A Monumental Story of Real-Life Serendipity Told Over Many Parts: Chapter 5 – The Lost Item is Revealed

{Spoiler Alert: This is the final installment in a series of blog posts detailing the real-life story of a 100-year-old item that was lost in 2008 and how it found its way home in 2024. Follow along from the beginning of this story at Chapter 1: It Arrives.}

There’s a quote by an unknown writer that states… “What’s meant for you will never miss you, and that which misses you was never meant for you.” This quote sits on the shop’s recently sold page, acting as a sort of hopeful reassurance to any shopper who winds up there only to discover that an item that had originally caught their eye has sold to someone else. It can be so disappointing to be confronted with the fact that some newly discovered treasure that immediately captured your heart is now in another’s hands. But I love the idea of fate and what it suggests in this quote. Should an item be destined to be in your life it will present itself again, some other day, some other time.

Over the past few years, I’ve thought a lot about this quote. The idea that something will return to you if it was meant to be is such a comfort. When I think about it in the context of the lost item, I see how truthful the quote really is and how incredible the spontaneity of the universe and fate’s voice in it really are. As discussed in Chapter 4 of A Monumental Story of Real-Life Serendipity Told Over Many Parts, this journey of the lost item is all about timing, and I can’t help but think that although it took sixteen years for a lost item to get back to the people it belonged to, it came home at the most appropriate time. Like it was waiting all those years for just the right moment to reconnect with family, and in turn to reconnect with history.

Everyone has waited long enough to hear what this mystery item is, so I won’t prolong it anymore, only to say that upon the reveal of the item, all the dots that were laid out in the first four chapters of this story will be connected here in this post. So keep reading if you want to learn how it all unfurled from start to finish.

Just to recap quickly from Chapter 4, where the lost item was journeying to its final destination, these are the things that we know so far about the lost item…

  1. The lost item is over 100 years old.
  2. The item was left behind at an office supply store in a suburb of Atlanta GA in 2008.
  3. A random stranger named Angela discovered the item and tried to track down it’s original owner. For thirteen years her search was unsuccessful.
  4. In 2021, with the help of a Facebook group, Angela was able to connect the lost item to the Vintage Kitchen via a blog post that was written in 2018.
  5. In July 2021, after confirming that the Vintage Kitchen was indeed connected to the lost item, it was mailed via UPS to ITVK in a cardboard envelope.
  6. Although the Vintage Kitchen is connected to the lost item, it does not belong here in the Vintage Kitchen.
  7. In January 2024, the lost item made its way home to its final destination via a journey that involved a plane, three cars, and one boat.
  8. The journey of the lost item took 16 years and 6,500 miles to complete.
  9. Time played a major role in the story of the lost item.

Without further ado, the mystery item that arrived in the Vintage Kitchen in July 2021 was packaged in this cardboard envelope of medium thickness….

This is the cardboard envelope of medium thickness containing the mystery item when it first arrived in the Vintage Kitchen in July 2021. For privacy purposes, pink marks cover the addresses of the sender and recipient.

Still in its same envelope in January 2024, it is time to reveal the mystery item…

The mystery item envelope as photoed in January 2024

Tucked inside the cardboard envelope is a plastic, turquoise-colored binder. The binder itself is not the lost item, but what’s inside the binder is. A turn of the cover reveals history from 100 years ago…

The binder holds fifteen pages of 1920s-era black-and-white photographs containing various scenes of rural family life in a country setting. Consisting of forty-seven individual images in total, the photographs were taped, or in some cases pasted, onto standard white copy paper and then slipped into plastic sleeves and secured in a three-ring binder.

The turquoise binder was clearly a modern addition, but the photographs themselves are originals. It’s easy to see that the photos had been removed at one point in time from a more traditional photo album. Black pieces of paper are attached to some edges, old tape clings to corners and remnants of prior placement in a black-paged photo album are evident.

Handwritten notes are included next to most of the photographs identifying first names, town names, a date, or a general situation, like the one above that says Bud, Florence & Ken out camping. But none of the notes include references to a specific state, country, legible last name or any major scenic sites. Flipping through the pages reveal more photos of babies, dogs, cars, cats. There are houses and train tracks, rolling hills and weathered wood. There are women on horseback, men in overalls, girls in summer dresses, boys hunting in the snow.

There are blurry candid shots and more formal, posed group shots. Several faces reappear in different settings. A building evolves in various stages of construction. There are men in fedora hats and women in fur coats. There’s a foal and a waterfall. A travel trailer. A canoe. A swing hanging from a laundry line. There’s a baby in a bath bucket and a woman sitting on the hood of a car.

All the photographs were taken outdoors and feature different seasons. Many photos feature one specific man in particular. A man in overalls. That’s him in the center of the photo below.

Page after page, faces unfold.

People are named Al… Bill… Bessie… Bud… Merwyn… Lou…Florence. Towns are labeled Garrison and Philipsburg. One photo refers to the “Minnesota Relatives.” A dog is named Laddie Boy.

The lost item is a one-hundred-year-old photo collection of a mystery family in a mystery location. Who are these people and how are they are connected to the Vintage Kitchen? Keep reading for the whole story from start to finish.

Back in 2008, when Angela discovered this photo album that had been left behind at the Staples where she was working in suburban Atlanta, there was no way to track down who it belonged to. It had been left at the self-serve copy area and contained no other information as to where it came from or who brought it in. There was no in-store job ticket attached to it. No Staples order form. No receipt dangling from an interior page. There was just the binder – plastic, turquoise, holding onto fifteen pages of 100-year-old photographs.

Angela at Staples in 2008. Learn more about her in Chapter 2.

Knowing how sentimental old photographs can be, Angela kept the binder in the back room of Staples for safekeeping in hopes that someone would realize that they’d forgotten it and come right back for it. Days, weeks, months went by. The binder sat unclaimed on the shelf in the back room. Periodically during that first year, Angela would thumb through the photos and try to connect one of the handwritten first names to a customer list in the Staples database.

Bill, Florence, Bud, Al are pretty common names throughout the country, but particularly in the South. Searching by first name alone turned out to be a fruitless task. With no legible last names to search, no specific city and state location to pinpoint on a map, and no understanding of the context of the collection as a whole, Angela had no clear-cut way to track down the owner of the left-behind photographs using just the minimal information offered in the handwritten notes. Her only hope was that owner would return to the store to claim the binder. A year went by. A clean-up and reorganization of the back room was issued by Staples management. Angela, concerned that the binder might be misplaced or tossed into the trash during the reorganization took it home so that she could continue to search for its owner.

One year stretched into five years and then into ten and still Angela was no closer to finding out who might have left the photographs behind. Although the story of the turquoise binder didn’t change much in that decade, Angela’s life changed quite a bit. She got married and had a baby. And then she had another baby and another one after that. In that decade, she went from being a single girl working at Staples to a mom with a family of five to care for. By her side through all those life changes was the lost item. In close reach always, in case an important clue or a new lead might reveal itself, the binder became a part of Angela’s life, a puzzling research project that she returned to again and again.

Meanwhile, in another southern state, while Angela was busy raising her family and trying to solve the mystery of the binder filled with photographs, I was busy writing about history, antiques, and vintage recipes. In March 2018, I wrote a blog post, sharing a recipe that had long been a part of springtime/Eastertime menus for generations of my family. The recipe was for Rhubarb Custard Pie – a seasonal dessert that combines Betty Crocker’s 1950s rhubarb custard filling recipe with my Great-Grandpa Bacon’s homemade pie crust recipe.

Rhubarb Custard Pie – a family tradition every spring.

In the post, in addition to the recipe, I shared the story of Great-Grandpa Bacon and his wife, Dolly, who lived in rural Montana during the early to late 20th century. Married in their early 20s, Bacon worked for the Northern Pacific Railroad, a job that took him and his new bride to two rural areas in Montana – Goldcreek and Philipsburg. It was a brave and adventurous new life for them, started at a time when Montana, still young and precarious itself, saw its most difficult years in history.

Montana Homestead Poster circa 1914. Read more about the challenges of Montana homesteading here.

Challenges stemming from WWI, the over-grazing of prairies during the homestead boom, and the subsequent agricultural decline coupled with the wild, unmanaged landscape, towns located few and far between, and the tricky navigation of the unfamiliar ins and outs of remote living, made Bacon and Dolly’s decision to build a life in rural Montana all the more courageous. Dolly was born and raised in Seattle, and Bacon was from St. Paul, MN, both sizeable cities with over hundreds of thousands of residents in the early 19th century. Their new Montana life would take them to communities with populations of less than 2000 people where they had to rely on their own wit and willpower to survive.

Dolly & Bacon’s wedding portrait, 1920

Along with the recipe, in the blog post, I detailed Dolly and Bacon’s unusual life in Big Sky Country. I didn’t have any photos of them depicting their early years in Montana, so to help visually tell their story I added a lot of research about what was happening in the state in the 1920s when Dolly and Bacon moved there. I also shared the family story about how Dolly and Bacon’s first house, after they were married, was two railcars gifted to them by Northern Pacific Railroad. A gesture offered by the company so that Dolly and Bacon could immediately set up homekeeping in their new surroundings.

A 1930s era Northern Pacific Railroad poster in Chapter 3 was a big clue about the location of the story.

Definitely an unusual start to their marriage, Bacon and Dolly thrived in Montana and embraced everything about their rural railroad life. Bacon worked as a train depot clerk in Goldcreek and then as a conductor on a transportation line for livestock and mining equipment in Philipsburg.

Now an abandoned track these are recent photos of the train line running through Philipsburg with views that Dolly and Bacon would have seen on a daily basis. Photos courtesy of D & D Travel.

Dolly set up house in the railcars, learned to bake bread, and wrote poetry. They had three babies, two girls and a boy. They built a house and a garden near the tracks where Bacon worked. They hiked in the hills, fished in the streams, and ate fresh-caught trout for breakfast, Dolly’s bread for lunch and Bacon’s homemade pies for dessert. They fell deeply in love with each other, with Montana, and with the life that they made. For fifty-five years, Dolly and Bacon called Montana home, never imagining living somewhere else than the paradise that surrounded them. In 1975, Bacon passed away from a heart attack at the age of 78. Dolly followed five years later in 1980 at the age of 82. They are buried next to each other in the local cemetery in Philipsburg. Even in death their hearts never left the place that they loved.

Bacon & Dolly Day in Montana circa 1950s/1960s

The rhubarb custard pie recipe received some interest from readers, but not nearly as much as the story of Bacon and Dolly. In 2018, their photo above became one of the most favorited of the year on our Vintage Kitchen social media accounts.

In 2021, Angela still searching for some helpful snippet of information that might lead her to the original owner of the binder, decided to contact a Facebook group that specialized in old-fashioned handwriting. She thought that they might be able to help decode some of the hard-to-read words that accompanied a few of the photos.

