Nothing excites a pastry chef more than a newfangled way to decorate a sweet treat, and in all that sugary merry making of the new School there was plenty of learning going on. While Dewey was teaching his students, he was also learning about their classical European ways to bake, frost and assemble cakes in eye-catching ways.
Soon word spread beyond the pastry chef community. The school was fun and informative and produced the most spectacular and delicious cakes the Midwest had ever experienced. People started arriving for instruction from other towns beyond Chicago, and then other states beyond Illinois. Home cooks, caterers, food economists and restaurant owners were clamoring to learn Dewey’s special way with cakes – a method he wound up calling the Wilton Way – which combined the best parts of European baking with simple easy-to-replicate American designs.
Now getting ready to celebrate its 100th birthday in a few short years, The Wilton School of Cake Decorating and Confectionery Art still remains a bustling educational center for all baking aficionados. Determined to create interesting and engaging art through butter and suagr, Dewey and his following generations grew the business into not only a school, but also a food product and accessories line that can be found in most grocery stores around the country today as well as on their website. They even offer online classes for those who can’t make the trip to Illinois to join the fun in person.
That’s a pretty remarkable career for any business, let alone one in the baking industry where it can be difficult to remain innovative and approachable at the same time. Thanks to Dewey’s Wilton Way and his easily accessible method, he helped dispel the myth that cake decorating was an intimidating, complicated art meant for only a certain type of person. Thousands of accomplished students have graduated from the Wilton program since its inception, many continuing on with successful careers in the baking industry.
Here in the Vintage Kitchen, I was introduced to the Wilton Way through this book…
a 1991 reprint of their 1979 cake decorating book. It is full of attractive cakes, some vibrant with retro charm, others timeless and elegant…
Laid out like coursework, it teaches readers progressively in master class style. Meaning that if you start at the very beginning, and work your way through each chapter, by the end of the book you’ll have amassed so much skill you’ll be able to confidently tackle the baking and decorating of a multi-tiered wedding cake festooned with a bevy of frothy details.
This past week, I endeavored to make their Winter Snowflake Cake – a pale green pastel beauty that consisted of two layers and frosted snowflakes…
This was my first foray into cake decorating with an intentional design, multiple frostings and more than one piping project, so it was a fun adventure, but it definitely didn’t go quite as planned. The Wilton’s are fast to reassure in their book, saying that the best way to make a perfect cake is to practice, practice, practice. I fast forwarded through the beginning chapters and went straight to this cake. That being said, here’s my finished version…
You’ll notice it is missing some elements from the original cake – most noticeably the side snowflakes. I’ll explain how they went awry further down in the post. I’m also sharing the recipes, as I go along too, in case you want to take yourself to school and experiment with making your own vintage snowflake cake this winter as well.
One funny thing about this cake decorating book in particular is that it’s all about cake decorating and only cake decorating, which means that you have to gather a recipe in order to bake the actual layer cake part from another source. I used Martha Stewart’s Butter Cake recipe which turned out great because it baked flat and even on all sides – characteristics you definitely want when making a multiple layer cake.
Martha Stewart’s Butter Cake 1
(makes two 9.5″ inch round cakes)
8 ounces unsalted butter
3 cups cake flour, plus more for dusting
1 tablespoon baking powder
1/2 teaspoon salt
2 cups sugar
4 large eggs
1 teaspoon pure vanilla extract
1 cup whole milk
Preheat oven to 350. Butter cake pans and dust with flour, tapping out excess flour.
Whisk together flour, baking powder and salt in a medium bowl. Set aside.
In a large bowl, using an electric mixer, mix butter and sugar until pale (about 2-3 minutes). Add eggs, one at a time, mixing well after each addition. Add vanilla and mix again. Add flour mixture in three batches alternating between each batch with two batches of milk. Stir until evenly combined.
Distribute batter evenly between cake pans (this is about 3 1/4 cups of batter per pan).
Bake for 20-25 minutes or until cake tester inserted in center comes out clean.
Let cakes cool in pan on wire rack for 20 minutes. Invert cake layers and remove cake from pan. Let cool on wire rack completely then wrap each cake in wax paper and then plastic wrap and store in the fridge until you are ready to frost.
