All That Was Learned in a Season of Herb Gardening

Adelma did not let us down. In her 1964 book, Herb Gardening in Five Seasons, she assured readers that certain types of herbs would grow in sun-dappled shade gardens. And she was not wrong. Herbs did grow. Flowers did form. And I did clip and cook my way through the summer. Just not quite in the way that I had anticipated.

If you are joining us for the first time, this post is part of a series started back in January 2025, about building an herb garden from scratch inspired by the horticultural wisdom of New England herbalist, Adelma Grenier Simmons (1903-1997). Catch up here for a proper introduction to Adelma and the inspiring gardens that she built at her Connecticut home, Caprilands over the course of the 20th century.

In January, when planning and preparations were underway for the start of our first-ever herb garden at 1750 House, I had visions. As I sketched out the location map of what herbs would go where and which companion plants would best be suited side-by-side, in my mind, the herb garden of summer 2025 would be eye-high. Right in step with the 5-foot tall foxglove success story of past gardening endeavors.

Foxgloves from the 2023 -2024 garden.

Emboldened by those towering giants of the woodlands that had been grown in the greenhouse from the smallest of seeds, I had visions that the herbs would grow equally tall. I had visions of their delicate petals swaying in the breeze. Of their foliage tinted in all the greens. I had visions that they’d make a home in and around the foxglove and create an undulating palette of soft colors. A cottage collection. A fully filled out bed.

The snow-covered greenhouse in January 2025

While the ground was still frozen and snow-covered, I could see a full garden, busy with birds and bees and butterflies floating here and there. I could see the feathery chervil, the wave of parsley, the white petaled chamomile, the flax, the forget-me-nots, the dill, the lavender, the calendula. When the garden was covered under an ice-slick snow sheet, and I was starting seeds indoors, I had visions of deep summer in the herb garden. Hazy light, hot temperatures, the greenhouse surrounded by a vibrant and verdant utopia racing skyward to meet its peaks. I could see the bee balm on the right, the nasturtiums climbing a trellis on the left, and the foxgloves trying to out-stretch them both. I could see the savory, the sage, the oregano, the thyme creeping and heaping their way around the garden floor. As I collected seed packets in my garden tote in the weak light of winter, I imagined, months later, collecting herbs in a kitchen basket slated for summer meals made possible by the summer garden.


Back in January, bundled up in sweaters and scarves, I could anticipate the warm-weather blog posts. The recording of each new herb as it is unfurled week by week, month by month, all summer long. The sharing of what things looked like, smelled like, tasted like. The chamomile, the dill, the calendula. The mint, the basil, the cumin, the thyme. The unfolding of each new flower, each new leaf, day by day. They’d be blog posts that would practically write themselves, not because of AI (something I never use here on the blog) but because the herbs made it easy under Adelma’s experienced guidance and thoughtful instruction. I had visions.

Wrapping up eight months of gardening experience in one blog post is a lot to ask of a reader’s attention. So, in order not to make this post eighty miles long, I’m going to truncate a lot of what happened during the growing season. This is not an attempt to skirt over the challenges, of which there were many, and only to shine light on the successes. But building an herb garden, as I have learned this summer, is a bit like watching a tree grow minute by minute. Not a lot happens. And to be completely honest, not a lot happened for months.

When the seedlings grew strong and hearty indoors all through cold, snowy, rainy February and March and April, I knew they were off to a good start. The calendula was spilling over the sides of the seed tray on one end, while chamomile was mounding so full and lush on the other end, it was difficult to see the individual cell blocks from which they sprouted.

Calendula and feverfew seedings

In May, everything headed out for planting. Optimism was high as all the seedlings were tucked into their pre-planned beds alongside their pre-planned companions. The summer garden visions were swirling with each dip of the spade into the soil. The cilantro next to the parsley, the flax next to the nasturtiums, the bergamot behind the feverfew, the oregano in front of the coleus, the echinacea before the fence. On and on, the digging and planting went all the way around the greenhouse. Three full sides layered in seedlings that would reach graduated heights of up to 5′ feet to match the foxglove. The shortest in front and the tallest in back.

Parsley seedlings adjusting to their new bed.


Once planted, every seedling got its own individually made wire cage for protection from rabbits, deer, squirrels, and other wild creatures that might find a newly planted herb garden especially enticing. For about a week, things were good. The herbs settled in and seemed to be happy in their new spots. The branches of the trees overhead were leafing out, and the sun was doing its dappled dance. The visions were coming to life.

Then the cold snap came. The weather turned wet and winter-like for weeks. Memorial Day weekend was rained out with a nor’easter, not bringing snow, but rain and high winds and 40 degree days. By Mid-June, I was still doing gardening chores wearing a wool turtleneck sweater and jeans.

Despite the unusually cool start to spring, the 22-foot tall Japanese maple unfolded in its normal fashion, but instead of last year’s canopy, it reached an extra 24″ inches in length this year. This sent branches half-way across the greenhouse on one side and further into the front yard on the other side.

This spring… the growth-spurt of the red japanese maple in the top left corner.

By July, a deep shade took over the whole left side of the greenhouse. The seedlings in that bed were the first to disappear. The nasturtiums, long and leggy already at just a month old, were eaten down to the ground in an afternoon’s timeframe. The cilantro, parsley, chives, and flax were next. All consumed by some mysterious creature, neither rabbit nor deer, but something smaller that could fit through the wire cages and snack away. My guess was that it was most likely the work of slugs, cut worms, and caterpillars who had made their presence known in other beds in years past, and who like to eat in the off hours when no one is watching. By the end of July, what was once a tender patch of steadily growing seedlings was now a framework of protective cages and bare dirt, with not an herb in sight.

Luckily though, as an experimental year, I planted herbs in several places around the garden, not just the greenhouse, so that we could see in which areas they grew best with varying lights of shade vs. sun. The reliable foxgloves in the front bed of the greenhouse grew to 5 feet and bloomed in shades of pink, purple, and white.

The foxglove seedlings in the back behind the greenhouse were squashed and trampled over by squirrels enroute to the birdfeeder and eventually were crushed to a papery pulp. The herbs on the right-hand side of the greenhouse (with lighter shade and much more sun-dappled conditions) fared far better but remained short and seedling size for months.

Although this photo above was taken in late June, the plants never really got much bigger than this over the next 60 days. Each formed their own little clump, but never branched out enough for one to meet the other, which was my initial idea in order to create a full garden. The mystery pest got the best of the herbs on the far edges of this bed too… the echinacea, the bergamot, the chives, and the chervil, but left the lemon balm, the oregano, and the feverfew alone. As an herb that symbolizes protection and new beginnings, I immediately loved the fortitude of the feverfew. Planted all around our pup Indie’s headstone, as a way to safeguard her spirit and to mark a new chapter, it was encouraging to see that it was now protecting the neighboring herbs too.

Feverfew

Every week, I kept waiting for something spectacular to happen: for something to catch a growth spurt and shoot up tall. But throughout the entire summer, all the seedlings that had been planted in early spring remained short and compact. Despite the organic compost laid in a thick blanket, despite the weekly waterings, and despite the regular fertilizer feedings, the herbs kept to a mercifully slow schedule. Meanwhile, the rest of the vegetable and flower gardens all around 1750 House flourished.

A small portion of the backyard vegetable garden in late July. This photo includes tomatoes, peppers, basil, corn, nasturtiums, winter squash, melons, beans, kale, artichokes, and collard greens.


In Adelma’s summer chapter of Herb Gardening in Five Seasons, she recommended two options in regard to feeding herbs: a commercially available (mid-20th century) fertilizer containing a 23-21-17 ratio and a homemade version of manure tea. While there are several horse and cow farms in our surrounding area, I have yet to see if any of these farms offer organic manure for sale, so I opted for the latter. The exact makeup of the commercial fertilizer that Adelma had recommended, is no longer available in that specific configuration anymore. I wound up making my own fertilizer combination comprised of organic seaweed, bone meal and banana peel water which was the closest I could get to mirroring her nitrogen-phosphorus-potassium ratio.

Lemon balm in early September

Finally, when the end of August approached, a growth spurt occurred. The herbs in the greenhouse bed started spreading out wide, but not high. The tallest herb was the lemon balm, measuring in at 5 1/2 inches in height, about 19″ inches shorter than what it should typically be. So you can see that things were not exactly ideal in this area of the garden, but they were at least improving slightly.

At the end of summer, the feverfew filled out and a perennial foam flower plant was added to replace the forget-me-nots.

Just as the lemon balm and feverfew started fluffing out, the tiniest of forget-me-nots bloomed. It was one single flower of dainty proportions and the the prettiest shade of blue, a color not that common in the garden beds here. As a spreading perennial, it was a hopeful sign that they were establishing themselves. That the herb garden might be turning a corner towards long-lasting success. The photo is not so great, but the flowers really were lovely.


Later in the week, bunnies ate the anemone. The mystery pest came back too and ate the forget-me-nots, flower and all, and then ate the bergamot for dessert.

As a true experimental garden, I didn’t interfere with any of the plants, but just observed their progress, keeping notes, and taking photos on what survived and what didn’t and in what location with what amount of sun. When I sketched out the garden in January, I paired all the seedlings with their most ideal companion plantings based on compatibility, size, structural composition, and color so that everything harmonized and flowed together. When companion planting, there’s the added benefit that these specific pairings “help” one another, whether it’s underground adding additional nutrition via their roots or above ground adding protection or distraction from various pests. This step of the planning process is pretty intensive because many things can’t be planted next to each for lots of varied reasons. Add in additional factors like water, soil, and sun requirements, and this placement-of-the-herbs exercise turns into a puzzle on paper best executed with a pencil and a sizable eraser. It took many days to get the garden plan correctly mapped out over winter. What I didn’t plan for though was Santiago.

Santiago, the twenty-one-year-old wonder cat this summer.

In early September, on a beautiful sunny Sunday, Santiago, our 21-year-old cat, said a peaceful goodbye to life at 1750 House. Maybe nature worked in our favor over the summer leading up to the moment when we laid Santi to rest in the spot in the greenhouse garden where the anemone once stood. It was an ideal new home for Santi. Near his favorite rock with the hollowed out middle that became his outdoor water bowl, it was also close to his pal, Indie, with full view of the bird feeder and the woodlands and all the wild creatures that sparked his curiosity each and every day since he arrived a southern cat in a northern land.

Back in January, penciled in around the anemone were pink and white echinacea, foxglove, lemon balm, parsley, mint, chives, and oregano. Now in reality, in September, Santiago’s inclusion in the garden inspired something different. A new vision. One that transformed this side of the greenhouse into a brand-new kind of garden altogether. Instead of an entire bed filled with herbs with a foxglove end cap, a new celebration garden was coming into light. One that represented joyful memories in the form of plants. One that captured the engaging spirits of our long friendships with a ten pound cat and the most enthusiastic pup on the planet. The foxglove, feverfew, and lemon balm will stay, but in place of adding other herbs, next spring, I’ll be adding flowers and shrubs suited to shade that carry reminders of Indie and Santiago. Instead of a bed for scented herbs, it will become a bed of sentiment, which is not unlike how colonial gardens were built in America in the first place.

Always a helper in the greenhouse.

Faced with not much time left in the growing season to start something new, the winter offers the opportunity to think about the perfect plant to represent Santiago, this marvelous little friend we’ve known for two decades. I don’t know quite yet what companion will join him, but I do know that it will be a dramatic standout flower amongst the herbs, just like Santiago was a dramatic standout kitty amongst cats.

Two ideas I’m considering at the moment… black peppermint and the black aeonium called Zwartkop, pictured above.

In the other experimental herb garden beds, challenges and triumphs ebbed and flowed with the swell of the season. The second location was a full-sun bed in the front yard that surrounds a 100-year-old maple tree.

The bed was vacant when we moved in, except for three clumps of rusty-red daylilies planted years ago by a previous owner.

The daylilies – a gardener’s joy at 1750 House from year’s past.

To celebrate the full sun location and to compliment the color palette of the daylilies, I planted the whole bed in shades of yellow and orange with a touch of pale pink. Calendula, yarrow, and blackberry lily seedlings were planted between coral bells, sweet potato vines, cosmos, and zinnias.

The calendula were the winners in this bed since they made it to full flower and kept flowering along with the cosmos and zinnia from June to November. The calendula formed little bushes of sticky leaves and multiple flower shoots. Had I planted about twice as many, they would have filled out all the bare spots in the bed completely. The yarrow and blackberry lily took the whole summer to establish themselves, but by September they both sported long leaves, so I’m hoping they’ll over winter with healthy vigor and really take off next year.

The third bed was also planted in full sun, but because of this year’s extending tree canopy, it turned out to be covered by partial shade once all the leaves unfurled in early summer. Since this bed, tends to dry out more quickly, it was the ideal spot for the Mediterranean herbs (lavender, rosemary, thyme, oregano, cumin, and sage) along with winter savory, dill, garlic, chamomile and one brussels sprout added for encouragement and nitrogen sharing. Most everything did well in this bed, except for the garlic which grew lovely, long green leaves but never formed actual bulbs, and the cumin which flopped over in the cold weather of spring and never really rallied after that. Like the greenhouse beds, everything planted here remained small and compact but looked healthy and happy. In August, the chamomile flowered for the first time, sending up two fragile little blossoms. Days later, in the early morning when I came out to water, all eight of the chamomile mounds and the dill were eaten down to nubs.

The last of the herb beds, located on the other end of the backyard from the greenhouse, contained basil and and another batch of nasturtiums. These beds were in partial shade last year, but turned out to be in full sun this year, due to a large tree that fell far back in the woods last autumn. That opened up a bit of a sun spot in the tree canopy overhead that was fortuitously in the direct path of our vegetable beds. Planting seedlings in spring when the trees were still bare, I had no idea this sun spot was going to be available, but it made it a banner year for everything growing in that section of the yard, basil included. Racing right alongside the pepper plants, the basil grew over two feet tall and produced leaves as big as my hand.

The nasturtiums, a reliable favorite for the past four years, thrived in the same way. Grown from seeds I collected from last year’s nasturtium harvest, this was the first time I had tried growing new flowers from the previous year’s stock, a recommendation from my fellow New England Instagram gardening friend, Karen. The vigor of the nasturtiums in this sunny bed, which bloomed and crawled for a full seven months, more than made up for the nasturtiums that were eaten by the mystery pest on the left side of the greenhouse in early spring.

This photo was taken early on in the season, but by October the nasturtiums were climbing all over the squash trellis, our lemon tree, the floxglove, the bush beans and the pea trellis

Their enthusiasm inspired more seed saving adventures. Not only from the nasturtiums again, but also from vegetables we grew this summer and from two native herbs, Joe Pye and Queen Anne’s Lace, collected from a neighborhood park. It’s going to be fun to see how (and if) these will grow here at 1750 House next spring.

Queen Anne’s Lace at our neighborhood park

A field of dreams… hundreds of Joe Pye not far from the Q.A. Lace

The final gardening trial in my experimental year involved starting four different types of herbs again in early September. This time, seeds were started in individual pots and in a raised bed, both placed in full sun locations in the back yard. I chose chervil, parsley, dill, and cilantro to experiment with since these are all cool weather lovers and since all four never made it to maturity in other in-ground areas of the garden. The chervil and parsley were planted separately in small pots, one plastic and one terracotta. The cilantro, dill, and a second batch of chervil were planted side by side in a raised bed that had previously been home to lettuce and mini melons, both of which thrived over the course of the summer.

Container experiment

I was interested to see if these containers and bins made a difference in the overall vigor of the plants and also interested to see what challenges might affect the herbs in this new arrangement. Within a week, all the herbs had sprouted from seed. The chervil in the garden pot made it to flowering stage, but still remained much shorter than its traditionally intended size. The parsley filled out its pot. The trio in the raised bed grew quickly too. All three spread out and up but the chervil and dill remained short and low. The cilantro grew taller and fanned out beautifully, like a bouquet. None of the herbs in the pots or the raised bed were affected by pests.

Raised bed with dill (left), chervil (center), and cilantro (right).

As of this first week in December… there are still green herbs in the garden: in every bed from the greenhouse to the front yard to the backyard. Already tucked in to their winter blankets (aka mounds of leaf mulch surrounding them but not covering them) they made it through their first snow/sleet/ice storm on Tuesday and look just as happy as they did on the days when the temperatures were 50 degrees and sunny. This makes me so hopeful that in starting an herb garden in 2025 with Adelma’s guidance, enough healthy groundwork has been laid for many of these herbs to overwinter and start anew again in 2026.


This experimental year proved to be so valuable in so many ways. Not only did I learn first-hand about the growing conditions for herbs at 1750 House, but I learned about how our landscape changes year by year. I learned that shade is good but sun is better. That parts of the garden need more protection from wildlife. That a sizable list of herbs will have a permanent home in the gardens here going forward. And I was reminded that gardening is a journey. That it takes not just one year, but many years and lots of patience and practice to establish a full, lush and vibrant herb garden.

