A Mother’s Day Story: The Maven of Minnesota & the Gifts She Passed Down

One of the biggest travesties in discovering a vintage embroidered linen at an antique shop or an estate sale or an auction house is not knowing anything about the sewer who made it. The sewer who so beautifully executed a specific stitch or a scene. The sewer who skillfully transformed a plain piece of fabric into a stunning work of art. Who spent hours or days working towards a piece of self-expression in the same way a painter paints a canvas or a sculptor builds a statue. With the exception of antique samplers and quilts, which often carry the names of the artist who made them, embroidered linens of the past are history’s most uncredited works of art. 

“These small bits of embroidered cloth are often all that remains to testify to the otherwise unrecorded lives of their makers,” wrote Amelia Peck in a 2003 article highlighting the embroidery collection at the Metropolitan Museum of Art. It could be easy to dismiss some old pieces of fabric until you read a statement like that.

Needless to say, Amelia’s remark has stuck with me for a long time. Whenever a new batch of vintage or antique linens comes into the shop, I always think about the woman behind the fabric, the sewer behind the stitchwork, and the circumstances in history that might have surrounded them both. In collecting and curating these items for the shop, I’m not often afforded any real-life stories that can be attached and retold about a specific linen or the life that made it. But today I’m very pleased to introduce you to a woman in Minnesota who has some stories to share about sewing. 

At this point, you might be nonchalant and think how much can I learn from an 8” inch x 8” inch piece of fabric? A napkin is a napkin afterall. But here in the land of the Vintage Kitchen a napkin, as you’ll discover in this post is much more. It’s a gateway… to stories of the past.  

When I first met DeDe, who is in her 70’s, it was over email in the beginning of February. She was looking to rehome her vintage linen collection, and in her initial inquiry as to whether or not I might be interested in it for the shop, she mentioned the fact that her mom had sewn some of the pieces. The slice of vintage life that poured out over the next several months and many emails was so interesting I knew hers was a story destined for the blog. Touching on Italian immigration, women’s history, cooking, Minnesota, entrepreneurism, family heirlooms and her mother’s zesty love of life, this interview turned out to be the perfect heartwarming story for Mother’s Day weekend. So yes, a napkin is a napkin. But it’s also a life, and a family, and a passion. 

Let’s meet DeDe, her mom Teresa, and their family…

Teresa as a baby with her parents Carmina and Salvatore.

In The Vintage Kitchen: Tell us a little bit about your mom’s parents. What brought them to America? Where were they from in Italy and how did they wind up living in Minnesota? Did they assimilate well?

 Dede: My grandparents, Carmina and Salvatore, were both from Boiano, Campobasso, Molise, Italy.

Located in central Italy, the town of Boiano in the province of Campobasso in Molise, Italy was first founded in the 7th century. It is home to the oldest chestnut trees in Italy and most well known for its mozzerella cheese produced using milk from cows that have grazed the surrounding mountainsides.

My grandparents were married in 1906 and in 1909 they came to Minnesota. Grandpa worked in the mines in Chisholm, Calumet, Stevenson and St. Paul. He was employed by the Pickands Mater Co. for over 40 years. There were many different nationalities on the Iron Range and I imagine like all immigrants today they left Italy and were looking for a better life. I never heard of anyone in the family having difficulty assimilating into the community as they were fortunate to have siblings and many Italians in their community. A sister of my Grandmother’s and a cousin and brother of my Grandfather also immigrated to Keewatin.

My mother Mary Teresa Rico was born on February 25, 1911 and was the oldest of six children. She was born in Hibbing, Minnesota and the town they lived in was Keewatin. A population of less than 2,000.

Main Street in Keewatin circa 1921. To learn more history about this midwestern mining town visit here. Photo courtesy of lakesnwoods.com

EDITORIAL NOTE: During her childhood throughout the 1920s, starting at the age of 10, Teresa was involved in 4-H, a youth development program whose mission was (and still is!) “to encourage kids to reach their fullest potential while also creating positive change within their community.” This experience turned out to be a gateway for Teresa – one in which she could showcase her natural talents and abilities. While naturally gifted in a range of extra-curricular activities including basketball, tennis and dramatics, two of Teresa’s most prized talents were baking and sewing. A consistent winner at state and county fairs, between the years 1921 and 1931, Teresa baked more than 1,000 cakes and 2,000 loaves of bread which she sold to local residents in an effort to raise money for her college tuition. Triumphantly, through those entrepreneurial endeavors, Teresa managed to raise $3000.00, which provided enough for her to enroll in the University of Minnesota.

Teresa (age 17) in 1929 – the State Champion at her baking table.

In 1931, at the age of 20, the last year she was eligible to participate in 4-H due to age caps, Teresa won the Sir Thomas Lipton Trophy, competing against 490,000 other girls. This was an honor awarded by Thomas Lipton (of Lipton Tea fame) that signified overall achievement and was given to the top boy and top girl in 4-H. In addition to a trophy and significant media attention, the award also came with a scholarship, ensuring that Teresa would financially be able to put herself through college, assistance free, all on her own accord.

This local Minnesota newspaper article proudly called Teresa the “Queen of Accomplishment” and reiterated her goal of putting herself through college without any finanncial assistence.

In The Vintage Kitchen: Your mom must have felt really proud of that moment, especially winning out over so many other 4-H’ers (490,000 female candidates!). Also, this happened in 1931, during the Great Depression. The fact that she was able to pay her way through college with her baking is fantastic. That must have been a really big deal. Were her parents really proud of her too? 

Teresa and her fellow prize winner, Charles L. Brown posed for photos with their Lipton trophies in 1931. The Associated Press

DeDe: I am sure that my Grandparents were very proud of her winning the Sir Lipton Cup and also all the other accomplishments in her life, of which I refer to in the following questions. One of the newspaper clippings mentioned winning over 850,000 young women, quite a discrepancy. 

 

My mother did not really talk about her accomplishments and honestly, I really did not learn about how much she really did until my parents downsized into an apartment. My mother had kept newspaper clippings, pictures, ribbons from the State Fair, etc. But my father did not keep much so he was tossing much of this into the trash barrel. I was able to rescue some of it and put it into a scrapbook for her. After that, we really did start to talk about her accomplishments in detail. 

 

Teresa with her girls explaining all about her State Fair ribbons.

Sadly, as children we are absorbed in our own lives. This is not to say that I was not aware of the bolts of fabric and the sewing she was doing when I was a young child as well as the entertaining and fabulous cooking and baking that she was always doing. When I was in junior high school my mother was no longer sewing for others and instead went to work in retail. She had an incredible style knowledge for clothing and furnishings and an eye for fashion. The perk for me were the wonderful fashionable outfits I owned. 

In The Vintage Kitchen: The Lipton Trophy newspaper article mentions that she was “boss of her household” both in the kitchen and otherwise. Can you tell us a little bit more about her family life growing up?

DeDe: My mother and her siblings all enjoyed sports and her brothers all played football in high school and the girls played whatever sports were offered for them but it sounded like choir and drama were offered to women. At home, my grandparents listened to records which were mostly opera. They all enjoyed dancing and playing cards with friends and family. Neighbors would get together and socialize. Food was always involved. The siblings all enjoyed one another which continued on for them as adults. My uncles loved to play jokes and there was always a lot of laughter and singing. Perhaps they all thought they were Enrico Caruso. 

As far as my mother’s role at home, she shared that she would often make meals for her family and certainly she made all the bread. She was also sewing her own clothes as well as making dresses for her sisters and mother. Often her family pictures indicated that she had sewn the clothing her mother or siblings were wearing. Again, my mother was the oldest and she was a very strong determined woman who knew exactly what she wanted. Not a bad trait to have.

Teresa in the center with her sisters all sporting dresses that Teresa made for a special family celebration.

 

In The Vintage Kitchen: Did her parents speak English?

DeDe: Yes, my Grandparents spoke English very well but when my aunts and uncles would come over to our house on weekends to see Grandma and Grandpa, they all spoke Italian. We had many family Sunday dinners at home as everyone wanted to see Grandma and Grandpa.  It was frustrating to not know what they were saying because I nor my siblings and cousins did not speak any Italian other than a few words.

In The Vintage Kitchen: Were her brothers and sisters equally as industrious?

DeDe: My uncle Pat was a chef and the others all made a decent living but no one was as driven or creative as my mother.  

In The Vintage Kitchen: Tell us a little bit about your dad. What was he studying at the University of Minnesota? 

DeDe: My father’s heritage was English and Irish not Italian. His grandfather Ward immigrated to America from Ireland as a young boy with his widowed mother and siblings. His mother’s family originated from Colonial New England.  He was a very patient and darling man with a very big heart and a great sense of humor. I always thought he was very handsome and debonair. He grew up in Wisconsin Rapids, Wisconsin. As far as my father’s culinary talents he loved to make chili and simple meals. However, he loved his desserts and there were always homemade cookies, pies, and cakes in our home.  He studied engineering at the University of Minnesota. 

Teresa and George

 

In The Vintage Kitchen: What did your mom study?

DeDe: She studied Home Economics. My motherwas not only an accomplished baker and chef, she was also an accomplished seamstress and had her own cottage industry, Teresina. Neighborhood women sewed for my Mother and at that time she was paying them $5.00 an hour. She sewed beautiful women’s clothing, draperies, anything else you could imagine.

As a child we always went to Amluxson’s where I was able to pick out fabric for my first day of school. She made many of my clothes as well for my brother and sister. She reupholstered furniture as well and made men’s clothing too. Her industrial Singer was in our basement and I have beautiful memories of her singing while she sewed. A favorite was the Maurice Chevalier song Louise.

She also  wrote articles for the Minneapolis Star Tribune called Sewing is Simple. Over the years my mother was someone who often was featured for her sewing or entertaining. 

Teresa was featured in a magazine ad for Folgers – – It was no surprise to the neighbors of Mrs. George D. Ward of Minneapolis, Minnesota when her Orange Delight Cupcakes won First Prize at the State Fair. She’s famous for’em! Have them for dinner along with another “Famous Flavor” — Mountain Grown Folgers Coffee. Copies of this ad now hang in DeDe’s home as well as the homes of her kids.

 

In The Vintage Kitchen: Did your dad encourage and support your mom as she started her Teresina sewing business? 

DeDe: Definitely. My father was very supportive of whatever my mother wanted to do. And honestly if my mother wanted to do something nothing would stop her. She was a force to be reckoned with but as generous as could be.

Teresa’s Teresina ribbon labels.

My mother was color blind. Thread as you know used to be on wooden spools. My dad would write the colors of the thread on the spools for her.

In The Vintage Kitchen: We hear so much about gender discrimination regarding women in the 20th century, but it seems like your mom really defied a lot of those stereotypes (working, going to college, having her own business, etc.). Can you tell us a little bit about her motivations and about how her ideas were received within her family and her community? 

DeDe: My mother had a strong desire and a dream to make things happen. She never spoke of any obstacles being in her way that I recall.  She did mention that as a child in school they were not allowed to speak Italian, only English. There were so many nationalities on the range, that it would have been difficult for a teacher to deal with so many languages in a classroom.

Her family appreciated her and at any given time we had a relative living with us. Multigenerational homes were very common. My mother was very generous and shared whatever she had with others. She was also very involved with the Italian Community in Minneapolis. When she had her Teresina company in our home, she employed neighborhood women who she paid quite generously for that time. 

Community-wise, looking at old newspaper clippings my mother was involved with the Minneapolis Symphony Orchestra and one year put on an Italian Feast as a Fund Raiser. There were three children in my family and my mother was involved in all our school activities from PTA and being a Scout Leader or a Den Mother to sewing costumes and lending her living room furniture for high school drama productions. 

DeDe with her brother and sister and her parents, Teresa and George.

One of the greatest tributes to my mother and the impression she made on others became evident at her funeral. When she passed away and her obituary was in the newspaper, I received a call from a young woman who said she would like to come to my home and meet me.  When my mother lived in her Minneapolis apartment building, she befriended this young woman whose parents were divorced. With this young women’s birthday coming up she made her a German Chocolate Birthday Cake and gave her pearl earrings from her days at the U of M. She was truly touched by my mother’s friendship and she wanted to speak at her upcoming funeral. I took a leap of faith and said okay to this request. She did speak that day and it turns out that she was a speaker for Billy Graham and she was incredible. What a gift she gave us. I regret that I did not stay in contact with her and what a treasure that tribute would be too own today. 

In The Vintage Kitchen: What did she like about sewing?

I am sure it was the creativity of it all and the fact that she could make something beautiful and functional. 

Vintage 1940s/1950s era applique sailboat kitchen linens made by Teresa.

In The Vintage Kitchen: Where did she gather inspiration from in regards to her sewing projects?

DeDe: My mother had an ability to see how to improve things. It did not matter if it was a food item, a piece of furniture or a piece of fabric. She would have a vision and would make it happen. She loved to repurpose as evident in her Sewing is Simple articles for the Minneapolis Star Tribune. I had mentioned to you in earlier emails that she made clothing, drapes, upholstered furniture and wrote for the newspaper but there is more. My mother also came up with an idea for an adjustable elastic waistband for women’s skirts that she made from fabrics such as drapery material and chintz. She created a patent for it but unfortunately, someone else managed to maneuver it away from her. I have one of the skirts left that I use for a Christmas Tree Skirt.

EDITORIAL NOTE: I was thrilled to welcome Teresa’s vintage linen collection into the shop. These next few questions and accompanying photographs highlight some specific pieces from her carefully curated linen collection amassed throughout her life.

 In The Vintage Kitchen: Did she sew all the linens that you sent? 

DeDe: I do not believe that she sewed all of them. I know the applique ones with boats on them and definitely the items that have lace. Honestly, they have been in a cupboard for years either with my mother or myself and my mother passed away many years ago.

In The Vintage Kitchen: In the package that you sent, there are 4 tablecloths which I think you referred to as bridge cloths. Did your mom sew those? 

DeDe: I always referred to them as bridge table cloths but others might call them a luncheon cloth. No, I believe those were purchased.

In The Vintage Kitchen: One of them, along with several other linens you sent, looks like they are made with antique fabric. Could they have belonged to your grandmother?

DeDe: Probably not. My mother also loved house sales and again had an eye for finding wonderful things to furnish a home. 

A set of colorful vintage tea towels joyfully collected by Teresa. This is just one example of her carefully curated linen collection amassed during the 20th century.

In The Vintage Kitchen: Was your grandmother, Carmina, a sewer too?

DeDe: Not that I am aware of.  I recall my grandmother having cataracts and her sight was compromised. My mother told me she had taught herself to sew as a young girl. She started off with making clothes for her dolls and as she grew older, she started to sew for herself and her sisters. 

In The Vintage Kitchen: How long did your mother maintain Teresina? 

DeDe: I believe she kept it going through the 1950s. She sewed her entire life. She would make outfits and Halloween costumes for the grandchildren. In the 1970s, she was still sewing some beautiful outfits for me

In The Vintage Kitchen: Where did you grow up? 

DeDe: I grew up in Minneapolis, Minnesota on one of the city lakes. It was an ideal time to live there. 

A view of Minneapolis taken during the 1950s. Photo via pinterest.

In The Vintage Kitchen: Did your mom expect you to be as industrious as she was during her childhood?