There are two types of frosting used for this cake. A pale green buttercream and a bright white royal icing. Both icing recipes are from the Wilton School and are easy to use. They both include a curious ingredient called meringue powder (made by Wilton!) which can be found in the baking section of your grocery or online.
I didn’t even know there was such a thing as meringue powder before this project, but basically it is an egg-white substitute used in place of whipping up fresh eggs. Normally, I’m not a fan of substitute convenience products but since this was the first time I was making this cake I wanted to use the products they recommended. Next time, I’ll try to make my own meringue using fresh eggs. Now it’s onto the frosting…
(makes 8 cups)
2/3 cup water
4 tablespoons meringue powder
11 1/2 cups sifted confectioner’s sugar
1 1/4 cups butter
3/4 teaspoon salt
1/2 teaspoon vanilla
2-3 drops green food coloring
In a large mixing bowl, combine water and meringue powder and whip at high speed until peaks form. Add 4 cups sugar, one cup at a time, beating at low speed after each addition. Alternately, add butter and remainder of sugar. Add salt and vanilla and beat at low speed until smooth. Add food coloring one drop at a time, (a little goes a long way!) mixing thoroughly between drops until a desired shade is achieved. The color will deepen as the icing ages, so keep that in mind when adding drops.
Special note: This recipe makes enough frosting for one two layer cake including top, sides and filling between layers, plus a little extra. Leftover frosting can be stored in an air-tight container in the fridge for several weeks.
Next, I set to work frosting the top of the first layer and then the top and sides of the next layer…
When it was all sufficiently frosted, I cleaned the frosting knife and then gently scraped it as evenly as possibly around the sides of the cake to create a smooth texture.That same treatment was repeated on top of the cake too so that it maintained a flat and level surface. At this stage, I learned a fun little trick. A little drop of water helps to smooth icing out – so round I went once more on the sides with a wet frosting knife. Then the cake was set aside so that the icing could harden (or “crust” as Wilton described it). Next on the schedule was making the icing for the snowflakes…
Meringue Royal Icing
(makes 3 1/2 cups)
3 level tablespoons meringue powder
1 lb. confectioner’s sugar
3 1/2 oz. warm water
1/2 teaspoon cream of tartar
Combine all ingredients in a medium sized mixing bowl. At first, mix slowly with an electric mixer then increase the speed to medium and mix for 7-10 minutes.
Things is where things got a little bit tricky. While the snowflake icing is super easy to make, the method used to make the snowflakes is really difficult. It involved piping icing onto wax paper…
letting each snowflake dry for an hour…
re-piping each one again (aka over-piping), letting it dry for another hour…
and then carefully removing each snowflake from the wax paper and adhering them to the cake one by one. In theory, this sounds simple enough, but each snowflake was very tricky to remove without them doing this…
After many attempts and many hours, I abandoned this method of snowflake making altogether. Evidently I need more practice in this department! Instead, I just carried on and piped the large snowflake directly on top of the cake, freehand style, and left the sides bare.
Finally, this winter snowflake cake was trimmed on top and bottom with little snowballs. Wilton recommended using two-different sized pastry tubes #3 and #6 for this task, but I just used just one ziploc bag and it worked great.
And that was how this vintage snowflake cake came to be. It definitely isn’t a perfect cake compared to Wilton standards, but it was a whole lot of fun to make and has me thinking about future designs once I practice, practice, practice as Wilton often recommends.
Have you guys ever decorated cakes like this before? If you have any tips or techniques or adventure stories of your own confectionery creations, please share them in the comments section below. It will be fun to help propel the educational portion of this post, so that we can all learn together. And most definitely, if you embark on this winter snowflake baking project, please let us know how it all tuned out in your kitchen.
In the meantime, learn more about the wonderful world of Wilton and their inspiring vintage cake decorating book here. Several other shop items also made an appearance in this post’s photos as well… find the 1960’s era glass cake stand here, the 1920’s silver plate water pitcher here, and the vintage embroidered tea towel here.
Hope your weekend is as sweet as buttercream and as lofty as a layer cake! Cheers!