This project also extended itself way beyond the landscape at 1750 House too. Throughout the course of the year, I connected with several new blog readers from around the globe who are also interested in herb gardening. I visited a very inspiring large-scale herb garden that’s about to celebrate its 30th birthday, and I received a lovely invitation to visit the Coventry Historical Society in Coventry, Connecticut, which houses a small collection of herbs from Adelma’s gardens along with some of her personal artifacts.

So while my winter time visions of early 2025 did not come to life in the exact way I thought they might, the herb garden bloomed in many other ways. Because this was just the starting point of what I hope will become a long-standing garden feature here at 1750 House, stories about Adelma and the herb garden adventures will be continuing on the blog throughout 2026 too. There’s so much more to discuss, including notes on caring for a batch of herbs that were brought indoors to overwinter, recipes from Adelma’s kitchen, a recipe for a homemade salve made from the calendula flowers that grew in the front bed, the neighborhood seed saving experiments, and features on both a trip to the Coventry Historical Society and the 30 year old herb garden. All these stories and more will be coming to the blog over the course of 2026.

In the meantime, our herbal education continues.

Cheers to Adelma for making this garden experience feel like a real experiment. Cheers to all the herbs for teaching us everything we needed to know when it comes to growing new life at 1750 House. And most importantly, cheers to Santiago, who gave us far more than just a mere 21 years together. Long live the garden you’ve inspired.

Mark Your Calendars: Our Annual 40% Off Sale is Sunday, November 2nd!

Autumn 2025 comes to 1750 House in a blanket of color.

It’s hard to believe that our annual once-a-year shop sale is just two weeks away, especially since our last blog post left off with baking bread in the middle of a summer heatwave. And yet, now here are, firmly swaddled in a blanket of autumn leaves with the woodpeckers performing their yearly tap tap tapping on the shingles of 1750 House reminding us that seasonal celebrations are close at hand. Lots has happened between now and that day in July when the kind bread was rising as high as the humidity and the garden was growing right along with the shop stories.

The lemon balm… one of our star growers in the herb garden this year.

I’m very excited to catch up, especially when it comes to hashing out the happenings of the herb garden and the triumphs and tragedies it endured over our experimental summer. But before we get to all that, I wanted to give everyone a quick calendar reminder in this post about the shop sale since it’s coming up right around the bend.

Two very exciting things are happening this year in regards to the sale. 2025 marks our 5th year of the sale, and it also happens to occur this year on the same day as daylight savings time, so you’ll be able to fall back and enjoy an extra hour of shopping should you so choose.

If you are a regular visitor to the shop, you’ll know that we adore a good floral and that the shop is forever covered in blooms no matter what the time of year. But when it comes to the change of seasons from summer to fall, the shop starts filling with heirlooms that embrace this cozy time of year by reflecting the colors in the landscape that help create autumn vibes in the kitchen and a beautiful feast for the Thanksgiving table. Whether its cookbooks, dishware, or decorative pieces, this year you’ll find some unique heirlooms that not only speak of history but of harvest time too…

If you are new to the All Souls Day sale, every year, November 2nd marks 40% off everything in the Vintage Kitchen shop for one day only. We call it the All Souls Day sale, not for the Catholic holiday that it shares the day with, but for the heirloom history that it encompasses.

All Souls Day is the only communal holiday in the calendar year that celebrates and remembers all deceased ancestors, and to us, that seems like the perfect time to celebrate vintage and antique heirlooms too. None of our shop items would be here today if they had not traveled through time, cherished and cared for in the hands of the people before us.

It’s up to the ITVK team to curate the shop, but the heirlooms do all of the storytelling. Each year, these heirlooms share new insights into the past that help shed light on things in the present. Since no two items in the shop are ever exactly alike, no sale from year to year is ever exactly the same either.

Just like the majority of one-of-a-kind heirlooms that can be found In The Vintage Kitchen, unique stories offer glimpses into culinary history and garden life that occurred decades ago or even centuries earlier. Hidden histories are everywhere and they tend to show up in ways that consistently surprise and delight. Just when you think a napkin is a napkin, a plate is a plate, a book is a book, a detail will jump out from in its history and take us on a marvelous trip through time to understand and explore other places and faces. These are some of the unique heirlooms you’ll find in this year’s sale…

A Rare Chesapeake & Ohio Railroad Luncheon Plate c. 1923

With its roots extending all the way back to canal transportation in the 1790s, the C&O Railroad has a long and winding history through the American landscape. Throughout most of its life, C&O trains hauled coal, agriculture, retail products, and travelers between Virginia, the Midwest, the Northeast, and parts of Canada up until the 1980s. In the 1920s, the decade in which this luncheon plate was made, the C & O trains looked like this…

Dining service aboard C&O started in 1899 and was only offered on their luxury lines. Signature menu items included shirred eggs, Saratoga chips, broiled sea fish, baked apples and cream, Spring lamb chops, and French toast with marmalade. 

A Signed First Edition of Alice’s Restaurant Cookbook circa 1969

Not every cookbook comes with it’s own theme song, but when Alice May Brock (1941-2024) befriended a young Arlo Guthrie, the whimsical world Alice lived in was all the inspiration Arlo needed to write a hit song called Alice’s Restaurant Massacree, which in turn inspired a cult classic film of the same title. The cookbook came after the song and the movie, but shares the recipes that made Alice a local legend in New England as the proprietor of three restaurants and a catering company. A free-spirit, an artist, and a lover of food and friends, this cookbook features some of the favorites served in her restaurants and at her famous home-hosted dinner parties. It also includes still photos from the movie, Alice’s illustrations, and photos of Arlo and their friends who made a good time out of every meal. Adding an extra layer of the joie-de-vivre she embodied, this particular book is also signed by Alice.

A Collection of Original Floral Feed & Flour Sacks circa 1930s-1940s

You can’t really get any closer to touching real-life history than these floral feed and flour sacks. Stitched into traditional sack shape, similar to a pillowcase, these bound together fabrics were once the commercial packaging that held a variety of pantry staples, including flour, sugar and grain. Made by the manufacturing industry in response to the financial burdens placed upon American families during the Great Depression, this cotton sack packaging was made solely for the purpose of recycling.

Knowing how thrifty and creative the American seamstress was, and knowing how tight household budgets were during the Great Depression and World War II years, grain and food manufacturers packaged their products in these floral cloths specifically so that women could repurpose them by turning the fabric into clothing, household linens, toys, rugs, curtains etc. It was a winning collaboration that not only responded to and eased economic stress, but also showed unwavering care, support and appreciation for customers during one of the most challenging times in American history. This batch in the shop came from a private collector and was so well-cared for across ninety years that each piece of fabric looks practically brand-new. Two of the sacks even retained traces of grain remnants hinting at the original products contained within.

Cotton flour sacks full of flour featured in a 1940s photograph published in LIFE magazine

An Antique Basin Bowl & Wash Pitcher That Changed the American Plumbing Industry

It’s hard to imagine life without modern conveniences like indoor plumbing and bathrooms, but back in the 18th and 19th centuries, this wash basin and pitcher was your gateway to cleanliness, both literally and figurately. Made by Maddock’s Lamberton Works in Trenton, New Jersey, between 1888-1902, the British-born Maddock family were the first immigrants to realize that America needed their own sanitaryware pottery manufacturer. Up until they opened up shop, all basin bowls, wash pitchers, slop jars, chamber pots and grooming sets were imported from England. The Maddocks changed that by producing American chamber sets using local clays, and in doing so, revolutionized the plumbing industry in the process. Recognized as pioneers in the world of sanitary toiletry products, the Maddock family patented several plumbing innovations before they eventually sold the pottery in 1929 to American Radiator & Sanitary Corporation, who would go on to create our country’s indoor heating and plumbing infrastructure including radiators, sinks, bathtubs, and toilets for households across the country.  

An Intimate Glimpse into the Life of a Literary Hostess

Guests at the Boston literary salon of Mr. James & Annie Fields were a veritable who’s who of prominent 19th-century writers. Mark Twain, Charles Dickens, Sarah Orne Jewett, Ralph Waldo Emerson, Henry Wadsworth Longfellow, Bret Harte, Henry James, Bronson Alcott, Nathaniel Hawthorne and Harriet Beecher Stowe, to name a few among were just some of the visitors that spent time in their home along with other notable painters, actors, musicians, and political activists. 

In addition to being a writer, activist and philanthropist herself, as well as the wife of distinguished Boston publisher James Fields, Annie Adams Fields (1834-1915) was also a charming, kind-hearted hostess and keen observer of conversation amongst her literary friends. Never interested in self-promotion, scandal or gossip, she regularly recorded bits and pieces of conversations among her friends in diaries that she kept throughout her life. Sketches of dialogue, character traits, pressing matters of the day, viewpoints on life and literature all freshly detailed the lives of extraordinary figures, painting them as humble, human, fallible beings tackling life, their passions and their creativity as anyone might. 

Before Annie passed away in 1915, she granted noted biographer Mark Antony DeWolfe Howe Jr. access to all her diaries in his pursuit to record the friendships enjoyed between the Fields and their artistic community. She had one caveat, though, in sharing her books. That Mark’s book not be about her but about the extraordinary friends whom she knew and loved so well. What resulted is this book, Memories of A Hostess: A Chronicle of Eminent Friendships, published in 1922.

Highlighting correspondence, diary entries, cultural events, and touchpoints from history for context, Mark Antony DeWolfe Howe pieced together an intimate glimpse into the lives of the 20th century’s greatest thinkers and artistic minds, courtesy of Annie and James’ record-keeping collection.

Annie’s husband, James Fields

Uncovering a portrait to attach to each heirloom’s story is one of our ultimate joys. In this year’s sale, you’ll also meet many new faces. This year, we shared stories of Attia, Alfredo, Pamela, Freddie, Doris, John, Judy, Miroslav, and Marjorie along with her daughters, Kate and Susan…

Clockwise from top left: Attia Hosain, Alfredo Viazzi, Pamela Lyndon Travers, Freddie Bailey, Doris Muscatine, John Ramsbottom, Judy Gethers, Miroslavo Sasek, Marjorie Winslow and daughters.

Each brought many new perspectives of history to life. Attia Hosain (1913-1998) was a writer, actor, cook, broadcast journalist and intellectual focusing on stories of India and British post-colonialism. Freddie Bailey (1904-1992) was famous in Mississippi for her hot pepper jelly along with other regional favorites that made her kitchen the epicenter of Southern food, flavor and hospitality. In the 1930s, Pamela Lyndon Travers (1899-1996) introduced the world to Mary Poppins, who still remains 90 years later, the globe’s most well-known and most beloved nanny. Alfredo Viazzi (1921-1987) was the proud owner of a popular Greenwich Village restaurant known for its convivial atmosphere, great food and reasonable prices. Judy, Doris, Marjorie and Miroslav shared their artistic talents via saucepan and sketchbook. British mycologist John Ramsbottom (1885-1974) taught gardening enthusiasts all about the fascinating world of fungi.

This year also introduced personal stories shared by readers and their families. One of our favorites is that of Beverly, whose collection of handwritten recipes is not just a set of random cards in a box. They are the story of her. Of one woman’s culinary journey as she grew from a young, inexperienced midwestern bride, who barely knew how to boil an egg, into a confident, seasoned California cook and recipe collector over the course of her entire adult life.

Familiar favorites can be spotted in the shop sale too, bringing with them their marvelous heritage stories that are worth retelling again and again. This stemware is the story of champagne, of “drinking the stars,” of a husband and wife couple, Pierre Perrier and Rose Jouet, who created the first true champagne made from the Chardonnay grapes in the Champagne region of France in the early 1800s. Together, with Rose in the vineyard and Pierre in the sales office, they launched Perrier-Jouet Champagne in 1814, a brand that still continues to enchant wine enthusiasts around the world today.

Every year we also like to spotlight the oldest antique in the sale. In this year’s case, it’s this French pottery water pitcher that dates to the 1850s…

More history floats. More stories emerge. In the shop, a cookbook is never just a cookbook. It’s a tactile understanding of what WWII cooking really looked like for women in the 1940s. Its a story of how they had to portray strength, creativity, courage, ingenuity and optimism at every meal, every day while creating delicious, nutritious and interesting meals on limited war rations, tight budgets, and victory garden harvests.

Cookbooks in the shop tell intimate stories not only of their authors but also their owners too. This 1931 edition of the Boston Cooking School Cook Book showcases the enduring legacy of Fannie Farmer (1857-1915), who not only raised generations of home cooks but shared recipes that still inform regional New England cuisine today. It also highlights, through a myriad of cooking splatters and stains, the adventures of a previous cook (or cooks) who cherished the recipes so much their culinary endeavors have turned into an artful aesthetic.

Also every year, there’s one stand out cook, who warrants days or sometimes even weeks of research thanks to a fascinating life lived. This year, it was Lois Burpee (1912-1984)…

who married into the Burpee Seed Company family in the 1930s and managed to carve out an incredible cooking, gardening, and philanthropic career that lasted her entire lifetime.

Other equally interesting cookbooks in the shop sale this year include two rare compendiums of culinary curiosity that offer suggestions on what to make and what to bake every day for a year…

Decorative pieces in this year’s sale highlight the handmade arts. An antique tole tray, a vintage hand-carved wooden swan, a vintage print of a tulip painting dating all the way back to 1827, a hand-embroidered linen…

These are just a few examples of the people, places, and stories that have found their way into the Vintage Kitchen shop in 2025. I hope at this year’s sale you discover an heirloom that captivates your attention, that steals your heart away to another time or another country, and that inspires new creativity from history’s forgotten muses.

At this year’s sale, just like last year’s, you’ll notice that some heirlooms sport a festive yellow banner in their listing photos. Those banners signify a donation program that we launched in 2024. Any heirloom that you see in the shop that says This Heirloom Gives Back qualifies for a 20% donation to Feeding America, a nationwide non-profit network of food banks, food pantries and local meal programs dedicated to providing nutritious meals to food-insecure communities around the United States. Not all heirlooms in the shop qualify for this program, so be sure to look for the yellow banners if you would like to participate.

The sale begins at 12:00am (EST) on Sunday, November 2nd, 2025 and runs through 11:59pm that same night. Discounts are automatically tallied upon checkout, so there is no need to enter any coupon codes or discount phrases to receive 40% off.

New heirlooms continue to be added to the shop daily, so stop by for fresh vintage and antique finds leading all the way up to the sale. And, as always, if you are looking for something that we no longer have in stock, please send us a message. We’ll be happy to add your name and needs to our waitlist.

Whether you are interested in experimenting with a new cuisine, looking for a new favorite vintage dish pattern, or starting a collection that recalls memories of a happy time from your past, I hope you find something in the shop that calls to your heart and adds extra delight to your kitchen.

Cheers to all the old souls that inspire the shop each and every day. Cheers to all the heirlooms that they have been passed on to us to love and cherish just as much. And cheers to the kitchen for being the one spot in the house where everyone is always welcome.

The Kindest Bread Recipe: A Homemade Yeasted Sandwich Bread from the Tassajara Bread Book circa 1970

When it comes to describing great bread recipes, they tend to take on a variety of accolades based on specific attributes. Best flavor. Best texture. Best no-knead. Best whole wheat. Best no wheat. Best gluten-free. Easiest to make. Fastest to bake. Biggest loaf. Smallest effort. Best. Fastest. Easiest. Again and again, over and around, brilliant bakers everywhere boast.

No one that I’ve encountered yet, though, has ever described their favorite bread recipe as the kindest. There’s no Google search for the best kindest bread. Kind isn’t really the type of word that generally pairs well with food descriptions and a you-have-to-make-it recipe. Baking or otherwise. But the recipe I’m sharing here in this post today can really only be, first and foremost, described that way. It is, of course, delicious and healthy and not complicated to make and contains simple ingredients, but above all, the best part of this recipe is its core, standout attribute… its kindness.

Without fully embracing that trait, you won’t be able to make this recipe as intended. And in not being able to make this recipe as intended, you’ll miss out on a truly delightful experience. One that is calming, relaxing, and joyful. You don’t need to be an expert baker or a seasoned bread maker to enjoy the fruits of this labor. You don’t even need to be a well-versed cook. In order to achieve the desired outcome of this recipe, you just need to be kind to it. To treat the ingredients and the process gently from start to finish.

Yeast is a living, breathing, growing life. Therefore, in order to make a marvelous loaf of bread, you need to treat the yeast gently and handle the dough tenderly, in the same way you would handle a newborn baby. This recipe is not about rushing or shortcuts or pre-made, pre-packaged substitutes. You don’t want to begin this culinary adventure with a scattered mind, an irritable mood, or perfection-induced pressure and motivation. This recipe is about showing kindness to yourself, the baker. It’s about showing respect for the ingredients involved, and about showing genuine care and consideration for the process of turning piles of fine and powdery specks into two golden loaves of substantial, nourishing bread.

