Eight. That’s how many days there are to go. It’s almost here! Then one thing turns into another. We end and we begin. We change and we grow. This year, the day falls on a Monday. The exact date – September 23rd. Then it’s official. The first day of Autumn arrives. How exciting! To celebrate the season, I have a fun new gardening project for all you do-it-yourself-ers out there who like to keep your hands busy in the dirt in the off-season when summer turns to fall and fall turns to winter and the outdoor garden is at rest. It doesn’t require much effort, time or expense but it does call for a little imagination. It will last forever if you want it to and it will make you look at things in your cupboards in a whole new way. Most importantly, it gives new purpose to old items that sometimes get left behind on a shelf or forgotten about in storage.
I’m so excited to introduce the succulent set…
…real plants growing out of old china serving pieces. If you’ve inherited pieces of your family’s china and are not quite sure what to do with them or how to incorporate them into your daily life, or if you just want a planter with a little bit of one-of a-kind personality then designating a vintage sugar bowl or a creamer or a serving dish as your new garden vessel is a fun way to go. Let’s look…
This Japanese Majolica creamer is from the 1940’s. Due to some cracks on the bottom it no longer holds water (or cream!) so it makes an ideal container for varieties of succulents that prefer well draining soil. All it needs is a little water once a week and it’s ready to grow. Keep it in the sink for a few minutes and the water drips out through the cracks, then it is good to go until its next watering seven days later.
Vintage sugar bowls like this one above, made in England, fit perfectly into shelves or small spaces. Your very own unexpected mini garden greenspace place!
This vintage coffeepot from the 1940s lost its lid somewhere along its 75 years of travels. That makes it no longer the most suitable vessel for hot coffee but it certainly makes a pretty container for eye-catching flower power in the form of a petal shaped succulent.
With their long shape and roomy width, gravy boats make great table centerpieces. They can usually accommodate more than a couple of mini plants depending on size. For wedding reception decorations, they offer the symbolism and sentimentality of “something old, something new, something borrowed, something blue.”
Ideal plants for this type of pairing project, many succulents don’t require a lot of watering and come in a variety of sizes, colors and shapes. As they grow, the plants can be transferred to larger and larger containers like this one – a two-handled vegetable dish from Salem Pottery’s Commodore pattern which debuted in the 1940’s. Because of its larger size it can accommodate up to seven 2.5″ inch succulents or just a few bigger individuals that have outgrown their smaller holders…
Authentic crazing, staining and chippy details add interesting, quirky personality to your space that you can’t find in modern day planters. They also easily fit on window sills, ledges, mantles and counter top nooks. Choose one that matches your interior aesthetic, or the colors of your kitchen, or reminds you of a good memory and you’ll instantly add a bit of happy energy to your space. Old dishes love to remain useful helpers. Matching the old with the new creates balance and harmony and reminds us that imperfections are the stuff of life. Beautiful! This antique gravy boat below is over 100 years old but still looks as fresh and pretty as ever thanks to its classic shape.
The trio below have no cracks to worry about so they are ideal holders for succulents and cactus that prefer to be spritzed with water, rather than doused, every now and again. Add some some pea gravel to the bottom of each vessel before adding dirt and certain succulents will be happy with just a tiny bit of water every now and again.
Another possibility is to gather them all up and make a hanging wall display with the help of a crate…
That makes an instant collection and an engaging garden that you can cultivate and tend to all year round. Usually all that is required for succulents is bright natural light, a sunny alcove or close proximity to a window.
With all their color choices which range from light gray to soft pink, bright green to dusty blue there is great fun in matching plant to planter and then watching them grow and sprout new additions.
If you need a vintage serving piece to start your garden you can find the ones above in the garden section of the shop. Succulents are available at most garden centers, nurseries, farmers markets or sometimes even the floral section of the grocery store. I recommend getting your planter first, then your succulent second, so that you can determine the appropriate drainage condition, color and shape for plant and planter.
Hope this brings a little fun your way on our second to last Sunday of summer. Cheers to new gardens, old dishes and the joy they both provide:)
One of the highlights of the summer so far has been the start of a new collaboration with a fellow history-centric company. I’m so pleased to introduce you all to Artisan’s List, a nationwide directory geared towards the historic home improvement enthusiast or anyone interested in defining their space with handmade touches and artistic refinements.
As a go-to resource for niche projects, Artisans List is a dream come true for people who just want to get stuff done. If you have a vintage sofa to reupholster (me!), a backyard fruit orchard to plan, an addition to add onto your house or are trying to hunt down a blacksmith for hand-forged drawer pulls, you’ll find just the right expert to work with at Artisans List.
There, in the dynamic world of creative pursuits, you’ll discover makers of handmade pots and pans, landscape architects, historic home renovation consultants, furniture makers, blacksmiths, stone masons, roofers… basically all the people that can help turn your home project ideas into realities – from the roof line all the way down to the basement floor and everything in between.
As a resource guide made up of traditional craftsmen and skilled tradesmen AL is a beehive of interesting information, ideas and inspiration that continues to grow more dynamic each day. The whole concept of the directory was born out of the lack of an online community that catered specifically to the local home restoration marketplace state by state. So the founders of Artisans List are very intent on making the site an informative, educational, and useful tool for people all over the country. Each of the AL vendors are vetted to make sure that their business and/or skill is authentically produced and professionally handled. Most of the companies have been around for decades, and even generations which means vast portfolios, passionate voices, and trusted relationships. Exactly the kind of care and expertise you need when it comes to planning and executing a project for your treasured space.
