Mark Your Calendars: Our Annual 40% Off Shop Sale is November 2nd!

Outside the kitchen window, fall is here. It’s blown into New England this year slowly, on warm breezes scented with cider doughnuts and sunshine. Our prettiest one yet, milder-than-usual temperatures have prolonged the season, rolling it out like a colorful ribbon one yard at a time.

While the days may have lacked that traditional chill that signals a sincere change in seasons, there is something definitely delightful about a warm weather fall. Our string of 70-degree days and 50-degree nights means that much of the summer garden at 1750 House is still hanging on. There are clusters of tomatoes ripening on the vine, summer corn continuing to grow tall in the raised bed, and green beans still putting out at least a dozen pods a day. It may be mid-October, and leaves may be blanketing the garden beds, but the nasturtiums, zinnias, and geraniums are still flowering like it’s July. The novelist David James Duncan once called this Indian summer time of year “a state of serene confusion.” I can see why.

Since so many pollinators are still coming to the flowers, we’ve decided to leave all the summer vegetables up for as long as we can so that they can get all the nourishment they need.

Around the neighborhood though, tradition is not indulging this unusual weather that’s been caught between the beauty of two seasons. Despite the fact that many a summer flowerpot is still wholeheartedly blooming, pumpkins are on porches, dried corn stalks decorate lamp posts, twig wreaths hang on front doors, and the leaves… the magical leaves of a New England autumn… are floating and fluttering in shades of cinnamon, olive, mustard, and mahogany. There is color and flowers and fall foliage everywhere.

Autumn has come to the shop too…

And that means that our annual shop sale is right around the corner. If you are new to the blog, every year, November 2nd marks 40% off everything in the Vintage Kitchen shop for one day only. We call it the All Souls Day sale, not for the Catholic holiday that it shares the day with, but for the heirloom history that it encompasses.

All Souls Day is the only communal holiday in the calendar year that celebrates and remembers all deceased ancestors, and to us, that seems like the perfect time to celebrate vintage and antique heirlooms too. None of our shop items would be here today if they had not traveled through time, cherished and cared for in the hands of the people before us.

The Art of Chinese Cooking by the Benedictine Sisters of Peking – 1977 Edition 41st Printing

It’s up to us to curate the shop, but the heirlooms do all of the storytelling. Each year, they share new insights into the past that help shed light on things in the present. Since no two items in the shop are ever exactly alike, no sale from year to year is ever exactly the same either.

Stories float in and out of the shop every day offering glimpses into kitchen and garden life that occurred a few decades ago or a few centuries ago. Just like stories posted to the blog, every heirloom in the shop comes with its own unique tale marking its place in time. Hidden histories are everywhere. Here are some of the unique stories you’ll find in this year’s sale…

The 1940s Oxnard Lemon Crate

Highlighting Mexican-American history in California’s Port Of Hueneme, this 1940s-era lemon crate tells the story of how Sunkist lemons were brought in from local farms and sorted at an Oxnard packing house before being transported to retail storefronts around the world. Most of this packing was done by women who were skilled experts in sorting, grading and packaging the lemons for distribution. At the height of production, over four million crates were packed per year totaling half a billion lemons. Fruit and vegetable crates were never meant to withstand time and travel for longer than a few months, so it’s always exciting to discover one that has survived much longer than intended. The only part that is left of this original eighty-year-old packing crate is the front panel, now mounted like a piece of art to showcase its original label.

Beyond New England Thresholds

Focusing solely on the importance of the fireplace hearth in early American homes, this 1937 photography book by Samuel Chamberlain explores the country’s first “kitchens” in over two dozen New England homes that date back to the 17th and 18th centuries. The photos progress as the hearth progresses from primitive cook space to home heating source to decorative fixture, illustrating not only how far cooking has come since the early days, but how home interiors and design have evolved as well.

Perdita

Voted one of the best restaurants in the country by Holiday Magazine in the 1950s, Perdita’s of Charleston, SC and Macon, GA was known for its elegant French-inspired fare highlighting local seafood and steak.  The restaurant was named after actress Mary Robinson (1758-1800) whose most famous role was playing Perdita in Shakespeare’s A Winter’s Tale.

The real-life Mary Robinson (1758-1800) in a portrait painted by Thomas Gainsborough circa 1781

Mary had a reputation for being very enchanting and seductive, especially when it came to the amorous attention of men. On a trip to Charleston in the late 1700s, she was caught up in a local romantic scandal that forever made a mark on Charleston’s colorful history, and subsequently inspired the vibe and aesthetic of one of the city’s most famous restaurants.

The Neo-Classical Candleholders

Made for the Metropolitan Museum of Art gift shop, the design of these four petite candleholders is based on antique furniture mounts from a French secretary in the Museum’s collection. The secretary dates to 1787 and is believed to have belonged in the apartments of Marie Antoinette during her time at Versailles. This is the furniture that inspired the candlesticks including a detail shot of the mounts themselves…

Notice how the candlesticks are almost an exact replication of the mounts, fruit included.

The Peruvian Pottery Bowl

Handmade in the Amazonian jungle of Peru, this style of clay bowl has been made for centuries by local Indigenous women of the Shipibo-Conibo tribe using skills and techniques passed down from generation to generation. Highly personal and reflective of each specific woman who makes them, the bowls are entirely formed by hand and then painted with brushes fashioned from twigs and their own human hair. The markings, like the bowls themselves, are one-of-a-kind… trails of paint inspired by each woman’s dreams and visions combined with traditional cultural symbols celebrated by generations of women that came before her.

Photograph of four generations of Shipibo-Konibo women by David Diaz Gonzales

Every year, new faces from history emerge too. This year, we met Juliette, Margaret, Farida, Eleanor, Kate, John, Marie, Raffles, Zetta, Carveth and Claude…

Clockwise from top left: Julia Gordon Low, Margaret Rudkin, Farida Wiley, Eleanor Early, Kate Greenaway, John & Marie Roberson, Raffles, Zetta & Carveth Wells, Claude Monet

Each of them had interesting stories to tell. Juliette Gordon Low started the Girl Scouts in Savannah, GA in 1912. Kate Greenaway forever changed the way we felt about blooms and blossoms in her bestseller, The Language of Flowers. Farida Wiley taught nature classes at NYC’s Museum of Natural History for 60 years. And we all know Claude Monet from his famous impressionist paintings, but did you know that he was also a devout foodie too? There’s a cookbook full of his recipes to prove it. All of those faces above created all these pieces of history below…

Clockwise from top left: The Girl Scout Handbook (1948), The Margaret Rudkin Pepperidge Farm Cookbook (1965), Ferns of the Northeastern United States by Farida Wiley (1948), She Knows Best By Eleanor Early (1946), Kate Greenaway’s Language of Flowers (1978), The Complete Barbecue Book by John and Marie Roberson (1951), Raff: The Jungle Bird by Zetta and Carveth Wells (1941), Monet’s Table (1989)

In the shop, a plate is never just a plate. It’s a rare glimpse into dining hall life at a 1930s fraternity house…

Rare Vintage 1930s Zeta Psi & Theta Delta Chi Fraternity Restaurant Ware Plates By Syracuse O.P.Co circa 1937

In the shop, a teapot is not just a teapot. It’s the oldest antique of the year. This one dates to 1838…

Antique Royal Vienna Tea Service Set – Gold and White Porcelain – circa 1838

In the shop, a cookbook is never just a collection of recipes. It’s stories about life and heritage and inspiration in a myriad of ways. It’s Canadian Leslie Forbes (1953-2016), who was not only a charismatic travel journalist, a fiction writer, and a cookbook author but an illustrator too…

A Taste of Provence by Leslie Forbes – 1987 First American Edition

It’s the talented way-ahead-of-her-time Paula Peck (1927-1972), who died at the age of 45, but not before leaving a handful of books that turned professional cooking and baking on its side in the mid-20th century, by bucking traditional techniques and inventing creative, approachable food…

The Art of Fine Baking by Paula Peck – 1961 Book Club Edition

The Art of Good Cooking by Paula Peck – 1966 Edition

It’s British ex-pat Vernon Jarratt who married an Italian countess and went on to live a La Dolce Vita life in Italy as an intrepid gourmand and restauranteur…

Eat Italian Once A Week by Vernon Jarratt – 1967 Edition 

In the shop, a vintage coffee tin is not just a nostalgic vessel to store modern-day items. It’s the lifeblood of immigrant brothers from Scotland who sought fortune and flavor in America’s coffee trade in the late 1800s.

Vintage Yuban & Bliss Coffee Tins circa 1920s-1940s

And in the shop, coasters aren’t just little mats to set your drinks on. They are mini works of art by revered French botanical painters of the early 1800s…

Vintage French Botanical Coasters with Cork Backing – Set of Four

These are just a few examples of the people, places, and stories that find their way into the Vintage Kitchen shop on a daily basis. I hope at this year’s sale you discover an heirloom that captivates your attention, that steals your heart away to another time or another country, and that inspires new creativity from history’s forgotten muses.

Perhaps you’ll travel with engaging journalist and war correspondent, Betty Wason and her daughter, Ellen through the regional cuisines of Spain…

The Art of Spanish Cooking by Betty Wason – 1963 First Edition

or fall in love with the fish-out-of-water escapades of French Clementine as she navigates the ins and outs of cooking in an American kitchen in the 1940s…

Clementine in the Kitchen by Phineas Beck (aka Samuel Chamberlain) – 1943 First Edition with Illustrations

or maybe you’ll wind your way around the exotic Moroccan spice markets with Paula Wolfert as your educational guide.

Couscous and Other Good Food from Morocco by Paula Wolfert – 1973 Edition

At this year’s sale, you’ll notice that some cookbooks sport a festive yellow banner in the listing photos. Those banners signify a new donation program that we’ve just recently launched. Any cookbook that you see in the shop that says This Book Gives Back qualifies for a 20% donation to Feeding America, a nationwide non-profit network of food banks, food pantries and local meal programs dedicated to providing nutritious meals to food-insecure communities around the United States. Not all cookbooks qualify for this program, so be sure to look for the yellow banner if you would like to participate.

Joy of Cooking by Irma Rombauer and Marion Rombauer Becker – 1978 Edition 11th Printing

The sale begins at 12:00am (EST) on Saturday, November 2nd, 2024 and runs through 11:59pm that same night. Discounts are automatically tallied upon checkout, so there is no need to enter any coupon codes or discount phrases to receive 40% off.

New vintage and antique heirlooms continue to be added to the shop daily, so stop by for fresh finds leading all the way up to the sale. And, as always, if you are looking for something that we no longer have in stock, please send us a message. We’ll be happy to add your name and needs to our waitlist.

Vintage 1960s Webster-Wilcox Silverplate Wine Cooler Champagne Bucket

Whether you are interested in experimenting with a new cuisine, looking for a new favorite vintage dish pattern, or starting a collection that recalls memories of a happy time from your past, I hope you find something in the shop that calls to your heart and adds extra delight to your kitchen.

Haute Cuisine for Your Heart’s Delight by Carol Cutler – First Edition 1974 Fifth Printing

Cheers to all the old souls that inspire the shop each and every day. Cheers to all the heirlooms that they have been passed on to us to love and cherish just as much. And cheers to the kitchen for being the one spot in the house where everyone is always welcome.

Early 20th Century Embroidery Sampler circa 1930s

Happy shopping!

The Fondest Farewell

In the early fog-filled hours of Tuesday morning, we said a heartfelt goodbye to Indie, our most enthusiastic eater and taste-tester here in the Vintage Kitchen.

I wanted to share this news not to spread sorrow and grief out into the world, but to share the story of her last three months, most particularly with our readers who found her homemade dog food recipes so helpful. Through the blog, quite by surprise, Indie developed a large fanbase of pet parents and cooks excited to try their hand at making the homemade dog food recipes we wholeheartedly championed throughout her life.

I wanted to say a special thank you to everyone for their enthusiasm in embracing our enthusiasm of this natural way of feeding pets. It’s such a comfort to know that her most favorite recipe, and now her most famous recipe – the chicken one-pot – has been shared tens of thousands of times and hopefully enjoyed by tens of thousands of dogs. From one gourmand to another, joy spreads joy. Especially when talking about food.

One Pot Steamed Chicken with Carrots and Sweet Potatoes for Pups

I also wanted to share this news to celebrate Indie, the remarkable dog that she was, and the enthusiasm she always had for life, a character trait that was especially compelling during these last few months. It was very inspirational. She was very inspirational. And I thought her infectious personality and her joyful zest despite challenging health issues might bring some encouragement to anyone else going through a difficult time. Life isn’t always easy but it’s much more palatable, and ultimately much more rewarding, as I learned from Indie, when approached first and foremost with appreciation and joy.

at the vet – June 2024

At the end of June, Indie was diagnosed with an enlarged heart. As you can see from the photo above she approached this news on that day at the vet’s office with nothing more than her typical enthusiasm and happy attitude. Yes! I have a big heart! I love big hearts!

My husband and I, on the other hand, were much more alarmed at this news. I immediately panicked and asked if the cause was her homemade diet. Did we feed her too much olive oil? Sprinkle too much cheese? Was this spurned on by that extra helping of grass-fed beef filet that she ate last Christmas? Our vet quickly put my fears to rest by saying absolutely not and reiterating time and again in our consultation how homemade food is always the best choice as far as meal plans go for any dog. There was nothing to worry about with Indie when it came to what she was eating.