Simply called Yeasted Bread, the recipe comes from The Tassajara Bread Book, first published in 1970 by Edward Espe Brown. At the time of publication, Edward was in his mid-20s, newly married and running the kitchen at Tassajara, a Zen spiritual center located in the remote Ventana Valley in Central California.

Edward Espe Brown

Opened in the 1960s, Tassajara was the first Zen spiritual center in the United States, and also the only Zen monastery outside of Asia. There in the Los Padres National Forest, students and guests from all over the world came to practice Zen philosophies and Buddhist principles in order to gain a more gentle approach to life. One that focused heavily on kindness, compassion, and thoughtfulness.

Los Padres National Forest. Photo credit: National Fish & Wildlife Foundation.

Due to its remote location, food for the guests, students, and staff was grown on-site at Green Gulch Farm, part of the Zen Mountain Center campus. Edward saw firsthand the time and care it took to grow the vegetables and fruits that eventually wound up in Tassajara’s kitchen for him and his helpers to prepare. With every chop and slice, simmer and slow roast, he continued that same level of care and attention in his cooking. He looked at every single ingredient as if it were a gift that he in turn would make into another gift of a satisfying meal for his friends, family, and guests at Tassajara to enjoy.

The kitchen at Tassajara. Photo credit: Bradley Allen.

“When I cook, I feel nurtured, sustained, like there’s energizing going on. It makes me feel the preciousness of life,” Edward shared in a 1985 Peninsula Times Tribune interview.

It’s that level of care and appreciation for the act of cooking and baking that established Edward’s reputation as a helpful coach in The Tassajara Bread Book. In this cookbook, as well as the other Tassajara books that followed, Edward wasn’t interested in telling home cooks how to make perfect food. He knew the act of cooking itself was too frenetic and ever-changing to prescribe a set of strict rules and guidelines that would be automatically applicable each and every time you came to the kitchen. Instead, he was interested in offering an understanding on how to approach cooking. He was interested in placing focus on intention and gratitude. Appreciating the life of the vegetable, the sharpness of the knife. Appreciating the aromatic steam from a bubbling broth, the flavors created when one ingredient combined with another, and the presence of the people sitting around the table. Good food would follow via the care put into its preparation.

Apart from being the first kind bread recipe that I’ve ever encountered, Edward’s bread book was also the first cookbook I’d ever run across that opens with a two-page poem of sorts that he wrote himself about working in the kitchen. It reads more like a spoken word piece than a traditional poem, but it has lovely sentiment and turns of phrase and sets the whole tone for the Tassajara cooking and breadmaking experience. Here’s an excerpt about mid-way through…

The place where everything connects. That’s how Tassajara’s Yeasted Bread can best be described. A combination of person, plant, preparation, and product. Rest assured, you are following a recipe with step-by-step instructions and a definitive end result, but you are also following your heart, your intuition, and your awareness of the process in equal measure.

Breadmaking can be tricky. There are a lot of factors that can intervene and mess with the process – humidity, air conditioning, hard water, soft water, oven temperatures, inactive ingredients, bacteria, a hot atmosphere, a cool environment. All components that may or may not be within your control. I found it to be very calming to read about a breadmaking process that begins by telling you, first and foremost, to relax.

An excerpt from The Tassajara Bread Book.

This was the first sandwich bread recipe I have tried to make since moving to New England. I didn’t know how my oven was going to act, or if our coastal air would make a difference, or if the summer heatwave temperatures on the day I first made it would help or hinder the process. Was it luck that made the bread turn out so well on the first try? Or was it the recipe and Edward’s call to action to treat every step along the way with care and kindness?

Edward called this recipe the basis from which all other bread recipes in the book are created. A springboard for later adding in additional flavorings or flours, as well as a solid resource for further experimentation and exploration of your own making. I’m not an expert breadmaker in any sense of the word and have had many failed experiments using other recipes from other places over many years, but none of those recipes ever mentioned baking with kindness and appreciation, nor stated anything close to Edward’s it-is-what-it-is philosophies. That might just be the winning equation to a good loaf of bread.

In case you have ever struggled, like me, with making homemade bread that winds up turning out flat, flavorless, or weighing twenty pounds, then this recipe will show you how to avoid all three. There’s a small amount of brown sugar that adds a hint of sweetness to the dough and also helps feed the yeast, but other than salt and butter, there are no other flavor enhancers. It produces two simple loaves that are ideal for sandwiches or toast with butter and jam. And it makes the type of bread meant to work in collaboration with other toppings, not compete with them. The loaves are of medium density with a light but substantial weight that makes you feel like you’ve eaten something nutritious, packed with good-for-you carbs and protein on a level that will sustain you for hours instead of just a few minutes. It’s not light and fluffy like a croissant nor is it hard and heavy like a peasant loaf. It’s somewhere in between. Spongey but firm with a texture that holds it shape and won’t fall apart when you cut it. I found it to be such a great, delicious, simple all-around bread. A best bread. Baked with kindness.

By 1973, three years after The Tassajara Bread Book was published, Edward had gained quite a following. The book at that point had sold over 150,000 copies, and racked up accolades from food critics, professional chefs and home cooks around the country. Edward went on to write Tassajara Cooking and then The Complete Tassajara Cooking, each featuring vegetarian recipes along with favorites from the bread book. In 1995, The Tassajara Bread Book celebrated its 25th anniversary with a reprinting and emphatic praise from the Washington Post, deeming it “the bible of breadmaking.” As it turns out, there is something about baking with kindness and gratitude, after all. Edward was right. The good food follows.

I can see why breadmaking is such a fulfilling form of baking. It’s a calming act. An encouraging endeavor. A delicious result. In our busy modern-day world that is grappling with so much unrest, noise, and difficult situations, it’s the serenity of this baking endeavor that I found to be most appealing. Baking in this Tassajara way is an act of love on all accounts…. thoughtfulness, acknowledgment, gratefulness, gratitude, and not just for the food but for yourself in the present moment too.

Tassajara Yeasted Bread

(makes 2 loaves)

3 cups lukewarm water (Note: lukewarm registers between 85 degrees F – 105 degrees F and does not feel warm or cold when splashed on the inside of your wrist).

1 1/2 tablespoons dry yeast (2 packets)

1/4 cup sweetening (honey, molasses or brown sugar) (I used brown sugar, loosely packed.)

1 cup dry milk (optional) ( I did not use it)

4 cups whole wheat flour or substitute unbleached white flour

4 teaspoons salt

1/3 cup oil or butter

3 cups additional whole wheat flour or unbleached white flour

1 cup additional flour for the kneading process

Dissolve the yeast in the water. Stir in sweetening and dry milk, if using. Stir in four cups of flour, one cup at a time, stirring briskly after each addition to form a thick batter. Scrape down the sides of the bowl occasionally as you mix. After the fourth cup of flour is incorporated, mix well with a wooden spoon for 100 strokes until the batter is very smooth.

Cover bowl with a damp cloth and let rise for 45 minutes in a spot that is between 85-100 degrees in temperature. If the spot is cooler than this temperature the dough will take longer to rise.

After 45 minutes, fold in the salt and oil or butter. Fold in the additional three cups of flour, mixing until the dough comes away from the sides of the bowl.

Using the final fourth cup of flour spread out on a board, knead the dough for about 10 minutes or until it no longer sticks to the board. Knead the dough by flattening it with your hands and then folding it in half by pulling the top half down to meet the bottom. Use the heels of your hands to push the dough down and forward, rocking your whole body forward with each push, not just your hands and arms. Rotate the dough a quarter of the way around and repeat each previous motion, flattening, folding down, and pushing the dough forward. Keep rotating and repeating these steps for the entire 10 minutes until the dough is smooth.

Put the dough back in the bowl, cover it with a damp cloth, and let it rise 50-60 minutes until doubled in size.

Punch down the dough by placing your fist into the center of the dough and then all over it about 15-20 times.

Let it rise in the same bowl for 40-50 minutes again until doubled in size.

Preheat the oven to 350 degrees. If using an electric oven, preheat it to 325 degrees.

Shape the dough into a round ball and cut into two equal pieces. Shape each piece into a ball and let them rest for 5 minutes.

Knead each ball in your hand five or six times. Shape the dough into logs. Oil two bread pans and then place a dough log in each pan.

Let the dough rise 20-25 minutes in the pans.

Cut the top of each loaf with a 1/2″ inch slit to allow steam to escape. For a golden brown, shiny top, brush the surface of each loaf with an egg wash made of 1 egg beaten with 2 tablespoons water or milk. (I used milk.)

Bake for 50-60 minutes or until golden brown.

Remove from the pans and let the loaves cool on a rack.

Although it took about 6 hours to make from start to finish, the time passed quickly and was peppered with little moments of surprise and delight as the dough bubbled and popped, rose to magical heights, and filled the house with the warm, inviting scent of a bakery. It’s pretty lofty to say that a slice of homemade bread can cure the world of all its harms, but cooking with kindness, appreciation, and an open heart is a good start.

Delicious enjoyed still warm from the oven, at room temperature the next day, or toasted slice by slice, I didn’t encounter any situation in which this bread did not taste wonderful. The only thing I haven’t tried yet is freezing it. As fast as I can make the loaves, they seem to disappear pretty quickly. I’m making a new batch this weekend though, so I’ll freeze a loaf and update the post with details on how that turned out.

In the meantime, if you find yourself stressed out or overloaded this summer, take a break, bake this bread and think about all the wonderful things there are to be greatful for in this world starting with your own two hands, the mixing bowl you’ll use, and the yeast and the sugar that will you get you started. By activity’s end, you’ll feel like you have embarked on a mini-vacation.

Cheers to Edward for helping us focus our intentions on kindness and gratitude in our cooking, instead of fast-made food and pressure-filled perfection. Cheers to the yeast, flour, butter, sugar, water, and salt. To the antique bread board, the 1930s mixing bowl, and the modern-day oven that made this post possible. And cheers to the beautiful, delicious loaves they produced. I hope you love this best kindest bread recipe just as much.

Learn more about Tassajara here.

Find vintage Tassajara cookbooks in the shop here.

Mid-June in the Vegetable Garden

Lily

If I walk out of the back door very quietly on these early, almost-summer mornings, I can usually spot Lily eating grass at the edge of a way too overgrown decades-old daylily bed. Lily, as we came to call her due to her preference for this area of the yard, is a baby rabbit about the size of a teacup. She was born to Lefty, a wild cottontail that lives in our woods.

Lefty

Lefty came by her name because she holds her left paw in the air whenever she is at rest. Whether that is some sort of injury or just her natural proclivity, we don’t really know, but she gets around great regardless, seemingly unfazed by what, if anything, troubles that part of her leg. Originally, we thought Lefty was a boy bunny because of her big size, but once we realized that Lefty made Lily, we started calling her Lefty Lucy after that sing-song mechanical phrase, righty tighty lefty loosey about tightening screws and bolts. Obviously, Lefty Lucy is not running around the yard with carpentry tools, but she is an important component and a key contributor to the natural health, vitality, and inner workings of the woodlands that back up to our property, so Lefty Lucy seemed fitting in more than one way.

A mix of mid-June salad greens

Every year, spring seems to bring on a new set of circumstances and situations to be considered when it comes to how, what, where, and why we are growing food here at 1750 House. Year one, it was learning the capabilities of the greenhouse. Year two, it was tackling the slugs. Year three, it was increasing perennials. Year four, we are learning the wilds.

This is our first spring without Indie chasing all the squirrels, corraling all the chipmunks, and defending us from turkeys and deer, coyotes and foxes, and that one time glimpse of a bear. Indie was not a classically trained working dog, but she had the super smart instincts of her collie/shepherd breeding and was pretty skilled at keeping everything wild at the far perimeter of the property and away from all the garden beds.

Indie!

When we first moved to 1750 House, in an effort to co-exist in happy harmony with the surrounding wildlife, we taught Indie some loose boundaries. We established an imaginary border for her that separated the yard from the woods and it took her no time at all to understand that the yard was her territory and the woods belonged to the wild animals. This worked pretty well, on both the wild creatures’ side and Indie’s. During the day, the wildlife mostly kept to the woods and the treetops and Indie mostly kept to the yard. At night though, our garden camera showed a different story. While Indie was asleep in the house, the yard was full of critter traffic. This proved both Indie’s effectiveness at day patrol and also nature’s clever way of working around our silly ideas about confined borders. Now, without Indie this spring, I wondered how our property would change when there was no presence of a pup. What would happen to the imaginary boundary? Would the wild creatures reclaim the yard as their own?

Our parade of deer.

As it turns out, wholeheartedly yes. To say that the backyard bloomed with critters and creatures is an understatement. Our woodland deer sightings have tripled in size from two to seven. A pheasant, which in the past was just a one-day-a-year passer-through, spent days in early spring wandering the woods. Last month, a female turkey took up residence in the long grass near the bird feeder for a week. A pair of hawks has chosen a nest spot midway through the woods. Lefty and Lily set up home. And a veritable city of chipmunks and squirrels now keep the yard in a continuous state of rustle and bustle from treetop to underbrush, morning to night.

Turkey sighting to the left of the tree trunk

Not realizing how impactful something is until after it’s no longer there, Indie’s absence raised a question. How exactly will her not being here affect the garden this spring? Will the deer feel free to eat every last tomato? Every last flower? Will the squirrels and the chippies destroy the plantings? Will all of our hard work and time spent seed-starting and sowing, building, and bed designing be in vain?

The vegetable garden, almost fully planted out by the first of May, stopped and started, struggled and rallied, round and round again as temperatures jumped between the low 40s and the high 50s in seesaw fashion all the way into early June. Almost everything that we planted was cool-weather hardy and tolerated the damp, sunless days. But my optimism in planting out the tomato, cantaloupe, and squash seedlings proved to be a bit too ambitious. Not fans of cold, wet weather, all three vegetables succumbed to early blight, root rot and/or a general overall malaise that caused yellowing leaves and drooping stems.

The wildlife didn’t seem to mind the wet weather at all, nor the absence of Indie. Whipping up their own kind of fun, a particularly rambunctious set of squirrel siblings made joyful use of the yard unencumbered by a patrol pup. They chased each other through the canna beds, knocking off fragile tips of newly emerging sprouts. They dug holes all over the garden looking for nuts. They upset roots in the pea patch, the corn plot, the bean bed. With their acrobatic leaps and bounds, dangles and dives, they beheaded sunflower starts, dropped tree limbs onto fragile seedlings from overhead, romped through the wildflower bed, and knocked over many a wire cage protecting nerbs and flowers, fruits and vegetables.

The chipmunks celebrated spring in the garden in their own way. Keen on building subterranean housing, they endeavored to make entry and exit tunnels all over the yard and the garden beds. So far they’ve dug golf-ball-sized holes by the Mediterranean herbs, by the witch hazel tree, by the evergreen saplings, by the Hosta plants.

All this energetic play and home building aside though, surprisingly, so far at least, the deer, the squirrels, the chippies, and the bunnies have been very respectful of the actual garden plantings themselves. The deer win the award for best behaviour and for keeping within their boundaries. But the squirrels and the chippies can’t be scolded simply for playing andf home building. Apart from the antics that uprooted the corn and topped off some of the cannas, I’m happy to say that none of our wildlife neighbors have nibbled or rearranged or broken any of the plants or emerging fruits and vegetables in the garden. As it turns out, Indie might have trained them just enough. Either that or it’s the daily birdseed buffet that keeps everyone full and satisfied enough to leave the vegetables alone.

Despite all the cold, rainy weather and the spirited playground, the late spring garden, although not quite as grown up as last year, is starting to finally make some headway. Here are some photos taken in the last few days…

Oregon Sugar Pod Snow Peas

Blackberry bush…

…with blackberries emerging!

Windsor fava beans in front and Scarlet Emperor pole beans climbing the wire panel in back.

Fava bean flowers

Fava beans!

Buttercrunch lettuce in front and dandelion greens in back.

First pea flower

First pea pod!

Onions & leeks

Silver Queen corn – 2nd sewing. This time in pots to sidestep the squirrels.

Dinosaur kale. Currently at 18″ inches in height, this is the tallest kale plant we have ever been able to grow so far.

Overhead view of the tall kale. Also, the first kale plant that has ever escaped caterpillar and slug damage.

Shin Kuroda carrots

Green Globe Artichokes – currently 23″ inches tall.

Provider Beans

Nasturtiums grown from seed harvested from last year’s flowers

Experimental porch pots – mint, sweet potato slips, collard greens and artichokes. The collard green leaves on the right are turning pink from too much rain.

Foxglove – these four self-seeded from last year’s blooms.

More foxglove by the greenhouse.

The tallest foxglove this year reached 4′ feet 5″inches, about a foot shorter than last year. Maybe the lack of sun and heat made them a little smaller.