Amidst this talented pool of professionals, you’ll also encounter an active and interesting community of do-it-yourselfers who are looking for ways to build a more thoughtful and storied lifestyle. That’s where the Vintage Kitchen comes in. Every other month, I’ll be writing a piece for the magazine portion of the Artisan List site that features a vintage recipe and the history behind it.
The first piece came out at the end of June and is all about picnicking. If you missed the mention of it on social media a couple of weeks ago, no worries, I’ll be re-posting the entire article here on the blog in the next few days. But before that happens, I just wanted to share the news with you and to say surprise! the Vintage Kitchen is popping up in a new place.
I think this collaboration is especially fun since we have so many old house lovers and owners (and readers!) that participate in the world of the Vintage Kitchen. It’s with you in particular that I share this information, in case you are looking for some expert help with your own home projects this year. I hope this recommendation helps! If you wind up connecting with one of the Artisan List vendors or find a particular piece of home restoration information useful, please share your story in the comments section, so we can all learn together. In the meantime, stay tuned for a bevy of Artisan food articles coming out soon!
Cheers to new friends, expert helpers, and a wonderful weekend ahead!
The ache for home lives in all of us, the safe place where we can go as we are and not be questioned. – Maya Angelou
Home. It’s a wonderful word isn’t it? Hard to define, but wonderful to say, it means so many different things to so many different people. Even the dictionary doesn’t quite know how to accurately and clearly define it. Depending on the context, home can mean anything from a shelter to a territory, an instinct to a direction, a feeling to a destination. Such powerful concepts wrapped up in one short little word.
Recently, I’ve encountered a slew of interesting books and movies centered around the symbolic meaning of home. How the need for it is universal, like Maya Angelou said, but also how the journey to find it is completely personal and unique. The selections listed here, focus not only on the literal kind of house made of actual walls and roof-lines and windows, but also the figurative kind. The place or the space where you feel most comfortable. For some in this list, that home is their workspace- a place to dwell daily with a like-minded tribe of people. For others, it is a grass-is-greener dream of a city far away. For one woman in particular, home is not a house at all, but a garden yet to be built. For another, home is not only an actual house but also a palpable feeling – a place to connect and collect all that soothes and comforts. And for two others, home is a placeholder, a time keeper, a catalog of memories waiting to be recalled.
From the city of Paris to the beaches of the Bahamas; from the inner workings of America’s best loved museum to an artistic collection of everyday items discovered in a humble house; from a Riviera retreat to an English garden… these are the six shining examples of people and places that tie together a universal and compelling need to identify our own environments.
1. Museum – Danny Danziger (2007)
If you ever wanted to know all the nitty-gritty details of what’s it like to run a major museum than this is the book for you. On average, New York City’s Metropolitan Museum of Art welcomes about 19,000 people a day through its front doors and houses over 26,000 pieces in its collection. Told in interview style, Museum is a behind the scenes look at what it takes to keep one of the world’s most iconic landmarks up and running, day by day, from the perspective of 50 of its employees. Covering all aspects of the building, and a wide range of jobs from maintenance to security, cafe operations to curatorships, the executive board to the gift shop sales team, it doesn’t take long to understand what a massive undertaking is required to keep America’s most favorite museum running smoothly.
Like most enterprises, the heart, soul and success of a business lies in the employees that represent it. And the Met is no different. Some people in this book lucked into their museum job having little experience, while others spent many years studying to become experts in their field. Others worked their way up from volunteer positions to eventually become part of upper level management and some were still just as happy fulfilling the same position they started decades ago. One thing they all have in common though, is their awe and appreciation of their workplace. To them, the Met serves as a refuge. A place that requires protection and support and endless amounts of attention. But not in that needy way that eventually grinds you down. To all these workers, the museum is majestic – an irreplaceable gift of history.
Very aware of their own pivotal role inside the bustling metropolis that is the Met, what I loved most about this book was everyone’s sense of pride in their appointed tasks. The floor buffers hold just as much respect for their workplace as the director of the Museum. The information desk clerks are just as excited to chat about art as the tour guides. The cafe waitstaff is just as devoted to their kitchen counters as the collection curators are to their galleries. Everyone loves the Museum and wants to see it shine. Of course there are days when not everything goes right or runs in tip-top fashion and that gets discussed too. The highs and lows that come with real-life don’t stop at the museum doors, but for the people who work there, trivialities and minutia don’t hold a candle to the sheer magnificence of the place. Tucked in-between all these fresh voices, with their fresh perspectives are a plethora of fun facts and interesting details about how a museum really operates from the ground up. Sure, the Met is home to priceless pieces of art, but it is also home to thousands of workers who feel like they belong there too, just as much as the art.
2. Villa America – Liza Klaussmann (2016)
If there is one enviable couple that gets referenced most in the circle of friends that included Hadley and Ernest Hemingway, F. Scott and Zelda Fitzgerald, John Dos Passos, Pablo Picasso, Cole Porter, Dorothy Parker and many other icons of Paris’ golden age in the 1920’s and 30’s, it is Sara and Gerald Murphy.
Mostly known for their stability within this eccentric group of writers and artists, Sara and Gerald were the enigmatic muses that inspired much of their friends work, including F. Scott’s main characters in Tender Is the Night. Fun loving, family focused and inventive, Sara and Gerald’s relationship within their marriage was stuff of legend – so loyal, so strong, so well-connected it seemed as if nothing could or would tear them apart.
