If you have been a part of Ms. Jeannie’s blog since the summer, you’ll know that Ms. Jeannie enjoys the fun of gardening (minus April’s poison ivy outbreak, of course!). Her small summer crops were full of crunchy cherry tomatoes, crispy green peppers, snappy garden peas, buckets of sunflowers and more jalapenos then Mr. Jeannie Ology knew what to do with!
After she had harvested all her plantings and tilled her garden back down to the soil again, Ms. Jeannie half-heartedly decided to plant a fall garden in a neighboring patch that was overwhelmed with weeds. She says half-heartedly, because after the zealousness with which she approached her summer garden, (designing her own patch, layout and fencing) Ms. Jeannie felt sort of confined working in the perimeters of this already established bed. It was a funny shape too. Sort of like a squashed trapezoid or a flattened kidney bean, and was flanked on both ends by azalea bushes. But it did back up to garden fencing (ideal for fall peas!) and had a pretty brick border, so…
She carried on anyway and planted two rows of peas, several rows of alternating onions and carrots and a border of zinnias. She was using old seeds, some over five years old as an experiment of sorts to see if they would actually still grow.
The weeds returned almost instantly. Some of the seedlings started to sprout. Fire ants began to picket. Apparently, being fond of the neighborhood, they were not keen on Ms. Jeannie’s idea to relocate their home. And then there were the mosquitoes – so big and so bold, Ms. Jeannie began to think she, herself, was their only source of sustenance.
For weeks Ms. Jeannie battled nature. But, as it turns out 5 year old seeds in combination with weeds, fire ants and mosquitoes does not make for a garden great. The peas bloomed then promptly withered, the onion shoots sent up green antennas from the ground, surveyed the location and then disappeared – never to be seen again. And the zinnias nevr even showed up at all. Ms. Jeannie was depressed. Halfhearted gardening was no fun. No fun at all.
But there was one bright spot among all this sad state of affairs. The carrots! Dear readers, the carrots…the carrots gave it their all! They sprouted, they grew long lacy foliage, they hummed happily. All autumn. Growing, growing, growing in the ground undisturbed. Like a bad mother, Ms. Jeannie paid them absolutely no attention. She didn’t water them, she didn’t weed around them or cover them on frosty nights, she didn’t even visit them on a weekly basis. Frankly, my dears, she just sort of forgot about them.
Until yesterday. When a faint memory tickled her mind. A long lost thought…plantings in the fall…carrots for Thanksgiving dinner (Ms. Jeannie’s original idea for the garden in the first place)… vegetables throughout the winter. Dreamy eyed, Ms. Jeannie wondered what might have become of those carrot seeds from so long ago…
So with shovel in hand, she headed out to the garden to investigate. Expectations were low – incredibly low. After all they’d been in the ground for 5 months. There had been many, many handfuls of cold 30 degree weather. There had been times of drought and times of flooding. And there had been that issue of lackluster attention.
But alas! The carrots didn’t care! No worries, they shouted. The green lacy sprouts greeted her like a long lost friend. They practically sang to her as she pulled them, one by one out the ground. Here’s a picture of the chorus…
Full fledged carrots! Maybe a bit on the small side, some, but with such low expectations, Ms. Jeannie was practically overjoyed with the perfection of them all:) Such beauties they seemed!
Who would have thought you could enjoy such pretty vegetables in December? And with absolutely zero effort. Carrots may just very well be Ms. Jeannie’s new favorite vegetable.
This event called for celebration, so Ms. Jeannie found herself in the kitchen last night making a parmesan and carrot risotto. It was a chilly night – in the mid 30’s – and this was a warm, filling dinner full of autumn sunshine (thank you carrots!).
A lot of people shy away from making risotto because they think it is tedious or complicated, but really it couldn’t be a more simple recipe. The often thought tedious part just means you have to stay by the stove for about 20 minutes and stir frequently so the rice doesn’t stick. If you haven’t ever tried risotto, it is an Italian style rice based dish, that is filling like pasta and can be cooked a million different ways but always includes 3 ingredients: parmesean cheese, white wine and chicken broth.
Ms. Jeannie always likes to use homemade chicken broth but you could used canned or carton broth as a substitute too.