Foxglove at the greenhouse.

Other veggies not yet quite photo-ready include eggplant, pepper plants and the second sowings of tomatoes, honeynut squash, cucumbers, and cantalope. There is lots of information to share about the herb garden growing up too, but in order not to make this post a million miles long, details on that project will come in a separate post later this month.

Lefty

Even though it is a bittersweet spring due to the absence of Indie, it is lovely to be surrounded by our new menagerie of wild animals. They each bring such personality and interest to the day and to the garden. Nature is a remarkable healer.

From all of us at 1750 House, cheers to the growing season and all the surprises it brings.

Celebrating Mom: Homemade Chocolate Sauce & The Power of Passed Down Recipes

There it is. In all the swoops and swirls, the dips, the flourishes, the misspellings, the slanted letters, the shaky hand. There’s the story and the memory. There’s the cook. There’s the guy, the gal, the friend, the aunt, the spouse, the sister, the dad, the mom. There’s the he, the her, the who, the what, the when. There’s the life.

Handwritten recipe cards and cooking scrapbooks are the heartbeat of the kitchen. They are the record keepers of culinary explorations. The physical testaments of good times and good food. The guardians of memories that ensure that loved ones long gone remain present and that favorites stay afloat.

On a handwritten recipe card, no one ever dies or moves away or leaves the friendship or the family. With every dot of an i, cross of a t, loop of an o, handwritten measurements, ingredient lists, and instruction guidelines pass over illnesses and arguments, ignore long distances and intermittent communications, rise above world events and traumatic upsets. They defy decades and borders, cities and languages, personality clashes and cultures. Hands down, there is no better way, and definitely no more delicious way, to get closer to a memory or a person than through food made from a recipe that has been passed down from one cook to another.

Whip up Aunt Louisa’s banana bread, Grandpa Gordon’s hot fudge cake or Cousin Camilla’s corn chowder soup. Put on a pot of Paula’s poblano chili or Theresa’s heirloom tomato sauce. Mix up a casserole of Betty’s baked brown rice or Sarah’s cheesy egg souffle, and these cooks suddenly appear in exactly the way you remember them. It doesn’t matter if the recipe is two years old, 28 years old, or 200 years old; magic still surrounds the very foods that once made the making of them so memorable.

In the late 1990s, my mom made a slim binder for each of her kids filled with all of our favorite family recipes. At the time, she was just learning how to use a computer, so instead of handwriting each one, which she normally would have done if there wasn’t so many recipes and four sets of copies to be made, she typed them out page by page, category by category, and printed them out. One copy for each binder.

I don’t recall how long it took her to type these recipes into the computer, nor exactly how many she included, but I do remember the excitement that I felt when the binder arrived. My mom grew up in a small town in the Pacific Northwest during the 1940s and was raised on food she often describes as wholesome and nutritional. Her parents valued hard work, resourcefulness, outdoor activities, and homemade food always made from scratch.

My mom and grandmother.

My grandmother would be the first to say that she did not think of herself as a great cook, but everything she ever made that I remember was delicious. Pot roast, twice-baked potatoes, homemade bread… those were some of her specialties. My mom learned the basics of cooking not so much from her mom but from her home ec class in school. When my mom became a mom herself and moved to California, my oldest sister remembers simple recipes and a lot of health food coming from the kitchen while she was growing up in that same from-scratch manner that my grandmother championed too. Fifteen years later, when I came along and the whole family was living in New York, my mom was traveling the world with my dad, courtesy of his airline executive career. Her culinary palate and pursuits expanded to include more international cuisine from the places she was often visiting. France, Italy, Germany, Egypt, Greece, Africa, Asia, the Mediterranean all influenced what she was making at home in one way or another.

My mom in Monte Carlo in the 1980s, shortly before we enjoyed a spectacular dinner of homemade risotto aboard our friend’s boat. Sadly, much to my whole family’s disappointment, we never collected that recipe to share.

Like my grandmother, my mom wouldn’t openly boast that she herself is a great cook. Even though the food she prepares has always been, and still is, undoubtedly delicious, and she’s well known among her friends and family for making lovely meals. But what she lacks in confidence or personal recognition, she more than makes up for in wholeheartedly promoting a good recipe when she sees one.

While I was growing up she was a devout reader of magazines like Sunset, Food & Wine, Bon Appetit, and Gourmet. My parents entertained quite a bit, often treating their NYC restaurant-regular-eating friends to a home-cooked meal at our family house located in a sleepy suburb along the Hudson River. And because my dad did a lot of dinnertime/cocktail party networking, my mom was always trying out new recipes on us kids that would be suitable for party fare or hosting my dad’s European colleagues.

So when her slim binder arrived in the mail just after I finished with college and was ready to start throwing my own dinner parties, it felt like the best, most dependable gift in the world. Thanks to her binder, I had all the good recipes in hand. The ones that always brought comfort, the ones that always received rave reviews, the ones that traveled well for potlucks and picnics, and the ones that looked especially pretty on a plate. The ones that came from her sister’s kitchen (also a wonderful cook) and the ones that came from her mom and dad and their parents. And the ones that my mom had perfected over years of revisions. In the binder were all my favorites… Thanksgiving stuffing, Grandma’s casserole, all the fruit pie recipes, the Israeli chicken, Aunt Patti’s chocolate layer cake, the tortellini summer salad, the three bean casserole, the German-style chicken with the creamy noodle sauce, the much-loved potato salad.

Not long after the binder arrived, my grandmother passed away at the age of 97. One of the things I asked my mom if I could have was some of my grandmother’s handwritten recipes from her recipe box. Back home, I taped each one, a little over two dozen in total, into the blank areas that separated one typed recipe from another in the binder. Those early additions of Grandma’s recipes led to further cutting and pasting inclusions as I, too, discovered and collected recipes from various sources. Friends, food magazines, newspapers, on-loan cookbooks, my brother and sisters, their spouses, their families, my husband, his family and a whole host of people I’ve had the joy of sharing a meal with along the way over these past decades all have a presence via a recipe or two or twenty in the binder.

With each new recipe addition, my enthusiasm for cooking grew and grew. The binder grew and grew too. Eventually, it outgrew the slim size that my mom initially packaged the favorites in, and I transferred everything to an extra-large 3-inch binder. Quickly enough, that one filled up and overflowed, too. So a second extra-large 3-inch binder was acquired, and I divided half of my mom’s original categories into one binder and the other half into the second binder, thinking that I had arrived at the ultimate storage solution. But my enthusiasm for cooking and recipe collecting has yet to calm down, and the two binders are now stuffed full to bursting once again.

Despite their stuffed sausage appearance, now when I flip through these two binders, I see nothing but joy in years and years of memories. I see my mom’s handwriting in the original recipe category tabs.

I see my husband’s handwritten recipes for his pork pie inventions.

I see my sister-in-law’s slightly charred recipe card for baking powder biscuits that accidentally got stuck to the bottom of the baking sheet and cooked right along with the biscuits. I see the handwriting of my dearest friend, whom I’ve known since kindergarten, on a recipe for oven-roasted leeks that marks the first Thanksgiving that we cooked together.

There’s a recipe from my dad’s ex-wife written on his airline office stationery taped into the casserole section. There’s my grandmother’s delicate and lacy penmanship, my aunt’s large and loopy handwriting, midcentury recipe cards, tanned newspaper clippings from up-and-coming chefs featured in the New York Times, and hundreds of hand-cut recipes from all the great cooking magazines before they went online, before they created paywalls to access them, or before they folded for good. Recipes from Saveur, Bon Appetit, Gourmet, Southern Living, Cooking Light, Martha Stewart Living, Food & Wine all fill these binder pages, making them like my own homemade version of epicurious.com

The gift that my mom gave me years ago is the gift that has literally and figuratively kept on giving day in and day out. And it just keeps on encouraging more cooking and more collecting. That’s the power of a good passed-down recipe. I have my mom to thank for all this collecting and curiosity. For my love of old recipes and the memories they represent. My mom and I don’t always see eye to eye on everything, but when it comes to cooking, we have a shared interest and a mutual understanding surrounding food and meal-making that can always bring us together.

A lot of people inspire me when it comes to cooking, but it’s my mom’s slender binder of a book that was the original muse that started all this recipe collecting to begin with. I don’t think she could have known the depths to which I would eventually come to love her gift while she was typing away at those recipes on the computer all those years ago. How much her act of recording them would come to mean so much to my culinary journey. But now those recipes are among my most prized treasures. So it’s with a sincere heart on this Mother’s Day, that I wanted to say thank you to my mom for the joy she created in passing down our family favorites.

To celebrate the day and the occasion, I’m so happy to share one of the recipes from my mom’s family favorites collection. The recipe is for homemade chocolate sauce. A sweet treat companion that both inspires and complements so many other desserts.

Quick to make (less than 15 minutes) and lovely for all sorts of foods, it is thicker than syrup, yet thinner than frosting in consistency. It can be poured over ice cream like a hot fudge sundae, drizzled over a simple sheet cake like frosting, layered in clear glass stemware for parfaits, or served like a dipping sauce for fresh fruit.

Always a winner in my book, I have made this recipe so many times for so many different holidays from Valentine’s Day to Christmas and every season in between. I’m not sure where my mom got the recipe from – if it was truly a family recipe that was passed down to her or if it was just a favorite that she picked up somewhere along her culinary adventures. I could Google these ingredients and probably find the source pretty quickly, but for once, the provenance doesn’t interest me. I’ll always think of it as my mom’s homemade chocolate sauce. And in turn, whenever I make it, I always think of my mom and her gift of good food. Tried and true.

Chocolate Sauce

Makes 2 cups

1 cup sugar
1/3 cup unsweetened cocoa powder
2 tablespoons flour
1/4 tsp salt
1 cup boiling water
1 tablespoon butter
1 teaspoon vanilla

Mix together the sugar, cocoa powder, flour, and salt in a medium saucepan.

Add in 1 cup of boiling water and stir constantly over medium-high heat while the mixture comes to a slow boil.

When the consistency thickens enough to coat a spoon but still drips off the spoon in a slow, steady stream, drop by drop, it’s ready to be removed from the heat. This consistency level usually takes about five minutes to achieve. Stir in the butter and vanilla. Serve hot or let cool to room temperature. If you have any leftovers, it stores well in the fridge in an air-tight glass jar for up to five days.

If you serve this as a dipping sauce with fruit, in a parfait, or over ice cream, let it cool to room temperature. If you are serving it over cake, serve it hot. There’s also room to add your own additional accompaniments too in the form of chopped nuts, coconut flakes, or a dollop of whipped cream as my mom suggested in her original recipe. However you choose to enjoy it, I hope it becomes a new favorite family recipe in your kitchen too.

Happy Mother’s Day to all the moms out there who inspire kitchen adventures in more ways than one. And cheers to my mom, for every single home-cooked meal, every single shared recipe, and every single family favorite that was recorded in the marvelous, magical gift that has now become my most treasured memory-keeper in the kitchen.

Advice from Adelma: How to Create an Herb Garden in Partial Shade

In the words of New England herbalist Adelma Grenier Simmons (1903-1997), “the most difficult garden to maintain is an unplanned one.” If you are joining us on this year’s Greenhouse Diaries adventures, you’ll recall that Adelma is our horticultural teacher, creative muse, and gardening inspiration for 2025 as we embrace her expertise in building and establishing an herb garden here at 1750 House.

Calendula seedlings.

Although I’ve never met Adelma, she passed away in 1997, and I’ve never had a chance to visit her beloved Caprilands Herb Farm, I do have several things in common with her that makes me feel like we are kindred spirits. We both purchased 18th-century houses in Connecticut that needed an extra bit of care and attention. We both embraced a desire to create heirloom gardens made from scratch. And we have both indulged our passions for history, cooking, and hands-on gardening.

Adelma’s 18th-century Connecticut home – Caprilands.

Ever since my husband and I moved into 1750 House, I’ve had my mind set on building a proper kitchen garden that includes plentiful bouquets of vegetables, fruit, herbs, and edible flowers. I laid out our initial plans in a 2022 post about colonial kitchen gardens, but as we keep digging and discovering, growing and gathering, year by year, we keep refining and expanding plans to fit our abilities, interests, lifestyle, and landscape. Every year, the garden design plans seem to get better and better.

Adelma Grenier Simmons circa 1935. Photo courtesy of the Hartford Courant, Aug 01, 1935

Always interested in tips and techniques that will make my endeavors more successful, when I first discovered Adelma’s book at a local library book sale last year, I had a feeling I was going to be in the good hands of an expert gardener. This is the 1964 book that inspired the project…

Read more about Adelma and her contributions to horticulture in our first post here.

In Herb Gardening in Five Seasons, Adelma lays out how to build, cultivate, create, design, grow, and care for an herb garden utilizing decades of practical, hands-on knowledge learned over her long, enthusiastic career as a gardener, herbalist, lecturer, and horticultural scholar.

Throughout the entirety of 2025, season by season, I’m taking her words to task and building an herb garden from scratch that I hope will continue to remain a stalwart and sustainable feature of the landscape at 1750 House for years to come. Since this is new gardening territory for me, both literally and figuratively, I thought it would be fun to share, along with my experiences, Adelma’s advice, in case you, too, might be interested in building an herb garden of your own. This way we can all experiment together.

In our first Greenhouse Diaries post of 2025, I introduced Adelma and her gardens at Caprilands, which attracted botanical enthusiasts from all over the world. The info I’ll be sharing here in the series this year, although based on my own Connecticut garden, will hopefully prove useful to all of our ITVK readers around the globe, too, who might face similar challenges when it comes to limited sunlight and space constraints. I’m excited to see how successful we can be using gardening knowledge from a 62-year-old book, and I’m also very interested to see just how bountiful a partial-shade herb garden can be.

There’s no way to find out unless we start, so here it goes. Advice from Adelma back then put into practice by me today.

Step One: Choose A Design and Figure Out What You’d Like to Grow…

Thoughts from Adelma: Whether the herb garden is small or large, it needs to be exquisitely neat and weedless, with wide paths and compact borders, the same plant often repeated to make a good showing. (Page 3)

In keeping with Adelma’s advice, I spent most nights in February and March studying stacks upon stacks of gardening books, in addition to hers, to gather ideas and inspiration from real-life examples – all so that our garden here at 1750 House would not fall into that aforementioned “difficult,” “unplanned” territory. Through the winter, I learned about prairie gardens, dry gardens, meditation gardens, bog gardens, dooryard gardens, shade gardens, kitchen gardens, formal gardens, cottage gardens, cutting gardens, woodland gardens, and native gardens in pursuit of coming up with some interesting layouts. What I kept admiring over and over again in book after book was a traditional square garden with pathways, some sort of architectural feature in the middle, and herbs arranged in a balanced fashion around the edges. A timeless design, I liked its simple and tidy scale, which is very much in keeping with our simple 18th-century colonial farmhouse.

In Herb Gardening in Five Seasons, Adelma also offered a variety of her own designs specifically tailored to herb gardens. There were eight in total, each ranging in theme and aesthetic. Had I the space and the sunlight, I would have replicated this one exactly…

Culinary and Knot Garden Design Layout – Adelma Grenier Simmons, 1964

The one challenge that presents itself at 1750 House is a limited amount of full sun spaces. Basically, we have two areas that receive about eight hours of sun a day and the rest is made up of dappled shade or towards the very back, deep shade of the woodland variety. Not every part of the full-sun area is appropriate for garden beds, so our limited sunshine spots are reserved strictly for growing vegetables and flowers in those areas.

One of our full sun spots is a raised bed that we built from rocks collected from around the property. Pictured growing here are peas, tomatoes, pole beans, zucchini, basil, and spinach from the summer 2023 garden.

While a shady garden is a challenge for growing many types of plants, the thing that first drew me to Adelma’s book last year was that she included a long list of herbs (29 of them) that grow well in sun-filtered shade. This was inspiration enough to start thinking about a new gardening experiment in 2025 to see what was possible in the way of a partial-shade garden using her expert advice.

The only compromise to a somewhat shady garden, Adelma noted in her book, is that some of the herbs might grow taller than they would normally in a sunny location, and that they might not be 100% as flavorful as their sun-bathed counterparts. Tall plants are my favorite kind, and while I am growing these herbs for cooking and, of course, would want them to be as flavorful as possible, I figure it’s best to understand their growing conditions and flavor intensity first in order to see what we can improve later.

Step Two: Determine The Location

Thoughts from Adelma: I think of the “perfect” herb garden as about 12 x 18 feet. Well organized, it will not require back-breaking labor once the soil has been prepared, walks laid, a center motif clearly stated, and borders planted with favorite but often miscellaneous plants set out in orderly beauty. (page 4)

The location of the 2025 perennial herb garden

Eight hours of full sun is ideal for herb gardens, but if that amount of sunlight is not possible when it comes to choosing a site, Adelma at least recommends situating your garden in a well-drained location with a slight slope so that plant roots are not swimming in puddles long after it rains or the garden is watered.