DeDe: My mother accepted us for who we were. Keewatin is a small community and Minneapolis is not, so opportunities for me were vastly different than what was available for her.  I honestly did not feel pressured to be anyone other than myself. 

In The Vintage Kitchen: Did she teach you how to cook and sew?

DeDe: Yes, my mother taught me to bake and cook. It was wonderful to be in her kitchen with all of the wonderful smells and tastes. I love to cook and entertain in our home much as my mother always did. Baking and cooking for others brings me great joy. Sewing is another story. I can sew out of desperation, but I only enjoy small projects and the older I get the less I attempt. I am not a seamstress and sewing stresses me out although I always kept trying. I expected it to be as easy for me as it was for her. Fortunately, I did inherit her love of cooking.

In The Vintage Kitchen: Thank you so much for including your mom’s sauce recipe. Was this a recipe that was handed down to her or did she make it up on her own? 

DeDe: It was probably a recipe that was given to her by Grandma Rico. It is a pretty traditional sauce. I have shared that recipe with so many friends along with my mother’s wisdom of you can always add more herbs so start off with less. Of course, when you add a meat to the sauce it definitely helps to flavor it. I adore my mother’s red sauce and often tried to make it just like hers. The last Christmas she was alive she stayed with us for a few days and we had a blast. We looked at her old slides of her travels to Italy with my dad, baked traditional foods, and just laughed a lot. I had started a red sauce and ran to the store for a few items that I needed. Later when I was stirring the sauce and tasting it, I was overjoyed at how wonderful it was. I exclaimed to my mother that I was thrilled that I could make it like hers. She just smiled and later admitted that while I was gone, she had doctored it

In The Vintage Kitchen: Was your mom’s love of sewing and cooking passed down to any of your kids? 

DeDe: Actually, all the kids are very good cooks and will try out new recipes. My oldest niece does fun sewing projects and is very creative and like my mother is great at repurposing. She also enjoys baking and shares recipes with me. My daughter will try new recipes and make lighter fare than I do. I tend to cook more old school than my kids do. My boys love to make pizza with a homemade crust. Sometimes my oldest and his wife will make pasta when time allows. Everything comes down to when time allows. The grandkids are all interested in cooking and baking which I just adore. 

In The Vintage Kitchen: Where do you draw inspiration from for your own cooking? 

DeDe: A favorite for me is to eat something out and then try to duplicate it at home. I have come up with some interesting dinners that way. I see something that looks tempting in a magazine or the newspaper and I will try it although I will often massage the recipe. My husband loves to tell me that I use them like a road map and then veer off course. I enjoy making Italian dishes for friends and family but I adored Splendid Table when Lynne Rossetto Kasper hosted it. She had a segment of what to make with a few ingredients in your refrigerator. I am a great one to try that method.

If you are unfamiliar with the engaging Lynne or The Splendid Table radio program that she co-created and hosted for 20 years here’s a quick recap. DeDe and I are both BIG fans of Lynne and the show!

Lynne came to our home for a fund-raising dinner and I along with a friend were the ones that were cooking. Cooking for a professional cook and author was very intimidating. It turned out to be a fabulous evening. 

In The Vintage Kitchen: Wow, DeDe! That’s amazing that you got to not only meet but also cook for Lynne! I’m a BIG fan of hers! What was that experience like?

DeDe: The dinner was very simple with a simple antipasto tray, roasted chicken, and delicious roasted root vegetables along with a tossed salad. I do not recall if I made homemade bread for this or purchased store-bought. My dessert was a fried Italian pastry that we called curly cues. They are fried in oil and dusted with powdered sugar or drizzled with honey. My mother always made these at Christmas and often I will too. I probably served the lemon sherbet with crème de menthe. There were six guests and Lynne that night. One was a surgeon who was kind enough to slice the chicken and arrange it on the platter and another was a woman who owns a cooking school and I believe leads trips to Italy or did back then. I consider myself a decent cook but felt a little out of my league that evening. Unfortunately, we did not take pictures of that fabulous evening but my Lynne Rossetto Kasper cookbook is signed by Lynne. This was years ago.

In 2017, Lynne retired, but thankfully, that was not the end of the program. The Splendid Table continues each week with fresh and dynamic culinary content thanks a new, equally charming host, Francis Lam. If you haven’t listened to the show before I highly recommend it. Visit the link here to learn more.

In The Vintage Kitchen: Do you have any particular favorite chefs or cookbooks that you love?

DeDe: I have many of my mother’s old cookbooks and my comfort food choice of my childhood go-to is the Betty Crocker Picture Cookbook from the 1950s. Chicken A La King, Meatloaf, Pineapple Upside Down Cake, Jelly Roll Cake, and all the basics are there. 

The Betty Crocker Picture Cook Book – First Edition, 1950

With my mom’s recipes, many are from worn cookbooks, notes scribbled inside a cookbook, note cards or from what I recall her making. Many of my recipes are handed down from mom, relatives and friends and have been doctored to suit my tastes. Italian favorites are The Talisman Italian Cookbook by Ada Boni, The Art of Italian Cooking by Maria Lo Pinto and Milo Miloradovich and Leone’s Italian Cookbook by Gene Leone. I love Gourmet magazine and cooking shows on PBS but I really do not have a favorite chef.

DeDe’s favorite vintage Italian recipe resources!

In The Vintage Kitchen: Tell us a little bit about your trip to Italy? Did you feel a natural connection to the country?

DeDe: Our oldest son was studying in Florence, Italy for a semester at the same time as his friend so we traveled to see him with his parents in March.  My parents had been to Italy twice to see the sights and my mother’s family. My mother was so excited that our son was traveling there and that we were going to as well. It was our first trip to Europe and it was magical. It was so fun to see people that looked like my mother’s family and to hear all that Italian. So much history and beautiful architecture, museums and people. I soon learned why I appreciate gold, glitz, and all the pizzazz. 

Two trips to Trevi Fountain: Teresa and George (above) in Italy many decades ago and Dede and her husband Tom (below) on a more recent excursion.

Travel is all about the experiences. One such experience for me was to see two over the road drivers enjoying their lunch at a rest stop. They had a beautifully set table complete with linens and glassware. Their food looked scrumptious and I asked if I might take a picture of them. They agreed only if I would be in the picture and share their vino. I treasure that moment and the picture. The one Italian reminded me of my grandfather. 

DeDe with her “over the road drivers” in Italy!

Another story that related to my mother is the time we had to wait for a very long time for a table for our dinner. The uncle who was seating us was very friendly and attentive to our dinner choices. When we finished, he said that he had a treat for us because we had been so patient. When he brought us our dessert it was lemon sherbet drizzled with creme de menthe. Oh, how I laughed as that was a favorite of my mother’s to serve after a heavy dinner along with the traditional Carnevale Italian bow tie cookies. 

My mother passed away that May. She was so excited that we were going on this trip and I believe she stayed alive until we could share our stories with her. 

Filled with light and love and so fitting for this post, this street art was spotted on a Florentine wall. Photo: Nick Fewings

In The Vintage Kitchen: And what was it like visiting some of the places where your grandparents lived?

DeDe: My Grandparents lived in a town outside of Naples and we did not get to Naples but we did see Milan, Rome, Venice, and Florence. I hope to one day get to Naples. 

 

The sights that inspire DeDe in and around Minneapolis. Clockwise from top left: The Minneapolis Chain of Lakes; The Basilica of St. Mary (switchroyale); The Gutherie Theater (Mark Vandeve); The Minneapolis Institute of Art (McGhiever); The Stone Bridge Arch (Minneapolis Parks and Recreation Board).

In The Vintage Kitchen: Name five places that inspire you in your city…

DeDe: The Minneapolis Chain of Lakes and our incredible parks system. The Guthrie Theater that offers classical and contemporary productions. The Minneapolis Institute of Art is an art museum that is home to more than 90,000 works of art representing 5,000 years of world history. The Basilica of St. Mary as It was the first basilica established in the United States. The Stone Arch Bridge is a former railroad bridge crossing the Mississippi River at Saint Anthony Falls in downtown Minneapolis, Minnesota. It is the only arched bridge made of stone on the entire Mississippi River.

In The Vintage Kitchen: If there is one thing that you wish could never be forgotten about your heritage, what would it be?

DeDe: The belief in the importance of family and nurturing with food and compassion. 

In The Vintage Kitchen: If you could invite six people (living or dead) to dinner, who would you invite and why?

Clockwise from top left: DeDe’s Parents Teresa & George; Pope Francis; Geraldine Ferraro, Margaret Meade, Eleanor Roosevelt

DeDe: My parents. Since I have been working on Ancestry there are so many unanswered questions that I have. Geraldine A. Ferraro, so I could ask her this question…. Would you have changed how you ran your campaign for Vice President with Walter Mondale? Margaret Meade because I have been fascinated with her since I took my first anthropology class in college. Eleanor Roosevelt because she was the woman behind the man and she is the longest-serving First Lady. Pope Francis, so that I could ask him about what changes he wants to see within the Catholic Church.

In The Vintage Kitchen: And because it’s Mother’s Day, we’ll end with a question about Teresa. What is the greatest lesson your mother taught you?

DeDe: Definitely the love of entertaining, the comfort of food and the sharing of her talents. Happy Mother’s Day Mom. I love you!!

In addition to sharing these lovely stories about Teresa, DeDe also graciously shared her mom’s “red sauce,” the recipe, she referred to her in her interview that was most likely passed down by Teresa’s mother, Carmina. I made two batches of this sauce (one using pork chops, the other using chicken legs). Both were incredible.

Teresa’s Basic Spaghetti Sauce

2 tablespoons olive oil

4 garlic cloves, crushed

1 onion, roughly chopped

1 small can tomato paste

3-28oz cans Italian peeled tomatoes ( or 5.25lbs of fresh tomatoes, skins on, roughly chopped)

16 oz can tomato sauce

2 cups water

Salt & Freshly ground pepper

 

1 tablespoon sugar

  • 1 ta6 Fresh basil leaves, torn into small pieces (or dried herbs*)
  • 1 3 fresh oregano sprigs, torn into pieces (or dried herbs*)

1/2 green pepper, chopped

1/4 cup finely chopped fresh flat leaf parsley

2 veal chops or pork chops

*If using dried herbs, start off with 1 teaspoon each and amend from there to suit your taste.

To make the sauce, heat the oil in a large heavy pot over medium heat. Pat the pork/veal dry and put in the pot. Cook turning occasionally for about 15 minutes or until nicely browned. Transfer the chops to a plate.

Drain off most of the fat from the pot.  Add the garlic and onion, cook until golden brown. Add the green pepper and cook for two minutes until tender. Stir in the tomato paste and cook for 1 minute.

Chop up the tomatoes and add to the pot, including the liquid. Add tomato sauce, water, sugar, parsley, basil, oregano and salt and pepper to taste. Add the chops and bring sauce to a simmer. Partially cover the pot and cook over low heat, stirring occasionally, for 2 hours. If the sauce is too thick, add a little more water. 

Remove the meat from the sauce and set aside. The chops are great reheated with a bit of the sauce. If you used fresh tomatoes, puree the sauce at this stage with a hand blender for a smooth consistency. Makes about 8 cups. 

I keep salt pork and chicken fat in the freezer to use for flavoring if I do not have pork chops on hand. My Mother would also add chicken legs or wings to the sauce if she had that on hand.

Teresa’s Spaghetti Sauce

I couldnt think of a better way to wrap up a Mother’s Day post than with this delicious heritage recipe passed down through the family kitchen of three generations of Italian women. A foundation for all sorts of culinary inspiration from spaghetti to pizza, eggplant parmigiana to stuffed peppers, meatballs to casseroles, this is the recipe you’ll want to keep on hand year after year for merry memory-making in your own kitchen. Just like Teresa would have encouraged!

When we were exchanging emails back and forth, DeDe shared one of her favorite quotes by memoirist Molly Wizenberg… “When I walk into my kitchen today, I am not alone. Whether we know it or not, none of us is. We bring fathers and mothers and kitchen tables, and every meal we have ever eaten. Food is never just food. It’s also a way of getting at something else: who we are, who we have been, and who we want to be.” Well said, Molly!

Meeting DeDe and learning about her family and their lovely linen collection was such a pleasure. Had I encountered one of Teresa’s exquisite embroidered cloths in an antique shop, I would have admired its beauty but I would have never known about the full and magnanimous life that had been woven into it. I would have never known that behind those linens was a star baker with a go-getter attitude, a color-blind seamstress who clothed her community, a second-generation Italian woman from a family newly immigrated to the US. I would have never known about the husband who loyally and affectionately encouraged his wife, nor about the independent dreamer who raised money for her own education, nor about the delicious tomato sauce passed down by generations of her family. DeDe gave a voice and a spirit and a context to her mom’s linens, and in doing so, made them all the more special, all the more valuable for the love and for the life they represent. So yes, a vintage napkin is a napkin, but it is also so much more.

Cheers and a big thank you to DeDe for sharing this wonderful glimpse of your vivacious mom and all her talents with us. Cheers to vintage linens who light the halls of history one story at a time. And cheers to all the mom’s out there who inspire us each and every day. Happy Mother’s Day!

Find more of Teresa’s linens in the shop here with new additions being added each week..

Passed Down Recipes: Audrey Hepburn & Her Favorite Pasta

The difference between a lady and flower girl is not how she behaves, but how she’s treated. That’s a quote from George Bernard Shaw’s book Pygmalion which was published in 1912. Fifty three years later that book would become the blockbuster movie, My Fair Lady, starring one of America’s most favorite actresses – Audrey Hepburn. This role as Eliza Doolittle, along with her portrayal of Holly Golightly in Breakfast at Tiffany’s are definitely two of Audrey’s most indelible performances, ones that made her a household name around the world.

Audrey Hepburn as Eliza Doolittle, 1964

For a woman who lived in the public eye, for most of her life, I think there was a real irony in George’s “not how she behaves, but how she’s treated” statement that was fitting for his character but also fitting for the actress who played her. As a woman adored around the world, often referred to as beautiful, fragile, and delicate, there was much more to Audrey Hepburn than people gave her credit for. Thankfully, a new documentary just recently released on Netflix offers intimate insight into Audrey’s life that dispels myths not often discussed in the stratosphere surrounding her celebrity persona.  

In the fashion world Audrey was idealized for her waif-like figure, slim and youthful. She championed the pixie haircut and wearing pants and preferred a simplicity in dress that bordered art house cool. But her thinness was a result of childhood malnutrition, not a diet-riddled aesthetic that she curated throughout her life. Her personal style was a result of simplicity, comfort, and a humble nature not an innate desire to be the fashion maven she became. Her features was determined desireable by the beauty industry yet she never felt very beautiful herself – often remarking that she had insecurities over the size of her nose, her flat chest, her boyish hips, her dark hair all which felt especially apparent to her in the time of Hollywood when the ideal feminine physiques equaled hour-glass curves and blond bombshell hair. 

The documentary depicts,  through interviews with her family and friends, the other sides of Audrey that reveal tenderness balanced with tenacity, love entwined with loyalty, and a steadfast determination to make a difference using the skills she worked hard for and the favorability she gained as a result of her acting career. It shows that she deserves to be remembered for much more than her famous character’s association with a luxury jewelry brand, or for creating the iconic little black dress terminology or for being the innocent, fresh-faced ideal of romantic fantasies.