Physically, nothing looked wrong with Indie, but we brought her into the vet that day because she had developed a persistent cough which was beginning to make her breathy and unsteady after she ran around the yard. We thought it might be allergies, or a summer cold or at worst that she somehow had contracted kennel cough. We thought the vet might be able to recommend a Chinese herb that would set her straight again. Cough aside, there was no other information to give to the vet that June day. She was all smiles. Her coat was soft and shiny. Her eyes were bright and animated. She was eating. She was exercising. She was living her normal life.

So to hear this new news of her big heart – one that was 1/3 the size larger than it should be – just didn’t make sense. How could this be? She looks so healthy. She looks so happy.

From the very beginning, when Indie first came into our lives, she was full of joy. She showed up randomly on a hot, humid holiday afternoon running into our yard in Georgia on July 4th, 2014. Carrying all the exuberance of a lively guest come late to a party, she had an excited, relieved, thank-god-I’m-finally-here energy that she carried straight into the welcoming arms of my nephew and I. Greeting us with such a profound intensity, like long-lost friends finally reunited, the moment I met her I knew something magical was amiss.

Two years earlier, our wonderful black and white border collie, Hanna, passed away. Smart, calm, loyal, and very sweet, we had adopted Hanna from a shelter in Newark, New Jersey shortly after my husband and I first began dating. With Hanna by our side, we got married, traveled the entire East Coast, developed and filmed a travel show, moved to the South, opened a farmers market, and launched what would eventually morph into the Vintage Kitchen. We spent fourteen incredible years with her through multiple moves, through her life-long seizures, through her canine mayor status, through New York City life, through rural Southern country life, and through more travels around the country than most dogs ever have the opportunity to explore. When she died from old age in 2012, it was the biggest grief I had known to date and I missed her presence in my life in a way that seemed forever ongoing.

Two years later and now living in a different area in Georgia, I not only still missed Hanna terribly but I also missed that wonderful feeling of having a dog in my life. I was ready to adopt a new one. My husband on the other hand, considered Hanna to be the very best (as she really was) and couldn’t conceive of ever having another dog in his life. For him, nothing else could possibly compare to her and he felt that it was unfair to ever hope for that same sort of love from another dog again. So here we were, my husband and I, at a crossroads. Me wanting a dog, he not. It was the first time we were ever at a major misalignment in our normally very compatible way of looking at the world. I understood where he was coming from. Hanna was extraordinary. But I couldn’t shake this feeling of wanting another dog. Occasionally I would broach the subject, hoping that his thoughts might change or his heart would come around, but each time I found him still holding fast to his original thoughts.

So when Indie showed up randomly in our yard in 2014 I couldn’t believe it. Literally. I could not believe it. Not only was she also a black and white dog with brown eyes that looked almost exactly like our beloved Hanna, but she had Hanna’s same friendly personality too. I just couldn’t believe that this thing that I missed, that I longed for quite a bit of time would just show up. I couldn’t believe that on a street with many different houses to choose from and many different lives to walk into that she picked ours. Was it destiny? Was it a sign from Hanna? Was she Hanna? Right from the beginning, Indie, to me, felt like this extraordinary gift.

Indie retained that magical ta-dah energy, that excitement, that visible sense of unbridled joy that she displayed on day one throughout her entire life. My husband and I called it her yes personality. Whatever situation was in front of her… good or bad, scary or uncomfortable, familiar or new she approached it with an enthusiastic YES! With the exception of thunderstorms and motorcycles and the automatic table lift at the vet, there was nothing that Indie wouldn’t embrace wholeheartedly with joyful enthusiasm. So to get this news that she had an enlarged heart, in a strange way seemed almost obvious. All that joy had to fit somewhere. So absolutely. A big heart. Of course.

From a medical standpoint, there were a few different possibilities that could have been the root cause of her situation. She could have been born with a big heart and it just never presented any problems until now. She could have been predisposed to this condition based on her genetic makeup. Or her heart simply could have just grown bigger as a result of her age, a malady that is not that uncommon in senior dogs.

Alarming as all this news was, there was hope that this big-hearted situation could be managed. The cough was caused by fluid buildup in her heart and in her lungs. Medication would remove the fluid and enable her heart to operate more efficiently so that she could live a normal life. With the meds, and a few lifestyle changes that included a calm home environment and little to no stress, she in theory could manage to live with this heart disease for years if everything could be kept under control.

While heart disease is a degenerative condition, there is no way to know how it will affect certain dogs or how long they can live with such an issue. Despite Indie’s happy attitude, the vet told us in a very sobering conversation, that dogs with heart disease like hers could live as little as weeks or as long as years. It just depended, dog by dog, breed by breed. Luckily in Indie’s case other than her big heart, she was as healthy as an ox. Thanks in large part to her homemade diet.

A portrait of an English Shepherd from the book Lessons Derived from the Animal World published in 1847. photo courtesy of OldTimeFarmShepherd.org

Indie is an English Shepherd, the most common breed found in America in the 1800s. Especially prized back then because they were reliable, smart, observant, quick learners, and adaptable to a wide range of situations, English Shepherds were ideal dogs for early American farm life. They were good working dogs, good guard dogs, good with kids, teachable, independent, loyal, respectful of other animals, and made of hearty stock. As a general all-around helper and family dog all wrapped up in one, they share many similar traits with Border Collies and Australian Shepherds and often get mixed up between the two. Typically given their medium size and medium weight, English Shepherds traditionally live between 12-15 years. When Indie was diagnosed in June she was just a few weeks away from her 11th birthday, so we were hopeful. Hopeful that she would be a long-hauler of this disease, easily able to adapt to this new situation for a few more years and live out her natural course of life.

Armed with optimism and five different medications to be taken daily, Indie was sent home with two instructions – no running and no stress for the entire summer. If she encountered either, she could potentially collapse and that would be that. The end. Right then and there. Her diet was to stay exactly as it was with no changes except to incorporate more carbs if possible. She was allowed to have 15 minutes of outdoor time each day for exercise and bathroom breaks, but that was it. This homebound summer-of-calm plan would give her heart a chance to rest and get used to the medication routine. Then we would reevaluate in the fall.

With her traditional good nature and easy adaptability to comply with whatever situation presented itself, Indie fell right in step with Slow Summer from week one. Apart from not being able to run after the squirrels she didn’t mind being walked on a leash for her 15 minutes each day and she didn’t mind spending time indoors away from the summer heat. To keep things interesting we made her a play area with lots of toys, kept her gourmand appetite engaged with daily culinary taste testings, and encouraged frequent napping so that she could rest her heart and get over her cough.

Knowing that we would need to cancel and rethink much of our summer plans including road trips, outdoor water activities, and any 1750 House renovations that required loud noises or unfamiliar tradesmen in the house, this was going to be a much quieter summer than anticipated. But quiet didn’t have to mean boring.

Thinking about her allotted 15 minutes of exercise time and how that could get pretty mundane if she was just limited to the backyard, a great opportunity for fun presented itself. In an effort to keep things interesting for her, I mapped out four parks in the neighborhood where she could spend her daily 15 minutes of outdoor time. By alternating between the parks each day, she would always have new sights and smells to take in during each walk. I thought this exercise plan would be good for her spirit and help keep her mind active while her body got used to her new rhythm of life. The parks I selected were not strenuous walks as far as exertion level and each one was entirely unique with different highlights to offer.

Pocket park

One was a small wooded pocket park that looked like something straight out of a Jane Austen movie with its clipped hedges and grass pathways that weaved and wandered around several acres of partially tended nature gardens. Another one was a mile-long recreation track frequented by an array of neighborhood pups that brought their own scents and smells to the park. Since she wasn’t allowed to play around with other dogs over the summer, I thought this level of scented interaction might make her feel like she was still part of the pack.

Track

The third park was the grounds of a historic 1920s-era estate complete with a Gatsby-style mansion and formal rose gardens to match.

Historic Estate

And finally, the fourth was a lush, grassy athletic field surrounded by walking paths, wildflowers, and an abundance of native plantings.

Every day, just before sunset, when the air started to cool and the bright light of day started to dim, Indie and I would get in the car and head to one of the four parks.

Always excited to embark on these adventures, the nightly walks turned out to be a star activity for both of us. We rarely encountered any other pups or people on these jaunts which was good because anything that got her barking or her heart racing in excitement was a no-no. In place of meeting other humans and dogs, we met nature instead, in all of her interesting and diverse forms.

The slow pace was conducive to stopping and smelling everything and anything that brushed by Indie’s nose. On each outing, we took in the sights, the scents, and the sounds all around us. We noticed the birds, the rabbits, the trees, the bees. We looked up at the clouds and down at the grass. We smelled the air and listened to the breeze blow through the leaves. It was wonderfully relaxing. And even though it was just 15 minutes a day, each walk felt like its own quiet adventure.

Some days, I extended the 15-minute allotment. If the air was cool enough and if Indie was especially enjoying her time, we would find a spot to sit still for just a few minutes longer to marvel at the sight of a colorful sunset, or a herd of grazing deer, or the wildflowers dancing with the wind. In those moments, I liked seeing the pretty things around us, but what I really liked was watching Indie watching the world.

Even though my mind and my heart were always set on the long game of Indie living with this new normal for years to come, I was very conscious of the possibility that these days, these walks, could be the last times too. This turned out to be a very welcome understanding. Not knowing when our final time to say goodbye might come forced me to be present for each moment we had together. It forced me to really appreciate what life meant and felt like with her in it.

Bittersweet but very beautiful, these walks with Indie each night were full of hope, joy, love, and admiration because she was always so full of hope, joy, love and admiration. Big heart or not, nothing got in the way of a chance to say Yes! to whatever situation presented itself. She was such a wise and wonderful teacher that way.

On the 4th of July Indie celebrated her 11th birthday. Although we never knew her actual birth date we celebrated it on the holiday since that was the day she bounded into our yard in 2014. I named her Indie in honor of Independence Day and the independent spirit that tends to come naturally attached to all wanderers and travelers. When she arrived, so happy to be there, she was full-size and fully grown. The vet roughly estimated that she was about a year old based on her teeth and her paw pads.

For the next three months, we did our best to find out where she might have come from, so that we could send her back home to her owners. To my surprise and great delight, no one ever called or came for her. Just like these past three months of 2024, those three months in 2014 were spent understanding and appreciating her remarkable personality. Hanna had always been an old soul of a dog… calm, contemplative, and almost human-like in her ability to connect with other people. She didn’t care much for other dogs or dog-like activities, instead Hanna much preferred the total companionship of people. Indie, on the other hand, loved everybody and everything. She was fresh-faced, curious, jubilant, outgoing, spritely. A bright light, a shiny star. This was her first weekend with us…

Indie. 2014.

Flash forward 10 years later to this 4th of July, Indie was still just as happy to be spending time with us and our grill. We celebrated her 2024 birthday with grass-fed beef burgers, strawberry goat cheese bruschetta, and an outdoor dinner at the greenhouse.

This is 11!

In addition to the walks and her birthday celebration, we did a variety of other things with her over the summer too. We included as many of her favorites as her big heart would allow. There were trips to our local Dairy Serv for vanilla ice cream. There were pup cup runs to Starbucks. There were endless bowls of ice-cold water at our favorite outdoor pizza spot. There were Sunday drives, picnics in the grass, naps in the hammock, and late-night grill dinners on the patio. She spent time with me in the garden, with my husband in the workshop, and with her favorite tree in the yard.

The end of July brought a road trip to a specialty vet hospital in Rhode Island where she had an echocardiogram to give us more insight into her condition and to make sure she was on the right track with her medications. We made a fun adventure out of it, stopping for lunch and to see the elephant migration sculptures in Newport. There, she settled down next to a baby elephant like it was her new best friend.

The results of the echocardiogram were what our vet expected – more specific details about her acute heart disease. We soldiered on with the medicine routine. The fluid finally moved out of her lungs and heart, she got rid of her cough and she lost 12 lbs. Although the vet wasn’t too concerned about the weight drop, I really was. I could feel her spine, as you do with many older dogs, and her sides were beginning to feel ribby – indicators that I had always relied on in the past to signal when I needed to feed her more or less food. Determined to bring back some of those lost pounds I got to work crafting all sorts of new meals for her.

Even though she still had plenty of energy, a good appetite and a shiny, happy personality during the entire summer, her eating habits were changing. We went from her usual regular-sized two-meal-a-day plan (breakfast and dinner) to three small meals (breakfast, lunch, and dinner). And while always a good vegetable eater in the past, in August, she began to develop a particular affinity for larger amounts of protein with smaller amounts of grain and vegetables on the side. Between her likes and my determination to find foods that would feed her body and her spirit, we waded our way through many trial-and-error recipes.

Canned mackerel good. Canned tuna better. Collards great. Black beans no thank you. Chicken okay. Fresh salmon best. Cherry tomatoes from the garden good. Green beans from the grocery store bad. Avocado good. Split peas great. Oatmeal bad. Quinoa yes! Finally, we arrived at a handful of reliable new recipes that left her bowl spotless after each meal just like in the before times. I was getting ready to share two of these new recipes here on the blog this month because she loved them so much. One was a grass-fed beef stew that swam in a puddle of unsweetened coconut milk and the other was a batch of chicken meatballs stuffed with quinoa, herbs, and sweet potatoes.

Grass-fed ground beef stew.

Grass-fed ground beef stew

Because we went down lots of culinary avenues this summer looking for new combinations of foods to nourish her, she stayed close by my side while I cooked. The ever-enthusiastic gourmand that she was had her taste testing with that indelible enthusiasm right up to the very end. Her last meal was the chicken meatball recipe finally perfected.