Our greenhouse sits in a southwesterly quadrant in the side yard on a natural slope. It’s bathed in sunlight from October through the end of May, but then, due to tree cover becomes partly shady in the summer. This is not ideal for sun-loving Mediterranean herbs like thyme, oregano, and basil, so they’ll have a designated bed near the veggies up front in full sunlight. But this area around the greenhouse gets all sorts of dappled light throughout the day, and I’ve always envisioned the garden beds in this spot to be full of flowers and native plants.

The 2023/2024 foxgloves on the opposite side of the yard measured between 3′ – 5.5′ feet tall.

There are already a few permanent residents in-ground at the greenhouse – last year’s foxglove starts, two Windflower anemones, a newly established hydrangea, and a burning bush. The burning bush was here when we moved in, and the hydrangea was propagated last summer via a clipping from a friend’s garden. Given how well the foxglove seeds grew on the opposite side of the yard throughout 2023-2024, they’ll be a mainstay in the herb garden too to help attract pollinators and add some overall height to this rather flat patch of ground. Otherwise, it’s a blank canvas to cultivate.

Step Three: Decide What To Plant and Gather Your Seeds…

Thoughts From Adelma: For you, herbs will be green medicines, fragrances, seasoning magic, soft tones and muted colors, textures pleasant to the touch, and names that are good to hear and bear much repeating. (page vi)

Location and personal preference will determine your selection of seeds, of course, and climate will determine your timing of when to plant what where. Since we are focusing on a larger shady herb garden with a much smaller full-sun patch and generally would like to grow herbs for cooking and drying, I followed Adelma’s list for shade-tolerant varieties.

This year our herb garden will include forget-me-nots, feverfew, wild bergamot, lemon balm, flax, dill, basil, nasturtiums, chervil, cilantro, parsley, oregano, echinacea, winter savory, English thyme, German chamomile, sweet peas, chives, sage, rosemary, yarrow, lavender, phlox and two different varieties of calendula. Everything highlighted in bold will go in the shade garden, the rest will be tucked into the full sun spots in the garden bed up front. Half of this list is a new, first-time growing experience for me, which makes this gardening project an exciting one on all fronts.

Step Four: Create a Planting Map

Thoughts from Adelma: Let the herb garden throughout look old, peaceful and nostalgic with quiet colors and soft textures. (page 17)

When it comes to the planting decisions of what goes where, I recommend sketching all this out on paper with a pencil. At this stage, there is a lot of penciling in and erasing out, second-guessing and revising, dreaming and deciding. Color, size, height, light, and soil requirements are all things to be considered as well as companion plant pairings and general overall garden aesthetic, plus any decorative items or accessories you may want to include. After months of fiddling on paper, my garden layout finally came together. Adelma can rest assured now. I have a plan.

Ideally, I’m striving for a cottage-style herb garden that is full, colorful, and graduated in size. The greenhouse will act as the central focal point, the pea gravel between the fence and the greenhouse will act as a pathway and giant field stones will become stepping stones in the garden beds. To make it visually interesting beyond texture and flower shape, I’ve selected varieties in the pink, purple, blue, white and yellow families to create a unifying color palette that ties in shades from the front gardens as well as a bit of symbolism.

In addition to practical how-to instruction, one of the most interesting aspects of Herb Gardening in Five Seasons is that it is also peppered with stories about folklore and symbolism surrounding herbs throughout history. If you communicated in the language of flowers, it is entirely possible to grow a garden full of patience (chamomile), virtue (mint), everlasting love (baby’s breath), good wishes (basil), humility (bluebell), courage (edelweiss), and ambition (hollyhock). For a complete list of flower symbolism, visit here.

This year, I’m incorporating a specific symbol in the garden – several patches of perennial forget-me-nots for one special reason. They are the flowers that symbolize memories of enduring love, lasting love, tender love. They will be planted all around our pup, Indie, who was buried in one of the beds next to the greenhouse last September. Her unexpected death left a big hole in our lives and in our hearts for sure. I still find myself looking down one of the long paths towards the woods, thinking that she’ll come around the corner any minute like she did a thousand times before after a good chase with a squirrel or two. She was such a big presence here at 1750 House, especially in the yard, we wanted to make sure she was forever a part of the property’s history.

Covered in seed pods after a romp in the woods.

It’s so strange to think that exactly one year ago, on a warm spring evening, not unlike the ones we have been experiencing lately, long before we added the wooden fence around the greenhouse, we were experimenting with building a wattle fence. Indie kept us company all evening that night, watching over our endeavors, sitting pretty much in the same spot where she would come to be buried four months later. I like to think that she is still sitting there just like in the photo, watching over us and the greenhouse and the garden. If I learned anything about colonial gardening in America in the 17th and 18th centuries, it was that American garden design is rooted in nostalgia and a longing for what once was. Like Indie, the forget-me-nots will forever be woven into the fabric of the garden from here on out, self-seeding our little secret language of love and friendship year after year.

Step Five: Start Your Seeds

Thoughts from Adelma: The business of planting seeds should be a simple process, as natural as nature. (page 58)

Adelma recommends seed starting outdoors when the weather is appropriately suited, but she also understands the rush and excitement of trying to get a head start indoors or in a greenhouse. Either way, she’s a fan of keeping the germination stage on the slightly cooler side with nighttime temps between 50-60 degrees. She also recommends as much time outdoors in the fresh air as possible to encourage strong, healthy growth.

Since our experiments of trying to grow cool weather crops in an unheated greenhouse this past winter flopped, instead of pulling out the greenhouse’s winter coat of plastic and outfitting it with a heater rather late in the season, I opted to start everything indoors in a closet that has a lot of natural light and a fair amount of sun thanks to a big window in a small space. I kept the room temperature between 55-65 degrees during the whole germination process, and all the seeds sprouted like the magical little champions that they are. For the past month, almost daily (depending on the outdoor temperature), I transported all the seedlings out to the greenhouse where they could capture the light and a little extra balmy warmth generated by the sun before bringing them back in when the temp dropped below 55.

Calendula and feverfew seedlings

Now that our last frost date has just passed on Wednesday, most of these seedlings will be heading out to the garden within the next week or two. They are a bit smaller in size than if I had started them in the greenhouse over winter with the heater, but like Adelma suggested, this cooler germination method might make them a bit more resilient to fluctuating temperatures as the season gradually warms up and we round the corner into May.

Step Six: Prepare the Garden Beds

Thoughts from Adelma: Work up the soil to a depth of 12 inches using a rototiller or a spade. I recommend three rotillings or diggings: the first to remove the sticks and stones; the second to incorporate well-rotted compost or well-decayed cow manure in soil lacking humus; the third to mix in the garden lime spread on top until the ground is nearly white. (page 55-56)

Home soil acidity test using the baking soda/ vinegar method

It’s important to know the acidity level of the soil you are working with since that will determine if you are going to blend in any additives. Adelma recommends turning over the dirt no less than three times and removing all the sticks and rocks that might be present. If your garden beds need some amending, lime and compost are two great additives that will improve the growth of your herbs and strengthen the soil. Compost can be added anytime of year, but Adelma recommends adding lime in the fall otherwise, it could stunt the growth of the plants if added in spring.

Back in mid-March, I did a home soil acidity test recommended by The Spruce, utilizing the baking soda/vinegar method. I’m not sure how accurate this test is, but apparently, if you have acidic soil, the combination of baking soda, vinegar, distilled water, and dirt will cause the samples to really bubble up. Not much happened during my test…

From what I’ve gathered so far, our soil at 1750 House is fairly neutral and, if anything, leans toward a slight acidity, which most plants love. So I’m not adding lime this year. But we did order four yards of organic compost from a local nursery.

Each garden bed received four inches of fresh compost. I’m hoping that will be enough nutrients to start the seedlings off on a good footing. Later in the season, depending on how well everything grows up, I might also add in a seaweed fertilizer and some bone meal. But for now, we’ll see how everything grows in this next month or two before anything else is added.

Step Seven: Enlist Your Helpers

Thoughts from Adelma: “A pleasant summer sound is the hum of bees above a flowering bank of thyme. It is truly the bee’s plant…” (page 67)

Other than a few mentions here and there, Adelma doesn’t discuss the benefits of wildlife much in Herb Gardening in Five Seasons, but as I learned from reading all those gardening books over winter, pollinators depend on all sorts of herbs to help get them through their seasonal travels. Likewise, the herbs depend on them to grow and thrive.

The same goes for the birds. I read recently that the best pest control you can have for your garden is an ample assortment of wild birds. A pair of nesting sparrows alone can eat up to 30,000 insects a week. Just the kind of appetites you want to encourage to help eradicate an overabundance of aphids, scale, beetles, grubs, and a whole host of other winged things that would normally munch on your plants.

We’ve been feeding the birds ever since 2022 here at 1750 House, but last fall we added two new bird feeders and built three new nest boxes this spring to keep encouraging our wild flock. Within a week of putting the nest boxes up, all three houses were occupied by sparrows. It’s so fun to watch them claim their new homes and poke their heads out of the entry holes each morning.

Besides the sparrows, our yard has quite an active bunch of cardinals, mourning doves, chickadees, blue jays, woodpeckers, titmice, nuthatches, bluebirds, juncos, robins, hawks, crows, and occasionally a wild turkey or two. In a future post, later this summer I’ll introduce you to Red, our most sociable cardinal who waits every morning at the feeder for me along with Audi, the one-eared squirrel.

A new batch of hand-painted garden signs to welcome the 2025 season

As of today… the sweet peas are up, the nasturtiums have been transplanted, and the cilantro and echinecea seeds are just starting to sprout under their protective wire covers. My husband built an array of these wire covers in all different sizes and shapes to keep the birds and squirrels from eating the seeds that are directly sown. So far so good.

The preface of Herb Gardening in Five Seasons is titled Herbs are Forever – And For All. I love that turn of phrase. It is such a fitting way to describe the appeal, universality and allure of these tried and true garden reliables. No matter where you go in the world, you can find an herb garden and someone who tends it. Perhaps that is why they are such enduring components to the garden landscape. In the same way, Adelma’s mark on herb gardening has endured too. Long after her death, memories of the beautiful gardens she created at Caprilands still find a place in contemporary conversation. I hope our little herb garden at 1750 House has such a lasting effect. A 275-year-old house deserves the pretty partnership of a timeless garden to travel the years with.

Adelma Grenier Simmons in her later years, as happy as can be amongst her garden paradise.

“Fortunately, the study of herbs touches all aspects of our lives, at all ages, under all conditions. What was rigorous physical experience in youth and middle age may become an absorbing study for the armchair gardener, who halted in activities by age or physical handicap, can still enjoy a fascinating world of legend and history.” Adelma Grenier Simmons, 1964

In the next installment of the Greenhouse Diaries, we will make a spring recipe straight from Adelma’s own kitchen and check in on the seedlings to see how they are growing. In the meantime, cheers to Adelma, to her helpful guidance, and to the act and art of growing a garden.

Jamaican Rice and Beans and a 1940s Trip to the Caribbean

Welcome back to the International Vintage Recipe Tour. When we last left off on our around-the-world culinary adventures, we were in Italy cooking up Chicken Canzanese and spotlighting the artistic and culinary career of Edward Giobbi and his talented family.

Chicken Canzanese

A painting by Edward Giobbi

This time, our international itinerary takes us to Jamaica, where we are cooking a traditional heritage food, Jamaican Rice and Beans, making milk from a fresh coconut, and exploring the island 1940s-style via a 1948 Pan Am travel film and a selection of first-hand observations experienced by visitors to the island post-World War II.

A vintage recipe for Jamaican Rice & Beans

1940s Kingston Jamaica postcard

It’s easy enough nowadays to see what a modern-day Jamaican holiday could look like thanks to the internet, but can you imagine what it looked like 80 years ago? This throwback travel post draws attention to the excitement of a tropical holiday experience in the 1930s and 1940s during the golden age of travel, back when Jamaica was a newcomer to the tourism industry.

Jamaican Tourism Guide circa 1937. Image courtesy of jamaicahotelhistory.com

Back when hats, heels, suits, and dresses were staples of vacation wardrobes…

1940s Resortwear Fashion Trends

and when airplane travel looked like this…

Pan American Airways Caribbean Clipper postcard circa 1931

Back when flight attendants provided an array of services akin to that of a luxury hotel concierge…

The role of a flight attendant in the 1940s

and when a trip to an exotic Caribbean island was considered a dreamy, decadent, once-in-a-lifetime experience.

Vintage 1930s Jamaica travel guide to Montego Bay. Image courtesy of jamaicahotelhistory.com

It’s an escapist getaway for certain, to a time and a place so steeped in hospitality that its national tourism slogan is “Jamaica: The Heartbeat of the World.” Heartbeat indeed. This post is a swoonworthy one for all of our vintage travel aficionados complete with a delicious heritage recipe to match. Welcome to country number 26 on the International Vintage Recipe Tour. Welcome to Jamaica.

Prior to the 1930s, Jamaica’s tourism population was a small, subdued bunch made up mostly of elderly retirees, the medically infirm, and the ultra-wealthy. Travel to the island during the first part of the 20th century was difficult, expensive, and lacked a suitable infrastructure that could readily accommodate a large influx of guests. But by the mid-1930s, Jamaica was tourist-ready.

The hospitality industry as it started to bloom and blossom in the 1920s and 1930s in Jamaica

The hotels were built, the staffing was in place, and a slew of leisure activities awaited guests. Vacationers were ready too. They were more mobile, there were more flights to New York and Miami (the gateway cities to the Caribbean) and airlines were expanding service to the islands offering faster transportation than ship-to-shore travel.

Unfortunately, the excitement was short-lived. World War II put a pause on all travel to Jamaica. But following the end of the war, an exuberant sense of adventure and wanderlust, especially from the American market, caused Jamaica’s tourism numbers to rise from less than 5,000 per year in the 1920s to close to 100,000 visitors per year by the late 1940s. Today, Jamaica welcomes over 1.4 million visitors annually.

One of the most well-known hotels on the island was The Myrtle Bank Hotel in Kingston which operated from 1870-1964. It’s featured here in a 1940s brochure courtesy of jamaicahotelhistory.com

Credited with being the first country to actively promote tourism in the Caribbean, the post-WWII introduction of Jamaica was exciting on all fronts. Media campaigns began rolling out in creative ways that highlighted the island’s beautiful beaches, turquoise-colored water, engaging cities, tropical climate, jungle-rich flora and fauna, and friendly faces. Aside from those show-stoppers, the other attractive and important component to Jamaica’s successful promotion was its convenient location in the Caribbean Sea. Just a short 90 minute flight Miami, it offered almost instant gratification. Paradise was close.

I thought discussing Jamaica’s early rise in tourism would be a fun cultural touchpoint to pair with this international vintage recipe because it’s emergence as a true destination vacation occurred over 90 years ago and travel on all fronts today is so different than what it was then. Today, we slog through airports and plane travel to get our destinations as quickly as possible in the most comfortable clothes possible. We consult the internet for practically every detail of our vacation from lodging to sightseeing to restaurants. We read reviews online, we look at ratings. We take into account a stranger’s bad experience as well as their good ones. We juggle safety concerns, security threats, disease outbreaks and world events. And for most travelers today, it’s a comfort to be able to see and know exactly what we are getting into when we take a trip abroad.

In the 1940s, travel was different. It was more carefree, less planned. Travelers knew where they were going, but they didn’t necessarily always know what they were going to see. Curiosity and discovery led the adventure. To get a sense of what traveling to Jamaica was like in the 1940s, I’ve included this fun and insightful 24-minute travel short that was produced by Pan American Airlines in 1948. It whisks viewers along on the adventures of Ms. Dale, an American traveler who is exploring the Caribbean on a two-week vacation aboard Pan Am’s propellered clipper ship, courtesy of a custom itinerary prepared for her by a whimsical, animated character named Clip, the Spirit of Travel.

Meet Clip!

Meet Ms. Dale!

Presented as an enticing tourism piece to highlight Pan Am’s newly expanded routes to the West Indies, Central and South America, and Mexico, this travel film made its rounds, often accompanied by a representative from Pan Am, at libraries, museums, civic organizations, schools, and travel agencies around the United States beginning in January 1948. Showcasing the warm and sunny climate Jamaica offered during a time of year when almost all of America was wrapped up in a cold blanket of winter weather was alluring marketing at its best. The film received rave reviews around the country for its beauty, interest, and excitement in depicting the history and culture of this exotic string of islands floating in the Caribbean Sea.

To give you an example of the type of reception the film received… on October 11th, 1948 at the Lincoln School Auditorium in Kalamazoo, MI, nine hundred tickets were available for a nighttime showing of Wings to Cuba and the Caribbean. 900 tickets! This illustrates not only the level of interest in the subject matter but also the attraction of movies in the 1940s.