Escaping the U.S. for Paris in the early 1920’s led them eventually to the French Riviera and a house they called Villa America. There, the Murphy’s set out to create a carefree, whimsical paradise for their friends and family to enjoy year after year. Villa America (the book) is a fictional account of the real-life circumstances wrapped around the Murphy’s idyllic, dream-like lifestyle. Weaving together stories of illuminating dinner parties, interesting friendships, and fanciful family outings, a darker side to the Murphy’s and their circle of friends is also revealed. One that it is fraught with tragedy and misunderstandings, muddled moods and illicit intentions. Through it all, the house sits center stage, a witness to the people and events who come and go.
What is particularly fascinating about this book is Liza Klaussmann’s interpretation of characters and conversations surrounding Ernest Hemingway and F. Scott Fitzgerald. Lots of known cliches and generalizations float around these two men – that F. Scott was dashing and amusing, a drinker and a romantic, and that Ernest was gregarious, rowdy and an ultra-masculine rough and tumbler. But in Liza’s book, you experience other sides of these two as well. F. Scott, for all his charming ways is also difficult, overly dramatic, and high-maintenance. Ernest shows up as a ball of opposites – egotistical but also compassionate, needy but reckless, dominating yet keenly aware of other people’s fragile vulnerabilities.
The environment is lush with details. F. Scott is trying to write his way through novels, gathering source material for his characters from the real friends around him. Like all the other men, he finds himself captivated by Sara, irrepressibly drawn to her emotional maturity and warmth – both appealing characteristics that seem lacking in his own wife. Zelda, meanwhile, spends her days romping around the Riviera trying to sort through her own desires. Signs of unusual behavior start to manifest. But no one yet realizes that this troubling behavior has much less to do with Zelda’s natural personality and much more with the start of her slow slide into mental collapse. Likewise, Gerald also escapes into the recesses of his mind, where he begins to question and explore feelings about his own sexuality that extend far beyond his loving marriage to Sara. On the verge of break-up themselves – Ernest, with his wandering eyes and Hadley with her general sense of unease in the glittering Riviera world – are awkwardly together trying to navigate the terrain of a not very well matched marriage. Sara, sensing the unease of all of these situations silently swirling around her, tries to protect her friends and her family in the sheltered, safe space that she is determined to create at Villa America. But for all of Sara’s best efforts in trying to keep cruelty out of the compound, emotionally difficult situations sneak their way in raising questions about the true meaning of home, family and friendship.
3. Paris I Love You But You’re Bringing Me Down – Rosecrans Baldwin (2013)
Staying on the topic of Paris but moving ahead a century, Paris I Love You But You’re Bringing Me Down is the memoir of a burnt-out New York City ad man who moves to France for a new job while simultaneously working on a new novel. Tired of the New York City grind, Rosecrans Baldwin is ready to find his paradise in Paris. He has a mood board already mandated for his life before he arrives… the wine, the food, the beautiful architecture, the beatnik lifestyle, the art, the cafes… all those lovely picturesque elements ready for the taking. But what he didn’t count on was what life would be like in reality as an American, not only living, but also working in France.
From day one, Rosecrans is a fish out of water. He finds that daily life in Paris is very different compared to daily life in New York City. When he takes a job at a French advertising agency, he discovers that the same could be said for office culture as well. The language is a problem (too fast), social interactions with his new co-workers are a problem (do you shake hands during first meetings or kiss on both cheeks?), lunch is a problem (never at your desk), even the fundamental pattern and processes of handling ad business is vastly different. In New York, Rosecrans was used to working long pressure-filled hours, at a fast pace, developing ideas that had to consistently ring true and be brilliant. But when Rosecrans gets to Paris and his new workplace, he discovers many unusual circumstances. People leave the office at 5:00pm whether their work is finished or not. Many of the office staff grab a glass of wine together after work before heading home. Gift cards to local restaurants in the neighborhood are given to each employee to ensure that they take time for lunch. They work on one campaign at a time, for one client at a time. No one ever gets fired. No one is ever expected to come in early, skip lunch or stay late. It wasn’t like New York at all. No one lived at the office and just visited their home spaces. Rosecrans found himself navigating a strange, foreign land, both literally and figuratively.
The result of all these oddities and differences yields a hilarious look at real-life in Paris. Most books written about Americans moving to France focus around their love affair with the city and a charming newly discovered lifestyle which they are eager to adapt quickly. Rosecrans’ book is the opposite. He voluntarily chose to move to Paris. But then, once he gets there, he constantly questions that choice as he moves through his daily “French dream.” He discovers that Paris is not quite the paradise he imagined. Fundamentally uncomfortable in a lifestyle he thought he would naturally love, Rosecrans paints a funny, bizarre and gritty picture of the everyday side of the city that often gets overlooked. In his world, it was definitely not all views of the Eiffel Tower and beret clad artists. It was not all joie de vivre and buckets of baguettes and walks along the Seine. No, this was a different side of Paris altogether.
How does it all shake out for Rosecrans in the end? Does he stay in Paris, eventually embracing all the differences? Or, does he return back home to the New York, to the city he knows and learns to love again? You’ll have to read it to find out:)
4. Island Style – India Hicks (2015)
Being the daughter of famous 20th century British designer David Hicks and the goddaughter of Prince Charles might yield an intimidating presence. Especially when her natural born talent of interior decorating has made her a style expert in her own right. But nothing feels more down to earth when it comes to India Hicks and her beautifully bohemian decorating book simply titledIsland Style. Here, she shares stories about how, over time, she decorated her comfortable, casual Bahamian home, with a cacophony of elements meant to inspire more than impress.