Here’s the recipe, which was adapted from a Martha Stewart recipe that had called for long grain rice in place of risotto. This is a picture of Ms. Jeannie’s finished product with a serving suggestion (see bottom of recipe for details).
Parmesan Carrot Risotto (serves 4)
3 1/2 cups homemade chicken broth
2 tablespoons butter
1 medium red onion, finely chopped
6 medium carrots, grated
Coarse salt and ground pepper
1 1/4 cups arborrio rice
1/2 cup dry white wine
1/4 cup grated Parmesan
In a saucepan, bring broth and 2 cups water to a bare simmer over medium.
In a large saucepan, melt 1 tablespoon butter over medium. Add onion and carrots; season with salt and pepper. Cook, stirring occasionally, until softened, 5 to 7 minutes. Stir in rice. Add wine; cook, stirring, until absorbed, 1 to 2 minutes.
Add 2 cups hot broth; simmer over medium-low, stirring frequently, until mostly absorbed, 10 to 12 minutes. Continue to add broth, 1 cup at a time, stirring occasionally, until absorbed before adding more. Cook until rice is creamy and just tender, about 20 minutes (you may not need all the broth).
Remove risotto from heat. Stir in Parmesan and 1 tablespoon butter, and season with salt and pepper.
Ms. Jeannie served her risotto on top of a bed of raw baby spinach. She just grabbed a handful of spinach for each plate. The heat of the rice wilts the spinach a touch and adds a bit of bright color to the plate. Ms. Jeannie paired her dinner with Smoking Loon Sauvingnon Blanc, which complimented the sweetness of the carrots. She could have also served this with a crusty baguette too – had she not forgotten to get one at the store!
Here’s a close-up so you can see the texture…
Thank you sweet carrots for growing so great over all these months!!! See you again this spring for sure!
As a child, Ms. Jeannie spent a lot of time in France, traveling about the country with her family. Home base was always The Crillon Hotel in Paris or the Loews Monte Carlo (now the Fairmont) on the French Riviera, but Ms. Jeannie’s parents insisted she and her sister know all of France including the waterways, so road trips (and boat trips!) were had.
Not having traveled back to France since she was about 15 years old, Ms. Jeannie retains a child-like wonder for all things French. Memories lean towards moments and feelings instead of specific places and experiences….rich hot chocolate, the sound of patent leather Mary Janes on marble floors, boat rides down the Seine, her first taste of risotto, lemony perfume, two cheek kisses, children’s books all in French, toothpick thin pommes frites and the secret “European language” Ms. Jeannie and her sister made up.
Ms. Jeannie’s France is all about terraced hillsides, Bastille Day fireworks, hours long luncheons. She recalls her mother’s bright orange Hermes shopping bags and a pair of fantastic red shoes Ms. Jeannie’s eight year old heart just had to have. There was a fretful play date with a French boy named Tomas, that ended in the throwing of toys and tears. There was the first time Ms. Jeannie saw the Mona Lisa at the Louvre, the first time she flirted with a boy on a mo-ped and the first time she played the game of petanque with a group of locals.
And then there was the last time she saw the Eiffel Tower.
It was a grey and rainy Paris afternoon. Ms. Jeannie didn’t want to leave. She tried wholeheartedly to convince her father to stay an extra day or two, but he was adamant about schedules and airplanes and life needing to be resumed back in the States. So home they went. Ms. Jeannie felt more than disappointed, not because she didn’t get her way, but because for the first time in her life she felt displaced. Caught between two worlds and two cultures at a tender age. That was the year that the feelings of wanderlust set in. And never quite let go.
Difficult to put into words, this combination of desire and unease, Ms. Jeannie was delighted to happen upon the contemporary photography of Yann Pendaries, whose work, both magical and moody conveys images of France that are both dream-like and real. His hot air balloon series, in particular are some of Ms. Jeannie’s favorites.
Those childhood days in France float around her mind just like that balloon floats around the photograph. Sometimes easy to spot, others times more difficult, but always there, always floating.
Below, read about the inspiration behind Yann’s work as he takes us on a little unexpected weekend getaway to his France, where we discuss all things cultural from art to wine to history.
Ms. Jeannie: So, you are a photographer based in Paris… is that where you grew up?