As a serious humanitarian, a creative artist and a woman trying to humbly navigate the world, Audrey was smart, sincere and authentic above all else. Like a postscript to the stunning 2003 memoir, Audrey Hepburn: An Elegant Spirit that her son Sean Hepburn Ferrer wrote almost 20 years ago, the documentary offers insight into Audrey’s personality and how she unsuspectingly became the icon that she did.  Sean’s book, all those years before, was my first glimpse into Audrey’s personal life. His story began just days after Audrey passed away at the age of 63, and is told from his own sesnsitive perspective of life with a woman who was both loved by him and by the world at the same time. 

To peek inside and read some snippets from the book, click here.

Like the documentary, Sean shares close details about his mom’s life… her thoughts, philosophies, perspectives… and tries to make sense, as an adult, of the two very different lives she lived between her public persona and her private one. If you get a chance to read the book or watch the documentary you’ll learn all the details of Audrey’s life… her hunger years, the fractured relationship with her father,  her desire to be a ballet dancer, the start of her acting career, her marriages, her emotional ups and downs, her personal triumphs and her public trials. My favorite part of Audrey’s story though does not include her movies, or her designer clothes or her glamorous Hollywood connections. My favorite part of Audrey’s life was her favorite part too –  her 18th century Swiss house…

Deemed by Audrey as the happiest place on Earth, she retreated to the small village of Tolochenaz to raise her two children and to rest in the quiet privacy that Switzerland offered. A sanctuary of a centuries old shuttered stone house with a big garden and lots of room for family and friends, the house was named La Paisible (meaning The Peaceful in French). True to its name, it is where Audrey felt most comfortable. Dogs (Jack Russels), flowers, and bright light tumbled out of every room. A highly cultivated and cared for garden dotted the landscape. Rooms stood ready to entertain and to inspire. And even though some photo journalists were invited in occasionally for publicity purposes, for the most part it was a private place where Audrey could revel in the thing that she cared for and craved most… love and affection.  

A photoshoot with her son Luca for Vogue UK in 1971, let fans peek inside Audrey’s bright and airy world at La Paisible. I love the painting of her house above the desk, which was painted by her second husband Andrea Dotti.

It was at La Paisible in Switzerland, that she indulged her love of food and flowers and the joyful simplicity that came with growing both. Sean was quick to point out in his memoir that Audrey was an eater despite what everybody thought about her figure and the ways in which she went about maintaining it. She had cravings too just like everyone else but her philosophy on food always returned to balance and appreciating where it came from and how it was made. A craving for something sweet yielded a square of chocolate not a whole box. Meals were made with things she could cut and clip from the garden just outside her door. Grocery shopping was never a chore, always a joy. Her table was surrounded with laughter and fun and comfortingly familiar faces. 

Her son Luca in an interview in 2013, shared that his mom was a very practical person seeking above all a normal, grateful and gracious life. Acting was her job, but living was up to her to define. In making that distinction, she knew in her core the things she valued most in her life – family, nature, love, education, kindness, and respect for one’s own insticts and motivations. Growing a garden within a fingertip’s reach was Audrey’s way of creating beauty but also securing a viable food supply for her family, so that no one at La Paisible would ever have to know the hunger she felt as a child.

Picking cherries from the garden at La Paisible. Vogue UK, 1971

One of Audrey’s most favorite foods, which she ate on a weekly basis, was a simple garden-centric dish that can be thrown together in minutes with barely any technical instruction. In today’s post, we are making Audrey’s favorite pasta recipe, Spaghetti al Pomadoro…

It’s not a recipe that she invented herself, but it is one that she made every week for decades while living at La Paisible. Like Audrey’s loyalty to it, I’ve been toting this version of classic tomato sauce around in my own makeshift recipe book for the past 18 years.

Uncomplicated cooking at its best, this recipe calls for lots of basil, Audrey’s most favorite herb, and just a few other garden vegetable staples. Interestingly, the recipe also utilizes canned tomatoes, (or tinned as they are referred to in Europe!), which is an ideal choice when tomatoes are not in season. I like to make this recipe most in spring (with canned tomatoes) in anticipation of the vibrant season about to come and then again in high summer when homegrown tomatoes, just plucked from the vine come into the kitchen, fat and heavy and still warm from the sun. I like to imagine that this is how Audrey would go about preparing this sauce too – jockeying back and forth between using cans and her own homegrowns depending on the season. In either circumstance, the best way to experience the true beauty of this simple recipe is by acquiring ingredients that have been picked at peek flavor. If you can find them fresh at your local farmers market, or even better, pull them all from your own garden, then you’ll have a true Audrey Hepburn dining experience, just like the lady herself would have enjoyed. 

Audrey Hepburn’s Spaghetti al Pomodoro

1 small onion

2 cloves garlic

2 carrots

2 stalks celery

2 large cans of diced tomatoes

1 large bunch of fresh basil, separated in two equal bundles

3 – 5 tablespoons olive oil (also known a a long drizzle!)

1 box of spaghetti

Parmesan cheese, freshly grated

Salt & Pepper to taste

Peel and dice onion, carrots, garlic and celery. Put in a large pot. Add two large tins of Italian roma tomatoes and the basil. Add a long drizzle of olive oil and simmer on low for 45 minutes. Turn off heat and let sauce rest for 15 minutes. Serve over 1 box of pasta cooked al dente, with fresh parmesean and the other half of the basil cut in pieces with scissors.

I love this recipe for the way it was written. In casual, loosey goosey direction, like all good Italian food, it relies on cooking with your own instincts and offering just light suggesstions as outline for the finished end result. Sometimes I let the onion, carrot and celery mixture carmelize for few minutes in the olive oil before adding the tomatoes. Sometimes I bring the whole sauce to a boil before turning it down to simmer. Sometimes I add more garlic or a sprinkle of sugar or a dash of white wine or some oregano if the herbs are overflowing in the garden. Or sometimes I make it just as Audrey directed. Regardless, whenever I pull out this stained and spattered recipe from my makeshift book, I like to think of Audrey Hepburn, the glamorous interantional icon now turned regular, every day home cook, standing at the stove in her beloved kitchen in Switzerland, making this very same sauce in the very same way that we are making it now.

During her life, Audrey was never sensationalized as a good cook. Oftentimes, people assumed that she never ate or that she had little interest in food given her thin figure. As George Bernard Shaw wrote of his character… she was treated differently then she behaved. But her boys have set the record straight in their books and in their interviews and in the documentary just released. Audrey loved to cook and loved to eat. Most notebaly for and with her friends and family. And now, in the beautiful way of passed down recipes, she can cook for her fans too.

Cheers to Audrey for staying true to her spirit and for privately being so much more than the public ever knew. Cheers to her boys, Sean and Luca, who bravely confronted all the misconceptions that surrounded her. And to this humble pasta recipe for always reminding us that life doesn’t have to be extravagant in order to be delicious.

The Threads of India: In Sari & Spice

Invisible threads are the strongest ties. That’s what the 20th-century German philosopher Friedrich Nietzsche (1844-1900) believed. He wrote those words over 100 years ago, and since then, this statement of his has come to take on many different meanings to many different people. Depending on context, mood and circumstance, for some, it suggests spirituality or a sense of place. For others, it describes personal relationships or attachments, affinities to particular objects, or even an inner knowledge of one’s own self. But here in the Vintage Kitchen, this quote always reminds me of history and how we are tied to the past in subtle yet powerful ways.

Today we are embarking on Week 22 of the International Vintage Recipe Tour which takes us to India via the kitchen to discuss fabric, second chances, and a savory chicken dish that is slathered in spice.  Welcome to Week 22 of the Tour! Welcome to India…

It’s impossible to look at photographs of this amazing landscape and not notice all the color. From flower gardens like this cascade of hibiscus tumbling over a brick wall in Utter Pradash…

…to the spice markets of Mapusa where all the shades of the rainbow greet you around every corner…

…to the splendid architecture  of buildings like the Mysore Palace in Karnataka and the Taj Mahal in Agra, which seem to magically change color throughout the day depending on the direction of the sun… 

…pops of color bloom throughout India every minute in delightfully unexpected ways.

In a country that is over 250,000 years old, there is no shortage of source material when it comes to tying in a cultural companion, but ever since the Recipe Tour started I had a definite idea in mind about this particular post and the focal point of it.

Whether you are talking food, fashion, flora or fauna (or all four!) one of the dazzling componants to life in India that float around the landscape like jewels come alive are the traditional saris worn by women of all ages throughout the country. Seen in all shades and patterns, girls typically start wearing saris in their teenage years as a symbol of femininity, independence and equality among all women regardless of social status. 

Made of just one uncut length of fabric (usually 9 yards in total) with the ability to be styled in over 100 different ways depending on folds and drape, the sari has been a part of India’s history for over 5000 years.

Each region throughout the country has its own style and customs surrounding saris and the wearing of them, but Indian women as a whole, view saris as an important part of their national identity. They are even passed down through generations as a source of pride, nostalgia and honor.

Today, they also symbolize strength, resourcefulness, and female empowerment in a new, exciting and creative way that previous generations never knew. 

Last Thursday, I announced a giveaway here on the blog of a special prize tucked inside the white box above that would be awarded to one lucky winner. It’s a gift that was handmade in India and clues hinted at color, purpose, and longevity of use. Tonight, I’m excited to reveal the contents of the box.

Are you ready to see what it is?

Tah-dah! It’s a five-foot-long Happy Scarf (ie table runner) made of two recycled cotton saris.  Repaired, pieced together, and hand-quilted to form a completely new and functional item for the table, this type of Indian handicraft is changing the fate of women all over the country.  Reversible, with a different pattern and color arrangement on each side, this Happy Scarf holds up to its name in more ways than one.  Suitable for all four seasons of display and use, it features colors bright and sunny on both sides. One side contains shades of spring and summer in pink, yellow, peach, white and raspberry…

…while the other side features a warm wash of autumn and winter hues in butternut, marigold, black, white, beige, pink and yellow…

Made in Calcutta by a woman from an impoverished village who was given the opportunity to learn the textile trade, this Happy Scarf represents a new kind of freedom for women in India. By learning skills within the textile and handlooming industry, working with fabric offers women a chance to gain independence and improve the quality of their lives by earning fair wages, receiving health benefits, job training and education, and also by being a part of a community of artisans striving for a future bright with possibility, potential and a fulfilling career. 

Typically it takes a sewer about two days to make a table runner of this size. Like a homemade quilt, distinct signs of each sewer’s handiwork can be seen throughout. In this case, unique touches are found not only in the selection of sari fabrics that she chose to combine but also in her vertical hand stitching of the fabrics as they were joined together and her repair work , which we can see in three different places on the light pink side…

These patches cover over holes made in the fabric that occurred through normal use and wear when the sari was once part of a woman’s wardrobe. The ancient Indian art of textile repair is known as rafoogari and represents a powerful philosophy that sums up the beauty and integrity of the Indian culture. Instead of simply throwing a piece of good fabric away because it is slightly flawed with a hole or worn thin by a frayed area, each garment gets repaired, patched up, so that its life and purpose can be extended for years to come. Some garments in India carry examples of over 200 years of rafoogari repairs. This was not thriftiness at work for the sake of reusing fabric, although that was a beneficial attribute, but instead it was a gesture of respect and honor towards the fabric and the memories it held for all the people that it came in contact with. 

This type of fabric work utilizing recycled saris can be seen in all sorts of Indian handicrafts. Kantha is the type of stitch work featured in the Happy Scarf, which involves sewing together five layers of fabric and highlighting the running stitch that pieced them all together by using brightly colored thread. I first fell in love with this type of Indian textile art when my sister gave me this tote bag for my birthday a few years ago…

Like the Happy Scarf, my tote bag is made from five layers of two different saris, contains patchwork repairs and features lots of bright color. The front and the back both contain different imagery and the fabrics are super soft. 

It even features the name of the sewer inside (which I love!). 

Although the bag and the Happy Scarf are made by women employed by two different companies in India, they both contain similar stories and similiar missions – to help women get out of poverty. Like the curator of the Happy Scarf, the maker of this bag, Arati, experienced a tragic side of life. Involved in human trafficking within the commercial sex trade, Arati through the help of a female empowerment company, Sari Bari was able to escape her cruel circumstance and change her life completely. Through education and training in the textile industry, Arati was able to gain support and financial independence as well as create beautiful works of art that promote a sense of pride and fulfillment within herself and her community by carrying on a centuries-old art form.

Whenever I go on a trip via plane or car, my Indian art bag joins me.  By taking it on as many adventures as possible, I like to think that the spirit of Arati herself is out there traveling the world too via her talent and creativity. It’s always fun to imagine stories about her.  I like to think about the possibility of one day traveling to India and running into Arati on the street. If that happened we would only know each other solely by her recognition of the bag.  Wouldn’t it be fun to stop and chat with her for a bit!  To find out more about what her life was like when she made this bag and to see how it differs now. Wouldn’t it be fun to thank her in person for making a piece of art I absolutely adore and to share with her all the adventures we have had together so far?  

The visual beauty of each of these recycled sari creations, whether they are transformed into blankets or bags or table runners or napkins or, is that each one is one-of-a-kind. True works of art based on each sewer’s skill, fabric selection, and choice of color arrangement.  The emotional beauty of these creations is that they helped improve one particular person’s life, one piece at a time. 

In the Hindu religion, to which 95% of India’s population belongs, the color yellow symbolizes learning and knowledge. That makes the Happy scarf an ideal companion for a table full of diners ready to engage in interesting conversation. Sized at 5′ feet in length x 15.75″ inches in width, it fits practically every table shape from long to short and is ready for a wide variety of styling fun. Here, I paired it with antique serving platters and flatware, vintage hotelware plates and midcentury napkins. The change in color palette from side to side adds a nice change in mood and aesthetic too…

Tonight’s recipe is as equally colorful in sight and history as our table setting. The previous stop on the International Vintage Recipe Tour took us to Hungary, via the kitchen, where we explored the bright red world of paprika, but this time in India we are diving into the sunshine shades in all areas of the culinary experience. 

On the menu tonight it’s Chicken Bengal, a warm and saucy stewed chicken featuring five distinct spices – coriander,  cumin, cloves, ginger, and turmeric. But before any of those flavors are introduced, the chicken marinates in a yogurt and garlic bath in the fridge for a few hours. After that point, the whole marinade,  yogurt and all, slips into a sizzling pan of spices where it cooks for some additional hours over a low simmer until it reaches the point of falling-of-the-bone tenderness.

Easy to make, low maintenance, and wholly satisfying, the end result is a saucy blend of spice and chicken that can be adjusted to your liking for heat or enjoyed mild but nuanced in a pool of sweet, savory and salty flavor. Total cook time including prep work and marinating is 4 1/2 hours, so make this on a cozy day when you have some time to spend at home.  Pair it with our favorite historical BBC drama, Indian Summers, and you have a theme night all wrapped up in one fun package. 