Decades ago, a whim led her to the Bahamas, a place she never imagined that she would eventually call home. One thing led to another, years passed years, and India found herself still there. In these pages, she shares the journey that led ultimately to her island house, a sanctuary of memories she shares with her long-time partner, their five children and a menagerie of animals. India intimately discusses at length the art of decorating with sentiment versus cents and the importance of letting your interiors evolve in style as you evolve in life. If something catches your eye or calls to your heart, take it home, she advises, there will be a place for it somewhere, always.
Thoughtful decorating, India illustrates, comes from storytelling. From gathering and displaying items that are important to you. This leads to personality-filled rooms and fresh perspectives. They become meaningful, nuanced, comfortable, appealing because the backstory was brought in, in the form of a tale you naturally wanted to tell. That’s when the magic happens… easily… effortlessly… style and colors and shapes and patterns combine in interesting ways that begin to inspire, remind, emote and invoke a feeling of home.
Mixed in between interior images of her house and collections, she writes beautifully about what it is like to live on an island in the Bahamas, well beyond the honeymoon phase. A period that in her experience lasted about two weeks, before practicality and reality set-in as far as setting up a real life with real kids, and real pets in a real house.
Island life isn’t for everyone. The point of this book wasn’t to seduce readers with a show-off lifestyle and a get-here-as-fast-as-you-can attitude. The point was to simply demonstrate the impact of personal touch and taste upon a space. The world is noisy but our interiors don’t have to be. Home is no place for a set of trends established by other people, living other lives in other places. Home is you not them. It speaks for us and of us when we don’t want to speak ourselves. India’s book reminds us of that.
5. 306 Hollywood (2018)
For over 60 years, Annette Ontell lived in this cute, white house at 306 Hollywood Avenue. There, she amassed all the ordinary tidbits that was required of daily life in New Jersey throughout six decades. When she passed away, her grandchildren, brother and sister filmmakers Elan and Jonathon Bogarin felt the weight of her spirit still very much present in all the stuff she left behind. So they set out to tell her story.
Through a style of art known as knolling, they organize and catalog her collection of ordinary household objects into groupings, to better understand what these objects meant to her life and ultimately what her life meant to them. Combining home movie footage, audio interviews and dynamic cinematography, Annette comes to life before our eyes.
We get genuine insight into Annette’s passions, pursuits, and philosophies. We fall in love with her affable personality. We understand how the story of one seemingly ordinary woman actually turns out to be quite extraordinary. We understand how a home becomes a heart, beating with life and necessity. A true treasure trove for any vintage lover, this documentary is a colorful, nostalgic and sentimental look at the value of everyday objects, and their purpose over time. Get a glimpse of the magic that is 306 Hollywood by watching the trailer here…
6. Dare to Be Wild (2015)
Based on the true story of Mary Reynolds, the youngest woman ever to compete in the esteemed Chelsea Flower Show, Dare to Be Wild is the cinematic story of the journey that led her from dreamer to doer. From the start of her budding career (no pun intended!) Mary’s clients and employers want her to design gardenscapes within an acceptable box of sameness. But Mary has other ideas, wild ones, that don’t confine nature or ideas into typical proven displays that can be replicated over and over again. Mary is keen on harnessing a feeling of home and harmony in her garden designs – a certain sense of wonder and enchantment that she has felt her whole life whenever she steps out into the natural world.
But the Chelsea Flower Show is no easy quest. Paperwork, rules, formalities and finances tie her down at every turn. Her competitors are an intimidating array of past award winners, esteemed gardeners and British royalty. For every step forward, she winds up taking two steps back. Her journey is not easy on so many fronts, you begin to wonder if her plot of ground at the Flower Show is ever going to grow into the vision inside her head. But through all the uncertainty Mary stays true to the sounds that call her home… the wind rustling in the trees, the birds bright with song, the soothing noise of tall grass sweeping against stone.
Beautifully filmed and truly inspiring from the first five minutes, Dare to be Wild is a wonderful example of how the notion of home doesn’t have to be defined by typical, sedentary structures. Home is a feeling as much as it is a place.
Hope these selections have you thinking about your definitions of home and how’d you best describe it. Feel free to share your thoughts in the comments section below. And if you wind up reading or watching any of these books or movies, let us know. We’d love to keep these discussion going throughout the year.
Cheers to the word home and to all the places we call our own!
It’s twice the fun… Happy Cinco de Mayo and Happy Kentucky Derby Day! Our busy week of posts winds up today with the table decorations for our Derby De Mayo party. On Tuesday, we got out our vintage cookbook and planned our menu…
On Wednesday, we pulled out our dishes and planned our table settings…
On Thursday, we posted the story of Adelaida Cuellar, the inspiration (and the vintage recipe supplier!) behind this year’s party…
On Friday, we posted fun facts for this year’s Derby, picked our winners….
There are sibling rivalries, legendary love affairs, epic business successes and terrible company failures. There are cross-continent travelers, centenarians who never age and homebodies who would never think of leaving. There are the everlasting partiers, the quiet dignifieds, and the rebel-rousers with battle scars to show. Forget all the drama that’s occurring on your tv screen or on your phone. Compelling, real-life adventures are happening right in front of you, right on your kitchen table. Welcome to the dramatics of the age-old dishes. They carry the stories of what we’ve eaten across our imaginations and over time.