I’d like to say that Indie had a lot of bravery during these past few months, but that wouldn’t be true. She never showed any outward signs that she was struggling, or feeling weary, or slowly breaking down. She still smiled when she slept – an endearing thing that she did from day one. She still cuddled with us on the couch at any given opportunity, and she still wanted to go anywhere we wanted to go too. She didn’t mind taking twelve different pills throughout the day. She didn’t mind the slow-down summer or the fact that she was leash-bound for most it. She continued to wholeheartedly love car rides, love rolling around on her back in the grass, love napping in the sun, love keeping the squirrels in check, love being petted and fawned over by anyone, and love trying all the foods we offered her. Even when she coughed at the beginning, she’d go through the act for a few seconds and then move on to more interesting activities like it was no big deal. Like there was more fun stuff to encounter in life than that silly scenario. So a brave face wasn’t what she gave us over the summer. She gave us hope. In seeing her not feeling so bad about anything, we in turn didn’t feel so bad either, which is how we came to love and appreciate these last few months with her in the same way that we loved and appreciated her throughout her life. It was the unexpected gift that she always was. A happy spirit greeting each new day with an abundance of joy no matter what.

The end came swift and fast, and left us unprepared emotionally for the reality of a moment that I thought was far, far away in our future. I’ll spare you the details of her last few hours only to say that she left us quickly and peacefully cuddled in the arms of my husband and I, still very much in love with life, just sadly, out of breath.

The loss we feel by her absence is immense. To say we are heartbroken is an understatement. Indie was such a giant presence in our lives and in the Vintage Kitchen. All very fitting for a pup with a giant heart. Over these past three days, my husband and I have begun putting her things away. Washing and wrapping up her blankets and her toys, her bedding, and her scarves. The one thing I can’t put away yet is her Bone Apetit food bowl. To me, it is as much a part of Indie as her fuzzy ears and her cropped tail – that delightful nubbin – that waved back and forth at any excitement. Her food bowl is the ultimate symbol of her epicurean ways. So many good times are wrapped up in it that right now it feels like if I put it away, I put her away, along with all those memories and all that love and all that joy too. So for now, we are leaving her bowls in their usual spot, clean and empty but ready, should she ever magically reappear in the same way as when she first arrived.

Until then, cheers to sweet, loveable, affable, enthusiastic Indie, our wonderful friend, our joyful gourmand, our incredible gift. Cheers to the power of Yes! And cheers to all the pups and their parents who became homemade dog food supporters by way of Indie’s most favorite recipe. May it continue to bring joy for many years to come.

If anyone would like a copy of the homemade dog food recipes for Grass-Fed Beef Stew or Chicken Meatballs Stuffed with Herbs, Sweet Potatoes and Quinoa please send us a message. I’ll be most happy to forward them along.

Update – October 2024

Thank you so much to everyone who sent private messages of love and sympathy regarding Indie’s passing. Your kind words have been such a comfort in the weeks, and now months, following her death. We still find the days to be very foreign without her, and mealtime is definitely not the same without our enthusiastic gourmand, but we are so grateful to this little Vintage Kitchen community for showing us so much kindness and support.

Since we have received so many requests for the two new recipes Indie wholeheartedly adored during her last weeks, I wanted to include them here. If you have any questions about them, please do not hesitate to reach out. Thanks again for being bright lights during such a difficult time. Much love to you and your pups. Hope they enjoy these recipes, just as much as Indie.

The Flavor of Catching Up and a Vintage Homemade Ketchup Recipe

One minute it was mid-April. The witch hazel had just arrived in the mail. A newly planted pot of Nemesia was fluffing out on the front porch, ready for its photo shoot and its spotlight feature in the Fragrant Year series. The collard greens, beets, peas, and kale were growing up in the garden. The second-year foxglove was throwing out layer after layer of leaves, mounding up like bushes. The shop was a flurry of activity – filling and emptying, filling and emptying with stories, heirlooms, and recipes, from kitchens, cooks, and history past.

The next minute it’s the 4th of July. I’m making a vintage summer recipe for the blog. The humidity has set in and the slugs have returned. The witch hazel has grown 6″ inches. Tomatoes and corn have replaced the kale and collards in the garden. The Nemesia has outgrown its pot twice. The summer vegetable garden has been planted. The autumn pumpkin seedlings have started to flower. And the shop is filling and emptying, filling and emptying again with a season’s worth of new old stories.

How did three months pass so quickly? How did we go so fast from collards at the end of one season to corn at the beginning of another? How did all the trees leaf out, and the wildflowers bloom on the side of the road, and the strawberries appear and then disappear? How did Mother’s Day, Memorial Day, Father’s Day, and Fourth of July fireworks pass without a single reflective moment to stop and share here on the blog?

So many interesting stories, gardening adventures, and heirloom gatherings have filled up those past three months. So many things I wanted to share, slated to share, photographed to share. But somehow, the days whizzed by. One by one, ten by twenty, thirty by sixty. All to wind up here at ninety days with nothing new but last April’s post.

Long stretches of absence like this are rare here on the blog and it can be challenging to start back up again after such an extended time away. Fortunately, after much stewing about how to return and what to say, Eleanor Roosevelt breezed into the Vintage Kitchen last week and offered up a bit of wisdom.

“If life were predictable, it would cease to be life, and be without flavor.” – Eleanor Roosevelt

This quote is attributed to Eleanor’s 1937 autobiography, This is My Story, which is now included on my list of books to read. Somehow Eleanor’s wise words wound up describing the very circumstance that defined the last three months. It was unpredictable. It was full of flavor.

The greenhouse got a fence. The hollyhocks bloomed. The 1750 House cupola was rebuilt. The vegetable garden was harvested for spring. And then it was re-planted for summer. The holidays were celebrated. The tomatoes climbed. Tulip bulbs were ordered for fall. Vegetable seeds were exchanged. A wild pheasant stopped by to say hello. Friends and family came to visit. Recipes were cooked. Heirlooms were collected. And after a two year wait, the foxgloves flowered for the first time.

The activities were plentiful, and each day different in routine and rhythm. Just like Eleanor said… they were full. In that spirit of busy activity, I thought it would be fun to do a quick recap via photos of what’s been going on in the kitchen, the garden, and the shop over the past three months so that we could wind our way back towards the present to share a new vintage recipe so perfectly suited for the mood and the moment. This is a catch-up post of the past three months with a 1960s recipe for homemade ketchup attached at the end. Catching up with ketchup, if you will.

A Look Back…

Two of the most exciting 1750 House renovation projects were the rebuilding of the 1930s cupola which had been chewed to pieces by squirrels long before we moved in, and the addition of a long-awaited fence around the greenhouse. The cupola was rebuilt using old tools and old techniques and squirrel-proofed so that the weathervane horse could freely run with the wind once again…

The greenhouse fence adds some dimension to the side yard and forms the backdrop for a cottage garden that will eventually include shrubs, perennials, climbing flowers, and a permanent herb garden.

In early May, a wild pheasant came to visit…

In early June, a prehistoric-looking Dobson fly appeared one morning in the greenhouse…

And at the end of June, we saw our first butterfly of the season, a Red-Spotted Purple dipping and diving around the garden path and raised beds.

The witch hazel, from February’s Fragrant Year post, arrived in the mail in mid-April with not one bare root specimen but three, even though I just ordered one. All three trees were planted and named (Hazel, Harriet and Hilda – a nod to the original H-hinges inside 1750 House) so that I can track and record each one’s progress. All was well for a couple of months with each leafing out and growing taller, but sadly, Hazel got some sort of blight and lost all her leaves. I’ve left her in the ground in hopes that she recovers, so we’ll wait and see what happens over the next few months. In the meantime, Hilda and Harriet are doing great. In three months, they’ve each grown 6″ inches and have sprouted numerous sets of leaves. If they keep that growth rate up through the fall, by the end of 2024 they should be reaching about four feet in height.

Scenes From The Garden…

Hollyhocks (Variety: The Watchman)

Peas (Variety: Cascadia)

First garden harvest – early June.

Nasturtiums (Variety: Jewel Blend)

Cucamelons on the arch

Cherry Tomatoes (Variety: Sun Gold Pole)

The start of the wildflower bed

Foxglove seed pods

Summer Squash (Variety: Black Beauty)

Corn (Variety: Silver Queen White)

Stonecrop

Overwintered Pineapple Sage

Rose of Sharon

Stories From The Shop…

Every bit of kitchen history is always interesting, but every season there are a few stand-out stories that capture quite a bit of attention. These are some of the latest encountered over the past three months. Clicking on the photos will take you directly to the shop item that inspired further storytelling…

The lives and adventures of early 20th-century husband and wife explorer team – Zetta and Carveth Wells

Long Island’s Roosevelt Raceway, a horse racing mecca from the 1940s-1980

.

The prize-winning pattern of a 1943 amateur design contest held by the Vogue Mercantile Institute in collaboration with Homer Laughlin.

The story of Perdita and the Charleston restaurant she inspired.

The 1930s baking invention of Cale Schneider.

Just last week, we debuted our own custom-designed ITVK gift wrap. The floral pattern was inspired by a vintage print that I found in a South Carolina antique shop in 2003. That print, along with an antique platter also found that day, launched a passion for collecting vintage and antique heirlooms and laid the groundwork for what would eventually become In The Vintage Kitchen.

This was a packaging project I first started dreaming about during the 2020 COVID lockdown. I picked the colors in the bouquet to represent the brand colors of the Vintage Kitchen long before I ever knew that a red house built in 1750 and surrounded by garden beds of orange lilies awaited in my future. The floral bouquet was resized, recolored, and brightened up to give it a more modern feel by a wonderfully talented graphic designer based in Austria. I think it’s the perfect blend of history, sentiment and fate. All purchases from the shop are wrapped, and complimentary, so if you find an heirloom you love, it will arrive packaged up in this…

That Was Then, This Is Now…

Now that we are all caught up, let’s ketchup. This recipe comes from the 1961 New York Times Cookbook, edited by one of our favorite Vintage Kitchen cooks, Craig Claiborne. Since it’s condiment season I thought this would be a fun one to feature for a couple of reasons.

Just like mayonnaise, I have always heard that a homemade version is much tastier than any store-bought variety. And since there aren’t really that many different types of ketchup available at the market, this recipe will add a little something unique and unexpected to your summer cookouts. Also, at some point in the summer when harvests are abundant and overwhelming, I always find it helpful to have a collection of recipes at the ready that require big batches of tomatoes so that nothing goes to waste. This recipe definitely calls for that.

This week we are making Spicy Tomato Ketchup from scratch using garden ingredients and a handful of pantry staples. The spice in the title comes from a small amount of cayenne pepper which can be omitted completely if you don’t like a little extra zip. But just to clarify this is a true ketchup, not a hot sauce, so if you are not a lover of hot and spicy foods, don’t worry, it won’t set your mouth on fire. Milder than Tabasco sauce, I’d rate the spice factor of this ketchup at about a 3 on a scale of 1 to 10 with 10 being the hot, hot, hot side.

The recipe calls for 12 pounds of tomatoes which yields about 6-8 pints of ketchup. When writing the cookbook, Craig Claiborne assumed that you would make a big batch, seal everything in sterile jars, and add it to your pantry collection for later consumption. Clearly, 8 pints is a lot of ketchup and not everyone is a home canner, myself included. I cut the recipe in half and then in half again and wound up with about 1 cup of ketchup after starting with 3 lbs of tomatoes. That size batch is shelf-stable in the fridge and is just the right amount for a few servings, and a few slatherings. Having said that, I’m posting the original recipe in case you are a ketchup lover and a canner too. This way, the measurements and portion sizes can be customized to your own needs. As for timing and difficulty, it takes a few hours to make this recipe, but it’s a very easy process. The bulk of the cooking time is hands-off while you wait for the tomato puree to reduce to a ketchup-like consistency.

Spicy Tomato Ketchup

Recipe from 1961 edition of The New York Times Cook Book. Makes 6-8 pints

12 pounds ripe tomatoes

1 cup chopped onion ( I used Vidalia onions)

1 tablespoon salt

1 cup sugar

1 teaspoon black pepper

1/2 teaspoon celery seed

1 teaspoon mustard seed

1 tablespoon whole cloves

1 stick cinnamon, broken

1 1/2 cups vinegar

1/4 teaspoon cayenne pepper

Remove the seeds before you cook the tomatoes.

Core and chop the tomatoes. Cook the tomatoes and onions together until soft (about 20-30 minutes) and then press the mixture through a fine sieve.

The cooked tomato and onion mixture before it is pressed through the sieve.

The tomato and onion mixture after it has been pressed through the sieve (large bowl).

Return puree to heat and cook until reduced by one-half, stirring occasionally. Combine spices in cheesecloth or a tea strainer and set in the puree. Add the rest of the ingredients and stir.

Continue cooking uncovered to desired consistency (about 2-4 hours depending on the amount of tomatoes used). Remove the spice bag. Seal ketchup in hot sterilized jars or refrigerate in an air-tight container if making a smaller batch.

With a thick consistency, a sweet taste and a peppery bite this homemade ketchup was full of delicious, tangy flavor. A little bit darker in color than our usual brand of store-bought ketchup, the best way to describe the difference between these versions is to compare them side by side.

The store-bought ketchup was not as sweet and it tasted tinny like canned tomatoes with a mineral undertone. The homemade ketchup was sweeter, brighter, and more evenly balanced in flavor. The store-bought version was candy-apple red in color and smoother in consistency. The homemade version, although not thin, was more sauce-like in texture, similar to a steak sauce or a barbeque sauce, and slightly more opaque. The last defining difference between the two was the spice factor, which of course was the unique ingredient in the homemade version.