The Facebook group was more than happy to help. Within a quick amount of time, they connected words from the handwritten notes in the photo album to words and phrases found online in my blog post about rhubarb custard pie. Bac, Philipsburg, train depot, lived in boxcars, and finally the clincher… Dolly Day… lept out at the group. All threads strong enough to cause Angela to reach out to the Vintage Kitchen via the blog, she sent an email to see if the photos might be connected to the recipe and to the story of Bacon and Dolly. Along with her inquiry, she sent some photos from the binder, this one included…

When I opened Angela’s email, I was greeted by a photo of Bacon himself. In his younger years. In his beloved overalls. In his rural Montana. With Dolly by his side. And just like that, after 13 years of Angela’s diligence, time, and attention to finding the owner of the lost item, her inquiry was confirmed. Yes, indeed the photos were a part of the Vintage Kitchen – firmly rooted to the rhubarb custard pie recipe and to the Montana life of Bacon and Dolly Day.

A windfall for a genealogy lover like me, it was incredible to see personal photographs of someone I had heard about but never met, wrote about couldn’t completely visualize, and whose recipe was in constant use in my kitchen. When the turquoise binder arrived in the mail, Dolly, Bacon and their Montana life lept off the pages.

Suddenly the photo album made all sorts of sense. The woman on the horse? That was Dolly. The two men holding babies? That was Bacon and his twin brother Willis, who in turn, were holding their babies, Dolores and Willis Jr., both born in the same year (1922). The house with the long angle? That was the train depot in Philipsburg where Bacon worked.

The waterfall is part of Skalkaho Pass, a point of interest In southwestern Montana that was mentioned in the photo album but misspelled. The building with everyone hanging out the window? That was the first house that Dolly and Bacon built from scratch with their own hands. The car with the motor home attached? That’s how Bacon and Dolly went camping. And the “Minnesota Relatives?” Those were Bacon’s brothers and sisters and their families visiting from Bacon’s home state.

Bacon and Dolly’s life unfolded in the photos page by page. Every family story known about them as a couple, their kids and their unique life in Montana was now here in visual format offering new insight into them and their experiences. In 2018 when I wrote the rhubarb pie post, I had only the one photograph of Dolly and Bacon in their senior years to share. Now, there are forty-seven more.

As I stated from the beginning of this story, the Vintage Kitchen is connected to the lost photos, but they don’t belong here. I wasn’t the one who pulled them from the pages of an old black photo album. I didn’t compile them in the turquoise binder. Nor was I the one to leave them in the suburban Atlanta Staples in 2008. Technically, Great-Grandpa Bacon and Great-Grandma Dolly aren’t even related to me.

Bacon and Dolly are the grandparents of my mom’s first husband. My brother, sister and I have the same mom but different dads. Bacon and Dolly are part of my brother and sister’s paternal ancestry line which is made up of Midwest and Pacific Northwest roots.

Both my brother and sister have memories of Dolly and Bacon and they both share a special affinity for Montana. Knowing that they would be so excited to learn about these never-before-seen photographs of their beloved great-grandparents, I couldn’t wait to share the story with them. I also couldn’t wait to share this whole story here on the blog too. Especially since I had already written about Bacon’s pie crust recipe. Had the family rhubarb pie recipe never been published, the Facebook group would never have found the Vintage Kitchen and Angela would never have contacted me, so it was very exciting to be able to continue telling the story of Bacon and Dolly here as well.

In the summer of 2021, when the photos arrived from Angela, the pandemic was still wreaking havoc on socialization plans. Although the idea of flying out to Seattle to meet my brother and sister was definitely the way I wanted to deliver the photos to them, I didn’t want to tie up this lovely gift from history wrapped in a case of Covid. So while waiting for the virus to calm down a bit, I decided to start telling the story on the blog. Since both my brother and sister read the blog, and since I didn’t want to spoil the ultimate surprise, I never mentioned anything to them about the photos or Angela or Montana. Hints in Chapters 1-4 of A Monumental Story of Real-Life Serendipity Told Over Many Parts were all filtered through a veil of mystery so that my brother and sister wouldn’t be able to guess that the lost item had anything to do with them.

Fast forward through 2021, 2022, and 2023. The timing never lined up quite right to fly out and finish the story. A six-month house hunt, the South to North move, and 1750 House renovations wound up delaying the surprise far longer than I ever anticipated. But if we’ve learned anything so far in all these chapters about the lost item, it’s that timing is everything to this story and in its weird and wonky way has linked all these people in all these places together at the most appropriate moments.

In January 2024, the right time presented itself. My niece was getting married in Seattle. A family wedding was the perfect occasion to share the story of the lost item and to finally deliver the 100-year-old photographs bound together in their plastic, turquoise bnder.

Before I left for Seattle, I had five copies made of one of the photos from the binder, so that I could frame them and give them to each of my nieces and my brother and sister. I chose a photograph of Bacon, newly married, age 24, where’s he looking straight at the camera. There are rolling hills in the background, part of a rustic building at his shoulder, a patch of corn growing next to a building behind him. He’s wearing his signature overalls. There’s a look of contentment on his face. A welcoming smile just about to bloom.

Lyle Bacon Day, Montana 1921

I had the photos reproduced at my local Staples, an homage to Angela and also to the lost item. While waiting in line to be helped, I glanced over at the self-serve copy area, at the bare tables next to each station, at the hard surfaces, sharp corners, and the utilitarian grey, beige, and black colors that covered that part of the store. I thought about the turquoise binder sitting by itself in such an environment. I thought about Dolly and Bacon tucked inside and how the environment of a modern-day Staples was so far removed from their wild Montana countryside, yet also had become such an integral part of this story.

Bacon and Dolly’s Montana circa 1920s

In 2018, going back and forth with Angela via text after the photos arrived in the Vintage Kitchen, I asked her what it felt like to put the binder in the mail after a 13-year journey with it. She admitted to tearing up a little. “I felt appreciated and blessed. To be able to provide so many people connected to this item with a sense of joy and happiness makes this such a special thing to be a part of.”

When it was my turn to be helped at the counter, the Staples employee was a bit flustered and explained that it had been a busy day and they were running behind with custom print jobs, so I’d have to leave my photo with them overnight and pick up the copies the next day. I hesitated. Bacon had come such a long way. His photograph was in my hand about to be given over. What if… I thought. What if something happens overnight at Staples. What if I never get the photo back. What if…

Clearly tired from her day, and sensing my hesitation, the Staples employee took the photo, popped it into an envelope, and attached it to a work order all in one quick motion while asking if she could help me with anything else. I wanted to tell her the story. The whole story. Starting all the way back at the beginning in 2008 with Angela in the Staples in Georgia. But the line behind me was long, and I got the sense I wasn’t speaking to someone like Angela who would care so wholeheartedly about old photos and lost items.

A detail had escaped my attention until the day before the wedding. It came in the form of my niece’s wedding ring. She designed it herself so that she could include a family heirloom in the setting that had been passed down on her side of the family for generations. The heirloom was a blue Montana sapphire. It had been mined from a local quarry near Philipsburg, Montana. The sapphire had been a gift from Bacon to his daughter, Florence on her 16th birthday in 1940..

Photos clockwise from left to right: Florence in Montana, about 10 years old circa 1934. A professional photograph of my niece’s Montana sapphire wedding ring. And a photo of her ring and wedding band taken at home after the wedding.

The day after the wedding, over trays of homemade enchilada casserole at my brother’s house, I shared the story of the lost item with my sister, brother, and nieces. I presented the turquoise binder and gave everyone their framed photographs. It was one of the loveliest family dinners I’ve ever had. We all marveled at the tenacity of Angela, the scenes of Montana spread around the table, and the good fortune that these photographs were not just thrown out in a dumpster sixteen years ago. My brother told me about a railroad key of Bacon’s that he had in storage and my sister told me about a booklet that she has of poems and musings about Montana written by Dolly. New story snippets and memories popped up in conversation as the photos floated around the table. My brother immediately called an aunt from that side of the family who lived in Atlanta to see if she was the one who left the binder at Staples. She was as surprised to hear about the story as we were and said she had no idea who the binder might have belonged to and how it would have wound up at Staples.

If you think about how fragile a paper photograph is, it’s easy to get quickly overwhelmed with scenarios that could have gone wrong in this story. They could have been destroyed a million different times in Montana alone over the course of a century. Not to mention the fact that they somehow made it to Atlanta. Then got lost. And then potentially could have been thrown out in the trash had kind-hearted Angela not cared enough to rescue them.

Something could have happened to them or to Angela in her thirteen years of time spent with them. Or something could have happened to them in the airplane when they were mailed to the Vintage Kitchen from Georgia or to the UPS truck that delivered them. Once, I received them, they became part of a big move, a typical life experience that often sees items get misplaced, lost or forgotten. And then for three years after that, they sat on a shelf of a 274-year-old house undergoing construction, room by room.

The view from the boat on the way to my brother’s house.

After that, they crossed the country again via plane, traveled in three different cars, and then on a boat to reach their final destination. Anything could have happened to the photographs in that timeframe by any sort of man-made or natural event experienced by any one of us involved. But it didn’t. Fate was on their side. All along, time took care of them, nurtured them. So that eventually, their story about time long ago was able to tell another story about time today. One generation growing from another.

Bacon with mare and foal. Montana circa 1920s.

On the airplane, coming back from the wedding I had to time to think about the whole story of the lost item from start to finish. Now knowing more about Bacon and Dolly, seeing their young lives evolve through photographs, I could see glimmers of their spirit in my brother and sister. The rugged, wild island where my brother lives, and that he absolutely loves, is his modern-day version of paradise just like Bacon’s wild, rugged Montana. My sister, our family’s star baker, is an incredible talent in the kitchen just like Dolly was with her bread and Bacon with his pies.

There is a lot to love about this story… the kindness of strangers, a lost item found, a family reconnected to its past, an heirloom saved from the brink of obscurity, an intimate look at a unique aspect of history, a mystery solved. But I think the thing that I love most is that ultimately, it was a simple, humble vintage recipe that connected all these threads and all these people.

The 2018 Rhubarb Custard Pie

I return again to the quote… “What’s meant for you will never miss you, and that which misses you was never meant for you.” It’s impossible to try to rationalize or explain the sheer amount of good fortune that these one hundred-year-old family photographs were graced with over the past sixteen years and beyond. I can’t logically detail why or how certain people came into the story when they did or why timing stretched out this love story long enough to finally be added to a new generation’s love story on their wedding weekend. All I can do is say thank you, to the universe, to fate, to Angela for clearly demonstrating that these photos were indeed meant to never miss us.

Cheers to Angela, a modern-day angel, for not only saving these photographs, but also for taking such tender care of them, and persistently working for over a decade to find their home. Cheers to Bacon and Dolly for continuing to be a source of interest and inspiration in our family and in our kitchens. And cheers to all you patient Vintage Kitchen blog readers who stuck with me through the lengthy and sporadic telling of this very long story.

There are only two questions left that still linger. How did the 100-year-old photographs taken in Montana that belong to a family in the Pacific Northwest wind up in a suburb of Atlanta, GA? And who wrote the notes next to each photograph?

Maybe there is still more to this story yet to come…

Corn Pudding and A Virtual Visit – Colonial Williamsburg Style!