Today we are highlighting some of the stories that make table settings more interesting and conversations more memorable. When we stock plates and curate collections in the shop we are looking for unusual designs and elegant patterns that can easily be incorporated into your everyday routine for a splashy bit of decadence in both the thought and feel department. We like old china to look old because that’s what ignites the imagination. To us, there is nothing more disappointing then standing in front of a dish trying to decide if it’s new-to-look-old or old but so brand-new looking that you just know it’s never ventured out of the china cabinet. In the Vintage Kitchen, we like dishes that bring some story to the table with an extra added dose of depth and charisma to enhance the food that we prepare.
A few weeks ago on Instagram, we did a before and after photoshoot of a simple yogurt and coffee breakfast to demonstrate the difference and the impact of ordinary vs. extraordinary. On the left is plain, modern, basic American-made dishware. On the right is colorful vintage handpainted dishware that is more than 60 years old and comes from another country. Don’t you think the mood of the morning changes dramatically just with a hint of some old time interest?
A plate is a plate, you might say. But it’s really so much more than that too. It’s someone’s artwork. It’s a town’s business and a country’s export. It’s an owner’s style expression and a collector’s pride and joy. It’s a plate but it’s also a passion.
Take this one for example… a 9.25″ inch white ironstone plate with a 10- sided polygon shape. It’s hefty, weighing close to one pound, and its speckled with age spots that resemble the shadowy craters of the moon. There is a long delicate crack that measures almost 7″ inches right across the middle and I fear that any day now, it will split the plate in two. When it touches down on another surface, no matter how gently, it broadcasts a two beat thump like a hollow footstep. I think that’s the history of the plate trying to talk. A spirit wanting to tell some secrets. This plate carries a lot of those. It’s 183 years old.
If it was used once a day, every day, for 183 years it would have served a total of more than 60,000 meals throughout its life so far. A remarkable feat for any piece of kitchen equipment, let alone one of a fragile, easy-to-break nature. How many times over the course of its life has this plate been set down and picked up? Whose hands touched it and where did they carry it?
Made in England by C & WK Harvey between 1835-1853, it tells the story of the hustle-bustle days of English pottery making. The Harveys were a father/son team made up of the Charles’ (Sr. & Jr.) and William K. Their pottery plant was located at the Stafford Street Works in the town of Longton, Stoke-on Trent, England – a section of town that Charles Sr. built in 1799 to house factories for a number of different pottery makers.
In the early 1800’s, Stoke-on- Trent was the hub of pottery manufacturing for the entire country of England and employed hundreds of thousands of workers. Parts of the Works are still there today, although now it is a mixed-use commercial neighborhood, primarily consisting of retail storefronts. Almost all of the potteries once associated with it are now gone.
For things like salads, and cheese and crackers, fruit, scrambled eggs and dessert, the old Harvey plate gets used all the time. It’s shiny and smooth and substantial under the touch of fingertips. It’s bright white and pale tea and watery grey in color. It’s got so much crazing, you barely even notice all those zillion fine lines running every which way. It’s simple and it’s extraordinary all in one. It appears often in the Vintage Kitchen photo shoots.
Now so rare in availability pieces from this pottery maker are mostly seen only in museum collections. It’s moved with me four times since I found it more than 10 years ago. With each move, it gets wrapped in a thick sweater and then an even thicker blanket and then transported in the clothes boxes (the best place to pack your most treasured dishes!) to ensure a safe arrival. The crack hasn’t gotten the best of it yet. Fingers crossed, that it never does.
Somewhere along the timeline of its long life, the Harvey plate crossed the ocean from England to America and eventually found its way into an antique shop in the rural South where I found it. Exactly how it got from the U.K. to the U.S.A. is where imagination takes off and the topic of conversation begins. Perhaps it came by boat, packed in someone’s steamer trunk in the late 1800’s. Maybe along with a matching set of dishes destined for a new home in a new country. Or perhaps it embarked on a lengthy 1930’s journey through the mail and then via train where it chugged through cities and states, time zones and territories. Maybe it sat on a festive dinner table celebrating the end of slavery or the rise of the civil rights movement. Or maybe it arrived in America much later – in the 1980’s via airplane – a treasured find from a jet-set vacationer who fell in love with the antique history of England.
We’ll never know the exact story but it is fun to speculate on all the possibilities. Many a dinner party have been enjoyed discussing this very plate’s past. Often times, the more wine poured the better the story gets. Since it is an active worker in the Vintage Kitchen you’ll never see it available in the shop but we do offer many others with equally interesting stories to tell.
Clarice Cliff and her pretty floral plates were designed in the 1930’s for Royal Staffordshire. Clarice was a legend in the English ceramics world from the 1920’s to the 1960’s, designing hundreds of eclectic pieces that were admired by collectors the world over.
Considered one of the most remarkable ceramic artists of the 20th century, Clarice is revered not only for her artistic merit but also her devotion to finding beauty in unusual shapes, colors and designs that were considered very unorthodox in relation to other kitchenwares produced during her lifetime. She was also a brilliant businesswoman – savvy not in an aggressive sales-driven sense, but intrinsically smart, using her own intuition and infectious love of her craft to guide her career, thus attracting a devoted fan base. Her Dimity pattern plates burst with the bright colors of spring. We paired them in two different mix and match collections combining similar colors and unique shapes to compliment the bright and fun-loving personality of Clarice herself.
There is the story of the Willow pattern that has been captivating romantics since the 1850’s. The tale is English in origin but it was based on the original Blue Willow porcelain pattern that was made in China during the 1700’s. The tale involves a wealthy girl who falls in love with her father’s accountant. Her father, who does not approve, forbids the romance and arranges his daughter’s marriage to another man more suited to the family’s prominent social standing. The night before her arranged marriage, as the Willow tree starts shedding its blossoms, romance wins and the accountant and the girl run away together living happily for many years. One day the other suitor finds out where the couple is living and kills them. After death, the young lovers are reunited in the form of birds flying high above the landscape.