Interestingly, the store-bought ketchup contained very similar ingredients to the homemade version… organic tomato concentrate, organic sugar, organic vinegar, salt, organic spices, and organic onion powder – not too different from the ingredients we used. But like anything made from scratch in small batches, as opposed to something made en masse in a factory, you can’t beat fresh, homemade, whole-food flavor.

You might suspect that ketchup would have an origin story that begins in Italy, given the country’s love of homegrown tomatoes and homemade sauce. But actually, ketchup is steeped in centuries of Chinese food culture and dates all the way back to the 1700s when it was first used as a way to ferment and preserve fish. At that point in time, there were no tomatoes involved and it was not red in color. It was thin and watery and looked more like soy sauce. It wasn’t until the early 1800s in America that tomatoes in ketchup made their debut.

Henry John Heinz

Henry John Heinz (1844-1919) made ketchup a famous American condiment in the 1870s after years spent first experimenting with horseradish. By the 1960s, when this Spicy Tomato Ketchup recipe was published in The New York Times Cook Book, Heinz Ketchup was a worldwide favorite bringing in over $300 million dollars a year in global sales.

1960s advertisement for Heinz Ketchup

It’s interesting to think that in the dawn of convenience foods (aka the mid-20th century), when saving time in the kitchen was important to busy families, and the exciting novelty of pre-packaged foods was all the rage, that Craig Claiborne was still interested in adding a homemade ketchup recipe to his cookbook. When 1960s home cooks could have easily run out and purchased an already prepared bottle of trusted, reliable Heinz Ketchup and called the day done for a lot less time and expense, it’s interesting that the New York Times treated this ordinary, taken-for-granted, always-around condiment with a little more reverence.

In preparing this recipe, I now understand that ketchup is an elevated culinary sauce, perfected over centuries. It’s not just something you slather on your burger or your hot dog or dip your french fries into without thinking. It shouldn’t be something you buy in bulk at the grocery store with the same level of enthusiasm as buying a roll of paper towels. Homemade ketchup requires time and a unique blend of ingredients to bring out all the flavors. It’s a condiment worthy of attention and of appreciation. When it is homemade, it offers a gourmet flourish to your summer grill menu and adds a bit of zesty flavor to your palate and your plate. There is also something freeing about knowing that, should we ever run across The Great Tomato Ketchup Shortage of 2021 again, we could easily whip up a batch ourselves if we needed to. I guess this means that I need to learn how to can. So that I can go ahead and make those eight pints and have a reserve in my pantry. This homemade recipe will spoil you in that way. It will turn your attention away from all those other commercial ketchups. There is truth in the saying. Yes, homemade ketchup tastes better than a store-bought version.

I hope you love this ketchup recipe just as much. As always, if you make it please share your thoughts in the comment section below. And if you’d like to experiment with another homemade condiment, try this wonderful Danish mustard recipe here.

Cheers to Craig, Eleanor and tomato growers all over the globe for adding so much flavor to our summer days.

Growing A Fragrant Year: Violas For March and Part of April

{A Fragrant Year is an ongoing series shared throughout 2024 highlighting twelve fragrant plants, trees, flowers, shrubs and herbs added to the New England garden landscape, month by month, surrounding a house built in 1750. This series was inspired by the 1967 garden book, The Fragrant Year by Helen Van Pelt Wilson and Leonie Bell. If you are new to the blog, catch up with our first introductory post here.}

March blew into the kitchen in a flurry of raindrops, wind chills and the occasional threat of one more snowstorm. My favorite local nursery didn’t open for the season until mid-month, and as we are quickly learning, not much happens in New England on any sort of instant gardening level until the beginning of April. So this month, there will be two fragrant garden posts – one for March and then the other for April so that we can keep on track for a full year of fragrant gardening month by month.

When our local garden nursery did open its doors for the season, a much-anticipated event in my world, a sea of pastel colors unfolded rack by rack, tray by tray, row by row. Aside from all that lovely Easter egg-shaded splendor, the thing that immediately greeted everyone at the door was the unexpected scent of warm honeycomb. This was not a fragrance brought on by bees zipping in and out of the flower pallets nor by close-by hives where they like to linger. This was the scent of violas, our featured fragrant flower for the month of March and part of April.

Dainty and delicate, a smaller but more robust version of their bigger blossomed offspring, the pansies, violas have always been a flower I passed by in previous years because of their size and what I thought was a sort of a hum-drum, everyday ordinariness. But when seeing them altogether, in masses of bright purples, oranges, lavender blues, crimson reds, lemon yellows and perfect whites they were a bright sight for winter-weary eyes. I also never realized what an incredible fragrance they carry, but after reading all about them in Helen and Leonie’s book, The Fragrant Year they were definitely worth a second look. “The fragrance reaches out to snare you into stopping, marveling, ” wrote Helen and Leonie back in 1967. Indeed.

Technically considered an herb, violas are the parent plant of pansies, and though while smaller in size, will put out more buds and blooms in the late winter/early spring months than pansies. They are also a heartier plant that is able to withstand freezing temperatures and snowy landscapes, an ideal match for our New England climate, but also for other areas around the country that experience cool weather temperatures during springtime too. Ideal temperatures for growing these ladies are 40 degrees at night and 60-70 degrees during the day.

“The end of the growing season is the beginning for violas since short cool days are needed to trigger bud formation,” write Helen and Leonie. That means that when you plant violas, you actually encourage two growing seasons from them each year – one in fall and one in spring. And since they come in an array of colors beyond the most traditional (lavender), they can complement most garden palettes. Here are just a few color choices within the viola family…

First discovered in the Pyrenees, violas have been part of kitchen gardens for centuries. Used in making tea, wine, and liqueurs, they are also members of the edible flowers club. Not only do they add an interesting slightly sweet flavor to salads, cheese, butter and desserts but they also add beauty and color to the plate as well. And their contributions to everyday life just don’t stop at the kitchen either. Throughout history, violas have also been used in making perfume and medicinal salves since they contain both anti-inflammatory and anti-bacterial properties. These flowers might be mini in size but they certainly are mighty when it comes to usefulness.

Viola cornuta circa 1830

I came home with a variety called Penny Lane (a hybrid of the Viola cornuta family) which comes in a mix of shades ranging from deep red to white and yellow. The more you plant, the greater the scent of course, but it’s amazing to think that even one small plant can carry what seems like an entire perfume factory in just a few petals.

We have French botanist, Rene Louiche Desfontaines (1750-1833) to thank for describing and naming this variety of viola. He did this in the late 1700s, which makes them a very age-appropriate choice for 1750 House. That was an unexpected surprise learned after I brought the Penny Lanes home, but now that they are firmly nestled under a crab apple tree, tucked in between woodland border beds of daylilies and foxglove starts from last year (see more of those below) they seem quite fitting.

My eight plants might not be much of an exuberant site at the moment, but one of the fun things about violas is their ability to self-seed on their own. In theory, fingers crossed, in the next couple of years, we’ll see violas popping up all over the woodland areas surrounding this small bed that will add color, interest and most importantly, fragrance to the early spring and late autumn landscape. We’ll catch up with them again in fall to see how this set is doing and to see how much they’ve grown over the course of the next seven months.

Meanwhile, here are some other sights and updates from the greenhouse diaries of March and part of April 2024…

New pathways around the greenhouse and the yard are underway. We’ve lined each one with a wattle border using invasive vines cut down from the woodlands that were taking over some of the tree canopies. Landscaping bushes, a short fence around the greenhouse, and more planting beds are coming soon to that area.

Do you remember the first planting of the foxglove seedlings from last year? This is them now after being planted in the garden last May. The one thing that is difficult to find online these days is a visual example of what foxglove, started from seed, should look like year one just as a green plant before it flowers in year two. There are plenty of photographs that show foxglove fully flowered out in year two but none taht I could find at least of how the plants should look in their first year. I’m so happy to share these photos because hopefully it will become a helpful reference for other gardeners too. As I discovered, year one foxglove plants (leaves only) are beautiful.

In the first year, they grow to about the size of a large head of lettuce and stay green year-round including during the winter – even in below-freezing temperatures and snow. We planted ours on the edge of the woods in an area that we will continue adding to year after year, so that eventually the woodlands bordering the edge of the yard will be lush and green and full of foxglove. Much prettier than looking at bare patches of dirt.

The collard greens and the peas have been planted in their springtime beds…

The pea patch also increased in size to three 8 foot rows. The more peas the better.

And the brocolli is now 12″ inches tall. The beets greens are growing.The kale is just right at 6″ inches now and Liz has a lemon with triplets on the way.

Broccoli!

Beets!

Kale

Liz Lemon!

An industrious pair of black-capped chickadees pecked their way through a post on the back porch of 1750 House. What’s particularly fascinating is that this post is not made of wood but of a plastic composite that holds up one corner of the 1990s addition. The post will eventually get replaced with real wood, but for now, the chickadees seem more than happy to call it home. And we are more than happy to have these cute little songbirds as neighbors. Not only do they sing their way through the day but they also feast on a host of insects that can be problematic in the garden including the dreaded scale bug, which we had troubles with last year.

And just in time for publication of this post, something arrived in the mail…

Could it be the witch hazel from February’s Fragrant Garden post?! Stay tuned for the second half of April’s Fragrant Garden series coming soon. In the meantime, cheers to the cheerful viola. Happy Spring!

A Monumental Story of Real-Life Serendipity Told Over Many Parts: Chapter 5 – The Lost Item is Revealed

{Spoiler Alert: This is the final installment in a series of blog posts detailing the real-life story of a 100-year-old item that was lost in 2008 and how it found its way home in 2024. Follow along from the beginning of this story at Chapter 1: It Arrives.}

There’s a quote by an unknown writer that states… “What’s meant for you will never miss you, and that which misses you was never meant for you.” This quote sits on the shop’s recently sold page, acting as a sort of hopeful reassurance to any shopper who winds up there only to discover that an item that had originally caught their eye has sold to someone else. It can be so disappointing to be confronted with the fact that some newly discovered treasure that immediately captured your heart is now in another’s hands. But I love the idea of fate and what it suggests in this quote. Should an item be destined to be in your life it will present itself again, some other day, some other time.

Over the past few years, I’ve thought a lot about this quote. The idea that something will return to you if it was meant to be is such a comfort. When I think about it in the context of the lost item, I see how truthful the quote really is and how incredible the spontaneity of the universe and fate’s voice in it really are. As discussed in Chapter 4 of A Monumental Story of Real-Life Serendipity Told Over Many Parts, this journey of the lost item is all about timing, and I can’t help but think that although it took sixteen years for a lost item to get back to the people it belonged to, it came home at the most appropriate time. Like it was waiting all those years for just the right moment to reconnect with family, and in turn to reconnect with history.

Everyone has waited long enough to hear what this mystery item is, so I won’t prolong it anymore, only to say that upon the reveal of the item, all the dots that were laid out in the first four chapters of this story will be connected here in this post. So keep reading if you want to learn how it all unfurled from start to finish.

Just to recap quickly from Chapter 4, where the lost item was journeying to its final destination, these are the things that we know so far about the lost item…

  1. The lost item is over 100 years old.
  2. The item was left behind at an office supply store in a suburb of Atlanta GA in 2008.
  3. A random stranger named Angela discovered the item and tried to track down it’s original owner. For thirteen years her search was unsuccessful.
  4. In 2021, with the help of a Facebook group, Angela was able to connect the lost item to the Vintage Kitchen via a blog post that was written in 2018.
  5. In July 2021, after confirming that the Vintage Kitchen was indeed connected to the lost item, it was mailed via UPS to ITVK in a cardboard envelope.
  6. Although the Vintage Kitchen is connected to the lost item, it does not belong here in the Vintage Kitchen.
  7. In January 2024, the lost item made its way home to its final destination via a journey that involved a plane, three cars, and one boat.
  8. The journey of the lost item took 16 years and 6,500 miles to complete.
  9. Time played a major role in the story of the lost item.

Without further ado, the mystery item that arrived in the Vintage Kitchen in July 2021 was packaged in this cardboard envelope of medium thickness….

This is the cardboard envelope of medium thickness containing the mystery item when it first arrived in the Vintage Kitchen in July 2021. For privacy purposes, pink marks cover the addresses of the sender and recipient.

Still in its same envelope in January 2024, it is time to reveal the mystery item…

The mystery item envelope as photoed in January 2024

Tucked inside the cardboard envelope is a plastic, turquoise-colored binder. The binder itself is not the lost item, but what’s inside the binder is. A turn of the cover reveals history from 100 years ago…

The binder holds fifteen pages of 1920s-era black-and-white photographs containing various scenes of rural family life in a country setting. Consisting of forty-seven individual images in total, the photographs were taped, or in some cases pasted, onto standard white copy paper and then slipped into plastic sleeves and secured in a three-ring binder.

The turquoise binder was clearly a modern addition, but the photographs themselves are originals. It’s easy to see that the photos had been removed at one point in time from a more traditional photo album. Black pieces of paper are attached to some edges, old tape clings to corners and remnants of prior placement in a black-paged photo album are evident.

Handwritten notes are included next to most of the photographs identifying first names, town names, a date, or a general situation, like the one above that says Bud, Florence & Ken out camping. But none of the notes include references to a specific state, country, legible last name or any major scenic sites. Flipping through the pages reveal more photos of babies, dogs, cars, cats. There are houses and train tracks, rolling hills and weathered wood. There are women on horseback, men in overalls, girls in summer dresses, boys hunting in the snow.