Ladies and gentlemen, the results are in! Eighteen ingredients, nine hours, three loaf pans and one historic recipe later – we have a winner – in Election Cake. Yesterday, when I wrote about the history of this patriotic confection, there was uncertainty and speculation about what exactly it was (cake or bread?) and if it was going to be a palatable sweet treat that transitioned well across three centuries. Today, we discovered what this celebratory concoction was all about. Let’s look…
The recipe began yesterday, simple enough, with yeast and water and flour, and a dash of sugar and oil…
It was left to rise six hours on its own, which it did, like a good little cake…
Next, went in a handful of ingredients…
After they were all mixed together, the batter was ready to be parceled out into three loaf pans…
and were left to rise again, for another hour, which they really didn’t do at all. It would be generous to say that after the hour was up, each loaf was half an inch taller, but that would be an exaggeration. Maybe, indeed the batter did rise a little, but if so it was barely noticeable. I hesitated here at this stage, thinking maybe I should let them sit longer so that each loaf could get bigger. But then I remembered that the author of this recipe, Fannie Farmer, was a stickler for precision and instruction, so into the oven the three loaves went, without any extra rise time. Just follow the recipe. That’s what Fannie would have said.
Exactly at the one hour mark, no less and no more, the loaves came out sky high and golden brown…
Fannie didn’t fail us after all! The tops even cracked open themselves, and looked like little lips about to say yum. A good sign of things to come. After a short cooling off period, the loaves were ready to cut and serve and taste…
And that is when I discovered that this very old Election Cake is in fact, very delicious. I understand how people could get confused about whether to call it a cake or a bread because really it is similar to both. It has a texture and consistency like banana bread or zucchini bread but also it has a light and fluffy body like cake. The combination of the whiskey, yeast and nutmeg gives it a subtle hint of almost root beer-like tang that is lovely and warm. And although it already has a cup of butter in it, this little darling of a delectable is calling out to be sliced and toasted with an extra slather of butter.
While no one ingredient is powerfully overwhelming, all of them work well together to create a balanced flavor that hints at citrus and at spice, which leads me to understand how so many varieties of Election Cake came about between the 1700’s and now. It’s wonderful just as it is, but it’s also one of those recipes that might spark your creativity. After you have made it once or twice, it will make you feel brave – enough to confidently add your own little twist. Not an improvement, just a twist. Maybe you’ll want to add some nuts or orange peel or cinnamon or cranberries. Or maybe you’ll get creative on the serving side and want to pair it along with thinly sliced pieces of ham or brie or cream cheese for a savory little snack. I love recipes like this – ones that feed your brain as well as your belly.
Either way you decide to approach this recipe, you’ll be most successful with it if you use good quality ingredients like local eggs, fresh nutmeg, European butter, etc. They might be a little more expensive to buy, but the more fresh and natural your ingredients, the more flavorful this cake, in particular, will be. And because it makes three loaves at once, you can freeze two for later, preferably when its cold and snowy, as this would be especially nice for winter breakfast alongside a cup of coffee, for lunch or tea-time or even afternoon hors d’oeuvres. Sweet in a satisfying, robust way (not in an empty calorie way), it will give you renewed energy to carry on with your day, which was exactly the original intention way back on voting days in the 1700’s.
Fannie Farmer’s Election Cake
(Makes 3 loaves. Recipe written exactly as it appeared in the 1965 edition of the Fannie Farmer Cookbook)
Put in a bowl… 1 cup warm water (not hot)
Sprinkle over it… 1 package yeast
Add… 1 tablespoon sugar, 1 tablespoon salad oil (I used olive oil), 2 1/2 cups flour
Beat thoroughly , cover, and let rise overnight or at least 6 hours.
Butter three loaf tins. Cream 1 cup butter. Cream in 2 cups dark brown sugar.
Add 4 eggs, well beaten.
Stir in 1 tablespoon grated lemon rind and 1 tablespoon lemon juice.
Sift together 1 1/2 cups flour, 1 1/2 teaspoons baking soda, 1/2 teaspoon powdered cloves, 1/2 teaspoon nutmeg, 1/2 teaspoon mace (if you can’t find this spice, substitute it for an additional 1/2 teaspoon nutmeg), 1/2 teaspoon salt.
Add to the the butter mixture. Add 2 cups seeded raisins, 1 cup whiskey.
Stir into the yeast batter and beat to blend well. Divide the dough in the tins. cover and let rise 1 hour. Bake about 1 hour at 350 degrees.
Interested in learning more about Fannie Farmer and her historic recipes? Find the 1965 edition of her original 1898 cookbook in the shop here.