All the elements of the story are drawn out on the plate. You’ll notice the palace where the girl grew up, the bridge that takes her and her lover away, the island where they live happily together and the birds they eventually become overhead. Lots of china companies caught onto the fact that this was a popular pattern and an even more popular story and began producing their own versions in different colors. This red willow plate was made by famous American pottery company Homer Laughlin in the 1940’s. We combined it with two other Asian inspired plates to create our own fabled love story collection…
Similiar to the story of the Harvey plate, the Meakin brothers, Alfred, George and James, ran several potteries in Stoke-on-Trent and Tunstall, England. Alfred, produced this stunner, the Medway Blue under his own pottery label Alfred Meakin England in 1897. Exquisitely detailed, it’s hard to imagine that anyone could or would part with this beautiful plate, but like the Harvey, it somehow migrated over to America. Its journey wasn’t without fault or flaw – there’s a sign of adventure lurking in a small very old pencil point sized chip near one side of the rim.
Celebrating over 120 years of life, this plate holds all the dinnertime stories. 44,000 of them. When we look at it, we see the pretty pattern but we also see faces. People through history who stared down at its contents. Their hair-dos and their makeup, their tuxedoed bow-ties and their evening gowns, their earrings and their mustaches. We imagine the conversations while they ate their chicken and fish and game meats. Would we be discussing the same dramas of the day if we served a slice of pizza on top of the same plate?
Other patterns on other dishes ignite similar questions and thought process. When we look at this golden-edged Pope-Gosser plate made in Ohio in the 1920’s we see Jay Gatsby written all over it. Funny enough, it’s pottery founder I . Bentley Pope, an English transplant to America, was a swashbuckler of a salesman and a charming wordsmith. Perhaps he had a bit of the Gatsby or the F. Scott in him too.
Last September, when we discussed the book A Taste of Paris, we learned from author David Downie that the original dinner plate was nothing more than a flattened loaf of bread on which food was piled high. Between that primitive time and now, it is amazing to think how far we have come since the days we ate our dishes. If you are interested in learning more about other plate histories, visit the shop and see which ones spark your heart. We’ve listed both collections and single plates in case you want to mix and match yourself. If you have a favorite from any featured above, share it in the comments section below. We’ll be excited to learn which ones appeal to you and why!
To celebrate all the ladies in your life that would appreciate a homemade dinner served on a lovely plate we are having a 20% off sale in the shop which runs now thru May 13th. The discount is available for all items in the shop and will be applied to your entire order. Use the coupon code MOTHERSDAY at checkout to receive the discount.
Cheers to all the adventurers out there who keep life interesting, both plates and people! May the stories continue and the memories bloom.
In the 1800’s there was an American family named the Havilands who owned a china shop in New York City. The family was made up of four brothers David, Edmond, Daniel, and Robert all who participated in the dishware business in one way or another whether it was through trading, importing, exporting or physical operation of the William Street storefront.
Selling dishes in New York City in the 19th century was a competitive business. China merchants were located all around town utilizing the bustling harbor to import dishes from faraway countries. The Haviland inventory came from England and France in the form of creamware…
that came off the Pearl Street docks just a few blocks from the Haviland’s shop. Constantly trying to improve their offerings and find lucrative ways to stay afloat while supplying the city with serving pieces, the Haviland’s also offered china repair services. Legend states that a broken teacup made of a beautiful white clay brought in by a customer, led one brother, David, to hunt down the source of this stunning bright, light material.
The search for discovery led him all the way to Limoges, France where factories had been producing porcelain dishes made from local kaolin clay since the 1700’s. Beholding the beauty of this delicate but strong material the enterprising David picked up his wife and young son from America and moved to Limoges with plans of opening his own porcelain factory in order to send all of its creations back to America for sale.
In France in the 1800’s, pottery manufacturing and pottery design were two separate businesses. First, the pottery was made in a factory then it was shipped to artisans who painted or applied decorative imagery to the blank pieces. David Haviland saw a faster, more efficient process. When he opened his china manufacturing plant in Limoges, he hired local artists to hand-paint colorful designs on his porcelain pieces in-factory, thus eliminating the extra steps of sending china blanks out to be finished.
David’s European business venture quickly set him apart from other local French potters. His faster production time allowed more shipments and greater volumes to be exported. Plus, his new oval shaped dishes, the artistic renderings of realistic-looking hand-painted flowers and the bright white glow of the porcelain material delighted American buyers. Quickly word spread and a prestigious reputation of fine china manufacturing followed. Havilland Limoges became the must-have item. Even U.S. presidents were smitten. An elegant, artistic brand bearing the Haviland name was established.
Back in France, David’s two sons Charles and Theodore grew up in the family business. Both went on to make life-long careers of the industry, each adding their own unique style, design aesthetic and innovation to the Haviland brand. But even though the company enjoyed world-wide notoriety, staying at the top of their game was still a constant balancing act. Competition was fierce both inside the industry and inside the family.
Upon their dad’s death in 1879, Charles and Theodore couldn’t agree on similar ways to move the company forward so they broke it in two. Both brothers, now operating at the helm of their own separate companies, incorporated the family name and waged a war against each other for top spot in the market.