In the film, Ms. Dale island hops around the Caribbean beginning in Cuba. She arrives in Jamaica at the 13-minute mark. If you wanted to skip ahead, you’ll find her en route to the island at 13:27.

I found this travel short to be captivating in so many ways. Not only was it fun to see vintage film footage of the tropics but I loved how it combined flight, fashion, fun facts, music and history into a compact story that gave you an immediate sense not only of what life was like in the Caribbean but also what life was like in the 1940s too.

Watching Wings to Cuba and the Caribbean in 1948 provided many viewers with a first-time glimpse of the islands from a cinematic perspective. At the same time, equally enticing tourism promotion for the Caribbean began appearing more and more frequently in newspapers, and magazines too. I pulled some snippets from vintage archives and combined them with vintage postcards of the era to showcase exactly how, in mid-century America, you would have been introduced to this exotic island.

A vintage travel postcard circa 1930-1945, Greetings from Jamaica, B.W.I. A beautiful Jamaican peasant girl. Jamaica, B. W. I.: Photo by Cleary & Elliott

Vintage travel postcard of Kingston, the capital of Jamaica circa 1930-1945

Vintage Jamaica travel postcard… The Banana Tree and Fruit circa 1930-1945

Vintage Jamaican travel postcard, Market Scene at Constant Spring circa 1930-1945

Since its emergence on the tourism scene in the 1930s and 40s, Jamaica has become a treasured and popular resort destination, winter getaway, and honeymoon haven for travelers around the world. Even if you have never visited yourself, you are still familiar with it. You’ve seen photos, watched a video, read a book, heard stories from someone else who has been there. We are all familiar with the beautiful, bright smiling faces of local residents. We know the palm studded beaches, the gorgeous blue water, the relaxed vibes, the music, the pretty hotels. But in the 1940s it must have been magical to experience the island for the first time as a brand-new destination. To experience the talcum-powder soft beaches, the two mule carts, the afternoon tea hour, the mountain of cotton trees, the gay and leisurely atmosphere. It must have been awe inspiring to see it in its pristine form overflowing with a proud, fresh-faced enthusiasm. Jubilant with a happy-you-are-here hospitality. It must have been magical to see the island barely touched by the trappings of tourism. Unaffected yet by repetitive foot traffic caused by the millions of travelers that would eventually come to it, mold it, define it, shape it into something influenced a little bit here and there by something else from somewhere else. In the 1940s, Jamaica felt new to the world to a new set of travelers unlike any other place in the world.

We are all spoiled these days with an overconsumption of information and an in-the depth understanding of the world on just about every topic under the sun. Sometimes, when everything is at our finger tips that leaves little room to ever discover something truly new. But imagine, for a moment that it’s the 1940s. You don’t own a television, but you do read the newspaper. There’s a movie theater in your town, a globe on your desk, and a stack of travel magazines on your bookshelf. You long for far-flung adventures and travel to exotic places but you’ve yet to ever leave your home city. A showing of Wings To Cuba and the Caribbean comes to your town. You fall in love with the islands. You begin to read more and more stories about Jamaica in the newspaper. You see tourism ads start to appear in the travel section. Your favorite magazine features it in a multi-page spread. You take Ms. Dale’s lead and you book a trip through a local travel agent. Finally, the day arrives and you board the propellered plane with the the Pam Am logo. It’s your first international adventure. Your first tropical vacation. Your first real-life glimpse of the world beyond anything you have ever known.

While it’s impossible to return to the excitement of Jamaica’s early tourism days of the 1930s and 1940s, we can at least return again and again to a vintage recipe from this beautiful country via the kitchen any time we want. It may not physically plunk you down on a sandy beach, but it will carry you away to a Caribbean state of mind. Nothing transports you to the tropics quite like a coconut.

This vintage recipe for Jamaican Rice and Beans calls for coconut milk made from a whole, fresh coconut. You could possibly substitute it for canned coconut milk as a shortcut, but I wouldn’t recommend it. Especially if you are longing for an escape of mind these days. I wholeheartedly recommend making this recipe as is, fresh coconut and all. It’s not only a fun meal to prepare but you’ll have a little bit of extra coconut water left over to make a rum cocktail while you cook, further embracing a vacation vibe.

If you have never cracked open a coconut before, rest assured, it is easier than you think. Look for a whole coconut in your local grocery store or market that is heavy in weight, pre-scoured, and sloshes with the sound of liquid inside when you shake it. This ensures that the coconut is fresh and easy to crack.

The West Indian Atlas circa 1775. Image courtesy of The New York Public Library Digital Collections.

The history of this rice and beans recipe is rooted in the slave trade which began in Jamaica in the 1500s by way of Africa and Spain. Over the course of the island’s history, the dish’s unique blend of grains and legumes morphed into different variations using different spices and came to be known by different names. The most traditional and widely accepted name is Jamaican Rice and Peas. But not peas of the round, green sort that we often think of as vegetables. It was originally made with small round red peas, also known as pigeon peas, also known as gungo peas.

Cajanus cajan aka pigeon peas aka gungo peas.

At some point, gungo peas became more expensive and harder to find in Jamaican markets and kidney beans were substituted in their place, which is how this dish also became known as Jamaican Rice and Beans. Technically a pea is a bean as they are both members of the legume family so both names are correct, but we all know green peas are not kidney beans, and kidney beans are not red peas. Each has its own unique flavor profile, color, consistency, and shape. Nonetheless, today in Jamaica when it comes to this recipe, gungo peas and kidney beans are both accepted ingredients and it’s left up to personal preference as to which is the better bean/pea.

Aside from the extra bit of attention given to the coconut preparation, this recipe is easy to make and very economical. It serves 10-12 as a side dish and costs less than $15.00 to make. Equally enjoyable as a full meal on its own, this dish also freezes well, reheats beautifully, and acts as both a comfort food and a vegan meal. Since it contains both carbs and protein, it’s especially lovely for this time of year as we start spending more hours and energy outdoors. But most importantly, this is a dish that will transport you to another era, a mental mini-break from the malaise and the momentous events of the modern world.

Jamaican Rice and Beans

(from the New York Times International Cook Book circa 1971)

Serves 10-12 as a side dish

1 cup dried red kidney beans

1 rib celery, cut in half

1 small wedge of green pepper (about 1/4 of a whole bell pepper)

1 large coconut

6 cups water

Salt to taste (I used 3 teaspoons)

1/2 teaspoon dried thyme

2 1/2 cups uncooked rice

Place the beans in a large kettle and add water to cover to a depth of one inch. Add the celery and green pepper, cover and bring to a boil.

As the beans cook, prepare the coconut. There are three eyes on the coconut. One of them is soft enough to pierce. I like to use a corkscrew for this job but you can also use a shape paring knife or a Phillips-head screwdriver. Pierce that one eye and drain the coconut water from the interior into a large glass or mason jar. Once drained, with a heavy mallet, hammer, or the back of a butcher knife crack the coconut shell in several places, and using a paring knife, remove the meat from the shell in large pieces.

Once broken into pieces, do not bother to cut away the thin brown skin from the coconut flesh. Grate each piece of coconut using a fine grater.

Line a mixing bowl with cheesecloth and add the grated coconut. Add two cups of cold water and squeeze to extract the white liquid. This is coconut milk. Add two more cups of water and squeeze, then add the last two cups of water and squeeze again. This should yield roughly six cups of coconut milk.

Add all six cups of coconut milk to the simmering beans. Cover and cook until the beans are tender, about 1 and 1/2 hours in all. Stir frequently to prevent the beans from burning.

Add salt to taste, thyme, and the rice. Stir once and cover. Continue to cook until the liquid is absorbed by the rice, about 20 – 30 minutes.

When done the rice should be tender and all the liquid absorbed. Remove the cooked celery and green pepper. Fluff the rice. Serve as a side dish or as a vegetarian meal.

I garnished the beans and rice with finely chopped fresh green pepper just before serving. The contrast between the crisp green pepper and the soft rice and beans was lovely, almost like serving a chopped salad on top. I thought the coconut flavor might be more pronounced than it was but to my surprise no one ingredient overpowered the other. Instead, they all blended together to create a warm, comforting combination of flavors that is easily compatible and very complimentary with so many other types of food.

If you were serving this as a side dish, other traditional Jamaican accompaniments would include Jerk Chicken, Salted Fish or Curried Goat. I wouldn’t hesitate putting it in a taco or topping it with grilled shrimp or steak either. Or simply enjoy this one as is – a simple meal of rice and beans with a hint of tropical flavor to warm your spirit on these chilly days of early Spring. I hope by the time you sit down to the table to enjoy this meal, you’ll feel like you’ve had a little adventure.

Cheers to Jamaica for extending so much hospitality out into the world in the form of a beautiful place and a beautiful recipe. Join us next time on the International Vintage Recipe Tour as we head to Japan, our 27th country via the kitchen. See you there!

To catch up on previous International Vintage Recipe Tour posts visit here.

Celebrating International Women’s Day: Ten Vintage Cooks & Their Books That Impacted Global Cuisine

Every year in the shop, while researching vintage and antique cookbooks, I discover an array of fascinating stories about 19th and 20th-century women who made an impact on the global culinary landscape. Sometimes these cookbooks are fueled by immigration stories. Women relocating to a new land only to realize a visceral homesickness for foods left behind in their old country. Other times they are written from travel adventures. Escapades to far-flung places that inspire a life-long interest in an exotic culture and a cuisine. And sometimes they are the scholarly pursuits of teachers, scientists, or home economists educated in food and nutrition intent on improving the overall health of men, women and children.

Today is International Women’s Day. To celebrate, I thought it would be fun to share a glimpse into the personal lives of some of the international cookbooks and their authors discovered within the past year that highlight a unique perspective on global food history and culture.

Some of these women are famous, long-lauded for their culinary achievements throughout the 20th century. But others in this list have almost all but been forgotten despite the impact they once made on the international food landscape. In an effort to collect unique food stories from around the globe and a cookbook from every country, it’s always inspiring to learn how the love of cooking experienced by one person can unite cultures, cross borders, and bring together many people all in the pursuit of a good meal.

2024’s International Women’s Day Instagram post featured Monica Sheridan, Wadeeha Atiyehh, Perla Meyers, Madeleine Kamman, Mrs. Balbir Singh, Amy Vanderbilt, Claudia Roden, Ada Boni, Paula Wolfert, and Countess Corry Van Limburg Stirum

Each year on International Women’s Day over on Instagram, I compile the list of the international vintage cookbook authors that were newly discovered in the previous year via books curated for the shop. It’s one of my most favorite posts of the year since it highlights not only heritage recipes but also draws attention to the achievements of women that may have slipped from the spotlight.

For whatever reason, I’ve never thought about incorporating the International Women’s Day Instagram post into a blog post too, but this year, I’m starting a new tradition and celebrating the ladies here as well. These ten women represent a range of life stories that extend beyond recipes, beyond food. They come from India, Ireland, and the Ukraine. They write of France, the US, and the UK. They tell stories of entrepreneurship, of immigration, of cultural preservation, of censorship. They are not only writers and cooks but social activists, suffragists, school teachers, and television personalities. But most importantly, they are reporters and recorders of life lived via the kitchen. Let’s look…

1. Maura Laverty – Feasting Galore (1961)

The first American edition of Feasting Galore: Recipes and Food Lore from Ireland was published in 1961. It was written by celebrated Irish novelist, playwright, journalist, and cooking authority, Maura Laverty (1907-1966) and debuted at a time in American culture when travel to Ireland and interest in Irish culture was newly on the rise.

Packed full of recipes, anecdotes, and folklore from the Emerald Isle, Maura’s cookbook featured 200 recipes interspersed between colorful stories about Irish culture and food. With an enchanting way of weaving storytelling into recipes that then transitioned back into stories again, Maura’s cookbook was unique in that it read like both a recipe book and a storybook all in one.

Growing up in County Kildare, Maura’s love of cooking began in childhood and was both encouraged and influenced by her maternal grandmother with whom she spent a lot of time. That relationship eventually formed the plot of a fiction book titled Never No More, published in 1942, which became a bestseller in Ireland and put Maura on the path to becoming a popular Irish writer. Despite the fact that her next three novels were banned by Ireland’s Censorship of Publication Board for obscenity (a stigma that has since been lifted) Maura pressed on writing plays, television shows, books on cooking, and children’s stories.

In and out of marriage to a fellow journalist, Maura supported herself and her children via her writing throughout her life. Known for her humor, captivating storytelling, and tenacity to continue working at her craft, despite falling victim to Ireland’s repressive book-banning policies, Maura’s perseverance, talent, and cooking expertise deemed her a national treasure. Introduced to America via several short stories she wrote for Women’s Day magazine in the 1950s, when Feasting Galore was published in New York by Holt, Rhinehart & Winston in 1961, it was to the delight of American book critics. “Looking into Maura Laverty’s book is like opening an old brown box and finding a real emerald,” noted food columnist Sylia Windle Humphrey of the Lexington Harold in 1961.

Interesting recipes from Feasting Galore include Fairy Rings, Potato Scones, Carrot Marmalade, Boxty on the Griddle, Elderflower Lemonade, Puddeny-Pie,  Emerald Sauce, Baked Limerick Ham, Wexford Sole in Cider Sauce, Bread and Cheese Panada, Dunmurray Rice, Crab Apple and Bramble Jelly, Pickled Gooseberries, Friday Manglam, Golden Vale Pudding, Nested Eggs, Whiskey Pie, Oat Cakes and Columcille Cookies. 

Photo of Maura Laverty courtesy of The Evening Star, March 16, 1947

2. Savella Stechishin – Traditional Ukrainian Cookery (1957)

When Ukrainian-Canadian home economist Savella Stechishin (1903-2002) first published her book, Traditional Ukrainian Cookery in 1957, there were about 450,000 Ukrainian immigrants living in Canada. That was a large increase from the 10,000 that initially immigrated to the Great White North in the early 1900s. Savella’s mission was to keep Ukrainian heritage alive by celebrating the traditional foods of her homeland and by teaching second and third-generation Ukrainian-Canadians the unique customs and culture of their Eastern European heritage. 

Ukrainian Immigrants in Canada circa early-mid 20th century. Images courtesy of the City of Vancouver Archives

An educational force, Savella’s pride in her heritage fueled her entire life in Canada. After immigrating from West Ukraine with her family as a young girl, Savella received a teaching degree in home economics from the University of Saskatchewan in the 1930s, went on to help establish the Ukrainian Women’s Association of Canada, taught cultural classes to students at the St. Petro Mohyla Institute, wrote a cultural column for the Ukrainian Voice for over two decades and was involved in work for the Ukrainian Museum of Canada. Perhaps most notable were her contributions on the culinary front with the publication of her cookbook in 1957. 

Published when Savella was 55 years old, it took her half a dozen years to complete the cookbook, which highlighted over 650 traditional recipes mostly gathered from pre-WWII Ukrainian recipe books. The challenge was not in finding wonderful Ukrainian recipes but in adapting them to modern-midcentury Canadian kitchens with proper measurements and ingredients equal in taste and flavor to that found naturally in the Ukraine. As Savella learned, foreign recipes don’t always translate easily in foreign lands and much testing had to be done. Luckily, chapters of the Ukrainian Women’s Association across Canada helped test and retest all the recipes to ensure they were true representatives of traditional Ukrainian cuisine. 

Upon debut, Traditional Ukrainian Cookery became the first Ukrainian cookbook ever published and was an instant bestseller. In addition to recipes, it featured notes on Ukrainian history, culture, holiday customs, and food presentation. In print through the 1990s, Savella’s cookbook sold over 80,000 copies worldwide making it not only a classic, go-to resource in both Canadian and Ukrainian kitchens but around the globe as well.

Interesting recipes include Stuffed Pork Tenderloin, Savory Roast Beef, Smetana Sauce with Green Onions, Lokshyna, Linyvi Holubtsi, Stuffed Onions, Potato and Cheese Casserole, Puffy Pampushky, Layered Sweet Nalysnyky, Sour Rye Bread, Babka with Pumpkin, Economical Perekladanets, Pyrih with Cabbage Filling, Uncooked Cheese Paska, Horikhivnyk, Caraway Krendi Pretzels, Crunchy Nut Rurky, Crackling Korzhyky Biscuits, Apple Pastila, and Dried fruit Candy plus so many more!

A hard-to-find cookbook these days, the sixth edition published in 1973 is available in the shop here.

3. Anne Wilan – La Varenne’s Paris Kitchen (1981)

Founded by Anne Wilan in 1975 in an old Parisian building that once housed a neighborhood cafe, L’Ecole de Cuisine La Varenne quickly became a preeminent culinary school for anyone wanting to learn traditional French cooking. For the next 15 years, culinary students from around the world would flock to this Paris school to learn all the foundational techniques that made French cooking so esteemed. With instruction in both English and French, students graduated with professional culinary degrees, and many went on to pursue careers in the food industry in all its facets from catering to restaurant ownership, line cooks to food writers and everything in between.