There are blurry candid shots and more formal, posed group shots. Several faces reappear in different settings. A building evolves in various stages of construction. There are men in fedora hats and women in fur coats. There’s a foal and a waterfall. A travel trailer. A canoe. A swing hanging from a laundry line. There’s a baby in a bath bucket and a woman sitting on the hood of a car.

All the photographs were taken outdoors and feature different seasons. Many photos feature one specific man in particular. A man in overalls. That’s him in the center of the photo below.

Page after page, faces unfold.

People are named Al… Bill… Bessie… Bud… Merwyn… Lou…Florence. Towns are labeled Garrison and Philipsburg. One photo refers to the “Minnesota Relatives.” A dog is named Laddie Boy.

The lost item is a one-hundred-year-old photo collection of a mystery family in a mystery location. Who are these people and how are they are connected to the Vintage Kitchen? Keep reading for the whole story from start to finish.

Back in 2008, when Angela discovered this photo album that had been left behind at the Staples where she was working in suburban Atlanta, there was no way to track down who it belonged to. It had been left at the self-serve copy area and contained no other information as to where it came from or who brought it in. There was no in-store job ticket attached to it. No Staples order form. No receipt dangling from an interior page. There was just the binder – plastic, turquoise, holding onto fifteen pages of 100-year-old photographs.

Angela at Staples in 2008. Learn more about her in Chapter 2.

Knowing how sentimental old photographs can be, Angela kept the binder in the back room of Staples for safekeeping in hopes that someone would realize that they’d forgotten it and come right back for it. Days, weeks, months went by. The binder sat unclaimed on the shelf in the back room. Periodically during that first year, Angela would thumb through the photos and try to connect one of the handwritten first names to a customer list in the Staples database.

Bill, Florence, Bud, Al are pretty common names throughout the country, but particularly in the South. Searching by first name alone turned out to be a fruitless task. With no legible last names to search, no specific city and state location to pinpoint on a map, and no understanding of the context of the collection as a whole, Angela had no clear-cut way to track down the owner of the left-behind photographs using just the minimal information offered in the handwritten notes. Her only hope was that owner would return to the store to claim the binder. A year went by. A clean-up and reorganization of the back room was issued by Staples management. Angela, concerned that the binder might be misplaced or tossed into the trash during the reorganization took it home so that she could continue to search for its owner.

One year stretched into five years and then into ten and still Angela was no closer to finding out who might have left the photographs behind. Although the story of the turquoise binder didn’t change much in that decade, Angela’s life changed quite a bit. She got married and had a baby. And then she had another baby and another one after that. In that decade, she went from being a single girl working at Staples to a mom with a family of five to care for. By her side through all those life changes was the lost item. In close reach always, in case an important clue or a new lead might reveal itself, the binder became a part of Angela’s life, a puzzling research project that she returned to again and again.

Meanwhile, in another southern state, while Angela was busy raising her family and trying to solve the mystery of the binder filled with photographs, I was busy writing about history, antiques, and vintage recipes. In March 2018, I wrote a blog post, sharing a recipe that had long been a part of springtime/Eastertime menus for generations of my family. The recipe was for Rhubarb Custard Pie – a seasonal dessert that combines Betty Crocker’s 1950s rhubarb custard filling recipe with my Great-Grandpa Bacon’s homemade pie crust recipe.

Rhubarb Custard Pie – a family tradition every spring.

In the post, in addition to the recipe, I shared the story of Great-Grandpa Bacon and his wife, Dolly, who lived in rural Montana during the early to late 20th century. Married in their early 20s, Bacon worked for the Northern Pacific Railroad, a job that took him and his new bride to two rural areas in Montana – Goldcreek and Philipsburg. It was a brave and adventurous new life for them, started at a time when Montana, still young and precarious itself, saw its most difficult years in history.

Montana Homestead Poster circa 1914. Read more about the challenges of Montana homesteading here.

Challenges stemming from WWI, the over-grazing of prairies during the homestead boom, and the subsequent agricultural decline coupled with the wild, unmanaged landscape, towns located few and far between, and the tricky navigation of the unfamiliar ins and outs of remote living, made Bacon and Dolly’s decision to build a life in rural Montana all the more courageous. Dolly was born and raised in Seattle, and Bacon was from St. Paul, MN, both sizeable cities with over hundreds of thousands of residents in the early 19th century. Their new Montana life would take them to communities with populations of less than 2000 people where they had to rely on their own wit and willpower to survive.

Dolly & Bacon’s wedding portrait, 1920

Along with the recipe, in the blog post, I detailed Dolly and Bacon’s unusual life in Big Sky Country. I didn’t have any photos of them depicting their early years in Montana, so to help visually tell their story I added a lot of research about what was happening in the state in the 1920s when Dolly and Bacon moved there. I also shared the family story about how Dolly and Bacon’s first house, after they were married, was two railcars gifted to them by Northern Pacific Railroad. A gesture offered by the company so that Dolly and Bacon could immediately set up homekeeping in their new surroundings.

A 1930s era Northern Pacific Railroad poster in Chapter 3 was a big clue about the location of the story.

Definitely an unusual start to their marriage, Bacon and Dolly thrived in Montana and embraced everything about their rural railroad life. Bacon worked as a train depot clerk in Goldcreek and then as a conductor on a transportation line for livestock and mining equipment in Philipsburg.

Now an abandoned track these are recent photos of the train line running through Philipsburg with views that Dolly and Bacon would have seen on a daily basis. Photos courtesy of D & D Travel.

Dolly set up house in the railcars, learned to bake bread, and wrote poetry. They had three babies, two girls and a boy. They built a house and a garden near the tracks where Bacon worked. They hiked in the hills, fished in the streams, and ate fresh-caught trout for breakfast, Dolly’s bread for lunch and Bacon’s homemade pies for dessert. They fell deeply in love with each other, with Montana, and with the life that they made. For fifty-five years, Dolly and Bacon called Montana home, never imagining living somewhere else than the paradise that surrounded them. In 1975, Bacon passed away from a heart attack at the age of 78. Dolly followed five years later in 1980 at the age of 82. They are buried next to each other in the local cemetery in Philipsburg. Even in death their hearts never left the place that they loved.

Bacon & Dolly Day in Montana circa 1950s/1960s

The rhubarb custard pie recipe received some interest from readers, but not nearly as much as the story of Bacon and Dolly. In 2018, their photo above became one of the most favorited of the year on our Vintage Kitchen social media accounts.

In 2021, Angela still searching for some helpful snippet of information that might lead her to the original owner of the binder, decided to contact a Facebook group that specialized in old-fashioned handwriting. She thought that they might be able to help decode some of the hard-to-read words that accompanied a few of the photos.

The Facebook group was more than happy to help. Within a quick amount of time, they connected words from the handwritten notes in the photo album to words and phrases found online in my blog post about rhubarb custard pie. Bac, Philipsburg, train depot, lived in boxcars, and finally the clincher… Dolly Day… lept out at the group. All threads strong enough to cause Angela to reach out to the Vintage Kitchen via the blog, she sent an email to see if the photos might be connected to the recipe and to the story of Bacon and Dolly. Along with her inquiry, she sent some photos from the binder, this one included…

When I opened Angela’s email, I was greeted by a photo of Bacon himself. In his younger years. In his beloved overalls. In his rural Montana. With Dolly by his side. And just like that, after 13 years of Angela’s diligence, time, and attention to finding the owner of the lost item, her inquiry was confirmed. Yes, indeed the photos were a part of the Vintage Kitchen – firmly rooted to the rhubarb custard pie recipe and to the Montana life of Bacon and Dolly Day.

A windfall for a genealogy lover like me, it was incredible to see personal photographs of someone I had heard about but never met, wrote about couldn’t completely visualize, and whose recipe was in constant use in my kitchen. When the turquoise binder arrived in the mail, Dolly, Bacon and their Montana life lept off the pages.

Suddenly the photo album made all sorts of sense. The woman on the horse? That was Dolly. The two men holding babies? That was Bacon and his twin brother Willis, who in turn, were holding their babies, Dolores and Willis Jr., both born in the same year (1922). The house with the long angle? That was the train depot in Philipsburg where Bacon worked.

The waterfall is part of Skalkaho Pass, a point of interest In southwestern Montana that was mentioned in the photo album but misspelled. The building with everyone hanging out the window? That was the first house that Dolly and Bacon built from scratch with their own hands. The car with the motor home attached? That’s how Bacon and Dolly went camping. And the “Minnesota Relatives?” Those were Bacon’s brothers and sisters and their families visiting from Bacon’s home state.

Bacon and Dolly’s life unfolded in the photos page by page. Every family story known about them as a couple, their kids and their unique life in Montana was now here in visual format offering new insight into them and their experiences. In 2018 when I wrote the rhubarb pie post, I had only the one photograph of Dolly and Bacon in their senior years to share. Now, there are forty-seven more.

As I stated from the beginning of this story, the Vintage Kitchen is connected to the lost photos, but they don’t belong here. I wasn’t the one who pulled them from the pages of an old black photo album. I didn’t compile them in the turquoise binder. Nor was I the one to leave them in the suburban Atlanta Staples in 2008. Technically, Great-Grandpa Bacon and Great-Grandma Dolly aren’t even related to me.

Bacon and Dolly are the grandparents of my mom’s first husband. My brother, sister and I have the same mom but different dads. Bacon and Dolly are part of my brother and sister’s paternal ancestry line which is made up of Midwest and Pacific Northwest roots.

Both my brother and sister have memories of Dolly and Bacon and they both share a special affinity for Montana. Knowing that they would be so excited to learn about these never-before-seen photographs of their beloved great-grandparents, I couldn’t wait to share the story with them. I also couldn’t wait to share this whole story here on the blog too. Especially since I had already written about Bacon’s pie crust recipe. Had the family rhubarb pie recipe never been published, the Facebook group would never have found the Vintage Kitchen and Angela would never have contacted me, so it was very exciting to be able to continue telling the story of Bacon and Dolly here as well.

In the summer of 2021, when the photos arrived from Angela, the pandemic was still wreaking havoc on socialization plans. Although the idea of flying out to Seattle to meet my brother and sister was definitely the way I wanted to deliver the photos to them, I didn’t want to tie up this lovely gift from history wrapped in a case of Covid. So while waiting for the virus to calm down a bit, I decided to start telling the story on the blog. Since both my brother and sister read the blog, and since I didn’t want to spoil the ultimate surprise, I never mentioned anything to them about the photos or Angela or Montana. Hints in Chapters 1-4 of A Monumental Story of Real-Life Serendipity Told Over Many Parts were all filtered through a veil of mystery so that my brother and sister wouldn’t be able to guess that the lost item had anything to do with them.

Fast forward through 2021, 2022, and 2023. The timing never lined up quite right to fly out and finish the story. A six-month house hunt, the South to North move, and 1750 House renovations wound up delaying the surprise far longer than I ever anticipated. But if we’ve learned anything so far in all these chapters about the lost item, it’s that timing is everything to this story and in its weird and wonky way has linked all these people in all these places together at the most appropriate moments.

In January 2024, the right time presented itself. My niece was getting married in Seattle. A family wedding was the perfect occasion to share the story of the lost item and to finally deliver the 100-year-old photographs bound together in their plastic, turquoise bnder.

Before I left for Seattle, I had five copies made of one of the photos from the binder, so that I could frame them and give them to each of my nieces and my brother and sister. I chose a photograph of Bacon, newly married, age 24, where’s he looking straight at the camera. There are rolling hills in the background, part of a rustic building at his shoulder, a patch of corn growing next to a building behind him. He’s wearing his signature overalls. There’s a look of contentment on his face. A welcoming smile just about to bloom.

Lyle Bacon Day, Montana 1921

I had the photos reproduced at my local Staples, an homage to Angela and also to the lost item. While waiting in line to be helped, I glanced over at the self-serve copy area, at the bare tables next to each station, at the hard surfaces, sharp corners, and the utilitarian grey, beige, and black colors that covered that part of the store. I thought about the turquoise binder sitting by itself in such an environment. I thought about Dolly and Bacon tucked inside and how the environment of a modern-day Staples was so far removed from their wild Montana countryside, yet also had become such an integral part of this story.

Bacon and Dolly’s Montana circa 1920s

In 2018, going back and forth with Angela via text after the photos arrived in the Vintage Kitchen, I asked her what it felt like to put the binder in the mail after a 13-year journey with it. She admitted to tearing up a little. “I felt appreciated and blessed. To be able to provide so many people connected to this item with a sense of joy and happiness makes this such a special thing to be a part of.”

When it was my turn to be helped at the counter, the Staples employee was a bit flustered and explained that it had been a busy day and they were running behind with custom print jobs, so I’d have to leave my photo with them overnight and pick up the copies the next day. I hesitated. Bacon had come such a long way. His photograph was in my hand about to be given over. What if… I thought. What if something happens overnight at Staples. What if I never get the photo back. What if…

Clearly tired from her day, and sensing my hesitation, the Staples employee took the photo, popped it into an envelope, and attached it to a work order all in one quick motion while asking if she could help me with anything else. I wanted to tell her the story. The whole story. Starting all the way back at the beginning in 2008 with Angela in the Staples in Georgia. But the line behind me was long, and I got the sense I wasn’t speaking to someone like Angela who would care so wholeheartedly about old photos and lost items.

A detail had escaped my attention until the day before the wedding. It came in the form of my niece’s wedding ring. She designed it herself so that she could include a family heirloom in the setting that had been passed down on her side of the family for generations. The heirloom was a blue Montana sapphire. It had been mined from a local quarry near Philipsburg, Montana. The sapphire had been a gift from Bacon to his daughter, Florence on her 16th birthday in 1940..