The stable of original in-house French artists that their dad, David, had gathered and that had turned the Haviland dishes into beautiful works of art became pawns between the two son’s companies. There was in-fighting and backstabbing. The brothers competed with each other on all levels from design to pricing. When a set of Theodore Haviland China went on sale, Charles would reduce a similar set of his own even more. If Charles offered a 15 piece set of china for a certain price, Theodore would offer a 25 piece set for the same price. And so it went back and forth between the two.
Charles had a son named Jean, who was born in France and like his dad grew up in the china business. But unlike Charles’s childhood, Jean didn’t grow up in the hard-work-pays-off environment experienced by his smart, industrious grandfather, David. Instead, Jean saw his dad, Charles, bear the exhausting burden of constantly competing in a business that relentlessly beat back. Brother warred against brother for ultimate superiority and control of the prestigious Haviland name.
Young Jean loved dishes just like his father and his grandfather but he didn’t see a place for himself amidst the family feuding. When Jean became of age, he moved to Germany, changed his name to John and opened up his own pottery factory in Bavaria under the name Johann Haviland.
Jean’s desire was to produce simple, affordable serving pieces and dish sets for everyday American households as well as strong, sturdy constant-use sets for hotels and restaurants. Even though his dishes bared the Haviland name, their simple designs and more economical price-point were seen as somehow inferior to the exquisite detail and artistic merit associated with David Haviland’s original dynasty. Jean stayed in business only a few years before his company was bought by another pottery company. From there, the Johann Haviland brand changed ownership again and again until it was finally discontinued in the 1970’s.
Of the two warring brothers, Charles and Theodore, and the fate of their warring companies, ultimate success was achieved by Theodore whose family line continued the Haviland tradition of fine quality craftsmanship and exquisite design that still continues today…
Jean Haviland’s pieces under the Johann Haviland brand might be snubbed today by serious Haviland collectors, but they still hold up in both form and function. The simple elegance of this Johann Haviland platter is effortless in design and ability. It matches everything, accommodates a plentiful array of food and contains the history of a man who dared to do things without the drama.
Perhaps there was a bitter taste in Jean’s mouth when he witnessed his family’s ultimate fight for prestige over passion. Even though Jean who became John and then traded under the name Johann, knew all the formulas for success in order to produce high-quality dishware he did not succumb to the mercilessly competitive nature of his father and uncle, which seems like a character trait that would have made his grandfather David proud. Jean might not have put his personal mark on the china industry for as long as other family members but he did manage to break away from the feudal family climate and follow his own more peaceful rhythm.
Find the smartly stylish Johann Haviland platter listed in the shop here. It looks outstanding with every other dish in the shop so if you are looking for a grouping of serving pieces then this is your easy-breezy match-all mate.
Her old cookbooks teach us new tricks. Her methodical approach to food never fails us. Her infectious joie de vivre still inspires us. She may have passed away 13 years ago but the spirit of Julia Child is still very much alive and well here in the Vintage Kitchen. Yesterday marked Julia Child’s 105th birthday. In celebration, we’ve compiled a list of five whimsical things that we absolutely adore about this great lady.
1. The Photograph – December 1968, France
This is my most favorite picture of Julia Child. It was taken in December 1968 while she was staying at her summer house, La Pitchoune, in Plascassier, France. I love that she is laughing so hard she’s practically tumbling off the counter. I wonder what the situation was at the moment this image was captured. Was her husband, Paul, standing just out of frame telling a joke? Or maybe one of those crab claws just reached up and started playing tug-of-war with her fork. Or maybe it was Julia herself just hamming it up for the camera. Spontineanity ran wild in Julia’s kitchen and I have feeling there were many days in many kitchens around the world that witnessed a moment like this with the engaging lady laugher.
2. The TV Appearance – David Letterman
On December 22, 1986 Julia Child was scheduled to demonstrate how to cook with a blowtorch on the Late Night with David Letterman show. The segment starts out as planned but quickly goes awry and both Julia and David wring all the humor they can out of this unexpected situation. It’s a fly-by-the-seat-of-your-pants funny piece – both of them cleverly improvising with the comedy at hand. Julia is famous for saying “No matter what happens in the kitchen, – never apologize.” You can see her sticking to that advice with aplomb here.
3. The Decorating Choice – La Oubliette
In Julia Child’s memoir, My Life in France, she describes moving into a French apartment that was already furnished. It was full of old antiques that were musty, broken down and too small for her tall stature. The shabby scene depressed her so much that she rounded up everything that she disliked in the apartment, put them into a closet, and shut the door tight, never to encounter that stuff again. She named that closet La Oubliette or the Forgettery. Anything that displeased her from that point forward for the duration of the time that she and Paul lived there went into that closet. Out of sight, out of mind.
After reading that passage years ago and falling in love with that idea, I established my own Forgettery in whatever place we’ve lived in. Not all of our spaces have had the luxury of spare closets, but a cupboard or a drawer or a hidden shelf works just fine too. Sometimes we use it not only for physical objects but also for words. There is something very gratifying about walking into your own Oubliette, saying out loud whatever injustice happened to you that day, and then walking out, shutting the door and leaving all that negativity and all those bad vibes closed in there instead of in you. Julia. She was a cook and a therapist all in one!
4. The Random Cambridge, MA Kitchen Comforts
This past May, we had the exciting experience of visiting Julia Child’s kitchen at the Museum of American History. I had seen pictures of it online before so I knew that I’d see the yellow tablecloth and her big restaurant stove and the pots and pans hanging from the pegboard, but what I didn’t realize I’d see was a host of everyday items that had nothing to do with the kitchen.