The popularity of the school saw branch programs open in rural France; Venice, Italy; Santa Monica, California; and at the Greenbrier Hotel in White Sulpher Springs, West Virginia. Due to high food costs, the Paris location closed in 1990 and the last of the satellite programs closed in 2017 in California.

The experience of running such an acclaimed enterprise led Anne, a decorated and beloved cook herself, to publish several books about her La Varenne experiences that not only shared details about the operation of the school but also included recipes too.

Published in 1981, La Varenne’s Paris Kitchen offered a course of study for home cooks in America who didn’t have the opportunity to attend class in France. Laid out in syllabus fashion, each of the seven instructors at the school, including Anne, provided sample menus and recipes of varying difficulty which home cooks could tackle chapter by chapter. By the end of the book, the goal was to be skilled in the foundational principles of French cooking.

Interesting recipes from La Varenne’s Paris Kitchen include Asparagus in Puff Pastry, Bearnaise Sauce, Chicken Breasts with Port, Tangerine Tart, Volcano Salad, Coffee Bavarian Cream, Veal Paupiettes with Lemon Stuffing, Light Apple Tart, Orange Chanteclaire, Stuffed Tomatoes and Eggs Maintenon.

Find a 1981 First Edition Copy of this book in the shop here.

4. Fu Pei-Mei – Pei Mei’s Chinese Cook Book (1969)

Fu Pei-Mei (1931-2004), undoubtedly the most beloved and famous Chinese/Taiwanese cook of the 20th century, came to her culinary pursuits like many women of the 1950s. As a young wife who wanted to impress her husband with her cooking prowess and tempting dishes, Fu began married life in Taiwan with her heart set on being a wonderful cook for her family and friends. But desire alone doesn’t make an excellent chef and Fu struggled in that newlywed period through the preparation of each and every dish that she set on the table for her discerning husband.

Frustrated with her own lack of ability, Fu paid local professional chefs to teach her the skills of good Chinese cooking. Over a two-year period, she mastered all the classics of her Chinese homeland and its distinct regions. She dazzled her husband and children with delicious food, becoming so confident in her abilities that she started teaching Chinese cooking lessons to women living in Taiwan. Those lessons led to cooking classes offered to US military personnel stationed in Taiwan along with their spouses. From there, her teaching courses climbed from in-person to on-camera as she hosted her own cooking show for Taiwan television. The cooking show would become a staple program and continue for forty years turning Fu Pei-Mei into a household name and a trusted authority on Chinese and Tawainese cooking well beyond her Taipai community.  

The trajectory of Fu Pei-Mei’s career is often compared to that of Julia Child’s in that she came to cooking following marriage, lived in a country different than her homeland where she learned from experts how to cook, and then became an expert herself. Just like Julia, Fu had a charming personality that won the hearts of women who found her accessible and relatable – an un-intimidating and encouraging presence in the kitchen. 

In 1969, Fu published her first cookbook, Pei Mei’s Chinese Cook Book, a 265-page collection of traditional recipes written in both Chinese and English. Two other volumes would follow along with numerous reprintings. Eventually, Fu would publish over 30 cookbooks throughout her career. 

To say that her influence on Chinese cooking was immense is an understatement. In Chinese culture, her recipes are iconic and her cookbooks are proudly passed down between generations. Still to this day, she remains the most trusted authority on Chinese cooking and her books are considered classics in the kitchen. 

Interesting recipes from Pei-Mei’s Chinese Cook Book include Dry Cooked String Beans, Chicken and Cucumber Salad, Shark’s Fin in Brown Sauce, Mongolian B-B-Q, Meat Balls with Sour Sauce, Flowered Chicken Soup, Sweet and Sour Cabbage, Ma-Po’s Bean Curd, Camphor and Tea Smoked Duck, Egg Fu Yung, Sweet and Sour Pork, Steamed Chicken with Green Onion, Shrimp with Cashew Nuts, and Stewed Chicken with Pineapple Sauce.

Find a rare 1969 bi-lingual edition of her cookbook in the shop here.

5. Jane Grigson – Jane Grigson’s Vegetable Book (1978)

Just like all the famous greats in the kitchen… Julia Child, Elizabeth David, Madhur Jaffrey, Claudia Rodin…  British cookbook author and food writer Jane Grigson (1928-1990) holds high court in the kitchens of the 20th and 21st centuries. 

An epicurean powerhouse who first found her way to cooking from art gallery and editorial translation work, when it came to writing about and preparing food Jane’s influence on the culinary landscape rounded the globe in her efforts to bring forth interesting recipes and interesting stories. Combining world history, farming practices, cultural identity, gardening, home cooking, and travel stories, Jane’s food writing has the ability to sweep you up on a culinary adventure and push you into the kitchen for an engaging, colorful, and delicious experience.

The author of ten much-lauded cookbooks throughout her career, Jane published Jane Grigson’s Vegetable Book in England in 1978. Covering 75 vegetables in alphabetical order across 600+ pages, Jane gathered recipes from history, from kitchens around the world, from other cooks and their books, and from her own kitchen to create this large-scale compendium chockful of veggies of all varieties.

When Jane Grigson’s Vegetable Book debuted, it won several awards including the Glenfiddich Food and Drink Writer of the Year and the Andre Simon Memorial Book Fund Award. It still remains one of the most favorite of all Jane’s cookbooks, inspiring professional chefs and home cooks of all ages and skill levels. 

Interesting recipes from Jane Grigson’s Vegetable Book include Gratin Savoyard, Chicken Gumbo, Palestine Soup, Pancakes with Carrot Filling, Sauerkraut Salad, Aubergine Slippers, Baked Avocado with Crab, Asparagus Fricassee, Letil and Pork Stew, and Sicilian Stuffed Peppers.

Find a 1979 First American edition in the shop here.

Photo of Jane Grigson courtesy of Tarrytown Daily News, Nov. 28 1992

6. Sarah Field Splint – The Art of Cooking & Serving (1926)

First published in 1926, The Art of Cooking and Serving was a modern take on meal planning, nutrition, and cooking techniques for the modern 1920s woman who didn’t want to spend the entire day cooking in the kitchen.

Containing just under 200 recipes, it was written by American Sarah Field Splint (1883-1959), a popular women’s magazine editor, suffragette, and domestic science expert, and produced in partnership with Crisco – a vegetable shortening product that Sarah endorsed as an alternative to butter. 

First introduced in 1911, most home cooks relied on Crisco for cooking and frying but by the 1920s, it started to be marketed for baking as well. Sarah’s cookbook helped highlight the wide variety of recipes that could be achieved using Crisco. Everything from cakes to muffins, breads to breakfast foods, sauces to souffles could all be perfected with the help of this reliable vegetable shortening. By the time the 1931 edition of The Art of Cooking and Serving was published, over 540 recipes were included, which suggests not only the popularity of the book but the enthusiasm for Crisco as well.

Crisco aside, what’s especially interesting about this Depression-era cookbook, is the focus on getting the most value both physically and emotionally from each meal as possible.  Highlighting nourishing foods, the reuse of frying oil, and the repurposing of leftovers for additional meals signaled the sign of trying economic times. A chapter on servantless households details the changing roles of women when it came to food preparation. And emphasis was placed on good taste, both in food and presentation, with the mission to make both as hospitable and alluring as possible. As Sarah advised… a pretty china pattern added just as much fortitude for the spirit as did a steak dinner for the body. 

Interesting recipes include Orange Biscuits, Wedding Cake, Molasses Mint Taffy, Mexican Kisses, Hot Chocolate Sauce, Steamed Chocolate Pudding, Deep Dish Huckleberry Pie, Danish Pastry, Butterscotch Tarts, Ginger Cake, Mother’s Tea Cakes, Cheese Straws, Coffee Cake, Whole Wheat Griddle Cakes, Gree Corn Fritters, Potato Souffle, Sausage Turnovers, Jelly Omelet, Baked Spaghetti, Fried Hominey, Sweet Potato Croquettes, French Crullers, Raised Doughnuts, and Saratoga Chips 

7. The Women of St. Paul’s Church – The Art of Greek Cookery (1963)

The recipes in The Art of Greek Cookery were compiled in 1958, by 16 first-generation Greek women who were part of the congregation of St. Paul’s Greek Orthodox Church in Hempstead, New York.

First formed in 1944, St Paul’s Church by the late 1950s was thriving. Needing to expand as its membership grew, the ladies of the congregation started a recipe committee as part of the Church’s social organization known as the Mr. & Mrs. Club. The goal of the committee was to gather traditional Greek heritage recipes and compile them into a book for American cooks as a fundraiser to help pay for construction on a new building. With true grit and determination, these ladies got to work gathering, testing and adapting hundreds of recipes representative of their Greek culture.  

After two and half years of laboring, they published a simple spiral-bound cookbook entitled, The Grecian Gourmet. Both The New York Times and the New York Tribune published articles about the women and their book project, which caught the attention of home cooks all across the country.  Book orders poured in. The recipe committee was humbled and amazed that their little cookbook had become such a sensation.

The cookbook also caught the attention of New York publishing giant Doubleday and Company, who wanted to republish it under their “Art of ” cookbook series. And so The Art of Greek Cookery was born in 1963.

Containing a wealth of recipes ranging from appetizers to desserts, this cookbook also contained information on Greek wines, traditional feast days, customs, suggested menus, and a lovely forward by the then pastor, Father George Papadeas. To say that he was not only proud but impressed by the hard work and determination of these women was an understatement.  Just by reading the forward, the preface, and the introduction of this cookbook, you can tell that so much love and good cheer was behind this project. 100% of the proceeds from the book sales went into the church construction fund, which provided the congregation with more than enough money to undertake the expansion project.  Both the Church and the recipe club are still going strong today. 

Interesting recipes include Stuffed Grapevine Leaves, Cocktail Meatballs, Yogurt Dip, Stuffed Mussels, Buttermilk Soup, Chicken with Dill Sauce, Codfish Stew, Chicken Stefado, Roast Lamb with Artichokes, Fresh Ham Macaronada, Moussaka ( 3 versions!), Pastichio (also 3 versions!), Stuffed Cabbage Leaves, Zucchini Souffle, Squash Fritters, Rum Cake a la Grecque, Ravani, Butter Cookies, Halvah, Caramel Custard, Eggplant Preserves and Quince Puree.

8. Madhur Jaffrey – A Taste of India (1986)

Long before Madhur Jaffrey (b. 1933) became a culinary icon, she was a wife, and a mom, and an actress living in New York City. A strong sense of nostalgia and a desire to share some of her heritage foods with her American friends led Madhur to communicate with her mother via letters about the recipes she missed most from her homeland of India. For 15 years, the two women corresponded back and forth. That communication via mail led to Madhur’s first cookbook, An Invitation to Indian Cooking published in 1973.

Next, Madhur was off on a seven-year East Asian culinary adventure visiting Japan. Thailand, Indonesia, the Philippines, Korea, and her own homeland of India to collect and record authentic vegetarian recipes from those cultures. The result of all that travel was a second cookbook published in 1981, Madhur Jaffrey’s World of the East Vegetarian Cooking.

By the time A Taste of India, her fifth cookbook was published in 1986, Madhur’s culinary reputation for outstanding authentic Indian cuisine was firmly established.  Exploring India’s diverse food customs and heritage, complete with a plethora of travel photographs, A Taste of India reads as much like a visitor’s guide as it does a recipe book, giving home cooks the chance to fully immerse themselves in the history and culture of fourteen distinct regions throughout India. 

Madhur was not a new face to the shop this year but A Taste Of India was, and it was so insightful regarding both the visual and practical art of food in India, that it’s included this year as a true heritage companion to Indian cooking.

A photo from A Taste of India

Interwoven with family stories, atmospheric memories from Madhur’s childhood and historical context surrounding each recipe, this cookbook was packed with fascinating information about what, how and why Indians eat the way they do and how home cooks could capture the essence of authentic Indian cuisine in their own American kitchens. 

Exploring a vast array of different culinary foods, each prepared according to the customs and traditions found in a myriad of diverse topographical locations around the country from mountains to deserts to tropical lowlands and coastal areas, A Taste of India highlighted recipes from Delhi, Punjab, Haryana, Uttar Pradesh, Rajasthan, Madhya Pradesh, Gujarat, Maharashtra, Kashmir, Bengal, Hyderabad, Tamil, Nadu, Karnataka and Kerala. 

Interesting recipes included Potatoes Cooked with Ginger, Chickpea Flour Stew with Dumplings, Steamed Savoury Cakes, Walnut Chutney, Kashmiri Spinach, Chicken with Fresh Green Coriander, Fish in Bengali Sauce, Shrimp Cooked with Coconut Milk, Vegetables Cooked with Split Peas, Eggplants with Apple, Rice with Tomatoes and Spinach, Punjabi Black-Eyed Peas and Rice Cooked in Aromatic Broth.

9. Elizabeth Kander – The Settlement Cook Book (1901)

First published in 1901, The Settlement Cook Book was created by Mrs. Simon Kander, aka Elizabeth Black Kander (1858-1940) to help give immigrant families, mostly of Jewish descent, a proper start in America as they relocated from Eastern Europe to Wisconsin. Lizzie, a college graduate and lifelong community activist taught cooking classes at a social service agency called The Settlement. Helping Milwaukee’s economically challenged immigrant communities, gain valuable skills in the kitchen, The Settlement helped acclimate its new residents to a more modern American way of life. 

Containing traditional foods from their homeland (included for comfort) as well as foods popular in America during the turn of the 20th century (included for practicality and social acceptance), Lizzie’s desire was to give all families a successful start in America from the inside out via good food, nutrition, information and sanitary kitchen care.

Part of Wisconsin’s assimilation movement in the early 1900s, Lizzie first published The Settlement Cook Book in 1901, prompted by a fund-raising effort for the Settlement House. A runaway success, it was in continuous print for the next 90 years and became one of the few cookbook brands that accurately tells the story of Jewish American food evolution, eating habits, and appetite preferences over the course of the entire 20th century. Even after Lizzie passed away in 1940, this cookbook continued to make a valuable mark on the culinary landscape.

Interesting recipes from The Settlement Cookbook include Sour Cream Kolatchen, Almond Pretzels, Iced Coffolate, Homemade Vinegar, Matzos Charlotte with Apples, Red Cabbage with Wine, Koenigsberger Klops, White Wine Soup, Eggs a la Tarcat, Apricot Nut Bread, Matzos Sponge Roll, Banana Cake, Potato Chocolate Torte, Cardamon Cookies and a host of fun cocktails.

10. Ann Seranne – The Complete Book of Home Preserving (1955)

A former food editor at Gourmet magazine, a food columnist at the New York Post, and a prolific author, Ann Seranne was the pen name of American cook and writer Margaret Ruth Smith (1913-1988). 

On an educational trajectory to become a medical doctor, Margaret instead turned to food science after she was expelled for setting lab cats free during her college years. Writing about food was more in line with her beliefs than animal testing, so when she started developing a keen interest in kitchen science and food chemistry in the 1930s, she adopted the name Ann Seranne as her nom de plume.  Twenty-five books later, Ann was a leading expert and trusted resource in the culinary industry. 

In 1955, she published The Complete Book of Home Preserving. Leaving no food preservation method untouched, from canning fruits and vegetables to freezing meat to drying herbs and smoking fish, this cookbook was a treasure trove of history, food prep, and recipes ideal for kitchen gardeners, off-grid lifestylers or anyone interested in a self-sustainable food system.

Incredibly thorough as far as information, with recipes included to guide home cooks along the way, Ann offered all sorts of helpful assistance when it came to preparing food now to eat later. From equipment to dos and don’ts to selecting the right packaging and the right containers, no stone was left unturned. Techniques for drying herbs, preserving fish (ie rackling – an ancient Nordic style of fish preservation) and smoking meats included tried and true methods that were utilized in other countries too.

Lauded by food critics, home cooks, and columnists alike, many cookbooks throughout the 20th century focused lightly on canning but Ann’s book became a kitchen bible for self-sustainability.

Interesting recipes from The Complete Book of Home Preserving include Green Tomato Pickles, Cherry Marmalade, Strawberry Rhubarb Jelly, Watermelon Plum Conserve, Carrot Butter, Cantaloupe Orange Jam, Preserved Coconut, French Brandied Fruits,  Ginger Root Preserve, White Grapes in Cognac, Canned Baked Beans, Pate, Meat0Vegetable Stew, Crab Soup and Gumbo,. Canned Spiced Salmon, Artichoke Relish, Hot Dog Relish, Apple Chutney, Pickled Blueberries, Apple Ketchup, Smoked Country Sausage, Corned Beef, Dried Apples, and Velva Fruit.