The groaning board. It sounds like a little bit of a fairy tale word, doesn’t it? Like some sort of subject the Brothers Grimm would have written about? Or maybe something along the lines of an object come to life – Disney style – just like Lumiere, the candelabra, and Sultan, the footstool in Beauty and the Beast. Perhaps at one point in time, tucked inside a book of Mother Goose rhymes there was a sing-song story about a grumpy kid and a clever drawing to match titled simply The Groaning Board.

Illustration by Blanche Fisher Wright from The Real Mother Goose circa 1916

Fanciful speculation aside, the groaning board is no flight of fancy. It’s a real term dating back to the medieval ages that describes a table (or in some cases a board balanced between sawhorses) that was filled to capacity with foods about to be consumed. The groaning part is in reference to the table itself and the noise it might make under the weight of all that hefty pewter and ironstone dishware that was popular in the 1600s and 1700s. Today, we’d think of this type of food presentation more like a buffet, where diners are given an array of delectable options all at once and encouraged to help themselves.

The timeless appeal of a table full of food;) Photo by Luisa Brimble.

Even though centuries have passed, and the way we describe such a style of eating has changed, both situations would be accurate in defining overall sentiment. Whether it is modern-day, colonial times, or medieval traditions, a table full of a bevy of dishes has always represented abundance, decadence, and a carefree spirit of unbridled eating. Cheers to that!

Throughout colonial times, special groaning board dinners were a tradition enjoyed every year during the holiday season. After all the hard work of harvesting had been completed, a groaning board dinner satisfied hearty appetites and celebrated a much-needed break in the yearly schedule.

Acting as a blank slate and a muse, the essential component of preparing any groaning board dinner is a big, empty table.

One of the few remaining places in America where groaning board dinners are still a part of the regular vernacular is in the historic Virginian city of Williamsburg. Each year a traditional groaning board dinner is still hosted in one of the hospitality venues within the historic district known as Colonial Williamsburg.

Giving visitors from all over the world a chance to experience a colonial feast of plentiful proportions just as their ancestors may have enjoyed centuries ago, is just one way the living history museum helps connect people to the past through food.

The start of a feast – groaning board style. Photo by Taylor Biggs Lewis Jr.

Fried chicken, prime rib, filet of fish, oyster soup, cherry trifle, Sally Lunn cake, and an assortment of vegetables, puddings, and casseroles were typical feasting fare when it came to groaning board menus. And Williamsburg never disappointed in that department. 

Shields Taven. Photo courtesy of colonialwilliamsburg.org

A foodie town from the start in 1699, hospitality has always been a big part of this small town’s spirit. Some would even say it is the birthplace. In 1705, an Act Concerning the Entertainment of Strangers was in effect throughout the colony that extended courtesy, kindness, and hospitality to all visitors and travelers. This act was created in order to discourage greed and malicious intent from growing within the colony and to protect the colonists themselves from being taken advantage of by outside entities.

Back then, there was no kinder way to offer a warm welcome than to spoil a stranger with a hot meal, a comfortable place to rest, or a restorative beverage. This obliging, open-door concept and willingness to trust the goodness of people before suspecting the worst created a playground for food enthusiasts determined to offer others a gracious dining experience.

As Williamsburg grew and became an elegant epi-center for politics and progressive ideas, the colonists were very proud of the city they created and were anxious to show it off. It was reported by the mid-1700s that visitors were fought over and fawned over by Virginians from all corners of the city. Pleasantries and invitations were extended around every bend, a continual sense of hospitality floated in the air, and a convivial atmosphere especially surrounding food and the act of eating was present at each and every meal. “And this is the constant life they lead and to this fare every comer is welcome,” wrote a visitor to Virginia in 1746.

The St. George Tucker House circa 1718.

With an eye always focused on the spirit of those founding years, restaurant owners, tavern managers, and innkeepers throughout the past three centuries have strived to present and recreate a collection of authentic meals that represent America’s culinary roots.  The first cookbook surrounding the cuisine of Colonial Williamsburg was Helen Bullock’s The Art of Williamsburg Cookery, published in 1938.

Helen Bullock’s Williamsburg Art of Cookery, first published in 1938. It was reprinted many times over the course of the 20th century with a variety of covers from plain brown to colorful patterns like this one. The contents have always remained the same including Helen’s choice to write the entire book in Colonial vernacular.

Since then, the staff of Colonial Williamsburg has continued to encourage home cooks to try their hand at making conventional colonial fare with a variety of publications, tutorials and a growing online recipe archive.

The Williamsburg Cookbook – 1981 edition

Because many of the foods featured in the Williamsburg cookbooks are traditional staples, especially in the southern United States (recipes include pot roasts, pies, stews, gumbos, stuffings, puddings, bread, casseroles, and more) they have traveled time flawlessly. Appealing to generation after generation of cooks and eaters, these long-lived regional dishes have become beloved mainstays in the hearts and homes of food aficionados around the country.

Dishes like this roast duck with fruit stuffing still grace holiday menus today. This photo is from the 1981 edition of The Williamsburg Cookbook.

Such is the case with one of our blog readers, Roberta, who recently mentioned a favorite recipe from a 1970s era Williamsburg cookbook that her family has made (and loved!) for decades. ”The Williamsburg Cookbook belonged to my mother and then was passed on to my sister, who frequently makes the corn pudding recipe during the holidays and for parties. It was a hit, the first time my mom made it in the 1970s and continues to be a party-pleaser to this day,” Roberta shared. This is exactly the kind of heirloom recipe that we love to feature here in the Vintage Kitchen – one that is trusted, adored, and anticipated year after year after year. So it is my pleasure in this post to present Roberta’s family’s treasured corn pudding recipe from The Williamsburg Cookbook, first published in 1971. It is definitely groaning board approved not necessarily in weight but because you’ll want to make a big dish of it and then share it with all your friends and family.

There are many different ways to make corn pudding. Some recipes call for more sugar, less eggs, more milk, less cream, or the inclusion of flour or cornstarch as a thickening agent. Some recipes call for creamed corn instead of fresh, sour cream instead of milk, creamed cheese to make it extra velvety or baking soda to make it extra fluffy. But all recipes contain the same basic ingredients of corn, eggs, milk, butter and sugar. And all produce a similar custard-style pudding in the end.

Helen’s 1937-1938 recipe!

This late 20th-century recipe is a slight modification from the original Virginia family recipe that was first printed in Helen’s cookbook circa 1938. The difference between the two is just an exchange of flour to bread crumbs but all the other ingredients remain the same.

So simple to make, it requires just a handful of pantry ingredients and is a little on the lighter side in comparison to other corn pudding recipes thanks to the use of light cream instead of heavy cream and just a smidge of sugar instead of several. Bake it in a casserole dish and easily tote it along to your next party, potluck, or buffet-style dinner, as Roberta’s family is apt to do, and we guarantee your dinner mates will love it too.

Corn Pudding (serves 6)

3 eggs

2 cups whole kernel corn (If using frozen corn, allow to thaw before incorporating with other ingredients)

1 1/2 tablespoons sugar

1/2 teaspoon salt

1 cup dry bread crumbs ( I used panko-style bread crumbs.)

2 tablespoons butter, melted

2 cups milk

1/2 cup light cream * (see note below)

Preheat oven to 350 degrees. Grease a 1 1/2 qt. casserole dish. Beat the eggs until they are light and fluffy. Stir in the corn, sugar, salt, bread crumbs and butter.

Add the milk and cream (*Note: If you can’t find light cream at your grocery store, you can make it yourself using whole milk and heavy cream in a 1/3 milk to 2/3 heavy cream ratio. Always use milk to substitute. Do not mix heavy cream with water, as it will break down the fats and make your pudding runny).

Pour corn mixture into the prepared casserole and place dish in a pan of boiling water.

Bake for 50-60 minutes or until custard is set. Serve hot.

With a flavor like sweet cornbread and a consistency like fluffy scrambled eggs, it is no wonder this pudding/custard/casserole is one of Roberta’s favorites. Savory and delicate, it is comforting like macaroni and cheese, light and airy in texture like a souffle, and thanks to the whole corn kernels satisfyingly substantial without being heavy.

(Special note: For all those efficient holiday cooks out there, it is not recommended that you make this dish hours or even a day ahead of time with the intention of popping it into the oven just an hour before serving. The bread crumbs will soak up most of the liquid in that case and the finished effect will be much more firm than pudding consistency. The beauty of this recipe is its soft, pillowy composition so we recommend that you make it fresh right before you bake it).

Intended as a side dish, it is a perfect accompaniment to Thanksgiving turkey, roast chicken, or baked ham making it a dependable holiday favorite. Or serve it alongside roasted vegetables, carrot fritters, or stuffed squash for a meatless meal that is full of fall color. Adventurous cooks might also try adding chopped jalapeno for a little spice, bacon for a bit of smokey flavor, or a sprinkle of fresh herbs like rosemary, thyme, or sage for a bit of color. But really, this historic dish needs no special enhancements to make it any more delicious than it already is. There is a reason why this pudding has been a Williamsburg favorite for almost a century. We bet it will be a favorite for centuries more to come too.

Cheers to Roberta for recommending this wonderful new favorite and cheers to Williamsburg for not only paving the road of hospitality but also continuing to cultivate the good and gracious and delicious traditions of our ancestors!

For further fun, and an engaging historical experience, visit Colonial Williamsburg without ever leaving your kitchen by taking one of their beautiful virtual house tours and discover an array of unique sights and stories that made the first colony in America a place called home.

The Governor’s Palace is one of the historic houses available to tour virtually. One of the unique aspects of this tour in particular is that visitors arrive by nightfall to the sounds of clip-cloppy horse hooves and torches illuminating the walkway. Don’t miss it – it’s quite spectacular!

Read more about the Williamsburg Cookbook in the shop here. Explore similar American historical villages and their recipes here. And bake the day away with two other 18th-century recipes featured on the blog… election cake and Sally Lunn cake.

If you have any favorite family recipes that you’d like to share please send us a message for a possible feature on the blog. We can’t wait to hear all about the dishes that make your holiday table groan with delight!

Photo courtesy of colonialwilliamsburg.org

The Search for the Date Accordion: We Need Your Help!

Between Thanksgiving and Christmas recipes shuttle around the Vintage Kitchen like a snowstorm. I know the holidays are approaching when I start receiving messages from home cooks on the search for something particular.  Most often, people are looking for recipes. For family favorites that have been lost or misplaced, recalled but not written down, remembered but also forgotten. Sometimes too, people write in because they are in the mood for an experiment and want to try to recreate something – a dish or a dessert that they knew from their past.  Or they are looking for a theme recommendation – a tropical cocktail for their tiki party or an authentic eggnog recipe for a holiday breakfast.  I love all these inquiries and the conversations that follow. Laced with stories and snapshots of family and of life and of love ignited in the heart of the house, for me here in the land of the Vintage Kitchen, communicating with all these culinary aficionados, is the joy of the season and the joy of cooking all rolled into one.