And just a little reminder… there are just two days left to save 20% off all vintage and antique platters in the shop! Find your favorite here.
Once upon a time in history long, long ago there was a cake that fed the whole entire town on Election Day. Called simply, Election Cake, it was an active participant in the voting scene of early America. But while the recipe’s origins are as old as the United States itself, the exact history is a little bit varied depending on which source in which state is telling the tale.
Essentially though, everyone pretty much agrees that it boils down to the early days of New England (some say Connecticut, some say Massachusetts) when Election Day was celebrated in the Spring and considered one of the biggest party days of the year. Enjoyed with the same amount of zeal as our modern St. Patrick’s Day festivities, Election Day in 1700’s America was a boozy holiday full of ale and camaraderie and community support. Only people weren’t celebrating one particular heritage like we do the Irish on St. Patrick’s Day. They were celebrating everyone’s heritage, as Americans, on Election Day. The fervor was for freedom. And the cake was needed to sop up everyone’s spirits (the ale especially). It also provided a little motivation to actively vote for the political candidates of the day, because even in 1700’s America, people (and politicians!) were aware of the powerfully compelling nature of cake and its ability’s to attract favor.
Being such a big festivity in the lives of Colonial America, with people traveling from miles around to attend special gatherings, it made sense to local residents, at the time, to bake one enormous cake to serve all who showed up. So out of thirty quarts of flour and fourteen pounds of sugar and ten pounds of butter, Election Cake was born from the loving hands and hearts of local women who couldn’t vote themselves but could at the very least feed the men who were voting for them. Some historians say that this proves that women were important members of the political spectrum even back then when they had no vocal authority. I don’t know about that, they may have just looked at the voting day in a practical feed-the-masses way, but it is fun to think that while they were baking, they were also discussing political topics among themselves. Even if they were just hushed whispers while they were mixing batter and melting butter, I like to think they were formulating their own ideas about what should and could happen in the future shaping of America.
The interesting thing about Election Cake though is that it is not really cake. Since its inception it has really been more of a fruit and spice studded bread than a traditional cake. And in true American spirit it has been revised and enhanced and reworked over the centuries into numerous different versions like breakfast buns, frosted bundt cakes and drunken fruit cakes. The core of the recipe remains the same though – flour, butter and sugar – but over the years different variations have been included and excluded that involve milk, eggs, raisins, currents, citrus fruits, whiskey, rum, brandy, wine, confectioner’s sugar, etc. Baking equipment differs too. Originally, back in the day when one giant cake was made, it was too big to fit into any bakeware so it just baked free-form on the oven floor. Next came bread loaf pans, a smart decision that produced numerous easy-to-handle loaves that could be made by numerous hands. Then there was the bundt cake method, the cast iron skillet method, the baking dish method, etc.
For this post, I’m making the Fannie Farmer version from her 1965 Fannie Farmer Cookbook, which was first published in 1898. True to form, this recipe has changed a bit over the Fannie Farmer years too. The 1960’s version involves raisins, whiskey and loaf pans. Her original recipe from 1898 called for figs, sour milk and bread dough starter.
A nine hour baking project from start to finish, this is a kitchen adventure that will unfold over two days and two blog posts. Tonight, we discussed the history behind the recipe, and tomorrow we’ll discuss the actual recipe and how it all turned out. Will it indeed be more like a raisin bread rather than a fruit cake, as it is listed in Fannie’s cookbook? Will our modern palettes fall in love with this old fashioned recipe enough to resurrect it and recommend it in the Vintage Kitchen? Will it become a repeat labor of love on future days of election or will it be a one hit-not-so-wonderful? Only time will tell in this case. Tune in tomorrow for the 2018 Election Day results, vintage kitchen style…
Over on Instagram the other day, I posted this photo above of the first Fall-themed dessert to come out of the Vintage Kitchen oven. It’s called Plum Cake Cockaigne and is from the 1964 edition of one of the most popular cookbooks in American history – Joy of Cooking by Irma Rombauer.
Also over on Instagram, I learned something new recently about cooking blogs and recipe finders. It seems not everyone wants to scroll through a whole entire story in order to get a recipe, so I’m trying something new with this post – recipe at the top, story at the bottom. You guys let me know how you prefer this new layout. Time always seems to be so short during these last few months of the year, so if this makes your life (and your cooking experience!) easier please let me know by comment or message and I’ll adjust as you prefer.