You know, those other errant household objects of daily life that just seem to migrate their way into the kitchen but have nothing to do with food or cooking? Things like keys, wallets, shoes, books, tape, paint cans, bags, notebooks, etc.? Julia’s kitchen was full of that sort of stuff too. A Rubix cube, a pile of papers, jars of pens and pencils, a calculator, some sort of glowing orb-like light, bird identification books, a signal mirror from World War II. Julia was all about keeping things close by that she loved. She even had a junk drawer packed full of odds and ends. And a slew of giant, oversized cooking tool props that appeared in funny stories on her cooking show. She wasn’t into staged or professionally decorated or aesthetically styled perfection. She was into comfort and function and fun entertaining in a casual environment. Even though Julia and Paul hired architect Robert Woods Kennedy to redesign the kitchen after they purchased the house, all the decorating of their most favorite room was left up to them. And it shows in the eclectic menagerie of items they collected and colors they loved.
5. The Book – Jessie Hartland
I recently discovered this fantastic children’s book Bon Appetit! The Delicious Life of Julia Child, at a local book sale. Written and illustrated by Jessie Hartland and published in 2012 it is technically considered a children’s book but really anyone of any age could easily appreciate and enjoy it. Jessie tells Julia’s life story in a vivacious arrangement of words and pictures that is so enchanting you’ll want to read it out-loud while imitating Julia’s voice. It is such a sweet, good-natured and fun-loving approach to the life of this extraordinary culinary icon, you’ll feel like you’ve met Julia Child herself by the end of it.
On the last page of the book, Jessie shares her own adaptation of French crepes inspired by Julia’s recipe. Since it is Julia’s birthday week, and she shouldn’t be cooking for her own celebrations, we made Jessie’s version instead which turned out to be delicious. Julia would definitely approve.
The only ingredient differences in Jessie’s vs. Julia’s recipe is salt and water. Julia’s has a little of both and Jessie’s has none. And to be totally honest we like Jessie’s version better.
One of the things that Julia Child liked most about French cooking was that it was “careful cooking” meaning that you had to spend time with it and keep a thoughtful eye on the procedure of it. She treated all her recipes at first like mountains that needed to be climbed and then, once conquered, like friends that needed to be nurtured and shared and appreciated. If you have never made crepes before, it may sound a little scary when it comes to flipping these thin style pancakes, but once you’ve conquered it, you’ve mastered this multi-functional breakfast/lunch/ dinner and dessert appropriate food like a champion.
The ingredients are very simple and straight forward. I used free range organic farm eggs, organic whole milk and organic butter in this recipe. Like Julia Child always says – the better quality your ingredients, the better your food will taste. And if you store your eggs in the refrigerator let them warm up to room temperature before you use them.
(makes 5-6 crepes, each about 6.5″ inches in diameter)
1 cup milk
3/4 cup flour
butter (about 1/8th cup)
In a medium sized bowl, beat the eggs with a whisk. Add the milk and whisk again. Add the flour and whisk one more time. Next Jessie recommends pouring the batter through a fine strainer into a glass measuring cup. I don’t have a strainer so I poured the mixture through cheese cloth wrapped around the fine side of a cheese grater. That worked just fine.
This step removes any large flour lumps and makes the batter silky smooth. If you don’t have a glass measuring cup you can just strain the batter into a mixing bowl and scoop it with a soup ladle.
Melt 1 teaspoon of butter in a frying pan until it is hot (medium high temp) but not smoking. Whisk the batter one more time and then pour about 1/4 cup into the frying pan. Holding the handle twist and rotate the pan to make sure the batter evenly coats the entire bottom of the pan. Wait about 30 seconds (there should be no more loose or runny batter on the top of the crepe – if there still is cook it a little longer) and then, if you are feeling brave flip the crepe in the pan to cook the other side for about 15 seconds.
There are a couple of other options regarding flipping if you don’t want to toss your crepe up in the air.
Option #1: Carefully slide a spatula underneath the crepe and flip it to the other side.
Option #2: My personal favorite – use a cake frosting knife, and slide it under the pancake and quickly flip it. The goal of all this cooking and flipping is two fold… don’t wait too long to flip it so that the bottom burns and don’t tear the crepe in the process of flipping. The first one might not make the table – and that’s okay – if it burns, or tears or winds up on the floor just start again with more butter and a new scoop of batter. Practice makes perfect. And one general rule of thumb – more butter is better than less butter when it comes to making sure the crepes don’t stick, so when in doubt add more not less. This is what your crepes should look like once they are ready…
Repeat this step until you have made all your crepes. You can keep them warm by placing each one on top of the other, stack-stile, on a plate covered with aluminum foil as each one comes out of the pan. Or covered in a dish in the oven on the lowest temperature setting.
Crepes are a foundation piece that can be served in a number of different ways for breakfast, lunch, dinner or dessert. When we make ours for breakfast, we sprinkle powdered sugar on a warm crepe, roll it up and then top it with a mixture of seasonal fruit in the summer or a warm fruit compote in the fall and winter. But you can just about add anything you like to a crepe and it will be delicious.
One thing to keep in mind when serving crepes is that they contain no sugar so if you like them sweet don’t forget to add sugar or honey, maple syrup, chocolate sauce, whip cream or your own fruit medley.
And of course, the very best companion for this festive French dish is a good book like Bon Appetit, which you can find here.
If you are a big fan of Julia, like us, please share your favorite things about her in the comment section below. We’d love to learn more about how she inspires you!
In the meantime cheers to the lady who keeps inspiring us to find the fun in the food! Happy Birthday Julia!