Yann Pendaries:I was born in the city of Orleans, where Joan of Arc played a part in the history of France … I spent part of my life there, and came to live in Paris in 2002.
MJ: What inspires you about your city? What are the top 5 places that inspire your work?
YP: Paris is a magical city that has withstood the din of war, one can still feel the medieval atmosphere through the narrow streets of the historic center, when you walk in the streets you can still discover new buildings or new stories.
Paris is endless images, every time I stroll through the city, I always discover new things which inspires my eye. My inspiration usually comes by chance, but most of the time especially in Paris. I have three main inspirations, colorful characters that I capture with great discretion…
…essential buildings like the Eiffel Tower (I try to magnify it with different angles)…
and last but not least, I love the gardens in Paris, my favorite being the Luxembourg Garden, in the center of Paris.
Why specifically this garden? For me it is very representative of Paris from the 1950s, where you can still find toys rentals (small wooden boats that children push with sticks on the fountain, and which exists since the 1940s), in any season this garden is beautiful with fountains, thousands of trees, horses where children can also take a ride. Look in my shop for Paris pictures and you will discover the love I have for this garden.
My last two inspirations have more to do with photographic creations, I try to make up magical worlds and I try to immerse the viewer in an idyllic world where dreams and poetry make you forget the worries of life.
I am currently working on two series, one is the hot balloon trip, to make you discover “my” Europe by scenery and lights I captured through my travels, and the other one is about the tiny trades self portraits; a little guy helps you understand for example how are created pretty things that you see all the time, I suppose that this way, you discover the beauty of simple things around you and afterwards you don’t look the same way at these small things in life.
MJ: How long have you called yourself a photographer? What drives your passion for it?
YP: I have officially been a professional photographer for 7 years, but have been keen on photography since the age of 9. In fact my father had an old film camera ; one day I decided to take it and make images for fun, and then I realized it was a way for me to express feelings I could not say otherwise. Thanks to photography I could also capture moments of sharing with friends and create memories of moments that lasted a second and which I would have surely forgotten now, but engraved on film for life the memories are everlasting.
And then over time I began studying photography a little more to discover photographers, to see exhibitions and to improve my eye. I tried several styles of photography with a lot of failure trying to imitate others, but I realize now that I have found my style and my world and this motivates me even more now (and photography is like a music instrument, the more you practice the easier it is to write light, like a music sheet), and every day I want to go further into my world and share it with others.
MJ: Describe your studio space.
YP: My studio is small but big enough for me to make my pictures, look, here is a photo to give you an idea of my space. Now you know my secret when I produce my images 🙂
MJ: Paris is full of magic – it’s people, it’s architecture, it’s culture. As a photographer, do you ever feel overwhelmed by it’s beauty? Are there things about living in Paris that you don’t like?
YP: No, Paris is a constant source of inspiration, because every street, every neighborhood, every building or cultural events are different and it always brings a new vision of things.
What I hate, as in all great cities of the world are the constant noise of cars, the people rushing to get from point A to point B without even looking around or looking up and discovering or re-discovering the beautiful neighborhoods. That’s why I like to isolate myself in the parks and gardens where it is so quiet and relaxing, or getting off the main streets and strolling along the tiny streets where there is virtually no-one.
This is also why I hate the Champs Elysees, where there only are expensive shops and which have no interest for me. Many tourists coming to Paris absolutely want to go on the Champs Elysees, but when foreign friends come to visit me I do not bring them there, I take them in the popular neighborhoods and make them discover the real Paris and usually they are thrilled to discover it.
MJ: If you didn’t live in France, where would live?
YP: Without hesitation, it would be in Berlin, Germany, I discovered this city 2 years ago and it was a revelation! The city is not really beautiful because it was ravaged by war, and post-war communism did not help, but there is a true cultural spirit, so many events are held there throughout the year.
Berliners are really nice and open minded people, and moreover, life is really not expensive, and it’s very nice to have some fun without spending much money.
MJ: Recently, you worked on a hot air balloon photo assignment. Can you explain a little about the project and what you gained from the experience – besides gorgeous photographs;)
YP: This project is intended to uncover Europe for people who do not know it, and to share the extraordinary landscapes you can find there, as well as perhaps make them want to come here. There are so many things to discover and to do that I felt compelled to share with you my experience, the fact of adding a hot balloon and create a real story with a little poetry to the point that some people sent me messages to ask me if I really was inside the hot air balloon was so much fun.