On more than one occasion these inquiries have led to stories about cookbooks misplaced, recipes accidentally thrown away or a list of ingredients and instructions just mysteriously disappeared like a sock that never returns from the dryer. They were there one holiday and gone the next.

Sometimes people write in with an urgency bordering on panic… I’ve headed home for the holidays and forgotten my cookbook. Or they contain stories of tragedy… my boat capsized and I lost my favorite recipes to the sea. Sometimes they contain stories of silly blunders… like the brother who accidentally ground up (in the garbage disposal) his sister’s prized bread recipe from the 1970s. And sometimes, they contain notes of longing. Of people wanting to rekindle a memory of a certain place or a person. But whatever prompts them to reach out to the Vintage Kitchen, everyone always signs off on their correspondence with these words… I hope you can help.

Most of the time I’m happy to say, we have been pretty lucky in finding just the right recipe that was needed. The holiday traveler who forgot her cookbook received a photo on Thanksgiving Day of the vintage chocolate pie recipe she needed. The capsized boater found a replacement cookbook in the shop. The brother who garbage disposal-ed his sister’s bread recipe was emailed a copy so that he’d have a permanent backup should he ever encounter another mishap in the future. These are small but big victories in the ultimate goal of the Vintage Kitchen, which is to build a community of modern-day cooks who have stories to share about heirloom kitchen items, traditional foods and special memories. That’s the stuff we like to celebrate around here. As Paul Child was fond of saying about his beloved Julia, that is the butter to our bread.

But the latest inquiry into the Kitchen has been more of a challenge. I’ve searched for a solution online for days. I’ve searched through all my cookbooks, all my recipes, all my options.  In non-pandemic times, I’d have a beautifully large and expansive library to visit and stacks of books to scour through in order to find what Laura seeks, but our library has been closed to researchers for most of the year, so I’m putting her request out here on the blog in hopes that you can help.

Laura writes…

Today I need help finding a recipe that my 83 year old mother said she saw in a magazine (late 1950’s – early 1960’s ?). Ladies Home Journal or one of them at that time. The recipe was for a type of date and nut bar, that had a liquid like consistency that you put into a 9 x 13 pan, then cut into small rectangular bars, roll in table sugar, frost with white frosting, then zig zag some green gel on top. They were called “Date Accordions.” I have searched everywhere and cannot find anything close. We have been making these for years and last year my brother accidentally thru out her copy of the recipe. She is heartbroken!

A challenge indeed! The closest recipe I could find to Laura’s request was this one…

Slice ‘N Serve Cookies, which appeared in Pillsbury’s Grand National Prize-Winning Recipes booklet published in 1954, contain a date and nut filling, a rectangular baking dish, a sprinkling of powdered sugar, and a frosted top.

Clearly, this isn’t the right one just based on its jelly roll presentation alone, but it was the only one in my vintage collection that made mention of frosting on top of a date bar filling.

slice-n-serve-cookie-recipe-1950s

Incidentally, date bar cookies are no stranger to home bakers. Thought to have originated in Canada, they have made a regular appearance in cookbooks since the 1930s. Almost all recipes I found in my search presented them in bar fashion – a testament to their delicious simplicity.  I can imagine that by the time the 1950s/1960s era rolled around, when home bakers were really experimenting with unique visual presentation,  that Laura’s mom’s recipe came into its heydey. The use of colored gels and a zig-zag design definitely speak of creative trends that bloomed during that era.

So here is where we need your help. If anyone knows of this particular date bar that Laura speaks of, it would be wonderful to surprise her mom, Betty, with the recipe for the holidays. If you have a vintage cookbook or recipe collection, I’d so appreciate it if you could take a minute and flip through your sources to see if a recipe for Date Accordions pops up. How wonderful would it be to bring some holiday cheer to Laura and her 83-year-old cookie loving mom this Christmas?!

I understand that some readers are hesitant about commenting publicly, so I’ve included a private and secure contact form below. If you do run across the recipe, please submit it to the Vintage Kitchen using this form, and don’t forget to include the source in which you found it. I’d also greatly appreciate it if you could forward this post to any other bakers you know who might be able to help us track down this vintage treat.

Thank you in advance for your help! Cheers to a successful recipe search. Hope your holiday season has been full of all things sweet and delicious.

 

 

 

The Natural Disaster and the Postponement

Hello there dear and treasured kitcheners. As you know, Wednesday nights are usually the time when you can catch up on the latest installment of the International Vintage Recipe Tour. I regret to inform you that this week the post is delayed until Friday, due to an ongoing power outage. My lovely and beautiful and cherished city neighborhood was one of the places that was most hard- hit by the tornado that blew through Nashville just after midnight on Tuesday morning. The photo accompanying this post is of one of my favorite restaurants just two blocks away. Sadly, this is by far not the worst site in the neighborhood. It’s been difficult and devastating these past few days,  but luckily the Vintage Kitchen, the Tour, and the spirit behind both, keep the joy and the passion ignited and moving towards sunnier days ahead.

This week our featured country is China, another area of the world dealing with a troubling crisis. Thankfully, our focus this week is anything but bleak. The recipe stemming from this colorful Asian country is delicious and features a unique cooking technique and stylized presentation. I can’t wait to discuss it all with you. Coming up in Friday’s post, there is also special focus placed on a Chinese cultural tradition that is soothing, inspiring and illuminating. I didn’t realize at the time I was pulling all the threads together for this week’s Recipe Tour that it would feature a symbolic lifeline in the Chinese community that would also become a lifeline for me too. But the world is wonderful that way – making us feel unique and universal all at once.  Please come back and visit again on Friday where good recipes await and joy prevails. See you soon.

The Cake That Fed An Entire Town: {Part Two} On Election Day in 1700’s America

Ladies and gentlemen, the results are in!  Eighteen ingredients, nine hours, three loaf pans and one historic recipe later  – we have a winner – in Election Cake. Yesterday, when I wrote about the history of this patriotic confection, there was uncertainty and speculation about what exactly it was (cake or bread?) and if it was going to be a palatable sweet treat that transitioned well across three centuries. Today, we discovered what this celebratory concoction was all about. Let’s look…

The recipe began yesterday, simple enough, with yeast and water and flour, and a dash of sugar and oil…

It was left to rise six hours on its own, which it did, like a good little cake…

Next, went in a handful of ingredients…

After they were all mixed together, the batter was ready to be parceled out into three loaf pans…

and were left to rise again, for another hour, which they really didn’t do at all. It would be generous to say that after the hour was up, each loaf was half an inch taller, but that would be an exaggeration. Maybe, indeed the batter did rise a little, but if so it was barely noticeable. I hesitated here at this stage, thinking maybe I should let them sit longer so that each loaf could get bigger. But then I remembered that the author of this recipe, Fannie Farmer, was a stickler for precision and instruction, so into the oven the three loaves went, without any extra rise time. Just follow the recipe. That’s what Fannie would have said.

Exactly at the one hour mark, no less and no more,  the loaves came out sky high and golden brown…

Fannie didn’t fail us after all! The tops even cracked open themselves, and looked like little lips about to say yum. A good sign of things to come.  After a short cooling off period, the loaves were ready to cut and serve and taste…

And that is when I discovered that this very old Election Cake is in fact, very delicious. I understand how people could get confused about whether to call it a cake or a bread because really it is similar to both.  It has a texture and consistency like banana bread or zucchini bread but also it has a light and fluffy body like cake. The combination of the whiskey, yeast and nutmeg gives it a subtle hint of almost root beer-like tang that is lovely and warm. And although it already has a cup of butter in it, this little darling of a delectable is calling out to be sliced and toasted with an extra slather of butter.

While no one ingredient is powerfully overwhelming, all of them work well together to create a balanced flavor that hints at citrus and at spice, which leads me to understand how so many varieties of Election Cake came about between the 1700’s and now. It’s wonderful just as it is, but it’s also one of those recipes that might spark your creativity. After you have made it once or twice, it will make you feel brave – enough to confidently add your own little twist. Not an improvement, just a twist.  Maybe you’ll want to add some nuts or orange peel or cinnamon or cranberries. Or maybe you’ll get creative on the serving side and want to pair it along with thinly sliced pieces of ham or brie or cream cheese for a savory little snack. I love recipes like this – ones that feed your brain as well as your belly.

Either way you decide to approach this recipe,  you’ll be most successful with it if you use good quality ingredients like local eggs, fresh nutmeg, European butter, etc. They might be a little more expensive to buy, but the more fresh and natural your ingredients, the more flavorful this cake, in particular, will be. And because it makes three loaves at once, you can freeze two for later, preferably when its cold and snowy, as this would be especially nice for winter breakfast alongside a cup of coffee, for lunch or tea-time or even afternoon hors d’oeuvres. Sweet in a satisfying, robust way (not in an empty calorie way), it will give you renewed energy to carry on with your day, which was exactly the original intention way back on voting days in the 1700’s.

Fannie Farmer’s Election Cake

(Makes 3 loaves. Recipe written exactly as it appeared in the 1965 edition of the Fannie Farmer Cookbook)

Put in a bowl… 1 cup warm water (not hot)

Sprinkle over it… 1 package yeast

Add… 1 tablespoon sugar, 1 tablespoon salad oil (I used olive oil), 2 1/2 cups flour

Beat thoroughly , cover, and let rise overnight or at least 6 hours.

Butter three loaf tins. Cream 1 cup butter. Cream in 2 cups dark brown sugar.

Add 4 eggs, well beaten.

Stir in 1 tablespoon grated lemon rind and 1 tablespoon lemon juice.

Sift together 1 1/2 cups flour, 1 1/2 teaspoons baking soda, 1/2 teaspoon powdered cloves, 1/2 teaspoon nutmeg, 1/2 teaspoon mace (if you can’t find this spice, substitute it for an additional 1/2 teaspoon nutmeg), 1/2 teaspoon salt.

Add to the the butter mixture. Add 2 cups seeded raisins, 1 cup whiskey.

Stir into the yeast batter and beat to blend well. Divide the dough in the tins. cover and let rise 1 hour. Bake about 1 hour at 350 degrees.

Interested in learning more about Fannie Farmer and her historic recipes? Find the 1965 edition of her original 1898 cookbook in the shop here.

And just a little reminder… there are just two days left to save 20% off all vintage and antique platters in the shop! Find your favorite here. 

Luther Burbank, The Reliable Russet and Everyone’s Favorite Way to Eat A French Fry {1970’s Style}

They come with names that sound like 1970s rock bands… Bodega Red, Arran Victory, British Queen, Golden Wonder, Bellarosa.  Or like types of prize-winning chickens… German Butterball, Champion, Adirondack Red, Tyson.  Some even sound like certain breeds of dairy cows… Shetland Black, Royal Jersey, Blue Bell, Annabelle, Cream of the Crop.

But today we are not talking about chickens or cows or headliner music. Instead,  today we are talking about potatoes. All those names previously discussed are specific types of one of the most consumed foods on the planet- the noble and nourishing potato.  With more than 5,000 varieties in the world, you might think that it would be hard for one lone potato type to stand out in his vast tuber family of brown, round, knobby-eyed dirt dwellers.  But there is actually one big-time celebrity in the batch – a spotlight stealer known around the world –  a superstar of the food and restaurant scene that represents the most frequently consumed potato on the planet.