Chicken Bengal

Serves 4-6

1 large chicken (4-6 lbs), cut in eight pieces

1 cup yogurt ( I used 2% milkfat Greek yogurt)

2 tablespoons finely minced garlic

Salt and freshly ground pepper to taste

2 tablespoons butter

2 tablespoons olive oil

2 cups finely minced onion

1 teaspoon freshly grated ginger

3 cloves

1 hot red pepper – optional ( I did not use)

2 teaspoons ground coriander

1 teaspoon powdered turmeric

1/2 teaspoon ground cumin

Basmati rice for serving 

Toss the chicken in a large mixing bowl with the yogurt, salt, and pepper, and half the garlic. Toss until the chicken is well coated…

and then transfer to a Ziploc bag and refrigerate for two hours. 

Melt the butter in a heavy casserole and add the oil and onion. Cook until the onion starts to brown, add the remaining garlic and spices, and cook over low heat stirring frequently (about 2 minutes). 

Add the chicken and marinating liquid.

Cover and simmer until the chicken is fork-tender (approximately 2 hours). About thirty minutes before the chicken is done make the rice and set it aside, but keep it covered so that it stays warm. When the chicken is fork-tender and falling off the bone, remove it from the heat and let it rest for several minutes before serving it atop a bed of rice along with whatever juices are leftover in the pan. 

Not quite as creamy/saucy as the Hungarian Shrimp Paprika recipe, the basmati rice in this dish acts as more of an aromatic companion than a vehicle to soak up juices. The main stars of the show here in this recipe are the turmeric, which gives the whole dish that bright yellow color, and the coriander, which adds a foundation of flavor.

Coriander, according to the language of flowers, symbolizes hidden worth. The Bengali region of India from which our recipe is named is where the ancient art of Kantha originated. The predominant color yellow in the saris symbolizes learning.  The woman who sewed the Happy Scarf together, escaped an unhappy environment and discovered her own self-worth through learning an ancient art. When you think about all that goes into making a meal, from the food to the place settings to the company that sits around the table with you, it is mind-boggling how much connects us to other people in other parts of the world in other eras of history in a myriad of unsuspecting ways. This post started out as just a simple Indian dinner. But the more I dug into the history of India, the more transparent the relationships between fabric, food, color, country and symbolism all seemed to go hand in hand. Completely unexpected, all the elements of this post practically connected themselves. It formed a perfect symbiotic relationship.  It formed the words that Nietzsche wrote. Invisible threads truly are the strongest ties.

On Monday, the winner of the Happy Scarf will be announced on the blog. My fingers are crossed for everyone that entered. In the meantime, cheers to India. Cheers to all their beautifully artistic ways of carrying on the color of their culture with the memories of their past. Cheers to strong women and to bright futures.

 Join us next time for Week 23 of the International Vintage Recipe Tour as we head to Indonesia via the kitchen!

 

India photos courtesy of Lewis J. Goetz, Varnan Guba, Aditya Joshi, Claudette Bleijenberg, Bhim Chauhan, Vivek Dashi, Hari Nandakumar, Tiago Rosado, Joshuva Daniel, Akhil Chandran, Ashim D’Silva

Hungry for Hungary: The Red Carpet That Leads to A Recipe

Today in the Vintage Kitchen we are rolling out the red carpet. Award season starts in three days with the kick-off of the Golden Globes on Sunday (Feb 28th) and from then until the end of April, there is an awards show practically every week in the entertainment industry. The schedule looks like this…

the Critics Choice Awards (March 7th), the Grammy Awards (March 14th), the Screen Actors Guild Awards (April 4th), the BAFTA Awards (April 11th), the Independent Spirit Awards (April 22nd) and the Academy Awards (April 25th) not to mention a smattering more of lesser-known but equally important events that acknowledge artistic contributions made to the performing arts this past year.

Jennifer Lawrence at the 2013 Academy Awards. Credit…Lucy Nicholson/Reuters

Known throughout history as a universal sign of welcome and special treatment, red carpets today are mostly associated with fancy galas and luxury experiences. But here in the Vintage Kitchen, we have our own version of red carpet festivities.  Just like those eye-catching ceremonies full of famous people and fancy dresses, the red carpet in the Kitchen this week is a source of inspiration, creativity, style and visual pizzaz. But unlike star-studded versions made for the entertainment industry, our red carpet is not made with yards of thread and fabric. It doesn’t spotlight a zillion famous faces or fancy dresses. Nor is it something that can easily be rolled out, rolled up or walked onto.  Instead, our red carpet looks like this..

Grown under the hot summer sun, picked and then pulverized to a fine powder, the red carpet that is unfurling itself this week in the Kitchen is one made of spice. The star of today’s post is paprika and the exciting event we are celebrating in such a colorful way is the kick-off of Part Two of the International Vintage Recipe Tour 2021.

 

If you are new to the blog, catch up here on the previous 20 countries we visited last year, by way of the kitchen.  If you have been following along from the beginning of the Tour, then welcome to Week 21 and to 2021. Throughout this year, we will be covering recipes from the remaining 24 countries featured in the 1971 edition of the New York Times International Cook Book.  This recipe tour brought so much unexpected joy last year, I’m excited to dive right in!

We begin the second half of this around-the-world culinary adventure with a country that tempts your taste buds straight away just with the letters in its name…

The red carpets of Hungary may not be star-studded, glamourous, paparazzi-loving experiences like the events are in Hollywood but they are full of celebrity in their own right. The Capsicum annuum fields and the paprika they produce have long been iconic stars of the country, culture, and cuisine for centuries.

Photo by Mark Stebnicki

You might be surprised to learn that paprika isn’t made from one particular plant, yet instead is made from all types of red peppers. Ranging from sweet to spicy depending on the variety and the region in which it’s grown, different levels of heat can be produced by using different types of peppers. Bell peppers produce sweet paprika, cayenne peppers produce spicy paprika.

Members of the capsicum annum family include all types and sizes of red peppers, although thin-walled peppers make the most ideal candidates for paprika. Illustrations by Marilena Pistoia from The Complete Book of Fruits & Vegetables circa 1976

Originally cultivated in Mexico, pepper plants were first introduced to Spain in the 1500s and then brought to Hungary in 1569 during the reign of the Ottoman Empire. Due to difficulties in importing spicy black pepper, Hungary’s search for an alternative brought red pepper plants into the spotlight and popularized paprika, quickly deeming it an essential spice that was both affordable and easy to grow. To say that a country fell in love would be an understatement. By the 19th century, paprika became synonymous with Hungarian cuisine and agriculture. Today, they export over 5500 tons of the spice each year.

Grow your own with seeds grown from the gourmet source at hungarianpaprika.net

Thanks to the idyllic Hungarian climate with its hot, dry, summer weather, plants mature over the course of a season. The peppers are picked in September when they reach a robust shade of red, and then are dried in the open air before being ground into a fine powder that is then packaged and sent out to cooks and kitchens all over the world.

Air-dried red peppers in Hungary circa 1968. Photo via pinterest.

Throughout this process the peppers retain their orangy-red hues, making paprika an ideal color enhancer for various foods as well as a semi-permanent natural dye for fabrics. Like curry, paprika takes on different flavor notes according to where it is cultivated in the world.  Mexico is known for spicier paprika and Spain for smoked paprika but Hungarian paprika is the most sought after for its sweetness.

Most Hungarian foods that contain this colorful spice proudly announce it in their names… Chicken Paprikash, Paprika Pork,  Paprikas Szalonna, Stuffed Cabbage with Paprika, Meat Ball Paprikash, Punjena Paprika… but there are other famous beloved heritage dishes like Goulash, Lipatauer Cheese, Fisherman’s Soup and Hungarian Stuffed Crepes that use the spice by the tablespoonfuls too.

Today in the kitchen, we are sticking to the literal side of things and featuring Paprika Shrimp with Sour Cream.  I first made this dish last September with the intention of sharing its ideal attribute of being one of those fantastic in-between-seasons recipes that blends so nicely with warm days and cool nights.

Light, thanks to the shrimp, but creamy and comforting thanks to the pretty paprika-colored sauce, I’m reminded again how this recipe now, six months later, is still an ideal candidate for this new time between seasons as we start to transition from winter to spring.  Serving it over a bed of steaming rice makes it satisfying for days that may still contain traces of snow and sleet yet the vibrant color of the whole dish brings a burst of bright pastels to the table – a nice change from all the earthy-hued stews and soups we customarily consume over the winter months.

Many Hungarian dishes are prized Sunday dinner-type foods since they often require lengthy amounts of steeping and simmering, but this recipe is quick and easy to make. It requires just a handful of ingredients, pairs nicely with a glass or two of wine, and can be accompanied by a salad for simplicity or a green vegetable for another pop of color. Traditional serving companions in Hungary would include sides of bread and potatoes.

Like any Hungarian cook would tell you – the secret to this recipe is seeking out the best sweet paprika you can find. Then you’ll truly understand and appreciate the impact this unique spice can have on such a simple dish.

Paprika Shrimp with Sour Cream

Serves 4

2 tablespoons butter

24 medium raw shrimp, peeled and deveined

Freshly ground salt & pepper to taste

1/4 teaspoon cayenne pepper

1 teaspoon paprika

3 tablespoons finely chopped shallots

1/3 cup heavy cream

2 teaspoons Dijon mustard

1/3 cup sour cream

2-3 cups white rice, cooked

A few extra sprinkles of paprika and finely chopped chives, parsley or scallions for garnish

Prepare your rice, then set aside and keep warm. Next, heat the butter in a large skillet. When it is hot add the shrimp. Sprinkle with salt and pepper (to taste), cayenne pepper and paprika.

Stir and cook just until the shrimp turn pink, then flip each shrimp once to cook the other side. Be careful not to overcook the shrimp.

Sprinkle with the shallots and add the heavy cream. Stir the mustard into the sauce and remove the skillet from the heat.

Stir in sour cream and heat thoroughly without boiling.

Serve over a bed of warm rice. Garnish with an extra sprinkle of paprika and top with whole parsley leaves or finely chopped chives or scallions.

Warm, sweet, and satisfying this dish is full of subtle yet layered flavors.  Hungarian cuisine with all its enjoyment of cream and butter and starch will never be considered diet food, but this recipe spread over 4 servings will hardly cause concern for any health-conscious eater.  And that’s not the point of it anyway. The Canadian writer Joanne Sasvari wrote in her 2005 memoir, Paprika, that “Hungary is a country where the past always sits down at the dinner table with the present.”  I love that sentiment. When you prepare a dish like Paprika Shrimp, you are not only enjoying a flavorful meal but you are also enjoying the historic journey of a spice – one that was ground from a pepper that was grown on a plant that was part of a collection in a field that stretched for miles and years and centuries ultimately coming to define a country’s heritage and its cuisine.

“When a Hungarian cook puts a steaming bowl of food in front of you, they are not only offering nourishment but also comfort, affection, and a safe refuge from the harsh realities of life,” shares Joanne.  In other words, they are offering you the red carpet experience. Signs of welcome and special treatment. Signs of dreamy decadence and luxurious dining shared with friends and family.  And signs of love and sweetness too. That’s the glamour of a Hungarian kitchen, as it has been in the past and as it will, comfortingly, continue to be in the future.

Cheers to paprika for not only coloring the landscape but also our plates. And cheers to Hungary for giving all eaters the red carpet treatment with each and every meal. Join us next time as we embark on Week 22 of the Recipe Tour with a trip to India via the kitchen and a special giveaway contest that will bring a dose of extra joy to one lucky reader’s kitchen space.

 

How A Lost Recipe Gets Found: The Search for the Date Accordion {Part Two}

{This is a follow-up post from The Search for the Date Accordion. If you missed that post, catch up here}.

In our last post, we left off with a plea for help in finding a lost cookie recipe for a woman named Laura and her 83-year-old mom, Betty. To quickly recap, the challenge was in finding a specific recipe called Date Accordions that was thought to have originated in a 1950s/1960s era women’s magazine. In her inquiry, Laura provided some details. The cookies contained a date and nut filling and a frosted top. They were baked in a long rectangular dish, cut on a diagonal, and enhanced with a decorative green gel.

Laura knew this whole cookie-finding endeavor was a long-shot. Betty was heartbroken over the fact that her recipe was accidentally thrown out last year, as it was a family favorite. One that they especially enjoyed during the holiday season. But the moment I read Laura’s initial email request, I was hopeful that we would be able to reunite Betty with her baking bliss.

If you do a general search for cookie recipes online, Google will return over 1 trillion of them in less than a second. Narrow down the search to 1950s cookies and Google provides over 2 billion options. Narrow that down again to 1950s date cookies and there are just under 3 million recipes to sort through. Match that with the vast number of cookbooks that have been written over the past century, and all the recipes that have been printed in a newspaper, magazine, circular, pamphlet, or advertisement since the 1950s and you can see how daunting this finding mission could easily become.

Searching through online resources and in my archive of recipes, I came up empty-handed, so the challenge was opened up here on the blog and on social media last week. Could the vintage kitchen community help find this recipe and make Betty’s  Christmas wish come true?

Well, dear readers, I have a surprise for you. Of all the recipes in all the world and all the ways to discover them, I am so amazed and so happy to share with you the news that in less than 36 hours of the call going out for help, the recipe for the cherished Date Accordions was sought, found and confirmed.  What a true feat of seemingly impossible proportions. Like a grand dollop of holiday magic delivered just days before the Christmas of this horrendously difficult year, the tracking down of this elusive cookie recipe was made possible (effortlessly it seemed!) by two very special people.

 

I’m a big believer in Christmas angels. I always like to credit them when something extraordinary happens during the month of December. And I love the whimsical ways in which they work. Mostly around for fun stuff, for things that make you feel merry and bright, I have found that Christmas angels tend to revel in mystery and prefer to work in ways that can never be predicted, anticipated, or even expected. Of course in this pandemic year, everything has been wonky and nothing has gone the way anybody thought it would. I think it must have been unusual for the angels too. This year, they visited the land of the Vintage Kitchen in a much more apparent way. This Christmastime, the angels came with names, Ken and Cindy, and they came with real-life identities.

Ken, who runs the Instagram account @housestories_ is a fellow researcher at heart. He was the one who found the initial lead via a brief mention in a Google books snippet. He sent this image to me over Instagram…

 

As you can see in the page 7 block – there is a mention of a recipe called Date Accordions. How exciting! This was the first reference that displayed both the word “date” and the word “accordion” side by side. This image also cited a source –  Family Circle and the year 1972.

The Family Circle Thanksgiving Issue – 1935

Family Circle was a very popular women’s magazine that was published between 1932 and 2019. Originally offered for free at Piggly Wiggly grocery stores in the 1930s, the magazine grew to a readership of millions and was delivered to stores and mailboxes across the country for more than seven decades. One of the most favored parts of the magazine was always the recipe section which kept up with food trends, meal planning, evolving kitchen equipment, and festive holiday treats.

Ideas for Easter – a Family Circle article from the April 1st, 1938 issue

In 1972, Family Circle magazine published a 16 volume series called the Family Circle Illustrated Library of Cooking. This expansive set of cookbooks was intended as a ready reference guide on all things food, containing recipes that had been featured in past issues of Family Circle magazine as well as ones shared by readers from all parts of the United States.

I researched every angle online pertaining to this specific cookbook series and the Date Accordions, but nothing popped up that would yield the complete recipe. The next best thing was to track down the physical books themselves. Fortunately, I found this set on Etsy…

Available at OftenForgotten

This is where I met Cindy. The entire FC Illustrated Library of Cooking was available in her shop, OftenForgotten. So I sent her a message explaining the situation including the personal mission we were on for Laura and Betty, and the speculation that the recipe might be found inside her book series.