I also created a character, Aphiles, who tells through his diary his balloon adventures in each country. Why Aphiles, you can guess 🙂 I actually play with the name of the character Phileas Fogg in Jules Verne’s Around the World in 80 days, that’s it, my secret is out 🙂
MJ: Many of your photographs are romantic in nature, with dreamy settings, soft colors and love laced-themes. Does it take you a long time to set-up shots?
YP: The most of my outdoor photos are taken from live moments, without expecting that anything would happens. I’m here at time T and if something should happen it must be now, I will not wait 1h or 2 hours and cause the thing to happen, the best time is now and not tomorrow or in 1 hour.
For me the best lights are evening lights, which only last 15 minutes, so for me it is not worth it to wait, with this parameter I have very little time, I am here and I’m not going to be running to another place, this is my definition of time and present.
For other pictures, like the Tiny trades series, it usually takes me a full day to make a picture, because I have to take different elements separately, then I take a picture of myself and then digitally edit everything.
Sometimes the positions of objects do not fit to what I had in mind, and I have to start over. I really like doing this, and I have a lot of fun constructing the picture and adding personal effects that give a dreamy and poetic aspect to the image.
MJ: As an artist do you ever get frustrated about not being to communicate an idea through the lens? If so, how do you combat that?
YP: Sometimes I wish I could express specific ideas, and if I can not do it I may be a little frustrated at the time, but it does not matter, because I remember the idea and another time may arise when I can finally realize it, I have the whole life before me and thousands of opportunities can happen, you just have to be patient.
MJ: Your wife is an artist also, with a fashion-based Etsy shop, Malam. How is it being on the other side of the camera as her product model? Are you comfortable on both sides of the camera?
YP:In fact, I am very shy and I hate being in front of the camera! For me it is horrible, I do not know how to behave, I feel ridiculous and I’m afraid to look into the lens. But I do it for her, because I’m glad to help nonetheless ! However behind the camera I am very comfortable, it is for me like a barrier between the subject and myself. Behind the lens I can be confronted with the other without any problem, because it is like a masked ball, I can watch and take the pictures that I want when I want to.
MJ: One of Ms. Jeannie’s most favorite photographers is Robert Doisneau.
When asked about his recipe for success, he said “I put all my trust in intuition, which contributes so much more than rational thought. This is a commendable approach, because you need courage to be stupid – it’s so rare these days when there are so many intelligent people all over the place who’ve stopped looking because they’re so knowledgeable.” What are your thoughts on this as a fellow photographer? Do agree or disagree?
YP: I’m a real fan of Doisneau, I like how he took pictures of workers, he managed to capture from the 1940s to the 1980s the real world sometimes despised in historic and artistic work. (I am proud to tell you that it was her daughter who gave me my diploma in photography in 2005). In the same spirit, I suggest you look at the photographs of Willy Ronis that I really love too.
I did some pictures in this style (below), where I tried to recreate this world of the 1950s with a nostalgia for a beautiful and poetic life.
On his recipe for success I totally agree, I did not know it, I think ridicule does not kill, and I think you should always look further to reach a new thought. My Tiny trades series are an example of this : I create new trades while everyone believes that things are made in such or such way , but no, we can believe there is something else that may seem unbelievable and surreal, but can actually exist even if it’s only in our imagination.
MJ: What is one message you hope to convey through your photographs?
YP: I want to bring each person a little piece of well-being in their homes, going home after a hard day of work and just quickly look at my photography and for a millisecond to forget the worries of their life. If I can bring this little happiness I am the happiest, because I would love everyone to be at peace, and it is not easy today with everything that is happening in the world.
MJ: If you could live in any other time period in history, which would you choose and why?
YP: I would have loved to live in the 1950s, although I think that life was not easier than today, there were different problems, but I feel that life was simpler and slower. It is precisely thanks to R. Doisneau that I love this period, that I dream to live and walk in the streets of Paris with the sound of mirror salesmen who would shout in the streets: “glazier glazier!!”, By the way I have a little story to tell on this subject: when I arrived in Paris I lived in a 11m2 flat in Montmartre, sharing it with two mice :), and once a week, a knife grinder passed in the street with a bell, shouting “grinder grinder!!” it was really wonderful and there’s only in Paris that you can still see this kind of scene, so out of step with modern and electronic life, and this does a lot of good.