Photos clockwise from left to right: Florence in Montana, about 10 years old circa 1934. A professional photograph of my niece’s Montana sapphire wedding ring. And a photo of her ring and wedding band taken at home after the wedding.

The day after the wedding, over trays of homemade enchilada casserole at my brother’s house, I shared the story of the lost item with my sister, brother, and nieces. I presented the turquoise binder and gave everyone their framed photographs. It was one of the loveliest family dinners I’ve ever had. We all marveled at the tenacity of Angela, the scenes of Montana spread around the table, and the good fortune that these photographs were not just thrown out in a dumpster sixteen years ago. My brother told me about a railroad key of Bacon’s that he had in storage and my sister told me about a booklet that she has of poems and musings about Montana written by Dolly. New story snippets and memories popped up in conversation as the photos floated around the table. My brother immediately called an aunt from that side of the family who lived in Atlanta to see if she was the one who left the binder at Staples. She was as surprised to hear about the story as we were and said she had no idea who the binder might have belonged to and how it would have wound up at Staples.

If you think about how fragile a paper photograph is, it’s easy to get quickly overwhelmed with scenarios that could have gone wrong in this story. They could have been destroyed a million different times in Montana alone over the course of a century. Not to mention the fact that they somehow made it to Atlanta. Then got lost. And then potentially could have been thrown out in the trash had kind-hearted Angela not cared enough to rescue them.

Something could have happened to them or to Angela in her thirteen years of time spent with them. Or something could have happened to them in the airplane when they were mailed to the Vintage Kitchen from Georgia or to the UPS truck that delivered them. Once, I received them, they became part of a big move, a typical life experience that often sees items get misplaced, lost or forgotten. And then for three years after that, they sat on a shelf of a 274-year-old house undergoing construction, room by room.

The view from the boat on the way to my brother’s house.

After that, they crossed the country again via plane, traveled in three different cars, and then on a boat to reach their final destination. Anything could have happened to the photographs in that timeframe by any sort of man-made or natural event experienced by any one of us involved. But it didn’t. Fate was on their side. All along, time took care of them, nurtured them. So that eventually, their story about time long ago was able to tell another story about time today. One generation growing from another.

Bacon with mare and foal. Montana circa 1920s.

On the airplane, coming back from the wedding I had to time to think about the whole story of the lost item from start to finish. Now knowing more about Bacon and Dolly, seeing their young lives evolve through photographs, I could see glimmers of their spirit in my brother and sister. The rugged, wild island where my brother lives, and that he absolutely loves, is his modern-day version of paradise just like Bacon’s wild, rugged Montana. My sister, our family’s star baker, is an incredible talent in the kitchen just like Dolly was with her bread and Bacon with his pies.

There is a lot to love about this story… the kindness of strangers, a lost item found, a family reconnected to its past, an heirloom saved from the brink of obscurity, an intimate look at a unique aspect of history, a mystery solved. But I think the thing that I love most is that ultimately, it was a simple, humble vintage recipe that connected all these threads and all these people.

The 2018 Rhubarb Custard Pie

I return again to the quote… “What’s meant for you will never miss you, and that which misses you was never meant for you.” It’s impossible to try to rationalize or explain the sheer amount of good fortune that these one hundred-year-old family photographs were graced with over the past sixteen years and beyond. I can’t logically detail why or how certain people came into the story when they did or why timing stretched out this love story long enough to finally be added to a new generation’s love story on their wedding weekend. All I can do is say thank you, to the universe, to fate, to Angela for clearly demonstrating that these photos were indeed meant to never miss us.

Cheers to Angela, a modern-day angel, for not only saving these photographs, but also for taking such tender care of them, and persistently working for over a decade to find their home. Cheers to Bacon and Dolly for continuing to be a source of interest and inspiration in our family and in our kitchens. And cheers to all you patient Vintage Kitchen blog readers who stuck with me through the lengthy and sporadic telling of this very long story.

There are only two questions left that still linger. How did the 100-year-old photographs taken in Montana that belong to a family in the Pacific Northwest wind up in a suburb of Atlanta, GA? And who wrote the notes next to each photograph?

Maybe there is still more to this story yet to come…

Growing a Fragrant Year: February’s Helpful Hazel and the Greenhouse Diaries

Witch hazel illustration by Leonie Bell circa 1960s

With a scent ranging from sweet yeasted bread to bubblegum, the centuries-old Hamamelis virginiana (aka the common witch hazel) kicks off Month #1 in this year’s Greenhouse Diaries series. In case you missed our introductory post last month, our theme for 2024 is a Fragrant Year, where we’ll be sharing twelve months of perfumed plants, flowers, and trees that have the power to add a calming, aromatic atmosphere to gardens big and small.

Inspired by the 1967 book, The Fragrant Year by Helen Van Pelt Wilson and Leonie Bell and their idea that planting a scented garden benefits not only one garden but many surrounding it, it’s an exciting project that I hope will bring some discussions and awareness about the power of plants and the perfume they provide.

Acting as guinea pigs and testing fields, the greenhouse and gardens of 1750 House are the experiment stations to see how Helen and Leonie’s suggestions work in our northern landscape. Although we are gardening in New England (Zone 6) and striving for a natural and historical outdoor environment appropriate to the history of the house, it’s my goal with this series to feature fragrant specimens that will grow in other parts of the country too, in case you are looking to augment your own green space with some pretty aromatics.

As I write this, the last of our 11″ inches of snow has just melted and signs of spring are stirring in the daffodils poking through in the front corner bed. Planted long before we ever moved in, I’ve come to rely on those flowers as little time clocks signaling that a new season is close at hand even though nighttime temps are still in the 20s and 30s. Spring, indeed, is happening. Soon.

In the beginning chapters of The Fragrant Year, Helen and Leonie write about the “optimistically planned” winter garden, which if done correctly should “offer us flowers with various shrubs to brighten the dull months.” One of their suggestions for wintertime color and scent is one of the oldest medicinal plants in the New World and a resident of the entire eastern half of the country from Canada to Florida.

Although technically considered a shrub or a small tree, when left to its own devices, common witch hazel can grow up to 30 feet tall, and is one of just a few plants that blooms in the dormant stages of winter. Brightening up the landscape with fringe-like ribbons of golden flowers, it adds bright color to the garden, shelter for birds, and a food source for winter pollinators like the dagger moth that shivers and shudders its way through the cold season.

The common witch hazel in winter. Photo courtesy of TN Nursery

Requiring moist soil, sun to partial shade, and an acidic to neutral PH level, witch hazel is an easy-going, practically carefree planting that grows one to two feet in height each year. Ideal for sunny spots, woodland edges or sloping hills where soil erosion is a concern, the helpful hazel compliments a variety of different landscapes in a variety of different states.

Last year, we had to make the tough decision to bring a tree service in to cut down two trees that were precariously leaning in the backyard. The salve for having to cut down two old trees was knowing that we would plant at least two new ones in their place.

February 2023 tree cutting

Surrounded by woodlands on two sides and facing a community garden in front, 1750 House is tucked in between acres of beautiful naturally-kept trees, including five elms and two cedars that are over 100 years old. While we have no shortage of very tall trees, we do have a bit of haphazard mid-range tree coverage that reflects over 270 years of garden endeavors executed by previous 1750 House residents. Privet, fruit trees, ornamental shrubs, wild natives, ornamental grasses and a few invasive species all compete for attention to the eye. We are on a mission to corral all these growers into a more cohesive vista so that they can work together to provide interesting layers at different heights to create a unique blend of shapes and colors throughout the year.

The appeal of planting a witch hazel shrub in the backyard is the pretty array of color it will add at eye level in the winter when most of the woodlands boast shades of grey, snowy whites, evergreen, berry reds and blacks. I also love the medicinal factor that witch hazel offers and the future opportunities it will bring later down the road to explore some homeopathic recipes.

Humphrey’s Witch Hazel Oil was made in New Hampshire in the 1870s. Image courtesy of the Boston Public Library.

Befitting a proper and useful kitchen garden of a house built in the 18th century, witch hazel in all its forms, from leaf to stem to flower, has been cultivated for hundreds of years for use in poultices, anti-inflammatory salves, and skincare maintenance. In New England, we have the area’s indigenous tribes to thank for teaching early settlers how to boil the bark for medicinal tinctures to heal coughs, colds, and inflammatory ailments. The leaves were used in wound care. The wood for making bows for hunting. By the 19th century, witch hazel became a key ingredient in the first mass-marketed skincare product – Pond’s Cold Cream – which debuted in 1846 under the name Golden Treasure.

Helen and Leonie offered another use too… clipping a few branches of witch hazel in winter and adding them to a vase along with some balsam sprigs for some invigorating indoor aromatherapy. Even though it can take up to six years for the first blooms of witch hazel to appear, I can already imagine such a bouquet.

Young fruit of the witch hazel shrub. Photo: Katja Schulz

While I have ordered plenty of garden seeds online before, ordering a shrub off the internet was an entirely new experience. As I learned, live agricultural specimens like this one are shipped in timing with the appropriate planting season. So the witch-hazel shrub I selected from Tenesssee won’t arrive until spring even though it was ordered in late winter. That’s a handy system that sets you up for success from the beginning.

So the first month of our Fragrant Year series starts off with a to-be continued. We’ll check back in on our witch hazel planting adventures in spring when the shrubling arrives. In the meantime, if anyone else has any experience working with witch hazel, your thoughts are greatly appreciated. Please share them in the comments section.

Cheers to Helen and Leonie for their advice on adding winter color to the landscape and for the aromatic start to showcasing historic plants in the gardens at 1750 House. Until next month, happy gardening.

Other sights from the February greenhouse…

Not to be upstaged by the witch hazel, and just in time for our first Fragrant Year post, Liz Lemon is blooming and filling the greenhouse with her lovely citrus scents.

New seedlings sprouted this month.

Italy’s Chicken Canzanese and The Family of Artists Behind The Recipe

It’s just the start of 2024, but here in the Vintage Kitchen, there is a finish line coming into view. This year we will be wrapping up a five-year project that first started here on the blog in 2020. I’m so happy to say welcome back to The International Vintage Recipe Tour.

international-vintage-recipe-tour

What started out as an intended year-long project of cooking 50 recipes from 45 different countries in 2020 has now taken five years to complete just to the halfway mark. A pandemic, a tornado, a big cross-country move and 1750 House renovations have waylaid plans far more than ever anticipated, but this project has always been such a joy I never wanted to not finish it. So here we are, at the start of 2024 finishing things up from 2020.

For a quick recap and for anyone new to the blog, The International Vintage Recipe Tour takes home cooks and readers on an around-the-world adventure via the kitchen, as we cook our way through a collection of recipes featured in the 1971 New York Times International Cookbook.

the-new-york-times-international-cook-book
The vintage 1971 cookbook that launched the Vintage Recipe Tour.

Throughout the Tour, we are visiting 45 countries via the kitchen and making at least one traditional heritage food from each, sharing both the recipe and the cooking experience here on the blog. To add context to the food we are making, and to spark some new conversations around the table, every visit to a new destination is paired with a unique cultural story from that country’s history.

So far we’ve visited twenty-four countries via the kitchen on this tour… Armenia, Australia, Austria, Barbados, Belgium, Brazil, Canada, Ceylon, China, Colombia, Cuba, Czechoslovakia, Dahomey, Denmark, England, Fiji, France, Germany, Greece, Haiti, Hungary, India, Indonesia, and Israel. It’s been a whirlwind of fun, friendship and delicious food.

Highlights from the Recipe Tour!

We chatted with an author and a food columnist via Armenia, met a descendant of the designer of the Statue of Liberty via Germany, and embraced our inner bula in Fiji. We discussed tropical architecture in Haiti, made floating paper lanterns to celebrate the Hungry Ghost Festival in China and donated funds from shop sales to help save the koalas injured in the Australian wildfires. We discussed women’s fashion in India, interviewed a Cuban-American farmer in Miami, and learned about a long-lost African-American dance in Dahomey. On the food front, we curried in Ceylon, baked Queen Mother’s Cake in Australia, made homemade mustard in Denmark, learned that not all fondue comes in a hot pot in Belgium, and took a much-needed virtual vacation to Corfu via Greece.

A visit to Corfu

Our latest stop on the tour was Israel, which lined up with the 2021 holiday season. To celebrate we made a Hannukah wreath, cooked two recipes for dinner, and dove into the history of both the Jewish flag and the Jewish star. Now, our next stop on the International Vintage Recipe Tour takes us to Italy, one of the most beloved cuisines in the world. Here we’ll make a provincial meal meant for sharing and meet an artist whose family recipes formed the basis of a life-long passion with food. Welcome to Italy.

It’s impossible to write about Italy without writing about family. And you can’t write about this recipe, Chicken Canzanese without writing about a specific family. Like France and China, Italy is one of the largest chapters in the New York Times International Cookbook. There are literally dozens of recipes to choose from, a switch from some countries that had less than a handful.

Besides the long wait to get the Tour started again, the hardest part about starting up again with Italy was which recipe to choose and which cultural treasure to spotlight. Contenders in that department were Stanley Tucci’s gorgeous Searching for Italy show, the multi-generational novel The Florios of Siciliy and the genealogy of the love apple (aka the tomato). There were all the pastas and all the sauces, lovely vegetable side dishes, and quite a few desserts to pick from, but the recipe that I kept coming back to was a one-pot chicken dish that was credited to an artist.