More than happy to help, Cindy sent this photo less than an hour later…

And there it was. The Date Accordions. Green decorating gel and all! So excited to have an actual recipe to send, off it went to Laura with fingers crossed in hopes that indeed this was the one Betty remembered. Meanwhile, the blog post was making its rounds.  Readers were sending in recipes featuring all sorts of date-related possibilities. So many of them were close to what Laura initially described but none of them were exact, and none mentioned the lynchpin – the green gel.

On Saturday afternoon, Laura emailed back…

OMG!!! Katherine!!

I just spoke with my mother and that’s it!!!!  She is in tears! She wants me to tell you thank you from the bottom of her heart.

She wants you to know how grateful she is for all the hard work you did and to all your readers out there that helped in this effort!
I also, would like to thank you and all the people who helped with this.  Our moms are so special, they sacrifice so much for their family throughout the years. Now being able to make my mother this recipe for Christmas is a small thing I can do for her thanks to you and your site.
Thank you for making our Christmas Miracle come true!

And that my dear readers, is how the Christmas angels work their magic. Or in this case how our Christmas kitchen angels, Ken and Cindy, brought surprise, delight and holiday cheer to an 83-year-old woman named Betty and her family this December.

This has been a rough year for the entire world, full of all sorts of terrible tragedies and sadness and seemingly endless feelings of being stunted, confined, and immobile. Here in the Vintage Kitchen, we are not curing Covid, eradicating hate, or righting all the world’s wrongs, but we did find a lost cookie, which instigated joy. Somehow that feels like a small step forward in the right direction towards a sweeter year ahead.

Cheers to happy endings, to Ken and Cindy who couldn’t have made this post happen without their selfless contributions,  and to the rest of the kind-hearted gang (Diane, Corine, Mitchell, Agba, Flo, Marianne, Jorge, Jett, Sofia, Bradley, Pane, Karen, Constantine, Viv and Amy) for your all your efforts in helping to get this lost recipe found.

Most sincerely too, a very special cheers goes out to Betty and Laura and their family. Thank you for making us a part of your holiday season.  Hope your date accordions turn out just as you remembered!

 

The Search for the Date Accordion: We Need Your Help!

Between Thanksgiving and Christmas recipes shuttle around the Vintage Kitchen like a snowstorm. I know the holidays are approaching when I start receiving messages from home cooks on the search for something particular.  Most often, people are looking for recipes. For family favorites that have been lost or misplaced, recalled but not written down, remembered but also forgotten. Sometimes too, people write in because they are in the mood for an experiment and want to try to recreate something – a dish or a dessert that they knew from their past.  Or they are looking for a theme recommendation – a tropical cocktail for their tiki party or an authentic eggnog recipe for a holiday breakfast.  I love all these inquiries and the conversations that follow. Laced with stories and snapshots of family and of life and of love ignited in the heart of the house, for me here in the land of the Vintage Kitchen, communicating with all these culinary aficionados, is the joy of the season and the joy of cooking all rolled into one.

On more than one occasion these inquiries have led to stories about cookbooks misplaced, recipes accidentally thrown away or a list of ingredients and instructions just mysteriously disappeared like a sock that never returns from the dryer. They were there one holiday and gone the next.

Sometimes people write in with an urgency bordering on panic… I’ve headed home for the holidays and forgotten my cookbook. Or they contain stories of tragedy… my boat capsized and I lost my favorite recipes to the sea. Sometimes they contain stories of silly blunders… like the brother who accidentally ground up (in the garbage disposal) his sister’s prized bread recipe from the 1970s. And sometimes, they contain notes of longing. Of people wanting to rekindle a memory of a certain place or a person. But whatever prompts them to reach out to the Vintage Kitchen, everyone always signs off on their correspondence with these words… I hope you can help.

Most of the time I’m happy to say, we have been pretty lucky in finding just the right recipe that was needed. The holiday traveler who forgot her cookbook received a photo on Thanksgiving Day of the vintage chocolate pie recipe she needed. The capsized boater found a replacement cookbook in the shop. The brother who garbage disposal-ed his sister’s bread recipe was emailed a copy so that he’d have a permanent backup should he ever encounter another mishap in the future. These are small but big victories in the ultimate goal of the Vintage Kitchen, which is to build a community of modern-day cooks who have stories to share about heirloom kitchen items, traditional foods and special memories. That’s the stuff we like to celebrate around here. As Paul Child was fond of saying about his beloved Julia, that is the butter to our bread.

But the latest inquiry into the Kitchen has been more of a challenge. I’ve searched for a solution online for days. I’ve searched through all my cookbooks, all my recipes, all my options.  In non-pandemic times, I’d have a beautifully large and expansive library to visit and stacks of books to scour through in order to find what Laura seeks, but our library has been closed to researchers for most of the year, so I’m putting her request out here on the blog in hopes that you can help.

Laura writes…

Today I need help finding a recipe that my 83 year old mother said she saw in a magazine (late 1950’s – early 1960’s ?). Ladies Home Journal or one of them at that time. The recipe was for a type of date and nut bar, that had a liquid like consistency that you put into a 9 x 13 pan, then cut into small rectangular bars, roll in table sugar, frost with white frosting, then zig zag some green gel on top. They were called “Date Accordions.” I have searched everywhere and cannot find anything close. We have been making these for years and last year my brother accidentally thru out her copy of the recipe. She is heartbroken!

A challenge indeed! The closest recipe I could find to Laura’s request was this one…

Slice ‘N Serve Cookies, which appeared in Pillsbury’s Grand National Prize-Winning Recipes booklet published in 1954, contain a date and nut filling, a rectangular baking dish, a sprinkling of powdered sugar, and a frosted top.

Clearly, this isn’t the right one just based on its jelly roll presentation alone, but it was the only one in my vintage collection that made mention of frosting on top of a date bar filling.

slice-n-serve-cookie-recipe-1950s

Incidentally, date bar cookies are no stranger to home bakers. Thought to have originated in Canada, they have made a regular appearance in cookbooks since the 1930s. Almost all recipes I found in my search presented them in bar fashion – a testament to their delicious simplicity.  I can imagine that by the time the 1950s/1960s era rolled around, when home bakers were really experimenting with unique visual presentation,  that Laura’s mom’s recipe came into its heydey. The use of colored gels and a zig-zag design definitely speak of creative trends that bloomed during that era.

So here is where we need your help. If anyone knows of this particular date bar that Laura speaks of, it would be wonderful to surprise her mom, Betty, with the recipe for the holidays. If you have a vintage cookbook or recipe collection, I’d so appreciate it if you could take a minute and flip through your sources to see if a recipe for Date Accordions pops up. How wonderful would it be to bring some holiday cheer to Laura and her 83-year-old cookie loving mom this Christmas?!

I understand that some readers are hesitant about commenting publicly, so I’ve included a private and secure contact form below. If you do run across the recipe, please submit it to the Vintage Kitchen using this form, and don’t forget to include the source in which you found it. I’d also greatly appreciate it if you could forward this post to any other bakers you know who might be able to help us track down this vintage treat.

Thank you in advance for your help! Cheers to a successful recipe search. Hope your holiday season has been full of all things sweet and delicious.

 

 

 

The Historic Side of Haiti in Houses and Dessert

 

Warm and bloomy. That’s been the theme of our September days around here. The nighttimes though, they are a different story. Cool, breezy, decidedly leaning towards Fall, change is definitely amiss once the sun goes down and the stars come out. Literally caught between two seasons, where it is hot during the day but chilly at night, eating during this time of year, when the temperatures are flip-flopping back and forth can tend to be a bit tricky for everybody no matter what part of the country you live in.

Since the start of this global culinary adventure back in January, not all of the foods on the Recipe Tour have matched up ideally with the time of year in which they were prepared. But I am excited to say that this stop in Haiti for Week 20 of the International Vintage Recipe Tour, has lined up perfectly with the current season. This week, we are making a dessert that is quick, and easy, and a bit out of the ordinary. It involves a handful of simple ingredients, the oven, some bravery and a taste for two seasons.  It has a lighter than air consistency like the best of summer eating yet also happens to be blanketed in layers of cozy Fall flavors.  And there is a special way to present it. That brings its own sense of magic too. In the form of a little flourish of fire at the end of the production, it both has the ability to dazzle your senses and delight your spirit. Like that familiar friend named nostalgia- just returned from last year, this sweet treat immediately welcomes the idea of logs and kindling and wood smoke and sweaters. It’s a dessert for the in-between times when your world isn’t quite what it used to be but also isn’t quite yet what it’s going to be. Yes indeed, this is the best time of year for this type of dessert.

On the menu today we are making Bananas Au Rhum, a Caribbean flambe that has influences in French, American and Haitian culture. But before we dive into the recipe and the making of it, I just wanted to acknowledge that this post has been on hold for most of the month due to the West Coast wildfires.  It didn’t seem like an appropriate time to feature a recipe that involved a voluntary fire in one kitchen while part of the country was battling involuntary fires in many numbers of neighborhoods. Having said that, for any readers who are sensitive to open flames at the moment, you may want to skip this post and join us again next week when we travel to a new (non-fire related) international destination that specializes in hearty foods for hungry appetites.

If you are sticking with us today, then hello, hello! Welcome to Haiti! Sharing the island of Hispaniola with its neighbor, the Dominican Republic, Haiti is a world all onto itself.

To learn about the history of this island nation means to learn about a country that has been battling ill-intentioned governments, poverty, corruption, slavery, and natural disasters pretty much since it was first discovered by Christopher Columbus in the 15th century.

As one of the poorest nations in the world, much of the news that gets relayed and recorded about this country, both in the past and the present, has mostly focused on Haiti’s challenges.  This, of course, is ideal when change needs to be made or special aid is required for situations like hurricane cleanup and economic assistance, but those types of immediate crises can tend to easily overshadow the elements that make Haiti unique, vibrant, and culturally important.  In today’s post, we are setting tragedies aside and drawing inspiration from the sweet side of Haiti’s history in the form of food, drink, architecture, and design aesthetics, all of which were shaped by French, Spanish, African, and indigenous influences. Like this vintage travel poster declares, there is plenty of joie de vivre to be found in Haiti. Today, we are here to highlight it!

Nicknamed the Pearl of the Antilles, Haiti’s most celebrated attribute is its natural beauty. There the sea shines clear and turquoise, beaches are powdery white like sugar, and palm trees, tall and regal, ruffle out the landscape.

In the historic districts, Haiti is home to the Gingerbread house, a colorful style of architecture that has defined the island and defied almost every single weather event since inception. First introduced by three architects over a century ago, this specific style of colorful house with its exquisitely detailed trim work, tall windows, and airy interiors may look delicate among the more solid buildings of the Haitian landscape, but their strength and ability to withstand storm after storm has landed them on the preservation and conversation list of the World Monuments Fund where they are being renovated, rehabilitated, and appreciated for their craftsmanship and their historical significance.

Like the old cars and weathered residences of Havana, the gingerbread houses of Haiti create a cinematic aesthetic. With about 300,000 of them scattered throughout the island, they offer a peek inside the past to a time when Haiti’s wealthy built breezy beauties to defy island heat and humidity. Inspired by French architecture and New Orleans ornamentation, these houses were made primarily of wood, swathed in shutters, painted bright colors, and dotted with symbolism to reflect the mysteries and curiosities of a unique heritage not often discussed.

Outside, gingerbread houses feature gabled roofs, interesting angles, and strategically placed porches that offer picturesque views of the garden, the city or the sea. Inside, they are a menagerie of doorways and tile floors, louvres and alcoves,  with sky-high ceilings and arched doorframes all creatively arranged to encourage the heat to rise and the humidity to stay outside. Detailed interior trims and mouldings include ornamental designs of local patterns, emblems and shapes including voodoo symbols, all of which reflect the artistic creativity and spirituality of Haitian culture.

To capture this unique island aesthetic of the gingerbreads, which is at once, elegant, quirky, artistic and visually engaging, several unifying hallmarks help create a replicable effect…

  • Handmade Baskets: It is the ladies who do all do the selling at the market in Haiti. They tend to transport most of their offerings balanced on their head in large baskets, which have come to represent bounty and entrepreneurial spirit.
  • French Details: The French government ruled Haiti for 300 years, ending in 1803. Even though two hundred years have passed since then, French culture is still very much present around the country, particularly when it comes to design, language, food and antique style housewares.
  • Wood Shutters: A house in Haiti without air conditioning depends on wooden shutters to help cool interior spaces. Tall and elegant, these shutters take the place of drapes and bring a little bit of the outdoors in.
  • Folk Art: One of the most vibrant art forms on the island besides music, is folk art paintings which capture the passion, spirit and history of Haiti in vibrant colors. Some newly discovered favorite artists include Hector Hyppolite (1894-1948)  Andrew LaMar HopkinsJean Yvone Casenueve, and this one in the shop.
  • Unique Flooring: Many floors in the houses of Haiti’s historic districts are painted with patterns or contain geometric tiles that help keep the interior spaces cool and also looking beautiful.
  • Gingerbread Details: Gingerbread trim, victorian millwork and scroll saw designs are staples both indoors and out and can be seen all over Haiti, but most predominately in the historic districts. Unique architectural elements reflect the island vibe.
  • Tropical Plants: Haiti is home to over 25,00 different species of native flora and fauna. Nothing adds an instant dose of the exotic quite like growing a tropical plant indoors or out.
  • Voodoo Symbolism – With ties to the country’s African roots and the Roman Catholic religion, the practice of voodoo in Haiti offers a connection to the spirit world through many different manifestations including connections with patron saints and ancestral spirits . This symbol represents Papa Legba who acts as the mediator between the spirit world and the living world.
  • Vibrant Colors – The colors of the national flag of Haiti are blue, red and white but the country as a whole is awash in vibrant hues.  Inspiration can be found all over the country from the beautiful beaches to brightly painted buildings, textiles, handicrafts, art and even the famous tap tap buses. The gingerbread houses seem to reflect them all!

A gingerbread house in Port-au-Prince. Photo courtesy of Experience Haiti.

A few decades before the gingerbread bread houses started popping up around the island, a  man named Dupre came from France to Port-au-Prince in the 1860s. He started a rum distillery and gave it his family’s name – Barbancourt. One hundred and fifty years later, Barbancourt is recognized as one of the best rum brands in the world and is still operating as a family run business, now in its 5th generation.

The grounds of Barbencourt Distillery located in Port-Au Prince

By utilizing pure sugar cane juice instead of the more common molasses,  Barbancourt’s method of distilling rum has won awards around the world and is by far the best known and best-loved rum in Haiti. Ideally, we would have been using Barbancourt in our recipe today too, but after a lengthy discussion with a spirits expert at my local liquor store, it was decided that a 151 blend of rum would be the most appropriate in order to ensure that the bananas would catch fire and truly become a flambe. Several companies make a version of 151, which is essentially just rum with a really high alcohol content (75% by volume) but sadly, Barbancourt does not. Their highest alcohol content is 43%. So  I went with Goslings for this recipe. Goslings, like Barbancourt, has been around since the 1800s, and since it is made in Bermuda, it still lends an island vibe to this week’s cooking endeavor.