In a large mixing bowl, sift the flour. Add the baking powder, salt, and sugar to the flour and re-sift.
Add the butter (Note: The juicer your plums, the less butter you need to add. My plums weren’t excessively juicy so I used the full 3 tablespoons of butter), mashing it up in the flour mixture with a fork, until the entire mixture looks crumb-like.
In a measuring cup, add the egg, vanilla, and enough milk to equal a 1/2 cup of liquid (this was about 1/4 cup milk in my case). Whisk together until these three ingredients are combined.
Add the egg mixture to the flour mixture and stir until a stiff dough forms. Spread the dough mixture evenly on the bottom of your pan or baking dish and then set aside. (Note: Irma recommended a 9×9 x 2 1/2 inch pan but I used a round 10″ inch x 2″ inch baking dish and that worked great as well).
Next, thinly slice your plums so that you will have enough to overlap each one in your pan – tart style and then arrange them on top of the dough. This is the fun, creative part! You can make many different types of designs with your plums if you like.
In a small bowl, combine the sugar, cinnamon and melted butter and then sprinkle the mixture on top of the plums.
Bake in the oven for about 25 minutes until the top is bubbly and brown.
Our plum cake was so bubbly I couldn’t help but take a little video of it as it was coming out of the oven!
I recommend letting the whole thing cool before slicing and serving it if you prefer to plate it in wedge-shaped slices. Since the top layer carmelizes it is easier to slice when it is in a cooler, more solidified state. If you’d rather eat it warm, right out of the oven, simply scoop it into a bowl and enjoy. Serve it on its own, with a dollop of whip cream or a bit of vanilla ice cream and taste the season unfold in all its cinnamon sugar splendor.
What is really fun about this dessert is that it is like two sweet treats combined into one – half tart and half cake. Because there is only one cup of flour and one egg, the cake part is very thin and the fruit arrangement on top is very much like a tart, so this turns out to be a light and less filling alternative to two traditional desserts yet retains all the lovely flavor of both. Plums don’t get as much attention in the Fall as apples and pumpkins in the baking department, but they are still in season until the end of October, so they make a lovely unexpected seasonal dessert.
Plum Cake Cockaigne (pronounced caw-cane) was a favorite recipe in the Rombauer household. The word cockaigne was a term of endearment in the cookbook and was tacked onto various recipes throughout the Joy of Cooking as a way to signify the absolute personal favorite recipes of the Rombauer clan. Derived from old French, cockaigne literally refers to a mythical land of plentiful luxury, comfort, and peace. Such a dreamy notion of an ideal paradise was so charming to the Rombauers it was also the name they chose for their country estate. How fun!
The 1964 edition of the Joy of Cooking came out two years after Irma died, the first edition to be edited, revised and enhanced by Irma’s daughter, Marion and Marion’s husband, John. Not without its own dramas, this edition needed all the cockaigne it could get. The first printing of the 1964 edition was published without Marion’s final approval, which meant that various inconsistencies and typos were present. This drove Marion crazy, as she wanted to really honor her mother’s work and keep up with the trusted reputation that the Joy brand had accumulated over 30 years since its debut in 1931. So the 1964 edition went through several reprints in order to right all the wrongs that Marion doggedly corrected herself. You get a sense of the enormous responsibility and weight of the legacy that Marion felt surrounding the whole Joy endeavor from her dedication at the beginning of the book…
The edition that is available in the shop is the 1967 printing of the 1964 edition, the one that Marion was finally satisfied with. All of this devising and revising is a real testament to the dedication of the Rombauer family. One that started with Irma way back in the 1930’s and still continues through present family generations today.
Irma’s launch into cooking stardom is a fabulous story, one that we’ll discuss later on in the month as we celebrate her birthday on October 30th. For a woman who wasn’t known for cooking skills when she first started writing a cookbook, she certainly has proven her abilities time and again over the past 80 years. Stay tuned on that front.
In the meantime, there are a couple of weeks left to enjoy plum season. Hope you “fall” in love with this recipe as much we did!
Find the cookbook in the shop here and a link to our Instagram account here if you’d like to keep up with daily doses from the Vintage Kitchen.