Last fall, while visiting a local bookshop, I discovered a bright yellow 1970s Italian cookbook. To my sheer delight and surprise, it was written by the same artist mentioned in the New York Times International Cookbook. A quick peek inside revealed the same exact recipe that was also featured in the NYTimes cookbook. The same recipe by one artist in two different books. It was a sign. This was the right Italian recipe for the Tour and the right time to tell a story about a creative spirit, who also happened to be an Italian cookbook author.

The artist is Edward Giobbi, a second-generation Italian-American born in Connecticut in 1926. Still painting today from his home studio in Katonah, New York, at the age of 98, Edward’s lived his entire life in pursuit of art and food. The book that made him well-known in the culinary world was his Italian Family Cookbook, first published in 1971. Selling over 30,000 copies by the 1980s, it offered home cooks a sincerity that resonated on multiple levels when it came to preparing economical and creative meals in true Italian style. The recipe featured here today, the one that appears not only in Edward’s cookbook but also in the New York Times International Cookbook, is his Chicken Canzanese, a slow-simmered one-pot made of chicken, herbs, wine, spices, and prosciutto.

A lovely selection for these end-of-winter days when the weather is jockeying back and forth between spring-like temps and snowstorms, this recipe is both light and hearty, depending on the sides that accompany it. It’s easy to prepare, has a warm, rich, earthy fragrance thanks to the prosciutto, garlic, and herbs, and can definitely be labeled a healthy comfort food since it contains no added fat.

The cooking prep is also interesting. There is a cold water brine, a unique set of flavor pairings, and a few very precisely measured spices… twelve peppercorns… six whole cloves… two sage leaves. I always find precise measurements like this fascinating. What was the process that a cook went through to determine that perfect balance of six versus seven cloves or nine versus twelve peppercorns? Would three sage leaves as opposed to two send the whole meal over the edge?

Edward Giobbi, tasting and testing in his kitchen circa 1971. Image courtesy of The News Messenger. Aug 12, 1971

As it turns out, Edward’s style of cooking and how he first learned it was based on quality but also frugality. Growing up during the Great Depression taught him and his family the value of growing your own food and utilizing agricultural resources close to home. Nutrition was key to keeping everyone healthy. Nothing was wasted or under-appreciated. Every bit of joy that you could scrape from an experience mattered. As an adult, Edward approached food in much the same way.

In the NYTimes cookbook, the recipe for Chicken Canzanese is simply attributed to Ed Giobbi, the artist. But in Edward’s cookbook, Italian Family Cooking, it’s attributed to Edward’s mother by way of a woman who lived in Canzano, in the Abruzzi region of Italy.

The Abruzzo region of Italy. Photo courtesy of iStock.

Located in the middle of the boot, Italy’s beautiful Abruzzi/Abruzzo region borders the Adriatic Sea and also the Apennines Mountains, both of which provide ample agricultural opportunity. Canzano is 105 miles east of Rome, and 230 miles southeast of Florence, and although geographically considered central Italy, the culture and food traditions of this area mirror that of Southern Italy.

Abruzzo, Italy. Photo: Sterlinglanier Lanier.

Full of food specialties ranging from provincial fish soups to local lamb dishes to plates of handmade pasta the traditional foods of Abruzzo favor both its maritime and mountain environs. Incidentally, this area of Italy is also known for a food often consumed at weddings here in the US. It’s the birthplace of the pastel-colored, candy-coated Jordan Almond, also called Italian Confetti locally.

All the pretty pastel shades of a Jordan Almond.

Edward’s parents immigrated to the US in the early 1900s first to Pennsylvania and then to Connecticut where they labored in factories and mills. Even though they both just had a third-grade level education, his parents had an appreciation for food, art and music which made a strong impression on Edward during his childhood. The Giobbi family kitchen would come alive at night and on weekends with the scents and flavors of his parent’s home country.

Life with Flowers. Edward Giobbi. 1958

Once he left home to pursue his art, his mom’s heirloom recipes became a vital part of the creative process as he perfected each one in his own kitchen, practicing them over and over again, until they met her standards and his memories. That dedication to good food and good eating, combined with artistic sojourns to stay with extended family in Italy sealed his love of cooking indelibly.

By the time Edward married and had his own family, preparing daily meals was a pleasure equal to painting. In his children, he instilled a similar joy. Art and cooking became a throughline that ran strong in the new generation of the Giobbi family members.

Apart from the myriad of wonderful traditional Italian recipes in Edward’s cookbook, the illustrations stand out with vibrant appeal and eye-catching charm. The art was executed not by a hired freelancer or a publishing industry dynamo. It wasn’t executed by a professional food photographer or a graphic design studio. Instead, the illustrations for his cookbook were illustrated by a collection of painters entirely new to the world – his children, Cham, Lisa and Gena who at the time ranged in age from six to nine.

Edward gave his kids no direction when he asked them to paint pictures for the cookbook other than to say “draw a fish, or a soup pot or a bottle of wine.” Each of his artists offered their own interpretation.

Whimsical and sweet, Edward Giobbi’s Italian Family Cookbook was indeed, in all ways, a family affair from kids to parents to extended relatives. It didn’t stop at this cookbook either. Edward went on to write another successful cookbook, Eat Right, Eat Well: The Italian Way (1985) and his band of illustrators grew up to pursue their own careers in art, dance, music and food science.

In keeping with the Giobbi clan’s combined love of the kitchen, nothing seems more fitting than presenting this recipe on a Sunday night when family dinner rules the kitchen in most Italian households. Named for the town in which it hails, Chicken Canzanese is a meal intended for communal family dining. Simple to make, it’s a two-step process that involves a one-hour wet brine and forty minutes of cooking time. True to Edward’s nature and his mother’s style of cooking, it’s made of simple ingredients and offers a bevy of creativity in the side dishes in which you choose to serve with it. More on those thoughts follow the recipe.

Edward Giobbi’s Chicken Canzanese

Serves 4

One 3 lb chicken, cut in pieces

2 sage leaves

2 bay leaves

1 clove garlic, sliced lengthwise

6 whole cloves

2 sprigs fresh rosemary or 1/2 teaspoon dried

12 peppercorns, crushed

1 hot red pepper, broken and seeded (optional) or 1 teaspoon dried red pepper flakes

1/4 lb prosciutto, sliced 1/2 inch thin or one 4oz package of pre-sliced prosciutto*

1/2 cup dry white wine

1/4 cup water

Salt for brine (see note)

Place the chicken pieces in a mixing bowl and add cold water to cover and salt to taste. *Note: I used a large mixing bowl and 1/8 cup of sea salt to 6 cups of water. Cover with plastic wrap and store in the fridge for 1 hour.

Drain the water and rinse the chicken pieces completely before patting dry with paper towels.

Arrange the chicken pieces in one layer in a skillet. Add the sage, bay leaves, garlic, whole cloves, rosemary, peppercorns and red pepper. Cut the prosciutto into small cubes and sprinkle it over the chicken. *Note: If using pre-sliced prosciutto, remove all the paper or plastic sheets between each slice. Stack the prosciutto one on top of the other, and cube the whole stack at once.

Add the wine and water. Do not add any additional salt, since the prosciutto will season the dish. Cover and simmer 40 minutes. Once the chicken has cooked to an internal temperature of at least 165 degrees. Uncover and cook briefly until the sauce is reduced slightly. Serve hot.

Rustic and earthy, Chicken Canzanese is tender and full of subtle flavors. The broth itself is fairly salty on its own thanks to the simmered prosciutto, but soak it up with a piece of crusty bread, and the briny flavor mellows. There were no serving suggestions mentioned in Edward’s recipe nor the NYTimes, but the broth would be lovely tossed in a warm bowl of pasta, spinach, peas, potatoes or mushrooms. If you are feeling decadent you could add a dash of cream to the broth to balance all the flavors. As Edward says in the introduction…”Cook the food in this book with a free hand, using your own creativity with the freshest ingredients you can get.”

Collected by museums and galleries around the world, throughout Edward’s long art career his style has varied…

Summer Shower, Pescara, Italy. Edward Giobbi. 1951

Dried Flowers #14. Edward Giobbi. 1999

Hanover, Triptych. Edward Giobbi. Exact date unknown – possibly 1970s.

He dislikes labels or being lumped into a certain type of painting, but he one thing Edward consistently strives for in his art instead is honesty. The same could be said for his cooking. All of his recipes are celebrations of local eating. They reflect riding the highs and lows of economy, of balancing cooking constraints with bounty, and the importance of identifying local resources. His recipes are interesting, creative, nourishing. They are of the earth and of the moment. I think that’s what makes Italian food so appealing. It’s a cuisine rooted in a waste-not culture that appreciates what’s right there in front – all the bounty that the earth can offer.

Fall Still Life- Edward Giobbi. Photo courtesy of Chroma Fine Art Gallery. Find out more about this painting here.

My favorite piece in Edward’s catalog of work is this one. I think it’s the most food and family-like of all his art. In my interpretation of it, I can see his whole entire world. His whole lineage in mixed media. There are blue fish in the sea at the bottom right. A mountainous landscape in the middle. There’s red for blood, life, wine and energy. I see flowers, woodland foraging, and garden soil. In my mind, that blob of brown represents all the possibilities that might grow from a simple swatch of ground. And the tree. The beautiful, exuberant tree surrounded by dots of confetti-like splatters and stars. That’s the Giobbi tree. The one that represents the vitality of nature, the sparkle of life, of wife, of children all rolled up in one. I could be reading too much into it. Maybe it’s just what the title says - Fall Still Life. Maybe it’s an autumn landscape in Canzano, Italy. Or a pairing of items Edward arranged in his home studio in Katonah, New York. Maybe it represents a lot more or even possibly a lot less. Or maybe… just maybe… it’s the word, the work, that Edward’s been striving for all along.. honesty.

Cheers to Edward for sharing his family’s Italian heritage with us here in America via books, art and storytelling. Cheers to his kids, Cham, Lisa and Gena for their fantastic illustrations. And finally, cheers to the unnamed woman in Canzano, who passed this recipe along. I wish we knew your name so we could credit you properly for the delicious dish.

If you’d like to catch up with the recipe tour from the very beginning days in 2020, start here or click on any of the country links mentioned above to visit those specific posts.

Next up on the International Vintage Recipe Tour, it’s a trip to Jamaica via the kitchen. Hope you’ll join us!

Welcome To A Fragrant Year: The Greenhouse Diaries Return for New Growing Adventures

The Greenhouse Diaries are back with new inspirations and a whole new year of growing adventures to explore and discover. Like last year, these new diary entries center around what can be grown in a petite 4×6 greenhouse in our four-season New England climate, but starting this month there is a brand new theme, different from last year, that is guiding our gardening goals in 2024.

Our mighty, mini greenhouse in 2023

Last year, our first year as greenhouse owners and New England residents, we focused on winter gardening from December through May and all the possibilities that a warm greenhouse could offer in a cold landscape. We drew inspiration from Katharine Sergeant Angell White, a lifelong lover of the natural world who also happened to be a marvelous writer, a founding editor of the New Yorker magazine, and the beloved wife of E.B White.

Katharine Sergeant Angell White (1892-1977)

Her 1977 book Onward & Upward in the Garden, featured a collection of horticultural essays that highlighted her ability to embrace challenges by finding joy and solace in the certain uncertainties. Something that all gardeners must face when it comes to designing a pleasing landscape, in Katharine’s case, it was the long Maine winters that were a struggle for her spirit which yearned to be out in the garden digging and clipping, pruning, and propagating. She also had much to say about the confusing advice of garden experts and her own thoughtful attempts of trying to create the garden of her dreams. Her writing was full of spirit, humor and opinion when it came to detailing plans, recommending books and seed catalogs, and offering advice on growing plants and flowers both indoors and out. She was inspiration enough for us to start experimenting with our first winter growing season. Cold weather aside, we had Katharine on our side, lending a unique empathy and encouragement that fueled our desire to get out and grow things regardless of the weather, our experience level or the unseasonability of what we most wanted to achieve.

Our plan last year was to get a head start on establishing garden beds for 1750 House, so we focused mainly on forcing seeds and plants to sprout, bud and bloom early. Using 33 different plants, flowers and herbs as trial-run guinea pigs, we accomplished our goals with a fair amount of success and a few setbacks as we tested the physical capabilities of the greenhouse and grew our garden knowledge.

A greenhouse success – the joy of growing collard greens in 2023

This time, a year wiser, we are reducing the number of overall plants in the greenhouse to just focus on the proven winners that grew well both in the greenhouse and in the garden beds last spring, summer and fall. And to keep things interesting, we are launching a new experiment. This year, we are leaving extra room in the greenhouse to try our hand at growing a new type of perennial garden for year-round enjoyment… a landscape full of plants, flowers and trees that carry a scent.

Marvelously scented magnolia blossoms dotted our landscape down South.

When we lived in the South, we were surrounded by a wide variety of aromatic flowers that made our time there all the more memorable because of the beautiful perfume that continuously lingered in the air. The scent of night-blooming gardenias and fragrant magnolias swirled around our dinner parties. The heat of summer brought heavy humidity but also the delicate, sweet aromas of climbing Carolina jessamine. Roses in every scent and shade toppled and tumbled over hedgerows and brick walls. It was a lovely layer of landscape design that I had never really thought about until we had experienced it firsthand. Of course, we won’t be able to recreate an exact aromatic Southern garden here in New England since it’s a very different climate from there to here, but there are plenty of other options in the Northeast to explore for similar effect thanks to our new inspiration.