I should also note that the recipe never specified how high of an alcohol content was needed, but 151 is the standard go-to in the flambe world, so it’s a safe bet to rely upon, if this is your first time lighting foods on fire, like it was mine.

Grandpa Herbert’s 1960s Anchor Hocking casserole dish – protector of all fire-related cooking endeavors.

I’ll admit I was a little nervous about this step myself.  Before I bit the bullet and lit the match, I made sure to have our under-the-sink fire extinguisher out on the counter along with a dry towel for tamping, just in case the flames got a little too overzealous. I also used a special baking dish that has magical protective powers. My grandpa Herbert’s 1960s Anchor Hocking Fire King casserole dish. If you recall from previous posts, Herbert was a fireman in Chicago for forty years and I like to think that his baking dish holds special powers and would protect anyone who cooks with it from any unwanted fiery encounters.

Thanks to Grandpa, the dish, and the careful precautions, I’m happy to say that the kitchen is still intact, no one suffered singed eyebrows or burnt hair and the counter didn’t catch on fire. The flames, about 5 inches in height, lasted for about a minute before dying out. It was fun to watch them dance around the dish in that same mesmerizing way as lighting sparklers on the Fourth of July, or staring at a bonfire on the beach.  All in all, this was a recipe that was exciting to make and delicious to taste.

If you are new to the world of flambeed desserts, which have been around since the 1800s, than you are in for a treat. Lots of foods can be doused with alcohol and set aflame including crepes, oranges, pears, puddings, cakes, and cocktails but bananas are one of the most favorite.  In the oven, the bananas briefly swim in a sea of hot butter, sugar, and rum until the point where they all join together and start to turn brown and sticky. Once the caramelization begins to happen, then the dish gets doused in rum, the match gets lit and the rum catches fire creating a rich, warm flavor and an entertaining spectacle. Forget dinner and a show. With this recipe, we are going straight to dessert. And a show.

Bananas au Rhum

serves 4

4 firm ripe bananas

1/4 cup butter

1/4 cup brown sugar

lemon juice

1/2 cup rum

Preheat oven to 450 degrees. Peel the bananas and cut them in half lengthwise.

Melt the butter in an ovenproof baking dish and add the banana halves.

Sprinkle with sugar…

and bake for about 10 minutes or until the bananas are thoroughly hot and the sugar is melted. (Note: At this stage, they will look a little bit like half-cooked sausages.) Sprinkle with lemon juice and baste briefly. Return to the oven for two minutes.

Warm the rum ( I put mine in a cup in the microwave for 15 seconds) and pour it over the bananas. Ignite the rum…

and when the flame dies, serve immediately.

Besides the fire component, what makes this dessert especially interesting is that the bananas retain their shape. It sort of turns into a little game with your brain, because you’d think upon initial appearance – post oven – that the first bite would be relatively firm like a brownie or a soft-boiled egg but in actuality, the bananas have the consistency of something more like mousse or a marshmallow or even whipped cream. The first bite is an unexpected yet delightfully delicious surprise. In actuality, these cooked bananas are not unlike the gingerbread houses of Haiti – their looks are a little deceiving when it comes to the integrity of their composition.

 

Serve this dessert outdoors with a cup of coffee and you have the makings of a magical early Autumn night that is just right for this time of year. Since Bananas au Rhum is not one of those desserts that likes to hang around, go ahead and enjoy the whole dish right to the very last bite. You won’t regret it in the least!

Cheers to deliciously dramatic bananas, to the happy side of Haiti and their beautiful historic gingerbreads, and cheers to our brand new season. I hope you fall in love with each and all:)

Join us next time for Week 21 as we head to Hungary for colorful comfort food and officially mark the halfway point in the International Vintage Recipe Tour. Until then, happy cooking!

Fourth of July Baking: A German Dessert of American Symbolism and Celebrity

In 1986, there was a recipe. In 1956, there was a woman related to the recipe. In 1886, there was a statue related to the woman who was related to the recipe. In 1870, there was a model related to the statue who was related to the woman and the recipe. In 1865, there was a sculptor who was related to the model who was related to the statue who was related to the woman who was related to the recipe.  And so begins the story of Week 18 in the International Vintage Recipe Tour 2020.  Herzlich Willkommen! Welcome to Germany!

This week there is a little cooking surprise. In today’s post, we are diverting slightly from the original Tour plan and preparing a recipe, not from the New York Times International Cook Book, which we have been following since January, but from another vintage kitchen book altogether. This guest cookbook, Celebrity Desserts, was published in 1986 for a very particular reason and hails from the great state of New York just like our treasured International Tour cookbook. It also happens to fall right in line with this week’s featured destination of Germany and  the upcoming Fourth of July holiday.

All that being said we are off on quite a fun adventure today! It is a journey that involves not only German history, but also French and American history too. It involves family cooking, patriotic holidays, and international icons of hope, opportunity and hospitality -three things my family and I like to celebrate on the 4th of July. And then there’s the actual recipe itself. One that is luxurious without being fussy, a cool treat in hot weather, and so popular around the world that almost every country on the planet has their own particular version of it.

Originally, this trip to Germany via the kitchen was going to fill Week 18’s post with sights and stories of Sauerbraten,  an heirloom beef recipe that takes three days to prepare.  Excited to explore a very traditional method of making a famous German food, I hinted at things to come at the end of the Paris post. Unfortunately, I ran into some roadblocks.

In our unpredictable time of pandemic cooking, it seems that sourcing a grass-fed beef bottom roast that cost anything less than $50.00 and that was anything under 5lbs in size turned out to be a feat of great impossibilities.  Since the recipe only called for 3lbs of beef, both the size and the price suggested that maybe this lovely, long cooking project of authentic, homemade Sauerbraten might just be a bit too much to tackle at the moment. In an effort to remain flexible these days and simply go with the flow of what is available at the grocery and the market, the heirloom Sauerbraten will be rain checked for a later date. Hopefully we can revisit this recipe again at some point further on in the year. By that time (fingers crossed) beef may be more plentiful and a bit more economical.

In the meantime, Celebrity Desserts called from the cookbook shelf.  Saving the day and the country fare by offering a wonderfully, delicious creation of German heritage, the dessert we are making today, thanks to our guest cookbook, comes along with its own very unique history. One that embraces German, Italian, French and American ancestry as well as celebrates a special lady we all know and love.  I’m so pleased to present our featured German dessert this week, Bavarian Cheesecake.

Cheesecake is a dessert uniquely prepared in a variety of ways depending on what part of the globe you call home. It is one of the few cakes that can be served baked or unbaked. It can be frozen, refrigerated or served at room temperature. It can be made entirely of ricotta cheese or entirely of cream cheese. It can be slathered in sauce, dolloped with fruit, drizzled with chocolate or dotted with nuts. It can be stuffed with spices, herbs, vegetables or just about anything under the sun. And it runs the gamut as far as taste from sweet to savory to something in between. With such opportunity for culinary creativity,  there’s no shortage of recipes when it comes to cheesecake. In just under .6 seconds Google will deliver over 215,000,000 cheesecake related results. Narrow it down by specific ingredient and the field gets smaller but still contains hundreds of thousands of options. But the recipe we are making today stands out from all these others. This one has a very unique lineage that sets it apart from all the other cheesecakes and all the other variations.

As the cookbook title denotes, it involves a celebrity. But not one that you might suspect. This famous figure has never had her own cooking show, nor written a book, nor sang a song. She’s not the ruler of a country or a corporation (though her values would certainly be welcomed!). She didn’t invent a cure for a disease nor end world hunger nor paint a masterpiece. She wasn’t a dancer or a designer or a technology wizard. But she has been featured in her share of movies and she has been the subject of photographers for decades.  In order to get to the heart of this mystery woman’s famous roots, let’s begin at the ending, by tracing the recipe backwards.

It all starts with this face…

Do you recognize her? Most likely, probably not. She’s a pretty obscure reference in regards to her famous connection. But maybe this following info will help spark your curiosity or at least ignite the musings of your mind. Her name is Dorothy.  This photo of Dorothy was taken in the 1980’s, part of a follow-up story from the 1950’s when she had first become the topic of newspaper headlines. At the time this photo was taken, Dorothy lived in Boise, Idaho but the event that made her newsworthy in the 1950’s revolved around something that happened in New York City. Any guesses as to who she might be? If not, here’s another clue…

This is Charlotte. She is related to Dorothy. Can you see any resemblance?  Charlotte was born in 1801 in the Alsace region of northern France. She married into a French family with the last name of Bartholdi. Charlotte had a son named Frederic who became an artist. This is Frederic…

Frederic dreamed of designing an enormous statue. He wanted to build it in France, but display it America. The statue was going to require a lot of money to build, so he came to United States in the 1860’s ready to talk up his idea and gather some investors. As it turns out, Frederic’s concept sounded an awful lot like another American statue that was already in the works and slated for display in Plymouth, Massachusetts. That statue would eventually be called the National Monument to the Forefathers, and looked like this…

Undeterred by this similarity, Frederic went back home to France and carried on with his own statue anyway. He raised money in his own country with the help of his mother and the generosity of local French citizens including school children. Eventually Frederic’s dream was realized and his statue came to fruition. Off on a boat, it went to America. This is what he created…

Now back to Dorothy and Charlotte. Charlotte, Frederic’s mother, was the model for the face of the Statue of Liberty. Dorothy is Charlotte’s great-great granddaughter.

When Dorothy was photographed in New York Harbor in the 1950’s in front of the Statue of Liberty, everyone remarked on their  striking similarities…

Dorothy Franks photographed in 1956 with the Statue. The inset photo was taken in 1984. Images courtesy of the Daily News.

Dorothy was related to Charlotte both via direct lineage and also by marriage, as she married her second cousin who was also related to Charlotte by blood. Today’s recipe for Bavarian Cheesecake comes from Dorothy’s kitchen.

The recipe was submitted for inclusion in the Celebrity Desserts Cookbook in 1986 by Dorothy’s granddaughter Linda, who lived in Washington state (oddly enough, in the same small town where my mom grew up). The cookbook was compiled by the Albany NY Council of the Telephone Pioneers of America, a social service organization founded in 1911 that was inspired by Alexander Graham Bell’s invention of the telephone. The Pioneers produced this cookbook as a fundraiser campaign to raise money for much-needed repairs to the Statue of Liberty. The Council collected favorite recipes from a variety of kitchens all across the country including famous ones (a former First Lady, well known figures in the performing arts, iconic hospitality venues, etc) as well as regular home cooks, Pioneer members and telephone industry employees who had culinary crowd-pleasers to share.  Undoubtedly Linda’s recipe and the provenance from which it came must have been the icing on the cake (no pun intended!) when it came to the whole cookbook. With just five degrees of separation from Linda’s kitchen in Bothell, WA to the Statue of Liberty in New York Harbor, this cheesecake recipe instantly added a whole new dynamic element to the American food scene and to celebratory Fourth of July fare.

The lineage of this recipe doesn’t stop with the ladies though, nor the French nationality. It’s called Bavarian Cheesecake because it hails from Bavaria, the state located inside Germany that is known for its fairy tale castles, picturesque scenery and a handful of typically traditional German foods including beer and sausages.

Charlotte’s family were German protestants in Alsace and Dorothy’s grandfather was born in Italy. So the Bartholdi’s themselves were a multicultural bunch, just like the immigrants who would come to meet Lady Liberty in New York.  Eventually, Dorothy’s grandfather left Italy and immigrated to America in the late 1890’s. When he floated in on the steel grey waves of water in New York Harbor, he passed under the coppery gaze of his grandmother Charlotte. What a surreal experience that must have been. In a Daily News interview published in the 1980’s, Charlotte said the family was very proud of their connection to Lady Liberty and that her dad, when she was a little girl would tell stories about Charlotte and Frederic’s connection to the statue.

Dedication day !o The Statue of Liberty as photographed on October 28, 1886. Image courtesy of nps.org

Alongside Dorothy’s Italian grandfather, came boatloads of German immigrants. Of the 12 million people that came through Ellis Island from the 1890’s – 1950’s, 1/12 of them were German. Because of that large influx from The Land of Poet’s and Thinker’s (that is Germany’s nickname!) one in every four Americans today is connected via German ancestry.

I always think it is fascinating to learn about other people’s immigration stories. It’s so interesting to hear about the situations that brought them to America, and to hear about what they encountered when they arrived, and where their dreams and aspirations took them. In Dorothy’s case, her Bartholdi ancestors immigrated to the U.S.  to work in the gold mines in Colorado and to set up shop as stone masons and funerary art designers. In a nut shell, that’s the story of how the Bartholdi family came to America. And how they made a new life for themselves, and made a family, and then made Dorothy and then Linda. And of course all that time they made the cheesecake.

If I could take poetic license with this recipe, I’d like to rename it  Bartholdi’s Bavarian Cheesecake, so that it never lost the lineage of the ladies and their connection to Liberty. Like the nervous anticipation of the first time immigrants to America this was my first time ever making cheesecake. I must admit I was a little nervous. I had always thought that cheesecake was a very difficult thing to make  – something that took a long time and a lot of effort. Maybe some cheesecake versions are that way, but I’m happy to say that this recipe couldn’t have been easier. It did take a little bit of time – between the chilling of the crust and the two different oven bakes plus the  cooling and the overnight rest in the fridge, but certainly it wasn’t a three day affair like the Sauerbraten would have been, and it wasn’t expensive to make.

Chalk it all up to the fact that it feeds a crowd, looks lovely on a plate and lasts in the fridge for days and days and days, I think this Bavarian Cheesecake might just be the new favorite of the International Vintage Recipe Tour so far.  And that is really saying something. Australia’s Queen Mother’s Cake from Week 2 of the Tour is still receiving accolades by blog readers and eaters all these months later. So I’m especially excited to hear what you think of this latest addition to our culinary book of adventures. When we get to the end of the year and the end of the Tour, it will be fun to vote on the most favorite food made along the way. But for now, we have Bavaria and baking to get to…

Bartholdi’s Bavarian Cheesecake

Makes one 8″ inch cake or 12 Servings

For the crust:

2 cups finely crushed vanilla wafer crumbs

2 tablespoons sugar

1 tsp cinnamon

1 1/2 teaspoon nutmeg

1/3 cup butter

 

For the filling:

1 1/2 lbs cream cheese (or three 8oz. packages), softened

1 cup sugar

3 eggs

1 tablespoon lemon juice

1 teaspoon grated lemon rind

1/2 teaspoon vanilla

 

For the top layer:

2 cups sour cream

3 tablespoons sugar

1 teaspoon vanilla

For the crust: Combine first five ingredients (wafers, sugar, cinnamon, nutmeg, butter) in a bowl. With a pastry blender, cut butter until thoroughly blended until it resembles course crumbs.

Press mixture firmly and evenly against bottom and sides of a lightly greased 8 inch spring form pan. (Note: I used an 8 1/2 inch pan and that worked totally fine too.)

Refrigerate 30 minutes.

For the filling: Preheat the oven to 375 degrees. Cream cheese and sugar together in a large bowl until light and fluffy.

Add eggs one at a time, beating well after each addition.

Thoroughly blend in the lemon juice, lemon rind and 1/2 teaspoon vanilla. Pour into chilled crumb crust.

Bake for 45 minutes. Remove from oven and let cool at room temperature for 30 minutes. (Note: The cake will brown a little on the edges, as seen in the photos below, and may even crack a little bit on top. All that is totally fine.)

For the top layer: Preheat the oven to 500 degrees. Blend together the sour cream, sugar and vanilla. Carefully spread sour cream mixture over cooled cheese filling.

Bake in oven for 10 minutes. Cool.

Then refrigerate overnight before serving.

Once you’ve refrigerated the cheesecake overnight, the top layer will become firm. This makes it a lovely platform for decorating in all sorts of ways. Since this is a patriotic dessert, you might consider adding blueberries, strawberries or raspberries to the top. Or perhaps some lemon rind twists or fresh herbs. I decorated mine very simply with a sprig of mint and a flower (a petal each for Dorothy, for Charlotte and for Lady Liberty!).  I wanted to see how it tasted unadorned, without any other ingredients changing the flavor composition.

As it turns out, it tasted like a dream! I wasn’t sure if this was going to be a really dense chessecake or if it was going to be more light and airy, but when I cut the first slice, the answer revealed itself…

The sour cream top layer had a taste and consistency exactly like the filling of cheese danish pastries. Sweet with a subtle creamy tang. The cream cheese layer had a consistency like very thick whip cream – pillowy but substantial without being hefty.

The crust held everything together so beautifully that each slice cut perfectly smooth and never fell apart when transferred to the individual serving plates.

What a joy this was dessert turned out to be. Subtle and smooth, with hints of vanilla and lemon, it is a really lovely and really delicious dessert for summer. Especially if served cold straight from the fridge. An elegant alternative if you are tired of traditional Fourth of July flag cake, berry pies or fruit parfaits this dessert can be doled out in large slices or small and travels well. It also doesn’t mind hanging out in the fridge for hours while you party the day away.

Unlike a couple previous recipes from the Tour, there is absolutely nothing I would do to alter this recipe. I wouldn’t add anything, decorate it any differently or change the flavor components in any way. It is a true classic in all the best ways and absolutely perfect as is. Just like Lady Liberty herself:)

Cheers to Linda and Dorothy and Charlotte for providing a recipe with a really long family pedigree. And to Frederic for dreaming up a Statue that welcomed the world.

“Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore, Send these the homeless, tempest-tost to me. I lift my lamp beside the golden door.” – A portion of the poem, The New Colossus, by Emma Lazarus published in 1903 on a plaque at the base of the Statue of Liberty.

The lovely lady Liberty. Image credit: Juan Mayobre

The Statue of Liberty has been a sign of hope, potential and opportunity ever since her dedication on October 28, 1886. Except for the bald eagle, and the American flag she’s the most iconic symbol of our country that stands for everything we aspired to achieve as a nation. She’s artistic (thanks to Frederic), poetic (thanks to Emma Lazarus), strong (thanks to her copper cladding) and welcoming (thanks to Ellis Island). This has been one of the toughest years in American history to date, but I hope at the end of the day we can remember and focus on the qualities that Lady Liberty stands for. That we can shelter and accept and care for, with equal regard, all that come ashore.

Join me next time as our culinary adventures take us to Greece via the kitchen for Week 19 of the International Vintage Recipe Tour 2020!

UPDATE FROM OUR READERS!

If you find yourself without a springform pan for the cheesecake, rest assured, there are a couple of other pieces of dishware you can use as well, as noted by two of our readers…

Marianne in Seattle used a deep dish pie pan, and served the cheesecake right from the pan. A beauty in all directions!

“It was really good. We all liked it!”  Marianne also substituted lemon wafer cookies from Trader Joe’s in place of the vanilla wafers. “The lemon cookies make a nice crust,” she said.

Marilyn in Arizona used a 9″ inch tart pan and it turned out beautifully. She shared the following… “Going to create a fun game (questions and answers) to play with the blog post. Better than sitting around discussing the virus… you saved the day Katherine!” How nice!

If you discover any helpful hints after making this recipe or would like to share a photo of your decorated dessert, please comment below. A big thank you to Marianne and Marilyn for their helpful tips!

Lucy & Herbert Go to Paris: A 1970’s Travel Adventure and a Recipe

Bonjour and bon appetit dear kitcheners! This week the International Vintage Recipe Tour 2020 takes us to France via the kitchen.

This is one of the countries I know best in the Recipe Tour since I spent so much time there as a little girl. Originally, for this post, I was going to write about a child’s perspective of Paris and fill it full of all the things my sister and I loved most about the city when we were small explorers.  But since a little bit of that was already touched on in the Parisian hot chocolate post last December, this time I thought it would be fun to introduce some new tour guides to the blog. I’m so pleased to present my grandparents and your travel escorts for the day, Lucy and Herbert…

Unlike me, who first visited Paris when I was six months old, Lucy and Herbert were in their 60’s when they first set sights on the City of Light. They were both born in the first decade of the 20th century and both had a hard start to life. Had you asked either one of them when they were young if they would ever be walking around the streets of Paris one day they wouldn’t have guessed it.

Lucy grew up in Buffalo, New York, the daughter of German immigrants who worked in the garment industry.  Her childhood was defined by a family tragedy. When she was 7, her mom burned to death in a house fire while cooking dinner in the kitchen. Lucy’s dad in a complete state of grief and guilt put Lucy and her seven brothers and sisters in a local city orphanage.

Immaculate Heart of Mary. Photo courtesy of poloniatrail.com

It was meant to be just a temporary course of action. The orphanage was run by Catholic nuns and her dad told everyone, nuns and kids included, that he would be right back for his family. That he just needed a little bit of time to figure things out. That was the Spring of 1918. The kids didn’t know exactly what temporary meant. A few days passed, a few weeks passed and then a  few months. They waited in the orphanage for their dad to return. Five months in, the Spanish Influenza blanketed the city in fear and death and anxiety. A pandemic ensued but her dad did not come to collect his kids. Thanksgiving and Christmas came. There was no big family meal and no Christmas gifts. There was no sign of dad. A year passed. A second year passed. Lucy remained in the care of the nuns.  The third, the fourth, the fifth, the sixth year passed. By that point, Lucy was 13. The orphanage only educated girls up until the 8th grade, so school was over for her. No dreams of high school. No college.  During year seven of life in the orphanage, her dad got remarried, yet he still didn’t come to collect his kids.

There are fuzzy family stories that the children were retrieved one by one in order of age, (the oldest ones first) and placed with various members of the family. The boys were taken out first because they could earn a living and contribute financially to whatever household they ended up in. Lucy was 5th in line, a girl, with limited education and an inability to earn an income in the same way as her brothers. Lucy remained in the orphanage until she was 16 years old. That’s when her aunt Martha in Chicago sent for her so that Lucy could help take care of Martha’s two kids. At last, after nine years, Lucy left the orphanage, taking her two younger sisters and brother with her to Illinois.

Herbert’s dad, Joseph, working in his teamster days delivery hay and coal. This photo was taken around 1905.

Herbert grew up in a working class family in the city of Chicago. His parents were both natives of the city  and his grandparents  were both immigrants from Germany. His dad was a teamster for hay and coal in the city when Herbert was born. Money was always tight and there were days when food was scarce or even non-existent. The family never had enough to eat. There were nights when Herbert went to bed with a rumbly belly and no idea when it would be filled again. When Herbert was 10, his  dad landed a job as a fireman for the City of Chicago. It was a much more dangerous line of work than being a teamster, but it offered a steady paycheck and a future pension upon retirement – both very attractive incentives for someone who struggled to feed their family.

Herbert’s parents, Joseph (in his fireman uniform!) and Mary Katharine.

Herbert had a younger brother, Charles, who died when he was a baby, a sad event in his family that that no one ever talked about. Herbert didn’t believe in rehashing stuff, especially the difficult, hardscrabble years of his growing up. Herbert liked to say that the important part of life began when he met Lucy.

Sparks flew for the two of them when they met at a party in Chicago, just a few years after Lucy had moved to the city. They were both in their late teens/early 20’s at that point. Herbert took one look at Lucy and was dazzled by her pretty smile. Lucy fell in love with Herbert’s kind eyes, a distinguishing feature that everyone responded to.

Before Herbert became a fireman  he worked at the Chicago Tribune in the circulation department. This was where he worked at the time he met Lucy.

On a summer Saturday in 1933, just before my grandfather’s 25th birthday, Lucy and Herbert were married in a Catholic church in Chicago.

Herbert left his newspaper job and became a fireman like his father.  This was during the Great Depression, and like his father experienced, the firehouse offered  a steady paycheck, and a pension for retirement.  Haunted by his hunger years as a child, all Herbert wanted was to provide a safe, satiated and comfortable life for his new bride, full to the brim with happiness and adoration that she deserved.

Because she grew up in the orphanage without any guidance or training in the domestic arts, Lucy was not a typical, traditional wife of the 1930’s. As an adult, she loved clothes and fashion and following the latest trends. She loved to socialize and play cards and spend time with her sisters.  No one taught her how to cook, care for a home or drive a car. But all this was okay with Herbert because he loved to cook, was fine with housecleaning and loved to drive.  All he wanted to do was to protect his family, make sure there was always enough food on the table  and enough money left over at the end of the day to afford a few small niceties. For eight years, Herbert and Lucy tried to have a baby. After several miscarriages, my dad was finally born alive and healthy just after they celebrated their 9th wedding anniversary. Finally their family felt complete.

When my dad was a few years into his airline executive career, he arranged a four week European tour for his parents that would take them to England, France, Italy  and Germany. This was the Autumn of 1970, and it was an extravagant trip to say the least. My grandparents had never traveled outside of the United States before, and Europe at that time was a cosmopolitan wonderland of glamour and sophistication.

My dad used all of his perks and called in all sorts of favors so that it would feel like a trip of lifetime for Herbert and Lucy. He wanted to give them all the bells and whistles he could manage – a taste of luxury and decadence that they had never known before. It was his way of spoiling them – a thank you  of sorts for all the wonderful love and affection they spoiled him with as a child.

The plan was to spend a week in each country with home base stays in London, Paris, Rome and Munich. In London, Herb and Lucy stayed at the Lancaster Hotel, had dinner with the royal tailor to Prince Phillip and went sightseeing all around town.

Meet family friend and royal tailor to Prince Phillip, Edward “Teddy” Watson, who charmed the socks off my grandmother:)

The French portion of their trip involved side excursions to Nice and Monte Carlo, but the bulk of their time was spent in Paris where Herbert fell in love with the food and the history and Lucy fell in love with the shopping and the culture. They both really enjoyed walking around the city too and did almost all sightseeing on foot,  even though my dad had arranged a car and driver for them each day.

Thanks to their collection of travel photographs we can head back in time and take a little sightseeing trip right along with them as we all discover what Paris looked like in 1970.

The view from the top of the Eiffel Tower.

The tour starts with a bird’s eye view of the city as seen from the top of the most iconic structure in all of France – the Eiffel Tower.  I’m not sure who the photographer was on this trip, Herb or Lucy, but some shots had a little Vivian Maier-esque quality to them. That’s the Tower’s shadow reaching towards the bridge there in the photo. Vivian style photography makes a return at the flower market one morning too…

In addition to first time sky views of the city, another great vantage point and an interesting perspective of Paris are the views from the River Seine. From there, Lucy and Herbert marveled at a whole host of  buildings steeped in history.

The Belle Jardiniere is the oldest clothing store in Paris, dating to 1824. They were the first to offer ready made clothes off the rack, ushering in a whole new way to conveniently build up your wardrobe.

Another historic gem on the river is the Palais Bourbon, designed in 1722 for the daughter of King Louis the XIV, who was the longest reigning monarch (72 years!) in all of French history. It was designed in country house fashion with gardens modeled from particular sections at Versailles. The site for the house was found by the lover of the King’s daughter who built his own palace next door (how convenient!). Like most of the old buildings of Paris, as it passed through time, many inhabitants and influencers including Napolean,  added their own enhancements or improvements to the building. In the late 1700’s, the exterior facade of Palais Bourbon was changed to reflect ancient Greek architecture. By the time the French Revolution occurred the residence left private hands and served as a government building, which it still remains to this day as you can see from this 2019 photo…

50 years later, and it still looks exactly the same!

Even though he lived centuries ago, there are nods to King Louis XIV all over town. At Versailles, he’s depicted in an equestrian statue which was completed in 1838, which also happened to be seventy years before Herbert was born.

Herbert especially loved admiring all the statues around Paris. The city boasts over 1000,  so he didn’t have to look far for something exciting to see. They turned out to be his gateway into learning more about French history, which in turn led to learning more about other country’s histories too.

The Luxor Obelisk statue (located in the Place de la Concorde) for example spurned a whole new curiosity for him in ancient Egypt, which is where this statue came from. It was an exchange of gifts between France and Egypt in the 1800’s. France gave Egypt a clock and Egypt gave France the Obelisk. In 1936, just three years after Lucy and Herbert were married, the Obelisk was given historic monument status in France. Herbert loved little fun facts like that.

Lucy liked the statues too and learning all about their history from Herbert, but when it came to street sights, what really turned her head were things more at eye – level (a.k.a. the shops). While in London, she purchased a classic trench coat, which looked very chic on the streets of Paris. In France, she purchased a batch of silk scarves. She wore the scarves and the trench continuously for the rest of her life back in the States, reminders of her fun glamour days spent in Europe.

Other iconic sights and sounds topped their best memories list too. There was the famed Paris Opera House which first opened in 1875…

The gardens at Versailles…

It was such an elegant place, Herbert wore a suit!

The domed roof of Sacre-Coeur (also known as the Basilica of the Sacred Heart), is the second most visited site in Paris. It was a must-see for Herbert and Lucy too, who were devoted to the Catholic faith their whole lives. It stands in the Montmarte section of Paris where all the famous artists and writers lived in the 19th and 20th century.

Likewise, the Cathedral of Notre Dame (or what I thought it was) held equal charm.

But upon closer inspection via window shapes and entry doors I think this is another church in Paris altogether. Can anyone identify it? Whether you are religious or not, everyone can appreciate a Parisian church for all their architectural details and built-in statues. Herbert and Lucy visited a new Catholic church every Sunday while they were in Europe, which was a true testament to their faith since most masses were said in Latin and lasted hours.

The beautiful angles and proportions of the Pantheon hover over part of the city and tell quite a story of architectural design. The dome, which fascinated Lucy in particular is actually three domes in one and made entirely of stone. Originally it was going to be topped with a statue of Saint Genevieve but a cross was selected instead. Genevieve was the patron saint of Paris,  and also happened to be Lucy’s middle name. Genevieve is also known as one of the patron saints of generosity, a characteristic Lucy herself contained, and is often depicted carrying a loaf of bread. Followers of Genevieve’s work created an institution in her name in the 1600’s  to care for the infirm and to educate young women. I wonder now if Lucy felt a special kinship to Genevieve because of all she went through at the orphanage.

When Herbert and Lucy passed by and under the Arc de Triomph they were viewing it in all it’s glory, as it had just been thoroughly cleaned and bleached five years before from a century’s worth of soot and grime. Herbert gave it a thumbs up in the cleaning department!