It is my pleasure to present the story of the wondrously addictive potato variety known as the Burbank Russet. Haven’t heard of it, you say? Ah, but just you wait…you’ll know it. Maybe not by backstory but definitely by bite.

On Friday, it was National French Fry Day and we celebrated with a homemade batch of Russet potato french fries in honor of the guy who created them. Meet Luther Burbank, 19th-century American botanist extraordinaire…

Luther grew up in Massachusetts in the 1850s playing with seed balls in his mother’s garden instead of playing with sports balls in his farm neighborhood. His interest in botany from the time he was a youngster fueled his curiosity for plant cultivation, a field of study that would eventually turn into a lifelong career. Throughout his childhood and into early adulthood, Luther tinkered around with seed starting and plant breeding.  Although it was a laboriously slow process, most often times ending up in disappointment, Luther came by this area of study naturally. His mother also shared his interest in gardening and the two of them would happily spend hours working in the garden, talking about the life stages of various plants.

The plant world was a playground to Luther, something that represented creativity and freedom from set rules and rigid disciplines. He had aspirations to one day have his own farm in California where he would grow vegetables and flowers for the retail market and try his hand at growing new breeds of plant life. In his early 20’s, he started experimenting with potatoes.  But developing a new variety wasn’t as easy as you might think.  Potatoes are peculiar things. They can be regenerated in two ways – through seeds or eyes. Either method produces similar results or slightly different results in the form of mutations or spores each time offspring are generated.  It is difficult to determine at the onslaught of a growing project how the potatoes will turn out at the end of the project. More often than not the experimentation stage for Luther in trying to cultivate a new variety was long and finicky.

If you have never seen how a potato grows, this is a good illustration. Plant above the ground and lots of potatoes nestled together below ground. Image from the 1893 L.L.May & Company Seed Catalog featuring Northern Potatoes.

But in 1873 gratification came, finally, to Luther’s ruddy, soil-covered hands. One day in his 24th year, Luther went out into the field to dig his latest sample crop, half expecting to uncover the same old story of growing the exact same plant he started out trying not to grow. But this time, something was different.  Instead of digging up an ordinary round potato, Luther pulled a tuber out of the ground that was twice as big and twice as long. It was reddish-brown in color and hefty in weight. A totally different specimen than the parent potatoes he had started this most recent batch with.  Success at last! His first genuinely original new potato had emerged.

He christened this new masterpiece the Burbank Russet and immediately sold it for $125. Was that enough money for Luther to retire early to his California dream farmhouse and garden? Not quite yet, but that’s not important to this story.  Money never mattered to Luther, only the science that stood behind it. He had made a new potato and that was pretty motivating stuff to keep his heart in the game and his hands in the soil.

Luther’s Burbank Russet was an exciting and innovative new addition to the agricultural market for its time because of its size. Almost twice as large as typical potatoes of that era, it also boasted an adaptable consistency (good for baking, mashing and frying) and it was more disease resistant to common blights that affected many potato crops around the world. But after it was introduced in the late 1800s, it took some time for the Burbank Russet to catch on. The US government initially started farming it in Oregon and from there it slowly spread to neighboring states and then the region and then the rest of the country. Eventually, it became the best-loved potato cultivator in the United States.

Russet potato farmers in 1940’s Idaho.

Farmers loved it because it was easy to grow and held up well in both shipping and storage. Once it became a successful and abundant crop, the food industry got on board. Its size, consistency and cooking adaptability made it an ideal food product for both general household consumers as well as commercial food companies and restaurants.

Although the actual cooking process of making French fries – cutting strips of potatoes and frying them in fat – had been around in France and Belgium since the 1700s, it wasn’t until a valuable American discovery was made in the 1930s that fries started to take hold as an American food staple. This important discovery was that french fries froze well and could be reheated easily while still maintaining the same shape, taste and texture.  In the early days of refrigeration, this was exciting!  This mere fact opened up opportunities for the retail, transportation and restaurant industries as french fries could now be shipped around the country in both frozen and fresh forms.

A midcentury newspaper ad for McDonald’s french fries.

By the time hamburger stands started popping up in the 1950s and 1960s, french fries became a main attraction at the drive-in burger stand as well as the family dinner table.

A vintage frozen french fry ad from the 1960s. Photo courtesy of itsjustoldpaper on Etsy.

The novelty of enjoying french fries both at home and at restaurants offered plenty of potential in the form of culinary creativity.  In mid-century America, the common condiments for them were simple… ketchup (or catsup, however you prefer!) and salt.

A 1955 advertisement for French Fries featuring Hunt’s catsup.

But by the 1970s, these little potato favorites were garnering more international gourmet attention. Common toppings and condiment companions of the disco era included the following…

…paprika, cracked black pepper, parmesan cheese, malt vinegar, crushed herbs, ketchup, mayonnaise, mustard,  salt, and a special mayonnaise/mustard mixed combo variation. In addition to frying, it also became much more commonplace, especially in the latter decades of the 20th century, to oven-bake freshly cut fries. This method of cooking was believed to be a “healthier” version since it involved less oil and a tamer cooking experience (no vats of hot fat to contend with!) as opposed to traditional deep-fry methods.

Because a lot of people tend to think it is easier to go to a fast food restaurant and buy a serving or two of fries or grab a box of frozen ones from the grocery store, we made the oven-baked variation for this post to prove how simple, quick and easy it is to take a fresh potato and turn it into a delicious hot french fry in less than 30 minutes. This recipe comes from the vintage cookbook Joy of Cooking (1975 edition)  and was a breeze to make. Literally, it took 5 minutes to prepare and 20 minutes to bake,  which makes it a fast side dish for your summer burgers.

Oven “French-Fried” Potatoes (serves 1-2)

1 large russet potato (scrubbed)

1/8 cup olive oil

A generous sprinkling of sea salt

Preheat oven to 450 degrees. Slice potatoes lengthwise into long  1/4″ sticks (you can do this by hand or by using the julienne setting on your vegetable slicer. Either way try to keep each stick as uniform as possible to ensure even baking. Lay the freshly cut sticks between a couple layers of paper towels and pat dry to remove extra moisture, then spread sticks out on an ungreased baking sheet and drizzle with olive oil.

Using your hands, toss the potatoes and oil together so that all sticks are coated and spread them back out in the pan as flat as possible.

Bake in the oven for 10 minutes. Then remove from the oven and flip the fries over and  return back to the oven for an additional 8-10 minutes.  They should look something like this when they are ready…

Remove fries from the baking pan onto a paper towel-lined plate. Sprinkle with salt and pepper (or any of your favorite spices) and serve immediately.

Inspired by the 1970s list of approved condiments, I kept thinking while writing this post how fun it would be to have a french fry bar party where guests could pick and choose their own toppings from a wide assortment. So many flavors pair well with potatoes, so the possibilities would be endless as far as dips and dredges, sprinkles and submersibles. The one element of homemade french fries that should always remain constant though is the potato – always use russet potatoes. They are the variety of choice in almost every fast food french fry you’ll ever eat – including McDonald’s whose fries are legendary. And besides, you’ll make Luther happy using his version over any other!

Luther never lived to see the ultimate french fry-loving success of his humble potato breed, although he did live a fulfilling gardening life up until the time of his death in the mid-1920s. And he did acquire that dream farm in California that he always wanted…

Luther Burbank’s house as it looked in the 1920s

Now in 2018, his house is a city park and garden that is open to the public.

Luther Burbank House and Garden, 200 Santa Rosa Ave., Santa Rosa, CA

And he built a garden where he invented new varieties of fruits and flowers and vegetables. We have Luther to thank for cultivating these beauties…

Clockwise from top left: The Plumcot – a mix between plums and apricots, the Fire Poppy, the July Elberta Peach, the Spineless Cactus and the Shasta Daisy

So while he never did see his potatoes bubbling up in oil at the Golden Arches, he did see his lifelong passion laid out in the garden as the golden hour light passed from day into night. Satisfaction was never going to be found in fame or fortune when it came to Luther Burbank. He didn’t care about either of those two things. His happiness lived deep within the dirt – a vast canvas of potential –  fueled by a creativity and curiosity that never ceased to inspire him.

Cheers to Luther for inventing one of the most delicious potatoes in the world. And cheers to all the farmers who keep growing the russets. May they continue to add a bit of indulgence to our diets and serve as a basis for inspiration in our culinary endeavors.

Find out more about Luther and his Santa Rosa, CA garden park here.  Find the vintage Joy of Cooking cookbook in the shop here. 

If you guys have any favorite toppings or condiments that you prefer on your french fries please post them in the comments section below. We’d love to hear from you!

Adelaida from Mexico & Her Lasting Impact on America {Plus Two of Her Recipes!}

Adelaida Cuellar photographed in 1901 with three of her children. photo courtesy of D Magazine.

In 1892, two young lovers crossed the border from Mexico into the United States and got married in Texas. They spoke no English but were very fluent in the language of love. They were dreamers yearning for better opportunities then their home country could provide, and they were determined to work hard to create a beautiful life that would bring them all  they desired.

The newlywed years of Macurio and Adelaida Cuellar led them through a myriad of jobs on ranches around the Texas countryside. For five years they moved about before they settled down in Kaufman, Texas, a suburb of Dallas, where Macurio started sharecropping and Adelaida started a family. As the seasons passed, their family grew, eventually producing twelve babies.

This is an unidentified farm photo from the Cuellar collection. It may have been the farm where Adelaida and Macurio raised their family. If not, it gives an interesting perspective on what farm life looks like in Texas during the time Adelaida and Macurio lived and worked there.  Image courtesy of the University of North Texas Digital library.

Ranch and farm work weren’t the most profitable of jobs, so Adelaida took a stall at the Kaufman County Fairgrounds in 1926 selling two things…  chili and tamales. It was her hope that her homemade recipes, so loved by her family, would bring in a little extra income to help support her children.  To her surprise, the food stand was an instant success.  The profits she made from her entrepreneurial endeavor were much larger than farm or ranch work earnings, so Adelaida kept at it, turning her stall into a tidy little family business.  Some of her children helped her cook while others formed a family band playing Mexican music to entertain the eaters.

During the 1920’s, Tex-Mex cuisine was a new style of cooking that combined traditional recipes from Mexico and Spain but with toned down spice factors which were more appealing to American palates. Adelaida’s chili and tamales debuted at just the right time – exotic enough for adventurous eaters and flavorful enough without being too spicy to dissuade repeat business. With every taste of tamale and every cup of chili, Adelaida’s reputation for preparing delicious Mexican food began growing.

Adelaida’s Cafe – simply called Cuellar Cafe – opened in  1928.  Image courtesy of the University of North Texas Digital library.

In her mid-fifties, Adelaida opened her own restaurant which did well until the Great Depression hit and she was forced to close due to the terrible economy.  Each of her grown boys inspired by their mother’s own entrepreneurial spirit opened their own independent Mexican restaurants in different cities throughout Texas, Oklahoma and Louisiana using the recipes that Adelaida made for them growing up.

Each of the sons, enamored with cooking just like their mom, quickly realized there was something missing from their independent ventures… family love and support. From the beginning, in the county fairground days, the Cuellar family was successful at the tamale and chili stand because they all worked together towards one common goal. But now the family was spread over many cities, and their restaurants couldn’t be as successful because they all weren’t working together.

This is one of the original porcelain neon signs from the first El Chico restaurant in Dallas. It’s now for sale on ebay here.

So in 1940, five of the brothers banded together to form one restaurant in Dallas, which they named El Chico. The entire family and extended family worked there together, each bringing their own unique talents.

Opening night of El Chico featured a Mariachi band to entertain the crowd. Image courtesy of the University of North Texas Digital library.

Everyone who worked at the restaurant was fluent in Adelaida’s style of perfection when it came to selecting quality ingredients and blending the spice mixtures in the correct way, so the food was authentic and consistent, which kept customers coming back. And the Cuellar family was proud of what they were accomplishing.  At the heart of their restaurant lay the heart of Adelaida and all that she stood for.  Her children wanted to extend that same level of love and devotion with all who dined at El Chico.

A popular dining place indeed! This photo was taken in 1945. Image courtesy of the University of North Texas Digital library.

Just like Adelaida’s chili and tamale stand, El Chico became phenomenally successful, making the Cuellar family and the El Chico brand one of the greatest American success stories. They went on to open more than 40 restaurants throughout the country, built a successful packaged food division for the retail market, and offered franchise opportunities for budding entrepreneurs. By the 1970s, they were the largest full-service Mexican food company in the world. They cooked for United States presidents at the White House, for princess Grace Kelly at her palace in Monaco and entertained movie stars like John Wayne in Dallas. The family stayed together through all these years and all this growth, never veering from what they knew – good food taught to them by Adelaida.

A Cuellar family portrait with Adelaida and Macurio in the front row center. Image courtesy of the University of North Texas Digital library.

Adelaida passed away in 1969 at the age of 97, not before experiencing the overwhelming success of her family and seeing how her humble tamale and chili stand at the Kaufman County fairgrounds grew into a multi-million dollar corporation over the course of forty years. The Cuellar children credit both their mom and their dad with teaching them about the value of working hard (and quickly) toward their goals and the importance of taking chances.

In 1970, El Chico published a small, spiral bound cookbook of some of the family recipes that they used in the restaurant, along with some others collected from their travels. Hailed as one of the most authentic Tex-Mex cookbooks ever published, it’s now a hard-to-find treasure.  It is in fact, so special and represents such an importantand  integral part of the ethnic American food landscape, that it’s held in special collection at the Smithsonian’s National Museum of American History. We are also very pleased to offer a copy in the kitchen shop. 

Since Cinco de Mayo is coming up this Saturday, on the same day as the Kentucky Derby, we thought it would fun to highlight two vintage recipes from the El Chico cookbook to ring in the festivities. A general crowdpleaser with a ton of creative toppings, these recipes are fun party foods so whether you are celebrating Mexico or Kentucky, or both this weekend, there will be something edible for everyone.

On the menu it’s El Chico’s Homemade Beef Burritos & Ranchera Sauce. Both are really easy to make. You’ll have the whole thing whipped up in under 30 minutes. Each recipe features fresh ingredients with generous amounts of spices, so you can skip buying the taco seasoning packages and the taco sauce at the grocery store. There’s plenty of flavor between the two recipes.  In addition to ground beef, you could also incorporate ground pork, turkey or chicken if you wanted to offer multiple variations.

What’s especially great about the Carne Mexicano recipe is that it includes vinegar which gives it a little bit of tang and de-greases the pan all at once so you don’t need a thickening agent like cornstarch or flour which is included in most commercial taco seasoning packets. As with many vintage recipes, we cut down the salt by 2/3rds, so we recommend starting with our measurement first and adding more to taste if you feel it needs it.

Carne Mexicano for Burritos

2 lbs. ground beef (we used grass-fed beef)

2 tablespoons chili powder

2 tablespoons paprika

2 tablespoons salt (we used only 2 teaspoons)

1 teaspoon garlic powder

1 teaspoon ground cumin

1/2 cup vinegar

1/4 cup chopped onion

In a cast-iron pan over medium-high heat brown the beef and onions until cooked through. Add the spices and cook for 1-2 more minutes. Add the vinegar, scraping the bottom of the pan to deglaze it. Remove from heat and serve immediately or store mixture in a covered dish and keep warm until ready to serve.

El Chico’s Ranchero Sauce (A La Caballero)

2 cups fresh chopped tomatoes

1/4 cup chopped onions

1/4 cup chopped hot green peppers (we used serrano peppers)

2 tablespoons shortening (we used olive oil)

Salt and Pepper to taste

Saute the onions and peppers in shortening (or olive oil). When the onions are translucent add the tomatoes and simmer over a low fire for five minutes.  Serve it immediately or at room temperature.

Obviously, the hotter your peppers, the spicer your sauce is going to be. This recipe makes about 1/2 cup of sauce so if you are cooking for a crowd you might want to double or triple the recipe. We used serrano peppers which were quite hot so a little bit spooned on top of your Carne Mexicano goes a long way!

There are so many topping options when it comes to burritos, so your creativity can really shine here based on your preferences.  El Chico suggested that their burritos include only cheese, refried beans, Carne Mexicana and the Ranchero Sauce. But we added a bunch of our favorite toppings too which included sour cream, spring lettuce, red onion, mango, tomato, cilantro, avocado and lime juice.  Other possibilities re guacamole, green olives, rice, etc etc. The sky is the limit. Can your burrito ever really have too much stuff?

Coming up tomorrow on the blog, we’ll be sharing our picks for the Kentucky Derby winner, as well as our table decorations for the Derby Party, which tie together both the Mexican theme and the horse theme. If you are planning a party for either event, we’d love to hear how you are celebrating.

In the meantime, cheers to Adelaida and the Cuellar family for sharing their long-time favorite family recipes with all of us. We will definitely be sending a toast their way on Saturday!

Explore more information about the El Chico cookbook here. And learn more about the restaurant chain, still in operation, here. 

Katharine’s Norah’s Cousin’s Irish Soda Bread: From the Kitchen of the Hepburn Household

If you’ve been a long-time reader of the blog, you’ll know what big fans we are of Katharine Hepburn.  Last Fall, we made her famous Lace Cookies. The ones that were in constant request at both her city house and her country house, so much so, that extra batches were kept on hand either freshly baked or on standby in the freezer. Was Katharine always the one baking away? Sometimes. But mostly it was Norah, Katharine’s longtime personal cook, domestic helper and treasured friend.

Norah Considine. Photo from the book At Home With Kate.

Norah Considine worked for Kate for 30 years, day in and day out, making the kind of food that Katharine loved best – simple, hearty and well-balanced. Sometimes though Norah would sneak-in her own recipes, a combination of food from her Irish heritage and dishes that she made up on the fly to feed her five kids. With guests continuously coming and going from the Turtle Bay city townhouse and from Fenwick, the Hepburn family compound in Connecticut, mealtimes were always eventful and Norah was always up to the task to make them as delicious as possble. Cooking for everyone with equal aplomb, making meals that were thoughtfully prepared and proven to please, Norah was accustomed to feeding an ever-evolving crowd that ranged from household staff to famous celebrities. In turn, she became a little bit famous herself, with returning guests regularly requesting her rum cake, or her beef stew, or her creamed chipped beef on toast.

Katharine Hepburn’s townhouse in the Turtle Bay neighborhood of NYC

Even though Kate liked to run a tight ship, she was generous with her friends and her staff. Every year on St. Patrick’s Day, Kate would leave New York City and head to Fenwick, so that Norah could have the townhouse to herself to entertain her friends and family for St. Patrick’s Day. This party was no small gathering, sometimes counting over 100 people or more.  But no matter what the attendance numbers were, large or small,  Kate always wanted Norah to be the star of the show for her special event, so she’d graciously leave in order to give Norah the run of the place.

For a change, Norah would cook for herself and her friends, and she would relax into the traditional celebrations of her heritage day.  At these parties, you didn’t always know who was going to be attending – friends and family flew in, drove in and walked over from all corners of the city, the country, and the world. There were homemade costumes and contests, musicians and dancers and tables full of traditional food and drinks. One of the edibles Norah always made for these parties was her cousin’s Irish Soda Bread, a recipe that traveled all the way from Ireland.

This was the soda bread recipe that was legendary in Norah’s family and in Katharine’s house. It has fed hundreds of people throughout hundreds of parties and like, Kate’s Lace Cookies, it represents wonderful memories and extraordinary experiences.  Not bad for a humble bread born out of lean economic times.  With a consistency somewhere between a fluffy cake and a crumbly cornbread, Norah’s cousin’s Irish Soda Bread is a decadent little treat both sweet and hearty in a satisfyingly nourishing way. One slice makes you understand how it fortified a country for two and half centuries.

Although technically, not really Irish in origin (the Native Americans were the first to come up with the general idea), Ireland has been proclaiming soda bread a national staple since the 1830’s. Because it contains no yeast, an expensive ingredient in times past, soda bread gets its bulk from baking soda which chemically raises the dough when combined with flour and any acidic property like sour milk, buttermilk, or in Norah’s case, sour cream.  Some people even add a touch of orange juice or lemon rind to their soda bread for an extra dose of certainty that the chemical reaction will yield a tall and fluffy loaf.

That are lots of variations on the traditional soda bread recipe, but Norah’s is interesting because it includes caraway seeds and sour cream and just a little bit more butter. Super fast and easy to put together, this recipe only takes about 15 minutes to prepare and bakes to a crunchy, golden brown within an hour. Norah recommended enjoying it warm, just minutes out of the oven, or if you want to wait a bit,  let it cool to room temperature and toast it with a little butter right before you are ready to serve it. The one drawback of Irish soda bread is that it dries out quickly – so if you are not going to serve it the day you make it, then it is best to freeze it and reheat it when the occasion arises.

Not as hard as biscotti and not as dense as cornbread, Irish soda bread lands somewhere in the middle as far as form. It pairs beautifully with any salty meat like ham, sausage or brisket for a savory-sweet combo, and would be marvelous with a soft creamy-textured cheese like Brie or goat cheese.  In an adventurous mood, we might even top a toasted slice with cream cheese and bacon and kale for an interesting brunch option or serve it alongside baked apples or a chopped salad of pear and fig.  In the next couple of months, we’ll be experimenting with Norah’s soda bread recipe, trying out some different food pairings. Once we’ve determined our favorites, we’ll post them here on the blog.

In the meantime, we encourage you to try this delicious holiday bread and look forward to hearing your thoughts on it.

Norah’s Cousin’s Irish Soda Bread

4 cups unbleached flour* plus more for dusting (*Norah liked King Arthur flour best

4 teaspoons baking powder

1 cup granulated sugar

2 cups raisins

4 teaspoons caraway seeds

4 eggs

1 pint sour cream (2 cups)

1 teaspoon baking soda

1 1/2 sticks, salted butter, plus more for pan

Preheat the oven to 375 degrees. In a large mixing bowl combine the flour, baking powder, sugar, raisins and caraway seeds.

Roughly chop the butter into the flour mixture and combine to the point that the mixture looks like coarse meal. You can do this with the tines of a fork, a wooden spoon or your own two hands. Set aside.

In a small bowl combine the sour cream, eggs and baking soda.

Mix well and then slowly add the liquid mixture to the dry ingredients…

Mix until combined and until the bread is no longer sticky. You might need to add as much as 1/4 cup extra flour to this process, but be careful not to overmix the dough.

Ideally, you want the dough to be just smooth enough so that you can pick up in your fingers and transfer it to a lightly floured cutting board without it sticking to your hands.

On the board, shape the dough and then transfer it to a greased 2-quart baking pan. Keep in mind – the dough expands to fit its baking container and then rises – so if are using something other than a 2-quart dish – just be aware that it will grow in size.

Bake for 1 hour. Cool on a wire rack for a few minutes before removing from the pan and slicing.

However you choose to spend St. Patrick’s Day, whether it be at a big house party like Norah’s, or at a simple celebratory supper for a few (much more Kate Hepburn style) we hope you have a wonderful holiday full of good food, good friends, and good spirits!

Cheers to Kate and to Norah and to Norah’s cousin, whose family recipe has traveled across countries and continents and kitchens and time. Happy St. Patrick’s Day with much love from In The Vintage Kitchen.

That’s Norah (wearing the polka dot blouse) in the midst of her St. Patrick’s Day merrymaking.

Gender Discrimination in the 1940s: Why a Correspondent Turned From War to Cookbooks

Betty Wason (1912-2001)

In Sweden, in 1939, as Nazi troops began their invasion of Norway, a young American journalist staying in Stockholm began delivering eyewitness accounts of the historic event.  She was 28 years old and the only correspondent in that section of the world broadcasting live stories for CBS Radio. Her name was Betty Wason and her vantage point was intimate. Her reports were well-written, authentic, and timely in the transmission of details. She was brave, dedicated, and determined, eventually getting close to Nazi troops in Norway in order to tell the stories of wounded British soldiers and all that they had seen.  She was a woman alone in a war zone, a thoughtful writer in a chaotic environment, and a new traveler out discovering foreign lands. But for all the things Betty was, there was one thing she wasn’t. She was not a man.

And that affected everything.

Gender discrimination runs rampant in every field throughout history, except maybe one…. radio news broadcasting in the 1930s and the 1940s. Mainly because there wasn’t any argument against the discrimination. Things were simply done and not done and there were rules to abide by.  One of those rules concerned women. Women  simply did not, were not, allowed to read the news over the air.  It was firmly believed that the feminine register could not convey the seriousness and importance of hard-hitting news stories. Instead, women’s voices were relegated only to entertainment-type shows… cooking lessons, homemaking stories, commercial ads and literature readings. Anything more serious or historically significant was left up to men to communicate on-air.  This proved a problem, for our gal Betty.

Growing up in Indiana in the 1920s, Betty was a creative spirit from the start with interests in music, art and fashion design. After graduating from Perdue University with a degree in home economics in the early 1930s, Betty bounced around a few jobs in her home state before realizing she wanted a more exotic life than Indiana could provide.  As a young woman full of vivaciousness and adventure and a desire to see the world, Betty went to New York and settled into a two-year job working at McCall’s magazine. But even in the exciting city of New York, her wanderlust could not be quelled. Europe was calling and Betty wanted to travel.

Vintage 1930’s travel posters to Czechoslovakia show the beauty and attraction of foreign travel. This was one of the countries Betty would visit and report from.

Not having the financial means to live abroad without working, Betty contacted TransRadio Press who was willing to pay young journalists overseas for eyewitness stories concerning World War II. A brief stint in Europe trying to make a go of it as a correspondent didn’t yield enough money for Betty to live on,  so she came back to New York only to try again less than a year later. On her second go-around though, she worked with CBS who was desperate to get any and all international news they could get their hands on in regards to the war. That’s when Betty headed to Sweden, just before Hitler arrived in Norway.

Betty’s contact at  CBS was Paul White who was in charge of news broadcasting.

There were many male war correspondents living and working overseas at this time, but they were mainly focused on print pieces suitable for newspapers and magazine readers. Radio was becoming more and more popular in terms of delivering news, but the seasoned overseas reporters, so focused on their writing, were out of the loop on the fact that radio news was rising in popularity. There was a niche market blooming in quick, short news briefs for ears instead of eyes and Betty saw an opportunity to be a part of it.

A 1940’s radio

Since Betty was the only correspondent in the Scandinavian region, she was recording and filing her own reports for CBS and being paid on a weekly basis.  But quickly, CBS determined that Betty’s voice was a problem (too light, too feminine, too high in pitch).  It was believed, even in times of war, especially in times of war, that radio listeners didn’t want to hear a delicate voice reporting on death and destruction. Her reporting content was strong though, so CBS said that she had to find a male counterpart to step in as the voice in front of her work.

Betty was upset that she couldn’t speak the words that she was writing, but she wanted to keep her job, so she trained Winston Burdett, an American newly arrived in Stockholm, in the art of journalism for a radio audience, and he read her reports for her. Incidentally, she trained Burdett so well that she wound up working herself right out of Sweden. Burdett was after all a man and now (thanks to Betty) a good broadcaster.

Winston went on to have a lengthy career as a broadcast journalist at CBS. In 1955, he admitted to being a communist spy during the 1930s and 1940s when Betty worked with him.

Trying to find another unique vantage point like she had in Stockholm, Betty went to the Balkan Islands, and to Turkey before settling in Greece where she again sent reports home to CBS. Again, CBS said she needed a male counterpart to vocally relay her stories. And again Betty complied, this time working with a male Embassy secretary, who, at least, introduced himself on-air as “Phil Brown speaking for Betty Wason.”

Betty Wason in Greece. She made her own uniform to appear more professional since there was no dress code for correspondents. Photo courtesy of Hard News: Women in Broadcast Journalism.

As the Nazis occupied Greece, Betty’s bravery was called upon again as she reported eyewitness occurrences on a regular basis through her Embassy mouthpiece. While there, she endured house arrest under Nazi supervision for two months before the regime flew her and several other journalists to Europe for questioning. Concerned that Betty might be a spy, the Nazis detained her for an additional week by herself before eventually allowing her to fly back home to the US, where she was greeted with fanfare for having endured captivity and detainment.

Invigorated by the attention she received upon returning home and by the contributions she had made to broadcast journalism overseas, Betty naturally went to the CBS offices in New York to inquire after more work or a new assignment. Shockingly, executives at CBS refused to acknowledge that she played any significant part in the broadcasting realm overseas and denounced her requests for more story assignments. In an instant, Betty was dismissed like she had never been a part of the reporting team in the first place. Immediately, her work was marginalized even though CBS had been using her content repeatedly throughout the war, finding it valuable enough at the time to pay her for it. But upon Betty’s return, none of that seemed to matter. Had Betty been a man she would have been offered a position like Winston Burdett or handed a new assignment and sent to another corner of the globe. She would have been encouraged and supported by her colleagues and eventually been able to dispel the ridiculous notion that women couldn’t vocally report the news. But that didn’t happen.

After being turned away by CBS, Betty left New York and went on to Washinton DC, where she joined forces with other women in broadcasting, collaborating on various news shows and continuing on with her writing.  Those few years of dangerous foreign reporting and her budding career of broadcast journalism didn’t turn out the way Betty expected, but ultimately, good things came out of this redirection in her life.  Her ability to believe in her own talents and to creatively work around roadblocks with persistence and perseverance led her to a fulfilling career as a writer, on her own terms.

A sampling of Betty’s cookbooks published from the 1950s-1980s

Inspired by her travels and her curiosity to learn more about local cultures and customs, Betty was devoted to exploring the history and the food scene in all the countries she visited, each eventually yielding their own distinct cookbook. Through her explorations in The Art of Spanish Cooking, The Art of German Cooking… of Vegetable Cooking… of Mediterranean Cooking…  Betty wanted readers to experience the sights, sounds, smells, and tastes of her favorite places.  That genuine, awestruck wonder led to over 20 beautifully written books that pull readers (and home cooks!) in from page one…

How I wish I were about to fly to Greece again, to relive once more that special thrill of seeing from the sky the ragged ochre shoreline with its-jewel-like border of turqouise merging into the royal blue of the Aegean…(from the introduction of her Greek cookbook)

In the Vintage Kitchen, we were introduced to Betty through her Greek cookbook simply titled Betty Wason’s Greek Cookbook, a stained and splattered edition worthy of its adventurous war correspondent author.

If a cookbook could ever be a travel guide, it would be Betty’s style of approaching food. Not only does she include authentic recipes, but she writes about them with the eye of a curious tourist learning a country in detail.  In her Greek Cookbook, published in 1969, in addition to 200 recipes, she also included a state-by-state reference guide on where to buy authentic Greek ingredients in the US, a glossary of Greek terms, and special tips and tricks to make sure that the cooking experience remained as easily replicated as possible.

Yesterday, it was Betty’s birthday and today it is International Women’s Day. We couldn’t think of a better post to publish than this one on the forgotten lady of broadcast journalism and now the remembered author of important vintage cookbooks.  In celebration, we made her recipe for Spanakopeta from her Greek cookbook. With spinach now coming into season,  it is an ideal dish for Spring and a guaranteed crowd-pleaser for upcoming holidays like Easter and Mother’s Day. If you have never had Spanakopeta before, it is similar to quiche…. a mixture of cheese and spinach and herbs stuffed between two layers of phyllo dough.

Betty Wason’s recipe for Spanakopeta, A Greek version of Spinach Pie

It’s light in texture and constitution so it can be enjoyed as a side dish or a small dinner or a brunch accompaniment. Betty suggested that it could be served hot or at room temperature, which makes picnic basketing an option too.  It reheats well and can sit in the fridge for a few days without getting soggy so if you are a make-ahead meal planner this recipe will be effortlessly easy and valuable.

Betty Wason’s SPANAKOPETA

Serves 6

12 phyllo pastry sheets

2 pounds fresh or frozen spinach (we used fresh)

1 teaspoon fresh dill, minced and chopped

2 tablespoons fresh parsley, minced

Salt to taste (optional)

2 eggs

1/2 lb. Gruyere-type cheese, feta cheese or dry pot cheese (* see notes)

1/2 cup melted butter or olive oil (we combined 1/4 cup of each)

Preheat the oven to 350 degrees.

If frozen spinach is used, cook as directed on package and drain well. If fresh spinach is used, wash and clean the leaves to remove any traces of dirt and pat dry. Heat a large saucepan over medium-high heat. Do not add any butter, oil or water to the pan. Working in batches, add as many large handfuls of spinach as will fit reasonably in the pan and toss with a wooden spoon until all spinach is wilted (about 2-3 minutes per batch). You may have to do this step in several batches depending on the size of your pan. Spread each cooked batch of spinach out on a cookie sheet to cool.

Once all the spinach is cooked, it will look like this…

At this point, you’ll need to wring as much water out of the spinach as possible. The easiest way to do this is to grab clumps in your hand and wring them out forming tightly packed meatball-like shapes. The drier the spinach the better so wring as much water out as you can.

Next, on a cutting board roughly chop each of the spinach balls. Mix in the dill, parsley, and salt to taste and toss until combined. I found there to be enough natural salt in the spinach and the cheese, so we didn’t add any extra salt to this dish at all, but season it to your preference.

Add one egg to the spinach and herbs and toss to combine. Grate the cheese. We can only find Gruyere at our grocery store occasionally, so I used Danish Fontina which is similar. Other options are Jarlsberg, Swiss or Feta.

Add the second egg to the grated cheese and mix to combine.

Butter a square 9×9 baking dish and place 6 sheets of phyllo pastry in the bottom. Brush each sheet with the olive oil and/or butter. Then add the spinach, and top with the cheese.

Cover with six more sheets of phyllo, each brushed in butter/olive oil. Don’t forget to brush the top layer.

Ready for the oven!

Bake in a 350-degree oven for 35 to 40 minutes until pastry is golden. Remove from the oven, let cool until the dish can be handled,

then turn out upside down on a baking sheet and return it to the oven so that the undercrust can become crisp and golden (about 15-20 minutes).

Back into the oven!

Remove from the oven, flip back over and cut into squares. Serve while hot or wait for it to cool to room temperature. We served our spanakopeta with a glass of sauvignon blanc and a simple side salad tossed in olive oil and lemon juice. Other additional sides that would be lovely with this include hard-boiled eggs, olives, mixed nuts,  prosciutto, or roasted sweet potatoes.

Light, airy, and full of subtle flavors that are a little bit nutty (the cheese), a little bit zesty (the herbs) and a little bit earthy (the spinach), Betty’s spanakopeta is packed full of good, healthy nutrients, providing a simple introduction to the lovely world of Greek food.

It’s a good-for-your-spirit food mirroring Betty’s healthy outlook on life. She cast aside all the bitterness and resentment that could have filled her up in the post-CBS days and instead stuffed her life full of light, bright joy that enriched her spirit and fed her soul. Cheers and happy birthday to Betty for continuing to inspire women around the world with your writing.

Interested in learning more about Betty and her Greek recipes? Find her cookbook in the Vintage Kitchen shop here.

Our Favorites: Five Wonderfully Whimsical Things about Julia Child (And A Recipe!)

Her old cookbooks teach us new tricks. Her methodical approach to food never fails us. Her infectious joie de vivre still inspires us. She may have passed away 13 years ago but the spirit of Julia Child is still very much alive and well here in the Vintage Kitchen.  Yesterday marked Julia Child’s 105th birthday.  In celebration, we’ve compiled a list of five whimsical things that we absolutely adore about this great lady.

1. The Photograph – December 1968, France

This is my most favorite picture of Julia Child. It was taken in December 1968 while she was staying at her summer house, La Pitchoune, in Plascassier, France. I love that she is laughing so hard she’s practically tumbling off the counter. I wonder what the situation was at the moment this image was captured. Was her husband, Paul, standing just out of frame telling a joke? Or maybe one of those crab claws just reached up and started playing tug-of-war with her fork. Or maybe it was Julia herself just hamming it up for the camera. Spontineanity ran wild in Julia’s kitchen and I have feeling there were many days in many kitchens around the world that witnessed a moment like this with the engaging lady laugher.

2. The TV Appearance – David Letterman

On December 22, 1986 Julia Child was scheduled to demonstrate how to cook with a blowtorch on the Late Night with David Letterman show. The segment starts out as planned but quickly goes awry and both Julia and David wring all the humor they can out of this unexpected situation. It’s a fly-by-the-seat-of-your-pants funny piece – both of them cleverly improvising with the comedy at hand.  Julia is famous for saying “No matter what happens in the kitchen, – never apologize.” You can see her sticking to that advice with aplomb here.

3. The Decorating Choice – La Oubliette

In Julia Child’s memoir, My Life in France, she describes moving into a French apartment that was already furnished.  It was full of old antiques that were musty, broken down and too small for her tall stature.  The shabby scene depressed her so much that she rounded up everything that she disliked in the apartment,  put them into a closet, and shut the door tight, never to encounter that stuff again. She named that closet La Oubliette or the Forgettery. Anything that displeased her from that point forward for the duration of the time that she and Paul lived there went into that closet.  Out of sight, out of mind.

After reading that passage years ago and falling in love with that idea, I established my own Forgettery in whatever place we’ve lived in. Not all of our spaces have had the luxury of spare closets, but a cupboard or a drawer or a hidden shelf works just fine too.  Sometimes we use it not only for physical objects but also for words. There is something very gratifying about walking into your own Oubliette, saying out loud whatever injustice happened to you that day, and then walking out, shutting the door and leaving all that negativity and all those bad vibes closed in there instead of in you. Julia. She was a cook and a therapist all in one!

4. The Random Cambridge, MA Kitchen Comforts

This past May, we had the exciting experience of visiting Julia Child’s kitchen at the Museum of American History. I had seen pictures of it online before so I knew that I’d see the yellow tablecloth and her big restaurant stove and the pots and pans hanging from the pegboard, but what I didn’t realize I’d see was a host of everyday items that had nothing to do with the kitchen.

You know, those other errant household objects of daily life that just seem to migrate their way into the kitchen but have nothing to do with food or cooking? Things like keys, wallets, shoes, books, tape, paint cans, bags, notebooks, etc.? Julia’s kitchen was full of that sort of stuff too. A Rubix cube, a pile of papers, jars of pens and pencils, a calculator, some sort of glowing orb-like light, bird identification books, a signal mirror from World War II.   Julia was all about keeping things close by that she loved. She even had a junk drawer packed full of odds and ends. And a slew of giant, oversized cooking tool props that appeared in funny stories on her cooking show.  She wasn’t into staged or professionally decorated or aesthetically styled perfection. She was into comfort and function and fun entertaining in a casual environment. Even though Julia and Paul hired architect Robert Woods Kennedy to redesign the kitchen after they purchased the house,  all the decorating of their most favorite room was left up to them.  And it shows in the eclectic menagerie of items they collected and colors they loved.

5. The Book – Jessie Hartland

I recently discovered this fantastic children’s book Bon Appetit! The Delicious Life of Julia Child, at a local book sale. Written and illustrated by Jessie Hartland and published in 2012 it is technically considered a children’s book but really anyone of any age could easily appreciate and enjoy it. Jessie tells Julia’s life story in a vivacious arrangement of words and pictures that is so enchanting you’ll want to read it out-loud while imitating Julia’s voice.  It is such a sweet, good-natured and fun-loving approach to the life of this extraordinary culinary icon, you’ll feel like you’ve met Julia Child herself by the end of it.

On the last page of the book, Jessie shares her own adaptation of French crepes inspired by Julia’s recipe. Since it is Julia’s birthday week, and she shouldn’t be cooking for her own celebrations, we made Jessie’s version instead which turned out to be delicious. Julia would definitely approve.

The only ingredient differences in Jessie’s vs. Julia’s recipe is salt and water. Julia’s has a little of both and Jessie’s has none. And to be totally honest we like Jessie’s version better.

One of the things that Julia Child liked most about French cooking was that it was “careful cooking” meaning that you had to spend time with it and keep a thoughtful eye on the procedure of it. She treated all her recipes at first like mountains that needed to be climbed and then, once conquered, like friends that needed to be nurtured and shared and appreciated.  If you have never made crepes before, it may sound a little scary when it comes to flipping these thin style pancakes, but once you’ve conquered it, you’ve mastered this multi-functional breakfast/lunch/ dinner and dessert appropriate food like a champion.

The ingredients are very simple and straight forward. I used free range organic farm eggs, organic whole milk and organic butter in this recipe. Like Julia Child always says – the better quality your ingredients, the better your food will taste.  And if you store your eggs in the refrigerator let them warm up to room temperature before you use them.

Jessie’s Crepes

(makes 5-6 crepes, each about 6.5″ inches in diameter)

3 eggs

1 cup milk

3/4 cup flour

butter (about 1/8th cup)

In a medium sized bowl, beat the eggs with a whisk. Add the milk and whisk again. Add the flour and whisk one more time. Next Jessie recommends pouring the batter through a fine strainer into a glass measuring cup. I don’t have a strainer so I poured the mixture through cheese cloth wrapped around the fine side of a cheese grater. That worked just fine.

This step removes any large flour lumps and makes the batter silky smooth.  If you don’t have a glass measuring cup you can just strain the batter into a mixing bowl and scoop it with a soup ladle.

Melt 1 teaspoon of butter in a frying pan until it is hot (medium high temp) but not smoking. Whisk the batter one more time and then pour about 1/4 cup into the frying pan. Holding the handle twist and rotate the pan to make sure the batter evenly coats the entire bottom of the pan. Wait about 30 seconds (there should be no more loose or runny batter on the top of the crepe – if there still is cook it a little longer) and then, if you are feeling brave flip the crepe in the pan to cook the other side for about 15 seconds.

There are a couple of other options regarding flipping if you don’t want to toss your crepe up in the air.

Option #1: Carefully slide a spatula underneath the crepe and flip it to the other side.

Option #2:  My personal favorite –  use a cake frosting knife, and slide it under the pancake and quickly flip it.  The goal of all this cooking and flipping is two fold… don’t wait too long to flip it so that the bottom burns and don’t tear the crepe in the process of flipping. The first one might not make the table – and that’s okay – if it burns, or tears or winds up on the floor just start again with more butter and a new scoop of batter. Practice makes perfect. And one general rule of thumb – more butter is better than less butter when it comes to making sure the crepes don’t stick, so when in doubt add more not less. This is what your crepes should look like once they are ready…

Repeat this step until you have made all your crepes. You can keep them warm by placing each one on top of the other, stack-stile, on a plate covered with aluminum foil as each one comes out of the pan. Or covered in a dish in the oven on the lowest temperature setting.

Crepes are a foundation piece that can be served in a number of different ways for breakfast, lunch, dinner or dessert. When we make ours for breakfast, we sprinkle powdered sugar on a warm crepe, roll it up and then top it with a mixture of seasonal fruit in the summer or a warm fruit compote in the fall and winter. But you can just about add anything you like to a crepe and it will be delicious.

One thing to keep in mind when serving crepes is that they contain no sugar so if you like them sweet don’t forget to add sugar or honey, maple syrup, chocolate sauce, whip cream or your own fruit medley.

French Crepes ala Jessie via Julia!

And of course, the very best companion for this festive French dish is a good book like Bon Appetit, which you can find here.

If you are a big fan of Julia, like us, please share your favorite things about her in the comment section below. We’d love to learn more about how she inspires you!

In the meantime cheers to the lady who keeps inspiring us to find the fun in the food! Happy Birthday Julia!