Here to guide the 2024 Greenhouse Diaries in our aromatic endeavors is the 1967 book, The Fragrant Year by Helen Van Pelt Wilson and Leonie Bell. Month by month, in words and drawings this book details how to grow specific types of plants and flowers that will continuously unfold new scents in the garden season by season, even in the winter months.

Praised for being the first of its modern kind, The Fragrant Year was lauded both for its scope and its practical application, as well as its healthful benefits. In the opening chapter Helen writes… “if our gardens today were more often planned as fragrant retreats and our rooms were frequently perfumed with bowls of spicy pinks, bunches of aromatic herbs, vases of fragrant roses, and jars of potpourri, perhaps we would not have to depend so much on tranquilizers to hold us together in this frantic, fast-paced world.”

Helen wrote that in 1967 but it is still so applicable today. The world is still frantic and fast-paced. People still look to medicine to calm their nerves. But we think Helen’s theory is pretty wise – there is something much more natural, more gentle, more joyful in tackling frantic nerves and fast paces with this sort of approach instead. It is lovely to think that by selecting a few handfuls of scented botanicals and thoughtfully adding them to the landscape we might not only help create a more calm environment for ourselves but also for the community around us. Who knows what sort of impact that small gesture could have on a greater world.

Helen Van Pelt Wilson (1901-2003)

A prolific writer of gardening books throughout the 20th century, Helen was no stranger to the power of plants. Along with penning a newspaper column titled Our Gardens Within and Without during the 1920s and 1930s, she also wrote for all the well-known women’s magazines including House & Garden, Cosmopolitan, Better Homes & Gardens, and House Beautiful. In between all that she wrote/edited over fifty books on various gardening topics throughout her long and lengthy career.

The Courier Post – July 30th, 1935

Born in New Jersey, Helen spent the majority of her life in Philadelphia, PA and Westport, CT where she experimented with gardening projects of all sorts both indoors and out. Her most well-known book was one on caring for African violets published in the 1940s but she was a beloved and trusted authority on a variety of horticultural topics throughout her life. Working with Leonie on several different projects, it was in the 1950s that they learned they shared a mutual love of aromatic botanicals. Upon discovering this, the idea for The Fragrant Year was quick to spark but it took Helen and Leonie ten years of dedicated research and trial-and-error gardening experiments before their book was finally published.

Leonie Bell in the garden. Photograph courtesy of monticello.org by way of Rev. Douglas T. Seidel

Like Helen, Leonie Bell (1924-1996) lived and gardened in suburban Philadelphia. In addition to being a well-respected botanical illustrator, she was also known as a rose expert. Contributing her expertise to several rose garden books published during the 20th century, Leonie was often referred to as a rose genealogist since she had a knack for discovering/uncovering heirloom roses from the past that had been misnamed or believed to be no longer in existence. At one point, her own personal garden contained over 200 different types of roses, most of them old-fashioned heirloom varieties.

If you are ever in Virginia, you can see the impact Leonie made at the Leonie Bell Rose Garden at Thomas Jeffferson’s Tufton Farm, which features a tribute to both Leonie’s legacy and the history of North American rose breeding.

Much sought after in the world of botanical illustration, what’s interesting about Leonie’s art is that she was self-taught. Her intrinsic knowledge of the anatomy of plants combined with her studies at the School of Horticulture in Ambler, PA led her to closely look at botanical subjects from all angles. That well-rounded vantage point carried through to her drawings which shine with scientific detail but also personality.

Excited to share a year full of fragrance here on the blog, each month we’ll feature a new scented flower or plant recommended by Helen and Leonie and detail our gardening experiences as we incorporate twelve new aromatic additions into the landscape at 1750 House. Hopefully, you’ll find this information equally inspiring and insightful too. It would be lovely if we could all experience the calming nature of a scented garden together.

Our next Greenhouse Diaries post will introduce our first fragrant botanical, but in the meantime, here’s a quick update on improvements we made to the greenhouse over the summer and a current list of what’s growing in the greenhouse now…

January color in the greenhouse

Current Occupants

As of mid-January, the greenhouse is halfway full with overwintering geraniums, vinca vine, and dracaena spikes from the summer garden. Six different types of succulents, a coffee plant, a pineapple sage cutting from our summer plantings, and Liz Lemon (our six-year-old lemon tree) fill out the rest of the space alongside a batch of newly started seeds… collards, broccoli, beets and four different types of salad greens.

Winter Plastic Wrap

This isn’t a new improvement, but we are on Year No. 2 of dressing the greenhouse in a winter coat – aka wrapping it entirely in a layer of thick plastic – to keep the heat in and protect the plants from drafts during rain, sleet, and snowstorms. The plastic, a temporary solution for the coldest months gets removed in early spring, folded up, and stored in the basement. Once the temperatures drop below 45 in the fall, we put the plastic back on for the season. Aesthetically, it’s not the prettiest site but it gets the job done and keeps our overwintering plants and new seedlings happy and warm. We weren’t sure how the plastic was going to hold up from year to year, but so far it’s nice to see that it is still working just as well. To learn more about this winterization system, see last year’s post here.

Thanks to the plastic wrap, everything stayed warm and dry inside during our most recent January 2024 snowstorm.

New Electrical

Over the summer we added an electrical outlet inside the greenhouse and buried the wiring underground. This was a big (and much safer) improvement from running an extension cord across the yard between the greenhouse and the workshop, which is how we handled things last winter. This new addition is an outdoor-rated 110V 15 amp circuit box which is just what we need to power the heater and lights.

A New Heater

A new mini space heater replaced the tall radiator-style heater used last winter. This smaller size opens up more room to move around the greenhouse and fits nicely on a bottom shelf tucked out of the way when not in use. It has a safety feature that turns the heater off automatically if it tipples over or if any excess moisture drips inside. When the greenhouse reaches a certain temperature, it also automatically turns off to save energy and to keep the plants from overheating.

Normally the heater sits on the pea gravel floor of the greenhouse so that it efficiently heats all areas from bottom to top, but to photo it for this post I put it on one of the higher shelves for a better view. Please note: your greenhouse heater should never be this close to any plants as the proximity to the heat will cause the leaves to shrivel and could become a fire hazard. Any greenhouse heater should have a wide radius that is completely free and clear of other objects.

By using this smaller unit, we don’t have to run out and adjust the heat as the temperature changes over the course of the day, like we had to do last year. Also, we readjusted our required heat temperature in the greenhouse. Instead of keeping it in the mid-70s like last year, we lowered it to 55 degrees, in hopes that the cooler temp will keep spider mites at bay. We learned first-hand last winter how much they just adore a hot greenhouse. The new heater also blows warm air around the space instead of radiating it, so we have continual air movement swirling around inside this year, which I also hope will help with any pests. The final great benefit of this small little worker is that it has an additional fan option too, so in summer we’ll be able to grow our herbs inside the greenhouse without the temperature getting too hot or the air too stagnant.

New Lights

My most favorite new enhancement to the greenhouse came this fall when we added bulb lights to the interior roofline. The lights make it so much easier to work at night, especially in the winter when it can get dark as early as 3:30pm if we have an especially cloudy or rainy weather day. 

These bulb lights are a tad too big for the space, so they’ll be swapped out for something a bit more petite this spring, but we had these already on hand and wanted to make sure we liked the light idea before we committed to several sets. At night it looks especially festive. Once all the landscaping is in place around the greenhouse, it will provide a nice light source for outdoor dining during the warm weather days. By then we’ll be at least five months into the fragrant year and the garden will hopefully be on its way to becoming a perfumed paradise. Just dreaming about it now, I can see and smell the summer already.

If you’d like to catch up on the trials and tribulations of our first year of greenhouse gardening start at entry #1 here. Otherwise, it’s on to 2024 and all the delightful aromas that await each new season.

Cheers to ever-evolving garden adventures, to a scent-sational year ahead and to Helen and Leonie for inspiring this new set of diary entries centered around the life and times of one mighty but mini New England greenhouse.

A Monumental Story of Real-Life Serendipity Told Over Many Parts: Chapter 4 – One Last Journey

The view from seat 21A

{Spoiler Alert: This is a series of blog posts detailing the real-life story of a 100-year-old item that was lost over a decade ago and how it found its way home in 2024. Follow along from the beginning of this story at Chapter 1: It Arrives.}

This part of the lost item story is about numbers. Not numbers relating to complex math or phones or registry digits, but numbers that have to do with time and distance. So far, with the unfolding of each chapter of this Monumental Story of Real-Life Serendipity Told Over Many Parts, we have learned bits and pieces about the lost item and how it came to wind up in the hands of the Vintage Kitchen. We learned how it arrived, who sent it and what part of history it involves. But we haven’t yet discussed the numbers, and they are quite important to the overall timeline of this intriguing item. So let’s look…

  • 104 – that’s the age, in years, of the lost item
  • 6,544 is the number of miles the item has traveled
  • 7 is the number of states that the item has spent time in
  • 3 is the number of major life-altering world events that could have completely destroyed the item and any link to its history over the past 100 years (those being the Great Depression, World War II and the Covid pandemic)
  • 25 – that’s the number of people that are all connected to the item
  • 29 is the number of months it took for the Vintage Kitchen to arrange to get the item to the place where it belongs
At the airport

Transportation to its final destination was another set of numbers. That involved 3 cars, 1 plane, 1 bus and 1 boat. In its original cardboard mailer of medium thickness tucked inside a cloth shoulder bag, the item traveled in seat 21A on the plane and Lane 1 on the boat. This last round of Vintage Kitchen transporting from here to there required 5 different types of travel tickets, 1 Airbnb, 3 highway tolls, 2 parking garages, 1 security checkpoint and 1 wild landscape. But the most important set of numbers in this whole post are 2008 when it was lost and 2024 when it finally made its way home.

On the boat

On 01-02-24, after 29 months spent in the hands of the Vintage Kitchen and 13 years spent in the care of kind-hearted Angela, the item embarked on its final journey via car, plane, bus and boat. Four days later it found the place where it belonged. It finally found its home.

Which city was the item headed to? For all you armchair detectives out there, our final destination is included in the Departure board.

Time is a weird and wonky master. It controls, records, rewards everything in our lives. Whether it’s minute with the tick, tick, ticking of seconds slowly passing by or an expansive stretch of milestones that cast long shadows over the course of a lifetime, time is always there to mark the moment. In this case of the lost item, timing, like the cliche suggests, is everything. It’s numbers on a clock, numbers on a calendar and numbers in a family. Without time, this story wouldn’t have been as meaningful. Without a significant sets of numbers all related to time and to fate, this situation from history wouldn’t have been remarkable. It’s the numbers, the time, the distance traveled that make this story of the item lost and finally found, notable.

This is your last chance to guess what the mystery item might be. Feel free to speculate in the comments section below or send us a private message with your ideas. Join us next time for Chapter 5, where we reveal the mystery item and connect all the dots that complete this story from start to finish. We cannot wait to share the ending with you. Stay tuned.

Update!

Chapter 5 is now available. Continue reading here.

First glimpse of the final destination leading towards home.

A Monumental Story of Real-Life Serendipity Told Over Many Parts: Our 2021 Blog Series Is Finally Back with New Chapters

It’s been two years and five months since this story began unfolding on the blog. Back then, the blog series with the impossibly long title – A Monumental Story of Real-Life Serendipity Told Over Many Parts detailed, in installments, the story of a mysterious package that was sent by a random stranger to the Vintage Kitchen in the summer of 2021.

Inside the package was a valuable 100-year-old item that had been found in a Southern city suburb by the random stranger in 2008. The item was connected to the Vintage Kitchen but did not belong to the Vintage Kitchen.

In 2021, the story had been rolling out at a nice clip. There was one blog post a month – one chapter a month – dropping hints and clues as to what the package’s contents could be and how it came to be connected to the Vintage Kitchen. In addition to the hints, Chapter One, Chapter Two, and Chapter Three also included historical information surrounding the lost item’s importance.

Chapter 4 was next on the horizon with details of how the lost item would be transported to its final destination. Then the lingering pandemic stalled the publication of that post. Our move to New England prolonged it even further. But now the timing has lined back up again and we are back on track to finish this story and reveal the contents of the package in Chapters 4 & 5 coming to the blog this month. These last two chapters will officially wrap up the whole remarkable story of how a lost 100-year-old item finally found its way home after traveling through 13 years, four states and one century.

I realize that if you are a new reader to the blog this information is absolutely confusing. And perhaps, if you are a regular reader you might need a recap to remember what exactly this story was all about in the first place. Two and half years is a long time to keep a good mystery going so I’m including links to the first three blog posts below so that everyone can catch up before we continue on to Chapter 4, which I promise is coming in a few days (not years).

So here we are… links to each. Click on the photos or the highlighted chapter title links below and they will take you to the original posts laid out chapter by chapter.

Chapter One, titled It Arrives highlights the arrival of the mystery package and introduces some key information about the contents of the package.

Chapter Two, Meet Angela introduces the random stranger who sent the package to the Vintage Kitchen. It also highlights her research journey of how she wound up connecting the item to the Vintage Kitchen.

Chapter Three, The Time Period, highlights the era that surrounds the package’s contents – the 1920s and features several hidden clues as to what the mystery item might be.

Coming up next, it’s Chapter Four – One Last Journey – where transportation of the mystery item will be discussed as the item embarks on its final adventure to the place where it belongs.

While the story continues to unfold, there is still time to take a guess as to what the mystery item might be. Feel free to post your speculations in the comments section below. I can’t wait to share the rest of the story with you, so stay tuned for Chapter Four coming soon!