In between all those photos of grand buildings and popular sites I was hoping to find a cafe shot of Herbert and Lucy dining street-side with a glass of wine or a coffee. The only one I found among the mix though was this one very blurry photo of my dad (who met up with his parents at various points in the trip while on break from business meetings) and Lucy.

Even though it’s blurry, I still like the charm of this scene, with the cafe’s egg yolk yellow awning and shutters and the tomato red chairs.  I suspect this was taken in a little country town near Nice on their drive from Paris to Monte Carlo for Part Two of the French adventure.   I like to imagine that they ate something simple yet delicious that day at that cafe. Something not unlike the French recipe we are making to accompany this post today.

Like the cafe, this is a sunny, simple dish that is easy to make and requires little time to prepare. It is called Eggs in Sauce Gribiche.  Like some of the buildings in this post and even our tour guides themselves, this sauce aspect of this recipe dates all the way back to the early 1900’s when famous French chef Auguste Escoffier deemed it an important and versatile companion to hard-boiled eggs.  Age-old yet timeless, it is a new favorite in my kitchen and I hope it will be one in yours too.

The French section of the New York Times International Cook Book which we are following for this Recipe Tour, was one of the largest chapters in the book containing over 113 pages of traditional dishes from France. I chose this one because it is so representative of Herbert and Lucy. It’s simple and accessible, peppered with fresh goodness, and easily enjoyable in a bevy of dining situations. At their core, Lucy and Herbert were ideal characters. Ones who despite early hardships and traumatic events, chose to nourish relationships and radiate nothing but love and affection. At the same time, they also knew how to add a little splash to life to make it colorful and interesting. In the case of this recipe, they are both the comforting, reliable hard-boiled eggs and also the attractive and inventive sauce that is drizzled over.

So many French recipes combine rich, buttery flavors that simmer or saute for lengthy amounts of time. This one is lighter and brighter on the palate and works for several kinds of meals from brunch to lunch to appetizers, or even serves purpose as an afternoon snack or a light dinner.  When making it, I recommend sourcing the freshest ingredients possible, which might mean avoiding the grocery store altogether if you can help it. Home grown garden herbs, farmers market tomatoes, and local eggs will by far surpass anything you could find at the regular grocery store when it comes to bringing out the beautiful flavors of this dish.

Eggs with Sauce Gribiche

Serves 6

1 teaspoon finely chopped parsley

1 teaspoon finely chopped onion

1 teaspoon finely chopped fresh thyme

1 clove garlic

2 teaspoons Dijon mustard

1 egg yolk

Salt and freshly ground black pepper to taste

2 tablespoons wine vinegar

1 1/2 cups olive oil

3/4 cup seeded, peeled, diced tomatoes

6 hard boiled eggs, peeled and halved

2 tablespoons finely chopped chives or scallion greens

Chop the parsley, onion, thyme and garlic. Add the chopped mixture to a small mixing bowl along the mustard, vinegar , egg yolk, salt and pepper.

Begin beating all ingrediants together with a whisk and gradually start adding the oil. Add it a little at a time, beating rapidly until the sauce begins to thicken. When mixture is thickened and smooth it is ready.

Crack and peel the hard-boiled eggs and cut them length-wise in half.

When you are ready to serve, stir the tomatoes into the sauce and then spoon the sauce over the egg halves. Sprinkle with chives or finely sliced scallions.

Served at room temperature, this a great dish for a hot summer day or an impromptu picnic, as it can be whipped up in a matter of minutes. It is also a lovely alternative to deviled eggs, lemon vinaigrette dressing or its close cousin – Hollandaise Sauce.

My most favorite photo of my grandparents first time-time trip to France is this one taken on two park chairs with the Eiffel Tower in back. My grandmother reminds me of Julia Child here…  smiling, carefree, lighthearted. And I love my grandfather’s hand on her knee. They were married for 37 years when this photo was taken. It’s really nice to see that things hadn’t changed that much since the day they met. Lucy was still flashing that pretty smile and Herbert was still protecting her with kindness and affection.

Ten years and two months later, Lucy died unexpectedly in a hospital in Florida. Her cause of death was an enlarged heart. That seems pretty fitting.  Her and Herbert shared a big love.  For a life that started out with so much neglect and abandonment I’m glad that Lucy got to finish it with so much joy and comfort. And I’m glad she got to experience Paris and all the magic the city holds.

Cheers to love that lasts through thick and thin. And cheers to France for playing such a big, wonderful, important role in the life and love of my family. And cheers to Grandma Lucy and Grandpa Herbert. It’s been a tough week in the world these past few days. I hope we can carry forth, in the true spirit of Herbert and Lucy, with nothing but kindness and generosity for all.

Join me next time for Week 18 of the International Vintage Recipe Tour 2020 as we head to Germany to make the biggest meal of the Tour so far! It’s three days of preparation for this cooking adventure, so rest up! See you soon.

 

Embrace Your Inner Bula: You’re On Fiji Time This Week!

For all the travelers out there who are feeling a little bit housebound these days and are missing your exotic ports of call, this post is for you. For anyone who finds themselves in a food rut, tired and bored by all the usual dinnertime choices, this post is for you too. And for anyone feeling especially grumpy, frustrated or lackluster when it comes to navigating this strange roller coaster of a turbulent world, this post is also for you.

That may sound like a lot of importance to place upon on the shoulders of one food related blog post but the salve for all these wayward troubles can pretty much be soothed in one word thanks to our featured destination of the week.

Tonight’s post takes us to the beautiful islands of Fiji, via the kitchen, to make a very quick, very easy  fish dish that tastes of coconuts and day dreams and relaxed coastal living. Welcome to Week 16 of the International Vintage Recipe Tour. Welcome to Fiji, dear kitcheners!

There is no doubt that Fiji is one of the most picturesque places in the world. But there is more to it than just sand and sun and beautiful beaches. Beyond all of the stunning panoromas, swaying palms and exotic flowers, there lives something even more beautiful. So beautiful in fact it can’t be translated via photograph.

It’s not a tangible item that you can hold in your hand or buy with your credit card or gift to a friend. It’s not a specific place you can visit, or a hotel you can check into, or a body of water you can bob around on. It’s not a rainbow, or a waterfall, or a sunset, or a mountaintop view or a brightly colored flower. It’s not a hike, nor a sunbathe, nor a visit to the spa.

Fiji’s exotic flowers.

It’s a feeling.

An inward attitude. A manifesto. An intrinsic, deeply rooted way of being. Something completely unique to the 22 islands that make up the country of Fiji.  It’s called bula.

Technically referred to as a greeting similar to saying hello, bula carries much more significance than a simple salutation. It resonates as a way of life for anyone lucky enough to visit or live on one of the islands. It also happens to be one of the most commonly talked about things that people miss most about Fiji once they leave the country.

First bula starts out as a pleasantry. A sincere wish for happiness, good health and a zesty energy for life. Then it subtly transforms from a word you are saying into a feeling you are emoting. It becomes an infectious enthusiasm of spirit. A radiation of joy. An exuberance of attitude. Regardless of current circumstances or situations, in spite of challenges and setbacks, embracing the bula spirit means expressing happiness, appreciation and friendliness. In other words… smiles and good nature for all. Whether they are strangers or loved ones, coworkers or customers, kids or adults, neighbors or newcomers, this extension of outward positivity has labeled Fijians the friendliest people in the world.

Practically a national language in and of itself, bula is a trademark of the island’s hospitality. It encourages warmth and welcome. Good cheer. Grateful attitudes. And a delight in the moment right in front of you. Besides their unique heritage and their idyllic landscape, it is the characteristic that Fijians are most proud of and what sets them apart as a community from everyone else in the world.

This type of jubilant reminder couldn’t have come at a better time. Especially for this week in regards to the Recipe Tour. As I’ve mentioned in a few posts over the last couple of months,  it’s been a bit of a challenge to keep the Tour on track since the tornado in March and then the pandemic right after. As you all know, it’s easy to get caught up in the global events unfolding each day and then to let that news cloud your mind, dampen your spirit, and affect your disposition. Sometimes writing about food while all this chaos is going on in the world seems trivial and I struggle with the desire and importance of wanting to share a good recipe while so much catastrophic stuff is going on.  But learning about Fiji’s bula spirit this week and then making one of their traditional island recipes really let in a breath of much-needed fresh air and perspective, both literally and figuratively.

If you saw the sneak peek video for this week’s recipe on Instagram, you may have noticed that it looked a little bit different than all the other videos from all the other weeks. That was due to a rainstorm that thundered its way through the preparation parts of this  week’s film shoot.

It was one of those storms that comes on quickly, toting dark grey clouds the size of whales and sucks up so much natural light, you have to turn on every single lamp in the room just so you can see what you are doing right in front of you. Rolling in just a few minutes into the cooking process, right as I began sauteing onions in a pan for the cream sauce, this storm turned the kitchen so dark and moody, the photo/video shoot had to immediately go on location (aka the balcony) so that I could grab as much natural light as possible. Otherwise the whole cooking process would have resulted in murky colors and grainy details. Fortunately for this purpose, there’s a small nook on the balcony between two potted herbs and some blooming flowers that is impervious to damp weather. It’s the one little dry spot that can accommodate an impromptu photoshoot without ruin to camera or food subjects.

In the video, you may have noticed what sounded like crashing waves roaring above the Fijian music playing in the background. That was actually the sound of the wind and the rain from the storm.   The heavy rain and the 60 mile an hour winds that eventually would come later that evening, kindly held off long enough so that the entire series of food photos were done from start to finish before I had to scurry around the balcony and bring everything inside.

It can be a little bit stressful cooking under the pressure of weather and good light, especially when preparing a dish that doesn’t offer any leeway for prolonged preparations. Generally, it takes anywhere from 3-6 hours to prep, photograph and video each week’s recipe for the Tour, depending on the level of difficulty and the cooking steps involved. Over the course of the last sixteen weeks, I’ve developed a nice little routine when it comes to making and photographing the recipes. But this week, the storm threw a wrench in the rhythm. This dish couldn’t sit around waiting on the weather to pass nor could it be made halfway and finished up the next day.

Instead of getting all flustered with the change in routine and getting caught up in some silly forced notion of perfectionism when it came to the photos, I thought about Fiji and how they might have handled this situation. I bet the first thing they would have done would be to smile and then say bula. Which is exactly what I did. Instead of fighting the weather, I appreciated the new way of thinking that the storm presented.  I didn’t fret over the lack of light and the frenzied pace of cooking. Even though there were mad dashes outside to photo and then mad dashes back inside to cook some more. I went with the flow  and managed a new rhythm. I poured sauce over fish while clouds poured rain over me. And I smiled about it. I embraced the bula spirit.

And you know what happened, dear kitcheners? Everything turned out just fine. Delicious in fact. Do you know what else happened? This was the first time in 16 weeks that a Tour recipe was prepped, prepared, photoed, cooked and on the table for presentation in under an hour. That’s a new first in the Kitchen! All because the rain storm scurried me along. Funny enough, this is the way of typical rain storms in Fiji as well – quick to arise, heavy in outpour, brief in stay. I love that Lady Nature decided to add her own little bit of Fijian authenticity to the cooking day.

Storm clouds over Pacific Harbour, Fiji

Like the islands themselves, this Baked Cod recipe is colorful, comforting and a breeze to make (rain or shine!). It’s really three recipes in one, each broken down into segments  – cream sauce, coconut milk, and cod, but since we’ve already made fresh coconut milk in Week 8’s trip to Ceylon, I substituted canned coconut milk for fresh, which shaves 45 minutes off the prep time. The cheddar cheese in the cream sauce can be yellow or white, depending on your own preference as it doesn’t affect the pearly color of the sauce either way. I also chopped up an extra  1/4 cup of the onions and green pepper for garnish at the end. That step added a nice fresh crunch to the finished dish. Had we not had the rain storm to contend with, this dish would have taken about 20 minutes to prepare. True to its island culture and the bula spirit,  it’s a joy to make.

We’ll start with the cream sauce, since you’ll want to make that first and just keep it warm on the stove while you assemble the cod in the baking dish. Again, please excuse the photos in this post, they don’t really capture beauty of the dish nor the process as I would have liked but you’ll get the idea. I loved this recipe so much I’ll happily make it again (on a sunny day!) so that I can take some new photos and enjoy a taste of the islands once again.

Fiji Cream Cream Sauce

1 tablespoon butter

3 tablespoons finely chopped red onion (plus 2 more tablespoons more for garnish)

3 tablespoons finely chopped green pepper (plus two more tablespoons for garnish)

1 1/2 cups coconut milk

salt to taste

1 1/2 tablespoons cornstarch

Preheat the oven to 350 degrees. Melt the butter in a saucepan. Cook the onion and green pepper, stirring, until the onion is wilted (about 4-5 minutes). Add 1 1/4 cups of the coconut milk and bring to a boil.

Blend the remaining 1/4 cup coconut milk with the cornstarch  and stir it into the simmering sauce . Simmer for three minutes, stirring constantly.

Baked Cod in Cream Sauce

Serves 4

2 cups boneless cod filet, cut into 1″ inch cubes

1 1/2 cups Fiji Cream Sauce

1/2 cup freshly grated cheddar cheese

Arrange the cod pieces in one layer in a baking dish and pour the sauce overall.

Sprinkle the cheddar cheese over the top…

and bake 30-40 minutes or until the cheese is melted and lightly browned. Once ready, remove from the oven and let sit for 5 minutes before serving.

Because of Fiji’s geographic location, its local cuisine has been influenced by India, the Polynesian Islands, Asia and most importantly by what grows naturally well on the islands. Coconut, sweet potatoes, root vegetables and seafood are common staples. Since there were no serving suggestions when it came to this recipe, I paired this creamy fish  with black rice for both its dynamic color and its fragrant, slightly nutty taste. This turned out to be an ideal companion as the flavors blended together really well and the rice soaked up some of the sauce. A little sprinkle of freshly chopped purple onion and green pepper on top of the fish added a splash of color for garnish.

Even though the preparation for this dish was a little haphazard, by the time we were ready to try it, the bula spirit had fully presented itself.  Once the first bite was taken, it really did feel and taste like a rejuvenating dinner that had the power to soothe a number of situations. Placing a colorful flower on the plate lent an exotic island aesthetic, ideal for the wanderlust travelers feeling stuck at home. The creamy coconut milk, an alternative to a more common, basic white sauce or cheese sauce, added an out of the ordinary flavor component, offering fun inspiration for all the bored cooks out there.  And the green, purple and black hues of this dish added a delightful dose of color therapy (read more about the power of this in Week 10: Columbia) which couldn’t help but brighten up even the most lackluster soul. I found the comfort level of this meal to be a 10 (out of 10!) so for all you eaters feeling grumpy or out of sorts, this dish will hopefully raise your spirits in an equally comforting way as well. That’s the magic of food in Fiji for you! That’s the magic of the bula spirit inside you!

Cheers to Fiji for showing us how to embrace our inner bula by embracing and radiating warm affection and positivity, despite the challenges that face us. Next week, we’ll be heading off to the gourmand capital of the world, via the kitchen, as we celebrate Week 17 of the International Vintage Recipe Tour in France. See you soon!

Fiji Photo Credits: Timothy Ah Koy, Vijeshwar Datt, Ishan, Roberto Nickson, Prem Kurumpanai