Photo of Ann Seranne (left) in her kitchen courtesy of The Hamilton Spectator Dec. 11, 1968

I hope you found this list of cooks and their books just as interesting as I did. And that it not only piques your interest in learning more about the women included here but also inspires your own cooking journey and all the possibilities that await. You never know where a good recipe might lead.

Cheers to Maura, Savella, Fu, Jane, Elizabeth, Sarah, the ladies of St. Paul’s Church, Madhur, Anne, and Ann for sharing their kitchen journeys via books and recipes. Our modern-day meals would not be as delicious without your contributions. And cheers to all the millions of women around the globe who continue to cook, feed, create, dream, innovate, and inspire the culinary landscape of history, day in and day out, year after year. Because of your too often under-appreciated and overlooked cooking endeavors, we thrive.

The Greenhouse Diaries 2025 : Meet Herbalist Adelma Grenier Simmons – Our Inspiration for the Year

Snow is on the ground, freezing rain is in the forecast, and our first seedlings have just sprouted. It is officially time. The Greenhouse Diaries are back for a whole new year of growing adventures, experimental gardening, and wit and wisdom from some of the most interesting gardeners of the past three centuries.

If you are new to the blog, this series started in December 2022 as a way to chronicle our horticultural endeavors as we build up the heirloom gardens surrounding 1750 House with the help of our 4’x6′ polycarb greenhouse.

December 2022 in the greenhouse

With two full growing years behind us and lots of trial and error, we are now at the stage where we pretty much understand the general garden design and layout we want to achieve, the capabilities we are working within, the location of beds, the soil, the sun, the shadows cast by the tree canopies, and the wildlife that both helps and hinders some of our ultimate goals.

Each year, we establish a theme in January based on inspiration from a vintage garden book that helps set the direction for the next twelve months and organizes the project list. While the overall garden plan has changed quite dramatically since we first moved in in the spring of 2022, the Diaries have helped define and redefine expectations, capabilities and desires.

First bouquet from the greenhouse – winter 2023.

In Year One, hot off the trail of sixteen years of city and country gardening in the hot and humid South, we were keen on testing the greenhouse’s ability to grow an array of vegetables, herbs, and flowers during our first New England winter, all inspired by the writings of Katharine Sergeant Angell White and her 1977 book Onward and Upward in the Garden.

In Year Two, we embraced perennials native to the East Coast that would provide a pleasant aromatic scent to the garden across all four seasons, thanks to the 1977 book The Fragrant Year by Helen Van Pelt Wilson and Leonie Bell.

While we gleaned valuable information in both years and grew the garden successfully in many exciting directions, last year’s theme presented so many challenges that it made us rethink the perfumed garden altogether. In place of twelve new additions to the garden, we only added five… three bare-root witch hazel trees, a patch of perennial viola flowers, and a pot of Nemessia on the porch that slugs eventually enjoyed all the way down to tiny little nubs. The idea of planting an aromatic garden, while fun in theory taught us a lot about the realities of working within the confines of a Northeastern landscape. As we have come to learn, gardening successfully in New England means recognizing and embracing the seasonality of the landscape. And that means in winter, the natural world rests.

January 2025

While it is not a problem to acquire twelve aromatic plants in a year, it was difficult to acquire them on a month-by-month basis in keeping with the Diaries’ month-by-month writing/gardening schedule. We discovered last year that most growers with aromatic inventory won’t ship to our neck of the woods until late spring or after early fall to ensure a successful growing experience. Our own favorite local nursery closes down completely from the end of December to mid-March and larger garden retailers in our area start to remove outdoor plant inventory by the end of July.

This left a limited window of opportunity to plant a dozen new varieties which didn’t match up well with a month-by-month writing schedule. That being said, The Fragrant Year was set aside a third of the way through 2024 and the greenhouse became a holder for a hodge podge of succulents, herbs and experimental seedlings for the rest of the year. Too fun of an idea to let it go, we haven’t seen the last of the Fragrant Year project though. It will come back with a more appropriate planting schedule at some point in the next few years. In the meantime, the now-established witch hazels and violas planted last spring will represent the scented garden for now as we turn our attention to our new, much more accessible garden project for 2025.

January 2025 flower buds on the witch hazel

This year, our gardening endeavors involve building a perennial herb garden with the help of Adelma Grenier Simmons (1903-1997) and her book Herb Gardening in Five Seasons published in 1964.

Adelma was considered a definitive authority on herb gardening in the United States during the mid-to-late 20th century. A Vermonter by birth, in 1929 at the age of 26, Adelma purchased a rundown 18th-century farmhouse on fifty acres in Coventry, Connecticut with the idea that she and her parents would start a dairy farm selling cheese and butter made from their own herds of cowsa and goats. She called the farm Caprilands, which literally means goatlands in Latin.

Adelma Grenier Simmons in 1935. Photo courtesy of the Hartford Courant August 01, 1935. Photo by John Haley

Soon discovering that running a dairy while also maintaining a full-time job as an international buyer for a Massachusetts department store left little time to do both jobs well. Adelma began to rethink her farming dreams. Inspired one day by a walk up to a rocky hill on her land, feeling the sun’s warmth on her face and watching it move across a patch of scrubby terrain, Adelma’s thoughts turned to recollections of earlier travels to Europe and the beautiful herb gardens that decorated a similar landscape. An idea struck.

By the early 1950s, the Caprilands Herb Farm was well established and Adelma was on her way to becoming the foremost authority on herb gardening in America. Welcoming visitors from around the world, Adelma gave tours of the grounds and the gardens. She also taught classes, organized workshops, and hosted teas and luncheons at Caprilands for anyone interested in learning more about growing, cultivating, cooking, and collecting these multi-faceted plants.

1970s postcard of Adelma’s 18th century Connecticut home – Caprilands

Eventually, Adelma became known as America’s “First Lady of Herbs” and was credited with igniting the country’s interest in herb gardens. In addition to educating the public at home, Adelma also lectured extensively around the country, into her late 80s, inspiring generations of gardeners with her knowledge of herbal horticulture, history, and symbolism. The gardens at Caprilands contained between 200-300 different varieties of herbs at any given time and from them, Adelma preserved stems and stalks in dried bouquets and living wreaths, saved seeds, seasoned food, and wrote extensively on their presence in horticulture, history, cooking and decorating. Her farm became both a learning center and a bustling business spreading the joy of herb gardening around the world.

Adelma Grenier Simmons photographed in October 1984 by Don Heiny. Photo courtesy of Find A Grave.

When she passed away in 1997 at the age of 93, Adelma’s estate went into probate and got tangled up in legal matters preventing her ultimate wishes of turning the property into an educational resource center permanently open to the public. The legal battles, which lasted over two decades, eventually resulted in Adelma’s house being sold, dismantled, and relocated to upstate New York where it was rebuilt for a private buyer.

1970s postcard of one of the 30 different herb gardens at Caprilands

While Caprilands and the incredible herb gardens that surrounded it are now a thing of the past, thankfully Adelma was a prolific writer who shared much of her knowledge and enthusiasm for herbs in over four dozen books and innumerable pamphlets. In the 1960s, Herb Gardening in Five Seasons, kicked off her writing career. Covering spring, summer, fall, winter, and Christmas (the fifth season), Adelma’s book tackles just about every bit of information you would need to start, maintain, and build upon an herb garden of your own.

Garden layouts, botanical drawings, black and white photographs, recipes, and poetry fill the pages of Herb Gardening in Five Seasons while also providing detailed information on seventy-seven different plants, an herbal dictionary, and a pronunciation guide. One of the things I love most about Adelma’s book are the lists in the back that organize groupings of herbs by name according to specific situations… Herbs for Bees, Herbs for Dry Soil, Herbs for a Meditation Garden, Herbs to Grow as Hedges, Herbs for Tall Accent, Herbs for Sun-Filtered Shade, etc. It’s that latter list that interests me most since the majority of the garden spaces at 1750 House are bathed in partial shade throughout most of the peak growing months.

When I first discovered Herb Gardening in Five Seasons at a local book sale, a woman next to me asked if I had heard of Adelma. When I said that I had not, she proceeded to tell me a story about the time she went to a luncheon at Caprilands and about how Adelma had served the biggest salad bowl she had ever seen stuffed to overflowing with nasturtium flowers freshly picked just hours earlier. The woman said it was the prettiest salad she had ever seen, let alone eaten. Right then, I knew the book was bound for life and library at 1750 House. Thinking about how well the nasturtiums have grown each summer in the gardens here and the fact that her book includes not only gardening advice but also recipes too, it seemed like Adelma was the perfect teacher to assist us this year in our efforts to create a permanent herb garden.

It wasn’t until after I was home that I noticed that Adelma had inscribed the book to a previous owner. To Carol, it reads… May herbs enrich your life and bring you joy for all seasons. Adelma Grenier Simmons.

Here it was. The final nudge from Adelma to get the garden growing. Over the next twelve months, I cannot wait to share her insight, wisdom, and instruction through our herb gardening adventure. In the next Greenhouse Diaries post, I’ll share the layout and location of the herb garden and the list of herbs that will get us started, courtesy of Adelma’s helpful garden guide and companion planting lists.

In addition to Adelma’s final wishes to turn Caprilands into a teaching facility and an educational resource, she also fancied the idea of creating a network of other herb farms around the country that shared a like-minded enthusiasm for herbal outreach and education. Since Adelma’s wishes for her beloved gardens at Caprilands never came to fruition, it is nice to be able to honor her here in our herb garden adventure at 1750 House. Perhaps in our own small way, it’s part of the start of the cross-country garden network that she envisioned so long ago.

Cheers to a whole new year of gardening, to Adelma for sharing her knowledge of herbs, and to the greenhouse who is proving to be a wonderful teacher herself.

Malindy Walker’s 1920s Buttermilk Biscuit Recipe

On August 28th, 1963, Martin Luther King Jr. delivered his I Have a Dream speech in Washington D.C. Four decades earlier in 1921, a southern domestic cook named Malindy Walker, locally known as Aunt Malindy, delivered her own inspiring words in Fayetteville, Arkansas. Unlike MLK Jr., Malindy’s words weren’t spoken on a national stage, nor did they reach thousands of admirers. Malindy’s platform was her kitchen and her audience was just a handful of people involved in the publishing industry. But like Martin Luther King Jr., Malindy’s words managed to change the status quo when it came to equality in the kitchen. And she did it with food.

Malindy Walker aka “Aunt Malindy.” Photo courtesy of Good Housekeeping, January 1921

As a longtime domestic cook for the family of Rena Buchanan Shore Duncan, Malindy’s reputation for good cooking was well-known in the Fayetteville, Arkansas area. Featured in the January 1921 issue of Good Housekeeping magazine, in an article written by Rena, Malindy shared cooking secrets for some of her best-loved recipes including Corn Dodger, Southern Chocolate Cake, Fried Chicken, and Buttermilk Biscuits. Enhancing the article was a portrait of Malindy herself, looking confidently at the camera.

At the time, it was unusual for magazines to feature African-American cooks, especially with a portrait included. When Good Housekeeping suggested photographing Malindy at home in her cabin, she said absolutely not. She wanted to be photographed portrait-style just like all the other white cooks had been photographed in previous issues. Malindy was proud of her recipes and she wanted to be treated no differently than any other good cook regardless of her gender or ethnicity.

Good Housekeeping granted Malindy’s request and her portrait was featured front and center in a two-page spread surrounded by her best recipes. I found this little snippet of a story to be so inspiring on several different fronts. First, there was Malindy’s insistence on being treated like everyone else. Second, there was the magazine’s recognition and approval of her request. And third, there were the recipes themselves – examples of beloved southern foods perfected by an African American woman who represented a large swath of kitchen workers that all too often received little to no recognition for their own contributions to the American culinary landscape. In celebration of Martin Luther King Day, we are celebrating Malindy Walker and her courage to dream for an equal place in the kitchen.

This insistence surrounding a specific photography setup might seem like a small win in the big fight for equal rights, but Malindy’s request did set a tone for how she wanted to be viewed and respected. And it made an impact. So much so that the editorial team noted the story surrounding Malindy’s photograph in the article, forever recording in print, her desire for equal treatment.

Apart from the handful of recipes included in the article and bits and pieces of information learned in census records and newspaper archives, details about Malindy’s life are vague. It was believed that she was between 80 and 90 years old when her portrait was taken for the magazine. On her death certificate, her date of birth along with her parent’s names is simply marked unknown. But at the time of her death in 1931, she was rumored to be over 100. She was married and then widowed. At the time the article was published, Malindy lived in the Spout Spring area of Fayetteville. This neighborhood, also referred to as Tin Cup, was established following the American Civil War by formerly enslaved African Americans.

A view of South Fayetteville circa 1890. the Tin Cup neighborhood where Malindy lived is unseen but located just below the rolling hill in the foreground. Photo courtesy of FayettevilleHistory.com

There are so many facets of Malindy’s life that raise curiosity and questions including interest in understanding her own possible enslavement story, her loyalty to Rena’s family, her cooking journey, and whether or not she had children of her own.

Rena Buchanan Shore Duncan (1887-1978)

Following the publication of the Good Housekeeping article, Rena went on to write more about Malindy in future pieces for the Saturday Evening Post in which she received praise for writing in the dialect in which Malindy spoke. Although at the time, this style of storytelling made Rena’s writing popular, her stories would be considered offensive and insensitive today. That makes Malindy’s recipes and the publication of them alongside her portrait all the more important. They mark her place in time, in the world, and in history during a century that saw so much change in the lives of African Americans living in the South.

In that spirit, I’m so pleased to share Malindy’s antique recipe for buttermilk biscuits. Spend any amount of time below the Mason-Dixon line – a day, a week, a lifetime – and you’ll quickly learn that each homemade batch of biscuits has its own way of coming together. All Southerners have their own unique take on what the best biscuit is made of and Malindy was no different. Some recipes call for lard, others call for butter. Some contain a small amount of buttermilk and a large amount of baking powder or a large amount of milk and a small amount of baking soda. There’s yeast, no yeast, double rise, no-knead, flavored, plain, dense, doughy, puffed, pillowy, and light-as-a-feather varieties that come in all shapes and sizes.

Malindy’s recipe features a small amount of lard, several cups of flour, a pint of buttermilk, and equal amounts of baking powder and baking soda. Although so many home cooks in the south attest to the fact that lard makes a better biscuit, I substituted butter in place of it in this recipe since it calls for so little fat. I wouldn’t be doing much cooking with lard post-recipe, so it would it seem like a waste to buy an entire package of lard just to use two tablespoons. Other than that I made Malindy’s recipe exactly as she suggested and the biscuits turned out beautifully, with a satisfying crunch on the outside and a soft, flaky texture on the inside. Depending on the size of your biscuit cutter, this recipe makes up to two dozen biscuits, which can be stored in the fridge for up to a week and reheated for five minutes in the oven at 350 degrees. Malindy recommended always serving them hot, and I would totally agree, as their composition becomes more dense when they are cold.

Malindy Walker’s Buttermilk Biscuit Recipe circa 1921

4 1/2 cups flour

1 teaspoon baking powder

1 teaspoon baking soda

1 1/2 teaspoon salt

2 tablespoons lard (or butter)

1 pint buttermilk (two cups)

Sift the flour, baking powder, baking soda, and salt together. Mix the lard or butter in well and add the buttermilk.

Knead until very smooth, roll to a half inch in thickness and bake about 15 minutes in a hot oven (450 -475 degrees).

Best when enjoyed straight from the oven, the top and bottom of the biscuits have a nice crunch to them, like toast, but the inside is flaky and pulls apart in lovely little layers. If you are interested in a complete Southern experience, you could serve these with a side of gravy and thinly sliced ham or pile them high on a platter and serve them for breakfast alongside bacon and eggs smothered in cheese. I recommend serving them with butter and jam or a drizzle of honey. On a cold winter’s day, paired with a cup of coffee or tea, it’s a little meal unto itself.

When Malindy passed away in January 1931, her obituary was printed in the St. Louis Argus. In it, they referred to Malindy as a “famous character” and it was noted that she was buried in the “white cemetery” in Rena’s family plot. Tracing African American lineage in the South is such a challenging endeavor when you know few facts about a person. I think that is what makes Malindy’s story so fascinating though. There were actually quite a few details recorded about her life including a portrait of her and information that provided insight into her character. Her love of cooking reached people far beyond her own kitchen and became the tool that helped her feel empowered enough to stand up for herself and what she deemed fair treatment. It would be wonderful to uncover more information about Malindy’s long life, so I’ll keep researching her throughout the year and share any new news I find with an update on this post. In the meantime, we have her biscuits.

Cheers to Malindy for sharing her best recipe and for standing up for equality in the face of marginalization. Martin Luther King Jr. was born just two years before Malindy died, but had he known her in his lifetime, I bet he would have been so proud of her.