MJ: If you could do a photo shoot with any famous person, living or dead who would you pick and why?
YP: For me it would be Gandhi, this good and simple man managed to give India its independence without any bloodshed and in total peace. If all the Big men in the World could react like him, able to solve problems without weapons, just that of speech, heart and non-violence I think the world would be healthier.
MJ: What other artists influence your work?
YP: There are many, but most in the same area: humanist photography. There are of course as I have said above R.Doisneau, but there are also other more contemporary photographers like Raymond Depardon, Edouard Boubat, Andre Kertesz, Sebastiao Salgado, Josef Koudelka and many others, they inspired me a lot with their black and white images, always close to humans and poverty, but without prejudice to the characters that they captured, they’re just the messengers of these worlds, which are too little known to the public, and they manage to touch us and let us know that sometimes we forget these worlds, hidden behind our smartphones, while we rub shoulders every day.
MJ: If you could describe your work in three words, what would they be?
YP: Passion, dream, and sharing.
MJ: France has always been known throughout history, as an incubator for creative collaboration between writers and artists, whether it be in a simple cafe meeting or an evening salon. Do you think that is still true today? Do you have a similar support group that helps keep you inspired?
YP: I do not belong at all to a group other than the group of my friends over a glass of wine 🙂 There are probably many collectives still today, but I never never hear about them.
There is a real nostalgia of these famous groups where characters such as Louis Aragon, Picasso, Jean Paul Sartre, Simone de Beauvoir met up for example in the Café de Flore in the district of St-Germain, you can imagine sulphurous discussions about art, society, politics, but now only the tourists go there, and the charm of begone years belongs to the past, this is also what has happened in this neighborhood where jazz was really everywhere. Now only restaurants and fashion boutiques take place alongside the sidewalks of this neighborhood where a part of France’s history was written in the postwar years until the 1970s.
MJ: Since you mentioned wine, please tell us your favorite…
YP: Without hesitation the Beaujolais, it is unfortunately not very liked by French people in general, because every year in September we celebrate the Beaujolais Nouveau, when the wine is very young and not very good! but when you discover the Beaujolais region in Burgundy, there are many small producers who make an excellent wine, they are called Fleurie, St. Amour, Windmill, Julienas, actually they are all names of villages of Beaujolais, and yes there is a village called Saint Amour (Holy Love in English 🙂 )
MJ: If we were in Paris for just one night, what restaurant would recommend for dinner?
YP: Then I would advise this reader to go to one of the oldest breweries in Paris: Chartier (7 rue du Faubourg Montmartre, the 9th district), the restaurant has remained in the Art Nouveau style, it is really beautiful. Moreover, you can find legendary waiters with their legendary Parisian smile, which they have forgotten in the locker room :). Their menu offers traditional French cuisine and it’s not very expensive, but then you have to queue up a little to get a table. It is a real experience though, but I would not advise it for a lover’s evening, because you will never be quiet, between servers running around, the sounds of cooking, and the proximity of your neighbors, this may not be the most romantic evening ever. Go there though, you will not regret it.
MJ: Have you ever traveled to the U.S? If so, where did you go? If not, which state would you like to visit?
YP: Unfortunately, I’ve never been in the U.S.! However I sell a lot of my photographs in the U.S., they travel and discover the country for me :), As a result I know a little about the geography of the United States and especially about postcodes it’s funny 🙂
If there was one particular place I would like to visit, I think that it would be Arizona, with the desert, the mountains… I would feel like I am on another planet or immersed in an old western film… although I do not like westerns, but on a photographic point of view I’m sure I’d be living a daydream.
MJ: When you are not busy photographing (or modeling!), what other interests occupy your time? YP: I really have a sweet tooth so obviously something I love doing and which is always nice to my family and friends is cooking cakes and desserts! When I cook, I feel like I am taking a break, I always put in a background music of Django Reinhardt to give me rhythm .
This interview is part of an ongoing interview series, that Ms. Jeannie is orchestrating about artists, writers and musicians and their inspirations. To read other interviews in this series, simply click on the following links: